{"id":979,"date":"2018-02-20T20:07:25","date_gmt":"2018-02-20T18:07:25","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=979"},"modified":"2018-02-20T20:07:25","modified_gmt":"2018-02-20T18:07:25","slug":"bloch-oyun-tarzlari-maalesef-gunde-ve-kentte-olus","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/02\/20\/bloch-oyun-tarzlari-maalesef-gunde-ve-kentte-olus\/","title":{"rendered":"Bloch, Oyun Tarzlar\u0131, Maalesef [g\u00fcnde ve kentte olu\u015f]"},"content":{"rendered":"

\"\"“1.
\nG\u00fcn, fazla bir \u015fey vaat etmiyor gibiydi bug\u00fcn.<\/p>\n

Para yoksa Paris bile k\u00fc\u00e7\u00fcl\u00fcr. Eski i\u015f\u00e7i meyh\u00e2nesine gittim ki daha k\u00f6t\u00fc olup da daha ucuz olmayanlar\u0131 da var.<\/p>\n

Fakat orada kendinden ge\u00e7en birini g\u00f6rd\u00fcm; hem de adamak\u0131ll\u0131, \u00f6ylesine mas\u00fbm bir haz duyarak, tam da olmas\u0131 gerekti\u011fi gibi. Kar\u015f\u0131mda duran adam, \u00e7al\u0131\u015fmaktan y\u0131pranm\u0131\u015f yumruklar\u0131nda bir \u0131stakoz tutuyordu, \u0131s\u0131rd\u0131 ve \u00f6yle bir k\u0131rm\u0131z\u0131 kabuk t\u00fck\u00fcrd\u00fc ki, sanki yerden kabuk f\u0131\u015fk\u0131r\u0131yordu. \u015eu da var ki, ona bir kez sahip oldu\u011funda da, kabu\u011fun i\u00e7indeki yumu\u015fak varl\u0131\u011fa sessizce ve anlay\u0131\u015fla, ne\u015feyle hitap ediyordu. Burada bir mal, nih\u00e2yet, keyif s\u00fcren burjuvalar taraf\u0131ndan a\u015fa\u011f\u0131lanm\u0131yordu; yoksullar\u0131n teri, yani sermaye rant\u0131n\u0131n utanc\u0131 bu adam\u0131n ald\u0131\u011f\u0131 tada kar\u0131\u015fmam\u0131\u015ft\u0131. Bu, hen\u00fcz hi\u00e7bir burjuvan\u0131n burjuva olmaktan utanmad\u0131\u011f\u0131 ve kendini sadece rahatl\u0131kla de\u011fil, gururla da bir rantiye olarak adland\u0131rd\u0131\u011f\u0131 Paris’te tuhaf m\u0131 tuhaft\u0131. Istakozlu i\u015f\u00e7i hik\u00e2yesi, \u00e7ok eskide kalan, o zamanki b\u00fcy\u00fck soygunla ilgili ba\u015fka \u015feyleri de hat\u0131rlatacakt\u0131. B\u00f6ylelikle de, paran\u0131n art\u0131k mallar etr\u00e2f\u0131nda havlamad\u0131\u011f\u0131 veya i\u00e7lerinde kuyruk sallamad\u0131\u011f\u0131 belirli bir s\u00fcre-sonras\u0131 \u0131\u015f\u0131r gibi oldu; hani s\u00e2f zihniyet\/hissiyat ile s\u00e2f \u0131s\u0131r\u0131k aras\u0131ndaki t\u00fcm\u00fcyle aptalca se\u00e7ime hi\u00e7 de gerek kalmayan zamanlar…<\/p>\n

2.
