Category: list

Books on Berlin VI

Föllmer, M. (2015). Individuality and modernity in Berlin self and society from Weimar to the wall. Cambridge University Press.

“Moritz Föllmer traces the history of individuality in Berlin from the late 1920s to the construction of the Berlin Wall in August 1961. The demand to be recognised as an individual was central to metropolitan society, as were the spectres of risk, isolation and loss of agency. This was true under all five regimes of the period, through economic depression, war, occupation and reconstruction. The quest for individuality could put democracy under pressure, as in the Weimar years, and could be satisfied by a dictatorship, as was the case in the Third Reich. It was only in the course of the 1950s, when liberal democracy was able to offer superior opportunities for consumerism, that individuality finally claimed the mantle. Individuality and Modernity in Berlin proposes a fresh perspective on twentieth-century Berlin that will engage readers with an interest in the German metropolis as well as European urban history more broadly.” – from Cambridge Core

Stratigakos, D. (2008). A women’s Berlin: building the modern city. University of Minnesota Press.

“Around the beginning of the twentieth century, women began to claim Berlin as their own, expressing a vision of the German capital that embraced their feminine modernity, both culturally and architecturally. Women located their lives and made their presence felt in the streets and institutions of this dynamic metropolis. From residences to restaurants, schools to exhibition halls, a visible network of women’s spaces arose to accommodate changing patterns of life and work.

A Women’s Berlin retraces this largely forgotten city, which came into being in the years between German unification in 1871 and the demise of the monarchy in 1918 and laid the foundation for a novel experience of urban modernity. Although the phenomenon of women taking control of urban space was widespread in this period, Despina Stratigakos shows how Berlin’s concentration of women’s building projects produced a more fully realized vision of an alternative metropolis. Female clients called on female design professionals to help them define and articulate their architectural needs. Many of the projects analyzed in A Women’s Berlin represent a collaborative effort uniting female patrons, architects, and designers to explore the nature of female aesthetics and spaces.

At the same time that women were transforming the built environment, they were remaking Berlin in words and images. Female journalists, artists, political activists, and social reformers portrayed women as influential actors on the urban scene and encouraged female audiences to view their relationship to the city in a radically different light. Stratigakos reveals how women’s remapping of Berlin connected the imaginary to the physical, merged dreams and asphalt, and inextricably linked the creation of the modern woman with that of the modern city.” – from University of Minnesota Press

Hake, S. (2008). Topographies of class: modern architecture and mass society in Weimar Berlin. University of Michigan Press.

“In Topographies of Class, Sabine Hake explores why Weimar Berlin has had such a powerful hold on the urban imagination. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects; debates; and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society.

Focusing on the so-called stabilization period, Topographies of Class maps out complex relationships between modern architecture and mass society, from Martin Wagner’s planning initiatives and Erich Mendelsohn’s functionalist buildings, to the most famous Berlin texts of the period, Alfred Döblin’s city novel Berlin Alexanderplatz (1929) and Walter Ruttmann’s city film Berlin, Symphony of the Big City (1927). Hake draws on critical, philosophical, literary, photographic, and filmic texts to reconstruct the urban imagination at a key point in the history of German modernity, making this the first study—in English or German—to take an interdisciplinary approach to the rich architectural culture of Weimar Berlin.” – from University of Michigan Press

Gay, P., & Gay, P. (1999). My German question: growing up in Nazi Berlin. Yale University Press.

“In this poignant book, a renowned historian tells of his youth as an assimilated, anti-religious Jew in Nazi Germany from 1933 to 1939—“the story,” says Peter Gay, “of a poisoning and how I dealt with it.” With his customary eloquence and analytic acumen, Gay describes his family, the life they led, and the reasons they did not emigrate sooner, and he explores his own ambivalent feelings—then and now—toward Germany and the Germans.

Gay relates that the early years of the Nazi regime were relatively benign for his family: as a schoolboy at the Goethe Gymnasium he experienced no ridicule or attacks, his father’s business prospered, and most of the family’s non-Jewish friends remained supportive. He devised survival strategies—stamp collecting, watching soccer, and the like—that served as screens to block out the increasingly oppressive world around him. Even before the events of 1938–39, culminating in Kristallnacht, the family was convinced that they must leave the country. Gay describes the bravery and ingenuity of his father in working out this difficult emigration process, the courage of the non-Jewish friends who helped his family during their last bitter months in Germany, and the family’s mounting panic as they witnessed the indifference of other countries to their plight and that of others like themselves. Gay’s account—marked by candor, modesty, and insight—adds an important and curiously neglected perspective to the history of German Jewry.” – from Yale University Press

Manghani, S. (2008). Image critique & the fall of the Berlin Wall. Intellect.

