{"id":990,"date":"2018-02-21T21:22:27","date_gmt":"2018-02-21T19:22:27","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=990"},"modified":"2021-12-11T12:32:11","modified_gmt":"2021-12-11T09:32:11","slug":"maurice-blanchot-kaynakca","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/02\/21\/maurice-blanchot-kaynakca\/","title":{"rendered":"Maurice Blanchot \u2013 Kaynak\u00e7a"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"994\" data-permalink=\"https:\/\/yalpertem.com\/blog\/2018\/02\/21\/maurice-blanchot-kaynakca\/maurice-blanchot\/\" data-orig-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/maurice-blanchot.jpg?fit=1187%2C1600&amp;ssl=1\" data-orig-size=\"1187,1600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"maurice blanchot\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/maurice-blanchot.jpg?fit=660%2C889&amp;ssl=1\" class=\"size-medium wp-image-994 aligncenter\" src=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/maurice-blanchot.jpg?resize=223%2C300\" alt=\"\" width=\"223\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/maurice-blanchot.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/maurice-blanchot.jpg?resize=768%2C1035&amp;ssl=1 768w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/maurice-blanchot.jpg?resize=760%2C1024&amp;ssl=1 760w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/maurice-blanchot.jpg?w=1187&amp;ssl=1 1187w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/p>\n<p><strong>Kitap<\/strong><\/p>\n<ul>\n<li>Thomas l&#8217;Obscur, 1941 [Karanl\u0131k Thomas]<\/li>\n<li>Aminadab, 1942<\/li>\n<li>L&#8217;Arr\u00eat de mort, 1948 [\u00d6l\u00fcm H\u00fckm\u00fc]<\/li>\n<li>Faux Pas, 1943<\/li>\n<li>Le Tr\u00e8s-Haut, 1949 [Y\u00fcceler Y\u00fccesi]<\/li>\n<li>La Part du feu, 1949<\/li>\n<li>L&#8217;Espace litt\u00e9raire, 1955 [Yaz\u0131nsal Uzam]<\/li>\n<li>Le Dernier homme, 1957 [Son \u0130nsan]<\/li>\n<li>Le Livre \u00e0 venir, 1959 (The Book to Come)<\/li>\n<li>L&#8217;attente, l&#8217;oubli, 1962 [Bekleyi\u015f Unutu\u015f]<\/li>\n<li>L&#8217;Entretien infini, 1969 (The Infinite Conversation)<\/li>\n<li>L&#8217;Amiti\u00e9, 1971 [Dostluk]<\/li>\n<li>Le Pas au-del\u00e0, 1973 [\u00d6teye Ad\u0131m &#8211; Yok \u00d6tesi]<\/li>\n<li>La Folie du jour, 1973 [G\u00fcn\u00fcn Delili\u011fi]<\/li>\n<li>L&#8217;Ecriture du d\u00e9sastre, 1980 [Felaket Yaz\u0131s\u0131]<\/li>\n<li>La Communaut\u00e9 inavouable, 1983 [\u0130tiraf Edilemeyen Cemaat]<\/li>\n<li>Apr\u00e8s coup,\u00a0Pr\u00e9c\u00e9d\u00e9 par Le Ressassement \u00e9ternel, 1983 [Sonradan Sonsuz Yineleme]<\/li>\n<li>L&#8217;Instant de ma mort, 1994 [\u00d6l\u00fcm An\u0131m]<\/li>\n<li>Une voix venue d&#8217;ailleurs, 2002<\/li>\n<\/ul>\n<p><strong>\u0130kincil<\/strong><\/p>\n<ul>\n<li>Steven Shaviro, <em>Passion &amp; Excess: Blanchot, Bataille, and Literary Theory<\/em>, 1990<\/li>\n<li>H\u00e9l\u00e8ne Cixous, <em>Readings: The Poetics of Blanchot, Joyce, Kafka, Kleist, Lispector, and Tsvetayeva<\/em>, 1991<\/li>\n<li>John Gregg,\u00a0<em>Maurice Blanchot and the Literature of Transgression<\/em>, 1994<\/li>\n<li>Steven Ungar, <em>Scandal &amp; Aftereffect: Blanchot and France since 1930<\/em>, 1995<\/li>\n<li>Carolyn Bailey Gill, <em>Maurice Blanchot: The Demand of Writing<\/em>, 1996<\/li>\n<li>Deborah M. Hess, <em>Complexity in Maurice Blanchot&#8217;s Fiction: Relations Between Science and Literature<\/em>, 1999<\/li>\n<li>Deborah M. Hess,\u00a0<em>Politics and Literature: The Case of Maurice Blanchot<\/em>, 1999<\/li>\n<li>Leslie Hill,\u00a0<em>Blanchot: Extreme Contemporary<\/em>, 2002<\/li>\n<li>Gerald L. Bruns, <em>Maurice Blanchot: The Refusal of Philosophy<\/em>, 2002<\/li>\n<li>Kevin Hart,\u00a0<em>Nowhere Without No: In Memory of Maurice Blanchot<\/em>, 