Parker, J. (2016). Tales of Berlin in American Literature up to the 21st Century. Brill.
“Of all European cities, Americans today are perhaps most curious about Berlin, whose position in the American imagination is an essential component of nineteenth-century, postwar and contemporary transatlantic imagology. Over various periods, Berlin has been a tenuous space for American claims to cultural heritage and to real geographic space in Europe, symbolizing the ultimate evil and the power of redemption. This volume offers a comprehensive examination of the city’s image in American literature from 1840 to the present. Tracing both a history of Berlin and of American culture through the ways the city has been narrated across three centuries by some 100 authors through 145 novels, short stories, plays and poems, Tales of Berlin presents a composite landscape not only of the German capital, but of shifting subtexts in American society which have contextualized its meaning for Americans in the past, and continue to do so today.” — from Brill
Large, D. C. (2007). Berlin. Basic Books.
“In the political history of the past century, no city has played a more prominent-though often disastrous-role than Berlin. At the same time, Berlin has also been a dynamic center of artistic and intellectual innovation. If Paris was the “Capital of the Nineteenth Century,” Berlin was to become the signature city for the next hundred years. Once a symbol of modernity, in the Thirties it became associated with injustice and the abuse of power. After 1945, it became the iconic City of the Cold War. Since the fall of the Wall, Berlin has again come to represent humanity’s aspirations for a new beginning, tempered by caution deriving from the traumas of the recent past. David Clay Large’s definitive history of Berlin is framed by the two German unifications of 1871 and 1990. Between these two events several themes run like a thread through the city’s history: a persistent inferiority complex; a distrust among many ordinary Germans, and the national leadership of the “unloved city’s” electric atmosphere, fast tempo, and tradition of unruliness; its status as a magnet for immigrants, artists, intellectuals, and the young; the opening up of social, economic, and ethnic divisions as sharp as the one created by the Wall.” — from Amazon
Beck, G. & Heibert, F. (1999). An underground life: memoirs of a gay Jew in Nazi Berlin. The University of Wisconsin Press.
“Gad Beck, a half-Jewish German, managed to evade the Nazis and live illegally, underground, in Berlin throughout the duration of World War II. While that in itself was notable, Beck didn’t simply exist in some nocturnal world of hiding. Coming of age as a gay man during the war, he also helped organize a Jewish youth group, free friends from the Gestapo, and maintain a series of romantic relationships. The result is An Underground Life: a Holocaust memoir that conveys the surreal horror of the times but also focuses more on living than dying, and captures a life that was fueled as much by a sense of romance, adventure, and humor, as it was by suffering.” — from The University of Wisconsin Press
Ewing, K. P. (2008). Stolen honor: stigmatizing Muslim men in Berlin. Stanford University Press.
“The covered Muslim woman is a common spectacle in Western media–a victim of male brutality, the oppressed and suffering wife or daughter. And the resulting negative stereotypes of Muslim men, stereotypes reinforced by the post-9/11 climate in which he is seen as a potential terrorist, have become so prominent that they influence and shape public policy, citizenship legislation, and the course of elections across Europe and throughout the Western world. In this book, Katherine Pratt Ewing asks why and how these stereotypes–what she terms stigmatized masculinity–largely go unrecognized, and examines how Muslim men manage their masculine identities in the face of such discrimination. The author focuses her analysis and develops an ethnographic portrait of the Turkish Muslim immigrant community in Germany, a population increasingly framed in the media and public discourse as in crisis because of a perceived refusal of Muslim men to assimilate. Interrogating this sense of crisis, Ewing examines a series of controversies–including honor killings, headscarf debates, and Muslim stereotypes in cinema and the media–to reveal how the Muslim man is ultimately depicted as the abjected other in German society.” — from thriftbooks
Taberner, S. (Ed.). (2007). Contemporary German fiction: writing in the Berlin republic. Cambridge University Press.
“The profound political and social changes Germany has undergone since 1989 have been reflected in an extraordinarily rich range of contemporary writing. Contemporary German Fiction focuses on the debates that have shaped the politics and culture of the new Germany that has emerged from the second half of the 1990s onwards and offers the first comprehensive account of key developments in German literary fiction within their social and historical context. Each chapter begins with an overview of a central theme, such as East German writing, West German writing, writing on the Nazi past, writing by women and writing by ethnic minorities. The authors discussed include Günter Grass, Ingo Schulze, Judith Hermann, Christa Wolf, Christian Kracht and Zafer Senocak. These informative and accessible readings build up a clear picture of the central themes and stylistic concerns of the best writers working in Germany today.” — from Cambridge