“Although we are now accustomed to watching history unfold live on the air, the fall of the Berlin Wall was one of the first instances when history was produced on television. Inspired by the Wall and its powerful resonances, Sunil Manghani’s breakthrough study presents the new critical concept of “image critique,” a method of critiquing images while simultaneously using them as a means to engage with contemporary culture. Manghani examines current debates surrounding visual culture, ranging from such topics as Francis Fukuyama’s end of history thesis to metapictures and East German film. The resulting volume is an exhilarating interweaving of history, politics, and visual culture.

“Sunil Manghani’s Image Critique & the Fall of the Berlin Wall is the best sort of scholarly book—an intellectually grounded and theoretically adventurous critical performance. Through his concept of image critique, Manghani makes a virtue out of the many attributes of images that bedevil visual cultural studies, rightly insisting that rather than domesticating images for the tyranny of the word, scholars must do visual studies from the ground of images, in the process reconceptualizing theory and criticism. Manghani adeptly anchors his insights in close engagements with images, most notably images from the event of the fall of the Berlin Wall. If heeded, Manghani’s book will change the trajectory of visual cultural studies by making critique a performance with force in the world.” – from The University of Chicago Press

Books on Berlin V

MacLean, R. (2015). Berlin: portrait of a city through the centuries. Picador, St. Martin’s Press.

“Berlin is a city of fragments and ghosts, a laboratory of ideas, the fount of both the brightest and darkest designs of history’s most bloody century. The once arrogant capital of Europe was devastated by Allied bombs, divided by the Wall, then reunited and reborn as one of the creative centers of the world. Today it resonates with the echo of lives lived. No other city has repeatedly been so powerful and fallen so low; few other cities have been so shaped and defined by individual imaginations.

Berlin tells the volatile history of Europe’s capital over five centuries through a series of intimate portraits of two dozen key residents: the medieval balladeer whose suffering explains the Nazis’ rise to power; the genius Jewish chemist who invented poison gas for First World War battlefields and then the death camps; the iconic mythmakers like Christopher Isherwood, Leni Riefenstahl, and David Bowie, whose heated visions are now as real as the city’s bricks and mortar. Alongside are portrayed some of the countless ordinary Berliners whose lives can only be imagined: the ambitious prostitute who refashioned herself as a baroness, the fearful Communist Party functionary who helped to build the Wall, and the American spy from the Midwest whose patriotism may have turned the course of the Cold War.

Berlin is a history book like no other, with an originality that reflects the nature of the city itself. In its architecture, through its literature, in its movies and songs, Berliners have conjured their hard capital into a place of fantastic human fantasy. No other city has so often surrendered itself to its own seductive myths. Berlin captures, portrays, and propagates the remarkable story of those myths and their makers.”  – from macmillan

Stahl, G. (Ed.). (2014). Poor, but sexy: reflections on Berlin scenes. Peter Lang.

“Poor, But Sexy: Reflections on Berlin Scenes offers readers a varied cross-section of the city’s scenes, providing a prismatic view of one of Europe’s mythical cultural capitals. The authors gathered here address a range of topics, including Turkish gay clubs, queer filmmaking, record labels, the legendary Russendisko, electronic music festivals, the city’s famous techno scene, the clandestine dimensions of its nighttime club culture, and the fraught emergence of the Mediaspree. With the shifting context of post-Wende Berlin its backdrop, this collection puts into relief an electic array of case studies, presenting to readers interested in exploring urban issues a number of critical and analytical perspectives on the city’s cultural life as it moves into the twenty-first century. Poor, But Sexy is an important contribution to the critical analysis of the cultural spaces in the city, and allows readers access to one of the few scholarly overviews of Berlin’s varied cultural life available in English.”  – from Peter Lang

Loberg, M. J. (2020). The struggle for the streets of Berlin: politics, consumption, and urban space, 1914-1945. Cambridge University Press.