\nO ak\u015fam hi\u00e7 de her zamanki gibi y\u00fcr\u00fcm\u00fcyordu insanlar. Soldan yukar\u0131, sa\u011fdan a\u015fa\u011f\u0131 v\u0131nlayan arabalar\u0131n h\u0131zla insan\u0131n \u00fcst\u00fcne \u00fcst\u00fcne geldi\u011fi cadde-ortas\u0131ndan ka\u00e7\u0131lm\u0131yordu.<\/p>\n

Aksine, bu orta \u015ferit nih\u00e2yet canlanm\u0131\u015ft\u0131, hatt\u00e2 \u00fczerinde bir \u015feyler boy veriyordu. Caddenin h\u00e2kimi olan trafi\u011fin bombard\u0131man\u0131 kesilmi\u015f, daha \u00f6teye, \u00e7evre yollara \u00e7ekilmi\u015fti ve h\u00e2rikul\u00e2de asfaltta \u00e2det\u00e2 oturuluyordu. Caddenin \u00fczerine \u00e7aprazlama as\u0131lan k\u00e2\u011f\u0131ttan fenerler, i\u00e7erisinde dans edilen al\u00e7ak bir mek\u00e2n yarat\u0131yordu. Evler bu mek\u00e2n\u0131n duvarlar\u0131n\u0131 olu\u015ftururken, etr\u00e2ftaki ayd\u0131nlat\u0131lm\u0131\u015f pencereler, t\u0131pk\u0131 kendi kendine par\u0131ldayan ve i\u00e7inde insanlar\u0131n iki misli yans\u0131d\u0131\u011f\u0131 aynalar gibi, yeni lambalar olarak parl\u0131yorlard\u0131. Ve en g\u00fczeli de, dans mek\u00e2n\u0131n\u0131n sadece iki yandan kapal\u0131 olu\u015fu, bunun d\u0131\u015f\u0131nda tek ba\u015f\u0131na, hem de yan sokaklar\u0131yla birlikte uzun caddeye sahip olmas\u0131yd\u0131. \u0130leriki k\u00f6\u015feden yine m\u00fczik sesi y\u00fckseliyor ve \u00e7iftler \u0131\u015f\u0131ldayan mahallede dilediklerince dolan\u0131yorlard\u0131.<\/p>\n

\u0130\u015fte bu, 14 Temmuz’da, o b\u00fcy\u00fck g\u00fcndeki Paris Caddesi’dir. Bastille ele ge\u00e7irildi\u011finde de halk dans etmi\u015fti, kalenin yerle bir edildi\u011fi yerin \u00fczerinde. O yer kutsal ruhlar\u0131n \u00e7imenli\u011fini temsil ediyordu ve bu de\u011fi\u015fmedi; tabi\u00ee o zamanlar dans\u0131n do\u011fas\u0131 farkl\u0131yd\u0131. Fakat devrimciler s\u00e2kinle\u015fip, gen\u00e7lik \u00e7\u0131lg\u0131nl\u0131klar\u0131na son vermi\u015f olsalar da, “mill\u00ee bayram”\u0131n i\u00e7inden o uzak h\u00e2t\u0131ra yine de beliriyor ara s\u0131ra. Ama, \u00f6yle millete toptan bir ba\u011fl\u0131l\u0131kla falan de\u011fil, aksine, yeniyetme bourgeois gentil’homme(*) ile bar\u0131\u015f yapmaya yana\u015fmadan. Zir\u00e2, 14 Temmuz 1928’de has\u0131r \u015fapkal\u0131 bir bey taraf\u0131ndan s\u00fcr\u00fclen bir araba, s\u00f6z\u00fc edilen o dans caddelerinden birine girmeye kalk\u0131\u015ft\u0131\u011f\u0131nda, o \u00e2nda dans edilmedi\u011fi h\u00e2lde, \u00f6ncesinde de bir dizi s\u0131radan taksinin buradan ge\u00e7mi\u015f olmas\u0131na ra\u011fmen, halk ona yol a\u00e7mam\u0131\u015ft\u0131. Herh\u00e2lde, asl\u0131nda pek de bir \u00f6zelli\u011fi olmayan, ama burada tuhaf bir \u015fekilde -belki de renginin a\u00e7\u0131kl\u0131\u011f\u0131ndan ve genelde ara\u00e7lar has\u0131r \u015fapkalarla s\u00fcr\u00fclmedi\u011finden- egemen s\u0131n\u0131f\u0131n simgesi h\u00e2line gelen has\u0131r \u015fapkayd\u0131 milleti k\u0131z\u0131\u015ft\u0131ran. K\u0131\u015fk\u0131rt\u0131c\u0131 has\u0131r \u015fapka geri \u00e7ekilmedi, aksine tam gaz kalabal\u0131\u011f\u0131n i\u00e7ine dald\u0131yd\u0131. Fakat yirmi bilek-pen\u00e7e arabay\u0131 arkadan tutmu\u015ftu bile; onu \u00f6fkeli egzozuna inat, tekrar g\u00f6n\u00fcll\u00fc yar\u0131\u015f pisti olan caddeden a\u015fa\u011f\u0131 sessiz bir ritimle bir o yana bir bu yana \u00e7ekiyordu. Propri\u00e9taire\/Mal sahibi (s\u00fcr\u00fcc\u00fc) bile, tepki