2003<\/li>\n<li>Kevin Hart,\u00a0<em>The Dark Gaze: Maurice Blanchot and the Sacred<\/em>, 2004<\/li>\n<li>Kevin Hart &amp; Geoffrey H. Hartman, <em>The Power of Contestation: Perspectives on Maurice Blanchot<\/em>, 2004<\/li>\n<li>Lars Iyer, <em>Blanchot&#8217;s Communism: Art, Philosophy and the Political<\/em>, 2004<\/li>\n<li>Lars Iyer, <em>Blanchot&#8217;s Vigilance: Literature, Phenomenology and the Ethical<\/em>, 2005<\/li>\n<li>Eugene Chang, <em>Disaster and Hope: A Study of Walter Benjamin and Maurice Blanchot<\/em>, 2006<\/li>\n<li>Outi Alanko-Kahiluoto,\u00a0<em>Writing Otherwise Than Seeing: Writing and Exteriority in Maurice Blanchot<\/em>, 2007<\/li>\n<li>Kevin Hart,\u00a0<em>Clandestine Encounters: Philosophy in the Narratives of Maurice Blanchot<\/em>, 2010<\/li>\n<li>Leslie Hill, <em>Radical Indecision: Barthes, Blanchot, Derrida, and the Future of Criticism<\/em>, 2010<\/li>\n<li>John McKeane &amp; Hannes Opelz (eds.), <em>Blanchot Romantique: A Collection of Essays<\/em>, 2011<\/li>\n<li>Mark Hewson, <em>Blanchot and Literary Criticism<\/em>, 2011<\/li>\n<li>Leslie Hill, <em>Maurice Blanchot and Fragmentary Writing: A Change of Epoch<\/em>, 2012<\/li>\n<li>Ian Maclachlan, <em>Marking Time: Derrida, Blanchot, Beckett des\u00a0For\u00eats Klossowski Laporte<\/em>, 2012<\/li>\n<li>Christopher Fynsk,\u00a0<em>Last Steps: Maurice Blanchot&#8217;s Exilic Writing<\/em>, 2013<\/li>\n<li>Aaron Hillyer,\u00a0<em>The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No<\/em>, 2013<\/li>\n<li>Crispin T. Lee, <em>Haptic Experience in the Writings of Georges Bataille, Maurice Blanchot and Michel Serres<\/em>, 2014<\/li>\n<li>Jeff Fort, <em>The Imperative to Write: Destitutions of the Sublime in Kafka, Blanchot, and Beckett<\/em>, 2014<\/li>\n<li>Philippe Lacoue-Labarthe,\u00a0<em>Ending and Unending Agony: On Maurice Blanchot<\/em>, 2015<\/li>\n<li>David Applebaum, <em>In His Voice: Maurice Blanchot&#8217;s Affair with the Neuter<\/em>, 2016<\/li>\n<li>William S. Allen, <em>Aesthetics of Negativity: Blanchot, Adorno, and Autonomy<\/em>, 2016<\/li>\n<li>William S. Allen, <em>Blanchot and the Outside of Literature<\/em>, 2018<\/li>\n<li>Christophe Bident, <em>Maurice Blanchot: A Critical Biography<\/em>, 2018<\/li>\n<li>Leslie Hill, <em>Nancy, Blanchot: A Serious Controversy<\/em>, 2018<\/li>\n<\/ul>\n<p><strong>Video<\/strong><\/p>\n<ul>\n<li>Christopher Fynsk. A Brief Introduction to Maurice Blanchot 2012<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=fPsM7AKccSs\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=fPsM7AKccSs<\/a><\/li>\n<li>Christopher Fynsk. The Question of Language and Literature in Blanchot. 2012<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=cO4O7x6sL8E\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=cO4O7x6sL8E<\/a><\/li>\n<li>Christopher Fynsk. Interruption, Fatigue, Weariness and The Other in Blanchot. 2012<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=m0kekcMlt_A\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=m0kekcMlt_A<\/a><\/li>\n<li>Christopher Fynsk. Blanchot&#8217;s Infinite Conversation. 2012<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=tOdFt610EE0\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=tOdFt610EE0<\/a><\/li>\n<li>Christopher Fynsk. Blanchot&#8217;s Madness of the Day, Death, Sovereignty and Refusal of the Order. 2012<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=GWXsTTlx7bc\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=GWXsTTlx7bc<\/a><\/li>\n<li>Christopher Fynsk. On Maurice Blanchot&#8217;s &#8220;Dans la nuit surveill\u00e9e&#8221;. 