“Who owns the street? Interwar Berliners faced this question with great hope yet devastating consequences. In Germany, the First World War and 1918 Revolution transformed the city streets into the most important media for politics and commerce. There, partisans and entrepreneurs fought for the attention of crowds with posters, illuminated advertisements, parades, traffic jams, and violence. The Nazi Party relied on how people already experienced the city to stage aggressive political theater, including the April Boycott and Kristallnacht. Observers in Germany and abroad looked to Berlin’s streets to predict the future. They saw dazzling window displays that radiated optimism. They also witnessed crime waves, antisemitic rioting, and failed policing that pointed toward societal collapse. Recognizing the power of urban space, officials pursued increasingly radical policies to ‘revitalize’ the city, culminating in Albert Speer’s plan to eradicate the heart of Berlin and build Germania.” – from Cambridge Core

White-Spunner, B. (2021). Berlin: the story of a city. Simon & Schuster.

“The intoxicating history of an extraordinary city and her people—from the medieval kings surrounding Berlin’s founding to the world wars, tumult, and reunification of the twentieth century.

There has always been a particular fervor about Berlin, a combination of excitement, anticipation, nervousness, and a feeling of the unexpected. Throughout history, it has been a city of tensions: geographical, political, religious, and artistic.

In the nineteenth-century, political tension became acute between a city that was increasingly democratic, home to Marx and Hegel, and one of the most autocratic regimes in Europe. Artistic tension, between free thinking and liberal movements started to find themselves in direct contention with the formal official culture. Underlying all of this was the ethnic tension—between multi-racial Berliners and the Prussians. Berlin may have been the capital of Prussia but it was never a Prussian city.

Then there is war. Few European cities have suffered from war as Berlin has over the centuries. It was sacked by the Hapsburg armies in the Thirty Years War; by the Austrians and the Russians in the eighteenth century; by the French, with great violence, in the early nineteenth century; by the Russians again in 1945 and subsequently occupied, more benignly, by the Allied Powers from 1945 until 1994.

Nor can many cities boast such a diverse and controversial number of international figures: Frederick the Great and Bismarck; Hegel and Marx; Mahler, Dietrich, and Bowie. Authors Christopher Isherwood, Bertolt Brecht, and Thomas Mann gave Berlin a cultural history that is as varied as it was groundbreaking.

The story vividly told in Berlin also attempts to answer to one of the greatest enigmas of the twentieth century: How could a people as civilized, ordered, and religious as the Germans support first a Kaiser and then the Nazis in inflicting such misery on Europe? Berlin was never as supportive of the Kaiser in 1914 as the rest of Germany; it was the revolution in Berlin in 1918 that lead to the Kaiser’s abdication. Nor was Berlin initially supportive of Hitler, being home to much of the opposition to the Nazis; although paradoxically Berlin suffered more than any other German city from Hitler’s travesties. In revealing the often-untold history of Berlin, Barney White-Spunner addresses this quixotic question that lies at the heart of Germany’s uniquely fascinating capital city.” – from Simon & Schuster

Schlör, J. (2016 [1991]). Nights in the big city: Paris, Berlin, London, 1840-1930 (P. Imhof & D. Roberts, Trans.; 2nd ed.). Reaktion Books.

“This elegantly written book describes the changes in the perception and experience of the night in three great European cities: Paris, Berlin and London. The lighting up of the European city by gas and electricity in the nineteenth and early twentieth centuries brought about a new relationship with the night, in respect of both work and pleasure.

Nights in the Big City explores this new awareness of the city in all its ramifications. Joachim Schlör has spent his days sifting through countless police and church archives, and first-hand accounts, and his nights exploring the highways and byways of these three great capitals. Illustrated with haunting and evocative photographs by, among others, Brandt and Kertész, and filled with contemporary literary references, Nights in the Big City has already been acclaimed in the German press as a milestone in the cultural history of the city.” – from The University of Chicago Press

Books on Berlin IV

Sandler, D. (2016). Counterpreservation: architectural decay in Berlin since 1989. Cornell University Press and Cornell University Library.