vermekten gelen tehditk\u00e2r bir spor hazz\u0131yla s\u00e2kin bir \u015fekilde \u00e7abal\u0131yordu. Sadece bir keresinde nerdeyse ge\u00e7ip gitmeyi ba\u015faracakt\u0131 ki, ikinci sevin\u00e7li olay ya\u015fand\u0131: Gen\u00e7 bir k\u0131z \u00e2niden araban\u0131n \u00f6n\u00fcne atlad\u0131 ve \u00f6nce elinde tuttu\u011fu, sonra a\u011fz\u0131na g\u00f6t\u00fcrd\u00fc\u011f\u00fc bir \u00e7i\u00e7ekle g\u00fcl\u00fcmseyerek korkusuzca dans edip, arac\u0131n\u0131 frenleyen beyefendinin hareketlerini y\u00f6nlendirmeye ba\u015flad\u0131; araba durdu\u011funda ise b\u00fcy\u00fck ve \u00e7al\u0131ml\u0131 bir istihz\u00e2yla, reveransla e\u011fildi. Art\u0131k bu a\u015famada s\u00fcr\u00fcc\u00fcn\u00fcn ger\u00e7ekten de kendisinin geri \u00e7ekilmesine izin verilmesine imk\u00e2n tan\u0131mas\u0131 gerekirdi, ne ki egemen s\u0131n\u0131flar\u0131n teslim olu\u015flar\u0131 bile \u00e7arp\u0131k, soyut ve anti-diyalektiktir; k\u0131sacas\u0131, durumu kavrayaca\u011f\u0131 ve kendini bu durumdan kurtaraca\u011f\u0131 yerde, provokat\u00f6r, milletin i\u00e7ine tam gaz dalman\u0131n g\u00fcc\u00fcn\u00fc ondan daha az iddi\u00e2l\u0131 olmayan bir ricata \u00e7evirip, geri d\u00f6nd\u00fc, o a\u011f\u0131r ve yanl\u0131\u015f manevras\u0131yla bu kez ger\u00e7ekten kalabal\u0131\u011f\u0131n i\u00e7ine dald\u0131. Birka\u00e7 kad\u0131n duvara s\u0131k\u0131\u015fm\u0131\u015f, erkeklerin ise geriye d\u00f6nen arac\u0131n arkas\u0131nda yapacak yerleri kalmam\u0131\u015ft\u0131. B\u00f6ylelikle hava birdenbire gerginle\u015fti, k\u00fcf\u00fcrler savrulmaya ba\u015flad\u0131 ve araba tam m\u00e2n\u00e2s\u0131yla lin\u00e7 edilircesine yanlardan kald\u0131r\u0131l\u0131rken, son \u00e2nda s\u00fcr\u00fcc\u00fcn\u00fcn \u00f6n direksiyonu do\u011fru konuma getirmesiyle araba devrilmekten kurtulup, \u015fim\u015fek gibi f\u0131rlay\u0131p ka\u00e7t\u0131. Ka\u00e7mas\u0131na ka\u00e7t\u0131yd\u0131 ama, o has\u0131r \u015fapka en az\u0131ndan hangi k\u0131l\u0131kta olursa olsun, nelerin beyaz zamba\u011f\u0131n uhdesinde oldu\u011funu \u00f6\u011frenmi\u015fti. Gen\u00e7 bir delikanl\u0131 \u015fapkay\u0131 burjuvan\u0131n ba\u015f\u0131ndan \u00e7ekip kapm\u0131\u015ft\u0131, onu havaya f\u0131rlat\u0131yor, sonra ba\u015fkalar\u0131 kap\u0131yor, m\u00fczik de yeniden \u00e7al\u0131yor ve \u00e7iftler dans etmeye ba\u015fl\u0131yordu; \u00fcstelik sadece ayak ve bedenleriyle de\u011fil, elleri de bo\u015f durmadan: Havaya f\u0131rlat\u0131larak bir \u00e7iftten di\u011ferine ge\u00e7en has\u0131r \u015fapkay\u0131 aramakla me\u015fg\u00fbld\u00fc eller, t\u00e2 ki \u015fapka, \u00e2det\u00e2 Bastille’in pek n\u00e2\u00e7iz\u00e2ne, pek temsil\u00ee bi\u00e7imde ayaklar alt\u0131nda \u00e7i\u011fnenmi\u015f temsilcisiymi\u015f gibi, \u00fcst\u00fcnden silindir ge\u00e7mi\u015f\u00e7esine nih\u00e2yet yere serilene dek. Art\u0131k kestirme caddeye girmek i\u00e7in yakla\u015fan ak\u0131ll\u0131 uslu taksi \u015fof\u00f6rleri derh\u00e2l geri bas\u0131yorlard\u0131; iktisat partisi i\u00e7 sava\u015fa kat\u0131lmaz. Ve \u00c2siler Caddesi de k\u0131sa bir s\u00fcre sonra Paris’te biraz\u00a014 Temmuz dans\u0131<\/em> yapan tek cadde ooldu\u011funu unutacakt\u0131. B\u00f6ylece has\u0131r \u015fapka tarihe ge\u00e7mek bir yana, bir polis raporuna bile girmeyecek, sadece bu k\u00fc\u00e7\u00fck, bekleyen \u00f6yk\u00fcde yer bulacakt\u0131.<\/p>\n

3.