2015<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=r5hRxymhIIM\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=r5hRxymhIIM<\/a><\/li>\n<li>Maurice Blanchot and the &#8216;Sense of History&#8217; &#8211; Marc Nichanian<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=JiA2DDyi9bI\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=JiA2DDyi9bI<\/a><\/li>\n<li>Nietzsche 3\/13: Blanchot<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=1vyMKN7OCJc\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=1vyMKN7OCJc<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Kitap Thomas l&#8217;Obscur, 1941 [Karanl\u0131k Thomas] Aminadab, 1942 L&#8217;Arr\u00eat de mort, 1948 [\u00d6l\u00fcm H\u00fckm\u00fc] Faux Pas, 1943 Le Tr\u00e8s-Haut, 1949 [Y\u00fcceler Y\u00fccesi] La Part du feu, 1949 L&#8217;Espace litt\u00e9raire, 1955 [Yaz\u0131nsal Uzam] Le Dernier homme, 1957 [Son \u0130nsan] Le Livre \u00e0 venir, 1959 (The Book to Come) L&#8217;attente, l&#8217;oubli, 1962 [Bekleyi\u015f Unutu\u015f] L&#8217;Entretien infini, 1969 &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2018\/02\/21\/maurice-blanchot-kaynakca\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Maurice Blanchot \u2013 Kaynak\u00e7a<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[168,131],"tags":[269],"class_list":["post-990","post","type-post","status-publish","format-standard","hentry","category-kaynakca","category-okuma-listesi","tag-maurice-blanchot"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-fY","jetpack-related-posts":[{"id":2914,"url":"https:\/\/yalpertem.com\/blog\/2019\/12\/07\/maurice-blanchotya-kisa-giris-c-fynsk-notlar\/","url_meta":{"origin":990,"position":0},"title":"Maurice Blanchot&#8217;ya K\u0131sa Giri\u015f | C. Fynsk (Notlar)","author":"yalpertem","date":"7 December 2019","format":false,"excerpt":"Genel olarak, Blanchot'nun 1930'lardan bug\u00fcne ba\u015fkalar\u0131 taraf\u0131ndan nas\u0131l temkinle kar\u015f\u0131land\u0131\u011f\u0131ndan, gen\u00e7li\u011findeki sa\u011fc\u0131l\u0131\u011f\u0131ndan, etraf\u0131ndaki haleden, \u015fimdiye kadar tan\u0131\u015ft\u0131\u011f\u0131m Blanchot'ya bir yerden dokunmu\u015f herkesten duydu\u011fum \"okudum ama ben tam bilmiyorum, g\u00fczel, nas\u0131l desem, pek bir \u015fey diyemem,\" diye ba\u015flayan ifadelerin olas\u0131 sebeplerinden bahsediyor. Giri\u015f dersi oldu\u011fu i\u00e7in pek bir \u00f6zet ya da\u2026","rel":"","context":"In &quot;\u00e7eviri&quot;","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/12\/fynsk-300x169.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1150,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/26\/blanchot-yabanci-surgun-kamp\/","url_meta":{"origin":990,"position":1},"title":"Blanchot, Yabanc\u0131-S\u00fcrg\u00fcn-Kamp","author":"yalpertem","date":"26 March 2018","format":false,"excerpt":"\"Camus onu \"bildik\" k\u0131laca\u011f\u0131 i\u00e7in hemen tan\u0131d\u0131\u011f\u0131m izlektir bu; yani onun imledi\u011fi \u015feyin kar\u015f\u0131t\u0131, birka\u00e7 y\u0131l sonra, ilk s\u00f6zc\u00fcklerden itibaren g\u00f6sterilir: \"Yabanc\u0131.\" Yabanc\u0131 kimdir? Burada yeterli bir tan\u0131m yoktur. D\u0131\u015far\u0131dan gelir. \u0130yi kar\u015f\u0131lan\u0131r, ama tabi olamayaca\u011f\u0131 ve onu her \u015fekilde -\u00f6l\u00fcm\u00fcn e\u015fi\u011finde- s\u0131nava \u00e7eken kurallara g\u00f6re. Kendisi, bundan \"ahlak\"\u0131 \u00e7\u0131karacak\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-sonradan-sonsuz-yineleme-184x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1632,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/29\/levinas-siirden-duz-yaziya-blanchot-bahsi\/","url_meta":{"origin":990,"position":2},"title":"Levinas, \u015eiirden D\u00fcz Yaz\u0131ya (Blanchot Bahsi)","author":"yalpertem","date":"29 May 2018","format":false,"excerpt":"\" \u0130fadenin gelip d\u00fc\u015f\u00fcnceye