“In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. As nodes of public dialogue, they serve as platforms for dissenting views about the future and past of Berlin. In this book, Daniela Sandler introduces the concept of counterpreservation as a way to understand this intentional appropriation of decrepitude. The embrace of decay is a sign of Berlin’s iconoclastic rebelliousness, but it has also been incorporated into the mainstream economy of tourism and development as part of the city’s countercultural cachet. Sandler presents the possibilities and shortcomings of counterpreservation as a dynamic force in Berlin and as a potential concept for other cities.

Counterpreservation is part of Berlin’s fabric: in the city’s famed Hausprojekte (living projects) such as the Køpi, Tuntenhaus, and KA 86; in cultural centers such as the Haus Schwarzenberg, the Schokoladen, and the legendary, now defunct Tacheles; in memorials and museums; and even in commerce and residences. The appropriation of ruins is a way of carving out affordable spaces for housing, work, and cultural activities. It is also a visual statement against gentrification, and a complex representation of history, with the marks of different periods—the nineteenth century, World War II, postwar division, unification—on display for all to see. Counterpreservation exemplifies an everyday urbanism in which citizens shape private and public spaces with their own hands, but it also influences more formal designs, such as the Topography of Terror, the Berlin Wall Memorial, and Daniel Libeskind’s unbuilt redevelopment proposal for a site peppered with ruins of Nazi barracks. By featuring these examples, Sandler questions conventional notions of architectural authorship and points toward the value of participatory environments.” – from Cornell University Press

Vasudevan, A. (2016). Metropolitan preoccupations: the spatial politics of squatting in Berlin. Wiley/Blackwell.

“In this, the first book-length study of the cultural and political geography of squatting in Berlin, Alexander Vasudevan links the everyday practices of squatters in the city to wider and enduring questions about the relationship between space, culture, and protest.

  • Focuses on the everyday and makeshift practices of squatters in their attempt to exist beyond dominant power relations and redefine what it means to live in the city
  • Offers a fresh critical perspective that builds on recent debates about the “right to the city” and the role of grassroots activism in the making of alternative urbanism
  • Examines the implications of urban squatting for how we think, research and inhabit the city as a site of radical social transformation
  • Challenges existing scholarship on the New Left in Germany by developing a critical geographical reading of the anti-authoritarian revolt and the complex geographies of connection and solidarity that emerged in its wake
  • Draws on extensive field work conducted in Berlin and elsewhere in Germany” – from Wiley

Hessel, F. (2017 [1929]). Walking in Berlin: a flaneur in the capital (A. DeMarco, Trans.). The MIT Press.

“The first English translation of a lost classic that reinvents the flaneur in Berlin.

Franz Hessel (1880–1941), a German-born writer, grew up in Berlin, studied in Munich, and then lived in Paris, where he moved in artistic and literary circles. His relationship with the fashion journalist Helen Grund was the inspiration for Henri-Pierre Roché’s novel Jules et Jim (made into a celebrated 1962 film by Francois Truffaut). In collaboration with Walter Benjamin, Hessel reinvented the Parisian figure of the flaneur. This 1929 book—here in its first English translation—offers Hessel’s version of a flaneur in Berlin.

In Walking in Berlin, Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. Hessel deftly weaves the past with the present, walking through the city’s history as well as its neighborhoods. Even today, his walks in the city, from the Alexanderplatz to Kreuzberg, can guide would-be flaneurs.

Walking in Berlin is a lost classic, known mainly because of Hessel’s connection to Benjamin but now introduced to readers of English. Walking in Berlin was a central model for Benjamin’s Arcades Project and remains a classic of “walking literature” that ranges from Surrealist perambulation to Situationist “psychogeography.” This MIT Press edition includes the complete text in translation as well as Benjamin’s essay on Walking in Berlin, originally written as a review of the book’s original edition.” – from MIT Press

Pan, L. (2016). In-visible palimpsest: memory, space and modernity in Berlin and Shanghai. Peter Lang.

“In the early 1990s, Berlin and Shanghai witnessed the dramatic social changes in both national and global contexts. While in 1991 Berlin became the new capital of the reunified Germany, from 1992 Shanghai began to once again play its role as the most powerful engine of economic development in the post-1989 China. This critical moment of history has fundamentally transformed the later development of both cities, above all in terms of urban spatial order. The construction mania in Shanghai and Berlin shares the similar aspiration of «re-modernizing» themselves. In this sense, the current experience of Shanghai and Berlin informs many of the features of urban modernity in the post-Cold-War era. The book unfolds the complexity of the urban space per se as highly revealing cultural texts. Also this project doesn’t examine the spatial changes in chronological terms, but rather takes the present moment as the temporal standing point of this research. By comparing the memory discourse related to these spatial changes, the book poses the question of how modernity is understood in the matrix of local, national and global power struggles.” – from Peter Lang

Hausdorf, N., & Goller, A. (2015). Superstructural Berlin: a superstructural tourist guide to Berlin for the visitor and the new resident. Zero Books.