\nYine Paris’te, \u00e7ok s\u00e2kin bir adam iki y\u0131l \u00f6nce \u015funlara yol a\u00e7m\u0131\u015ft\u0131.<\/p>\n

Ye\u015fil bir \u015fnaps\u0131n \u00f6n\u00fcnde oturuyor, arada bir okuyordu. Kafe bu saatte \u00e7ok i\u015flek, sohbetler canl\u0131yd\u0131, havaya ise politik bir huz\u00fbrsuzluk h\u00e2kimdi. M\u00fc\u015fterinin yan\u0131nda, onu ekmek zamm\u0131 ve Frank’\u0131n de\u011fer kayb\u0131 meselelerinden epey uzakla\u015ft\u0131ran bir kitap vard\u0131, ama belki de o kadar da uza\u011fa g\u00f6t\u00fcrmeyeni, zir\u00e2 \u00fczerinden ge\u00e7eli sadece otuz y\u0131l olmu\u015ftu. Hani o vakitlerin deyimiyle fin du\u00a0si\u00e8cle’in [y\u00fczy\u0131l\u0131n veya \u00e7a\u011f\u0131n sonu] \u00fczerinden, ki o s\u00fcsl\u00fc insanlar, k\u0131\u015flalara “yollanan” birliklere ra\u011fmen, bunu unutmu\u015f gibiydi. “Mamafih, daha ya\u015fl\u0131ca okurlar”, b\u00f6yle yaz\u0131yordu kitapta, “daha ya\u015fl\u0131ca okurlar, gazetelerin bir vakitler Paris’teki, g\u00f6r\u00fcnd\u00fc\u011f\u00fc kadar\u0131yla \u00fcyelerini polisin sadece k\u0131smen ele ge\u00e7irebildi\u011fi, dall\u0131 budakl\u0131 bir \u00e7etenin yol a\u00e7m\u0131\u015f oldu\u011fu anar\u015fist bombal\u0131 suikast olaylar\u0131n\u0131 k\u0131sa aral\u0131klarla tekrar tekrar haber edip durduklar\u0131 o g\u00fcnleri ve d\u00fcnyay\u0131 saran o b\u00fcy\u00fck heyecan\u0131 belki h\u00e2l\u00e2 hat\u0131rlarlar. Bombalar, anla\u015f\u0131ld\u0131\u011f\u0131 kadar\u0131yla rasgele at\u0131l\u0131yordu; evlere oldu\u011fu gibi St. Lazare tren istasyonundaki s\u0131k bir kafeye de, k\u00e2h millet meclisine k\u00e2h k\u00fc\u00e7\u00fck bir lokantaya, hatt\u00e2 i\u00e7inde tek bir Allah’\u0131n kulunun bulunmad\u0131\u011f\u0131 Madeleine Kilisesi’ne bile. Bir k\u0131\u015fla havaya u\u00e7mu\u015f, S\u0131rp el\u00e7i sokakta kur\u015funlanm\u0131\u015f, Cumhurba\u015fkan\u0131 Sadi Carnot ise tiyatroya giderken b\u0131\u00e7aklanarak \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fc. Devir, Revachol, Vailant, Henry, Caserio ve di\u011fer tehlikeli eylem propagandac\u0131lar\u0131n\u0131n devriydi, dinamitin ve burjuva toplum ve ahl\u00e2k\u0131na d\u00f6n\u00fck o en sinsi tehdidin devri.” B\u00f6ylece kitap s\u00f6ylentilerin t\u00e2 g\u00f6be\u011fine, hatt\u00e2 daha da geriye, \u00e7ocukluk g\u00fcnlerinin korku dolu gecelerine g\u00f6t\u00fcr\u00fcyordu: Ortaya \u00e7\u0131kar\u0131lan anar\u015fist birlikler bile, \u015fakas\u0131 olmayan kolportajdan (**) \u00e7\u0131km\u0131\u015f\u00e7as\u0131na, deh\u015fet uyand\u0131ran isimler