eklenmemesi, onun -metaforun- bu d\u00fc\u015f\u00fcnceyi d\u00fc\u015f\u00fcn\u00fclen teman\u0131n \u00f6tesine ta\u015f\u0131mas\u0131; -hala bir \u00e7eki\u00e7 ya da bir belge gibi aktar\u0131labilir olan- bu teman\u0131n \u00f6tesinde, harflerin -a\u00e7\u0131l\u0131p serpilmeleri i\u00e7inde, edebiyatlar\u0131 i\u00e7inde- S\u00f6ylenenin spermsi nedenlerini korumas\u0131 ve yorumcuya, yani okuyucuya daha uzak ve daha eski ya da daha derin bir\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/emmanuel-levinas-maurice-blanchot-%C3%BCst%C3%BCne-214x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6241,"url":"https:\/\/yalpertem.com\/blog\/2023\/05\/26\/blanchot-yazi-gozlem-ve-imleme\/","url_meta":{"origin":990,"position":3},"title":"Blanchot, Yaz\u0131, G\u00f6zlem ve \u0130mleme","author":"yalpertem","date":"26 May 2023","format":false,"excerpt":"Birka\u00e7 y\u0131l ge\u00e7tikten sonra yine hi\u00e7bir \u015fey anlamadan Blanchot okumaya kald\u0131\u011f\u0131m yerden devam ediyorum. \"Ve i\u015fte yazd\u0131\u011f\u0131ndan \u00e7ok g\u00f6zlemleyen bir adam: bir \u00e7am korusunda dola\u015f\u0131yor, bir e\u015fekar\u0131s\u0131na bak\u0131yor, bir ta\u015f\u0131 yerden al\u0131yor. Bir \u00e7e\u015fit bilgin bu ama bilgin bildi\u011fi \u015fey \u00f6n\u00fcnde, bazen de bilmek istedi\u011fi \u015fey \u00f6n\u00fcnde kendini siler, insanlar\u0131n\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/05\/dodona-300x88.jpeg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/05\/dodona-300x88.jpeg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/05\/dodona-300x88.jpeg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/05\/dodona-300x88.jpeg?resize=700%2C400 2x"},"classes":[]},{"id":7442,"url":"https:\/\/yalpertem.com\/blog\/2024\/11\/14\/michel-foucault-the-author\/","url_meta":{"origin":990,"position":4},"title":"michel foucault, the author","author":"yalpertem","date":"14 November 2024","format":false,"excerpt":"thank you, wikipedia. Monographs Year Original French English Translation 1954 Maladie mentale et personnalit\u00e9 re-edited as\u00a0Maladie mentale et psychologie\u00a0(1962) Mental Illness and Psychology\u00a0(1976) reprinted as\u00a0Madness: The Invention of an Idea. New York:\u00a0Harper Perennial\u00a0(2011) 1961 Histoire de la folie \u00e0 l'\u00e2ge classique \u2013 Folie et d\u00e9raison Madness and Civilization: A History\u2026","rel":"","context":"In &quot;list&quot;","block_context":{"text":"list","link":"https:\/\/yalpertem.com\/blog\/category\/list\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":478,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/14\/gilles-deleuze-kaynakca\/","url_meta":{"origin":990,"position":5},"title":"Gilles Deleuze &#8211; Kaynak\u00e7a","author":"yalpertem","date":"14 November 2017","format":false,"excerpt":"Birincil Kaynaklar (Kitap) Empirisme et subjectivit\u00e9 (1953) [Ampirizm ve \u00d6znellik] Nietzsche et la philosophie (1962) [Nietzsche ve Felsefe] La philosophie critique de Kant (1963) [Kant \u00dczerine D\u00f6rt Ders ||\u00a0Kant'\u0131n Ele\u015ftirel\/Ele\u015ftiri Felsefesi] Proust et les signes (1964, 2. 1976) [Proust ve G\u00f6stergeler] Le Bergsonisme (1966) [Bergsonculuk] Pr\u00e9sentation de Sacher-Masoch (1967) [Sacher-Masoch\u2019un\u2026","rel":"","context":"In &quot;okuma listesi&quot;","block_context":{"text":"okuma listesi","link":"https:\/\/yalpertem.com\/blog\/category\/okuma-listesi\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=990"}],"version-history":[{"count":3,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/990\/revisions"}],"predecessor-version":[{"id":4703,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/990\/revisions\/4703"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}