“The book amalgamates poetry, cultural critique, narrative and art into a strange and unsettling medley, putting the reader in the bizarre position of ‘confused investigator’ whilst also giving them an alternate way to read and respond to the streets of Berlin.

This text, written by Nicolas Hausdorf and designed by Alexander Goller, is much inspired by Benjamin’s work. Like in Benjamin’s text, here we find a mixture of quotations from others (including important and still understudied writers of the city such as Georg Simmel), observations of the writer’s own and interesting art work from the designer, often eclectically arranged on the page, perhaps to simulate the feeling of rummaging through a Benjaminian archive. The book’s intention, put forward abstractly in the prologue or ‘act one,’ is to break from sociological models entrenched in academic rules and regulations, approaching the city from outside these limitations and producing a reading of the city or an experience of reading the city that is perhaps more honest and certainly more radical.” – from Hong Kong Review of Books

Books on Berlin III

Sonnevend, J. (2016). Stories without borders: the Berlin Wall and the making of a global iconic event. Oxford University Press.

“This book asks how particular news events become “global iconic events,” while others fade into oblivion. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event (from Legoland reenactments to segments of the Berlin Wall installed in shopping malls), it discusses how storytellers build up certain events so that people in many parts of the world remember them for long periods of time. The East German border opening that we now summarize as the “fall of the Berlin Wall” was in fact unintentional, confusing, and prompted in part by misleading media coverage of bureaucratic missteps. But its global message is not about luck or accident or happenstance in history. Incarnated as a global iconic event, the “fall of the Berlin Wall” has come to communicate the momentary power that vulnerable ordinary people can have. The event’s story, branded into a simple phrase, a short narrative and a recognizable visual scene, provides people from China to Turkey to the United States with a contemporary social myth. This myth shapes our debates about separation walls and fences, borders and refugees, and the possibilities of human freedom to this day.” – from Oxford Academic

Dümpelmann, S. (2019). Seeing trees: a history of street trees in New York City and Berlin. Yale University Press.

“A fascinating and beautifully illustrated volume that explains what street trees tell us about humanity’s changing relationship with nature and the city.

“A deep . . . dive into urban society’s need for—and relationship with—trees that sought to return the natural world to the concrete jungle.”—Adrian Higgins, Washington Post

Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dümpelmann explains, the planting of street trees in cities to serve specific functions is not a new phenomenon. In her eye-opening work, Dümpelmann shows how New York City and Berlin began systematically planting trees to improve the urban climate during the nineteenth century, presenting the history of the practice within its larger social, cultural, and political contexts.

A unique integration of empirical research and theory, Dümpelmann’s richly illustrated work uncovers this important untold story. Street trees—variously regarded as sanitizers, nuisances, upholders of virtue, economic engines, and more—reflect the changing relationship between humans and nonhuman nature in urban environments. Offering valuable insights and frameworks, this authoritative volume will be an important resource for years to come.” – from Yale University Press

Paeslack, M. (2019). Constructing imperial Berlin: photography and the metropolis. University of Minnesota Press.

“Since the fall of the Berlin Wall, the city that once visually epitomized a divided Europe has thrived in the international spotlight as an image of reunified statehood and urbanity. Yet research on Berlin’s past has focused on the interwar years of the Weimar Republic or the Cold War era, with much less attention to the crucial Imperial years between 1871 and 1918.

Constructing Imperial Berlin is the first book to critically assess, contextualize, and frame urban and architectural photographs of that era. Berlin, as it was pronounced Germany’s capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city’s understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city’s rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution.

Providing a rare analysis of this significant formative era, Miriam Paeslack shows a city far more complex than the common clichés as a historical and aspiring place suggest. Imperial Berlin emerges as a modern metropolis, only half-heartedly inhibited by urban preservationist concerns and rather more akin to North American cities in their bold industrialization and competing urban expansions than to European counterparts.” – from University of Minnesota Press

Beachy, R. (2015). Gay Berlin: birthplace of a modern identity. Vintage Books, Penguin Random House LLC.