ta\u015f\u0131yorlard\u0131. Mesel\u00e2 “Bilancourt’un Bel\u00e2 Delikanl\u0131lar\u0131”, “Batignolles’lu Panterler”, “Cettes’li Me\u015fe Y\u00fcrekliler”, “Do\u011fan\u0131n \u00c7ocuklar\u0131”, “Lille’li K\u00fcrek Mahk\u00fbmlar\u0131”, “Sedan’\u0131n Prangas\u0131” ve “Terre Noire’l\u0131 Yata\u011fan” vard\u0131. Sonunda komplocu gazetelerin kendileri bile, mas\u00fbm il\u00e2nlar\u0131n tam ortas\u0131nda “Sivil Olmayan Mallar\u0131n Yap\u0131m\u0131 \u0130\u00e7in T\u00e2limatlar” ba\u015fl\u0131\u011f\u0131 ta\u015f\u0131yan s\u00fcrekli bir s\u00fctuna yer ay\u0131r\u0131r olmu\u015flard\u0131.<\/p>\n

Burada m\u00fc\u015fteri, gen\u00e7 bir \u00e7iftin masas\u0131na oturup konu\u015fmaya ba\u015flamas\u0131 \u00fczerine, okumaya ara vermek zorunda kalm\u0131\u015ft\u0131. \u0130kili \u00f6ylesine zar\u00eefti ki, sanki “han\u0131mefendi” de “beyefendi” de kendisini \u00e2det\u00e2 cennette giyinip ku\u015fanm\u0131\u015f gibi g\u00f6r\u00fcyor olmal\u0131yd\u0131. Bu s\u0131rada s\u00e2kin m\u00fc\u015fteri aya\u011fa kalkt\u0131, olacaklardan t\u00fcm\u00fcyle b\u00eehaber, sadece kendine sigara almak niyetindeydi, art\u0131k Batignolles’lu Panterler’i falan hi\u00e7 mi hi\u00e7 d\u00fc\u015f\u00fcnm\u00fcyordu, aksine Nana ona daha yak\u0131nd\u0131: – \u00c2niden, masadan daha bir ad\u0131m bile uzakla\u015famadan, \u00f6yle feci bir patlama oldu ki \u00e7ift korkudan havaya s\u0131\u00e7rad\u0131, masalar devrildi ve pasajda hayat durdu. Okurun bizzat dizleri titriyordu ama, asl\u0131nda kendisi gibi ayr\u0131ca o \u00e7ift de hi\u00e7 yara almadan kurtulmu\u015flard\u0131, ki bu ne de olsa iyi bir tes\u00e2d\u00fcft\u00fc; \u00e7\u00fcnk\u00fc m\u00fc\u015fterinin sigara almak isterken yere devirdi\u011fi soda \u015fisesinin cam k\u0131ym\u0131klar\u0131 ne kolay da yaralanmaya yol a\u00e7abilirdi! M\u00fcd\u00fcr gelip zarar\u0131n tel\u00e2fi edilmesini talep etti, okur gereken \u00f6demeyi yapt\u0131 ve bu vartay\u0131 o denli ucuz atlatt\u0131\u011f\u0131na nerdeyse utana s\u0131k\u0131la sevindi. Kafeye h\u00e2kim olan f\u0131rt\u0131nal\u0131 hava da yat\u0131\u015f\u0131rken, derin bir i\u00e7g\u00fcd\u00fcyle adam\u0131n s\u0131rf para cezas\u0131yla kurtulmas\u0131ndan pek tatmin olmam\u0131\u015f kib\u00e2r \u00e7ift kendine taze bir aperitif s\u00f6yledi. Zaten adam da \u00e7ok ge\u00e7meden olay mahallini terk etti, koltu\u011funun alt\u0131nda o \u00e7ok tarih\u00ee dinamit kitab\u0131yla nih\u00e2yet bar tezg\u00e2h\u0131ndan, sanki bar\u0131\u015f \u00e7ubuklar\u0131ym\u0131\u015f gibi, sigaralar\u0131n\u0131 ald\u0131 ve