“In the half century before the Nazis rose to power, Berlin became the undisputed gay capital of the world. Activists and medical professionals made it a city of firsts—the first gay journal, the first homosexual rights organization, the first Institute for Sexual Science, the first sex reassignment surgeries—exploring and educating themselves and the rest of the world about new ways of understanding the human condition. In this fascinating examination of how the uninhibited urban culture of Berlin helped create our categories of sexual orientation and gender identity, Robert Beachy guides readers through the past events and developments that continue to shape and influence our thinking about sex and gender to this day.” – from Penguin Random House

Larkins, D., & Hardy, L. (2019). Berlin: the wicked city : unveiling the mythos in Weimar Berlin. Chaosium, Inc.

“In the aftermath of the Great War, Berlin has a reputation for licentiousness. A place where anything may be had for the right price. It is both a city of hedonism and a city of business; its streets overflow with disabled veterans, prostitutes, destitute immigrants, and political agitators—all rubbing shoulders with buttoned-down businessmen, scholars, and artists. The gutters run with the blood of political assassinations, where Communists and völkisch Nationalists clash with each other, as well as with the police. Long into the evenings, Berlin’s world-famous cabarets offer music, dance, and titillating entertainment in stark contrast to the gray buildings that run on for endless miles along the sprawling city’s byways.

Into this bubbling stew, Berlin the Wicked City introduces the weird elements of the Cthulhu Mythos. A hotbed of occult organizations, strange cults, and half-whispered lore. Amid the wicked air of the world’s capital of sin, the very nature of what it means to be human is questioned. And, as the city hurtles toward its inevitable dark destiny, the oppressive atmosphere pushes the sanity of investigators to its breaking point.

This book presents an overview of 1920s Berlin as it would be experienced by visitors and residents of the time. Guidelines are presented for creating investigators for a Berlin-centric campaign, as well as investigator organizations to help bind groups together. Notable personalities, key locations, and a system for generating details of the urban landscape on the fly are provided. With crime and punishment, the city’s underworld, and also its high culture detailed, the tools provided help the Keeper gain an understanding of what makes Berlin unique.” – from Chaosium

Books on Berlin II

Moss, T. (2020). Remaking Berlin: a history of the city through infrastructure, 1920-2020. The MIT Press.

“An examination of Berlin’s turbulent history through the lens of its water and energy infrastructures.

In Remaking Berlin, Timothy Moss takes a novel perspective on Berlin’s turbulent twentieth-century history, examining it through the lens of its water and energy infrastructures. He shows that, through a century of changing regimes, geopolitical interventions, and socioeconomic volatility, Berlin’s networked urban infrastructures have acted as medium and manifestation of municipal, national, and international politics and policies. Moss traces the coevolution of Berlin and its infrastructure systems from the creation of Greater Berlin in 1920 to remunicipalization of services in 2020, encompassing democratic, fascist, and socialist regimes. Throughout, he explores the tension between obduracy and change in Berlin’s infrastructures. Examining the choices made by utility managers, politicians, and government officials, Moss makes visible systems that we often take for granted.

Moss describes the reorganization of infrastructure systems to meet the needs of a new unitary city after Berlin’s incorporation in 1920, and how utilities delivered on political promises; the insidious embedding of repression, racism, autarky, and militarization within the networked city under the Nazis; and the resilience of Berlin’s infrastructures during wartime and political division. He examines East Berlin’s socialist infrastructural ideal (and its under-resourced systems), West Berlin’s insular existence (and its aspirations of system autarky), and reunified Berlin’s privatization of utilities (subsequently challenged by social movements). Taking Berlin as an exemplar, Moss’s account will inspire researchers to take a fresh look at urban infrastructure histories, offering new ways of conceptualizing the multiple temporalities and spatialities of the networked city.” – from MIT Press

Callaghan, M. (2020). Empathetic memorials: the other designs for the Berlin Holocaust Memorial. Palgrave Macmillan.

“This book is a study of the Berlin Holocaust Memorial Competitions of the 1990s, with a focus on designs that kindle empathetic responses. Through analysis of provocative designs, the book engages with issues of empathy, secondary witnessing, and depictions of concentration camp iconography. It explores the relationship between empathy and cultural memory when representations of suffering are notably absent. The book submits that one design represents the idea of an uncanny memorial, and also pays attention to viewer co-authorship in counter-monuments. Analysis of counter-monuments also include their creative engagement with German history and their determination to defy fascist aesthetics. As the winning design for The Memorial to the Murdered Jews of Europe is abstract with an information centre, there is an exploration of the memorial museum. Callaghan asks whether this configuration is intended to compensate for the abstract memorial’s ambiguity or to complement the design’s visceral potential. Other debates explored concern political memory, national memory, and the controversy of dedicating the memorial exclusively to murdered Jews.” – from Springer

Weiner, J. (2016). Berlin notebook: where are the refugees? Los Angeles Review of Books.

“The chronicle of a fall and spring in Berlin during the peak influx of refugees into Europe in 2015-16, Joshua Weiner’s Berlin Notebook opens a new view on German society’s attempt to cope with an impossible situation: millions of people displaced by the Syrian civil war, fleeing violence, and seeking safety and the possibilities of a new life in the west. As some Germans, feeling the burden of the nation’s dark past, try to aid and shelter desperate asylum seekers, others are skeptical of the government’s ability to contain the growing numbers; they feel the danger of hostile strangers, and the threat to the nation’s culture and identity. Unlike other contemporary reports on the situation in Europe, Weiner’s sui generis writing includes interviews not only with refugees from the east, but also everyday Berliners, natives and ex-pats – musicians, poets, shopkeepers, students, activists, rabbis, museum guides, artists, intellectuals, and those, too, who have joined the rising far-right Alternative for Germany party, and the Pegida movement against immigration. Intermixed with interviews, reportage, and meditations on life in Europe’s fastest growing capital city, Weiner thinks about the language and literature of the country, weaving together strands of its ancient and more recent history with meditations on Goethe, Brecht, Arendt, Heidegger, Joseph Roth and others that inflect our thinking about refugees, nationhood, and our ethical connection to strangers.” – from LA Review of Books

Carrington, T. (2019). Love at last sight: dating, intimacy, and risk in turn-of-the-century Berlin. Oxford University Press.

“Love at Last Sight is a history of dating in the modern metropolis. It opens with the seemingly simple question, “How did single people meet and fall in love in new big cities like Berlin at the turn of the century?” but what emerges from this investigation of daily newspapers, diaries, serial novels, advice literature, police records, and court cases is a world of dating and relationships that was anything but simple. The murder of Frieda Kliem, a young, enterprising seamstress who was using newspaper personal ads to find a husband—the story of which serves as the book’s central narrative—reveals the tremendous risk associated with modern approaches to love and dating. The risk of fraud, censure, or worse was ever present, especially for the many Berliners who strove for the stability of middle-class life but were outsiders to the social power structures of German society. Indeed, though the technologies and opportunities of the big city offered the best shot at finding love or intimate connection among the urban sea of strangers, availing oneself of them—pursuing a missed connection from the streetcar or using a newspaper personal ad—meant putting one’s livelihood, respectability, and life on the line. This was the romantic dilemma facing the vast majority of city dwellers at the turn of the century, and a great many chose to risk everything for some measure of connection and intimacy. This book explores their stories as a way of illuminating this core tension of modern, metropolitan life.” – from Oxford Academic

Brass, A., & Light, P. (2021). On the barricades of Berlin: an account of the 1848 revolution (A. Weiland, Trans.). Black Rose Books.

“The 1848 wave of worker rebellions that swept across Europe struck the German states with the March Revolution. While Richard Wagner and Mikhail Bakunin fought side by side in Dresden, the writer August Brass led the successful defense of the barricades in Berlin’s Alexanderplatz public square. Published in English for the first time, On the Barricades of Berlin provides a riveting firsthand account of this uprising. Brass’ testimony begins with the tumultuous events leading up to the revolution: the peaceful democratic agitation; the demands that were brought to the king; and the key actors involved on all sides of the still peaceful, yet tense, struggle. It then follows the events that led to the outbreak of resistance to the forces of order and sheds light on the aftermath of the fighting once the exhausted Prussian army withdrew from the city.” – from Black Rose Books