m\u00fcd\u00e2vimi oldu\u011fu lokantas\u0131na gitmek \u00fczere yola koyuldu. Orada ise, bir suikast\u00e7\u0131n\u0131n, \u015fans\u0131 y\u00e2ver gitmedi\u011finden, bir soda \u015fi\u015fesinden mah\u015fer\u00ee mahkeme huz\u00fbruna \u00e7\u0131kt\u0131\u011f\u0131 kahramanca hik\u00e2yeyi anlatt\u0131. O cin h\u0131zla \u015fi\u015feye geri \u00e7ekilmi\u015fti, fakat adam\u0131n derin utanc\u0131 ve \u00e7iftin onun cezas\u0131 kar\u015f\u0131s\u0131nda duydu\u011fu \u00f6fke havada h\u00e2l\u00e2 hissediliyordu. Ed\u00eebin etkilenmi\u015fli\u011fi, burjuvazinin irs\u00ee h\u00e2f\u0131zas\u0131: Her ikisi de bu beceriksiz olay\u0131n \u00fczerinde cerey\u00e2n etmi\u015fti: [Biri] ge\u00e7memi\u015f bir ge\u00e7mi\u015fin son s\u00f6z\u00fcn\u00fc\/epilogunu, [di\u011feri] Parisli burjuvalar\u0131n bile kendilerini ondan kurtulmu\u015f g\u00f6rmedikleri bir gelece\u011fin \u00f6ns\u00f6z\u00fcn\u00fc\/prologunu s\u00f6ylemi\u015fti. 14 Temmuz gibi bir bayrama d\u00f6n\u00fc\u015fen \u015fey ge\u00e7mi\u015fte kalm\u0131\u015ft\u0131, fakat bir zamanlar b\u00fcnyesinde yer alan korku tazeli\u011fini\u00a0h\u00e2l\u00e2 korumaktad\u0131r. T\u00fcm i\u015f\u00e7iler \u0131stakoz yeselerdi, soda \u015fi\u015fesinin cam k\u0131ym\u0131klar\u0131 da hi\u00e7bir duyguyu \u00e7izmezdi.”<\/p>\n

(*)\u00a0“Le Bourgeois gentilhomme”<\/em> (as\u00eelz\u00e2de burjuva), Moli\u00e8re’in T\u00fcrkiye’de “Kib\u00e2rl\u0131k Budalas\u0131” olarak bilinen, ilk kez 1670’te sahnelenen be\u015f perdelik bir bale-komedisi. C\u00e2hil fakat s\u00e2f, varl\u0131kl\u0131 bir adam olan M\u00f6sy\u00f6 Jourdain’in bir as\u00eelz\u00e2de olmak, soylular\u0131n yer ald\u0131\u011f\u0131 sosyal stat\u00fcye ge\u00e7ebilmek i\u00e7in elinden gelen her \u015feyi yapmas\u0131n\u0131 konu alan bu esere at\u0131fla Bloch’\u00e7a kastedilen, “sonradan olma” burjuva ile “do\u011fu\u015ftan” as\u00e2leti \u00f6nvarsayan soylu aras\u0131ndaki oxymoron ba\u011flant\u0131, dolay\u0131s\u0131yla yeniyetme burjuvan\u0131n as\u00eelz\u00e2de olmak i\u00e7in g\u00f6sterdi\u011fi dar kafal\u0131ca ve beyhude s\u0131n\u0131f atlama arzusu olmal\u0131 – yay\u0131na haz\u0131rlayan\u0131n notu.<\/span>
\n(**) Kolportaj, k\u00f6kleri her ne kadar 15. y\u00fczy\u0131l\u0131n dini e\u011fitim ris\u00e2lelerine, sonralar\u0131 halk\u0131n takvim vb. gibi basit, g\u00fcnl\u00fck ihtiya\u00e7lar\u0131na hitaben panay\u0131r\/pazarlarda sat\u0131lan ve 18. y\u00fczy\u0131ldan sonra, ayd\u0131nlanmayla beraber basit romanlara uzanan, sanayile\u015fmeden sonra “s\u0131rtta ta\u015f\u0131nan” [Frans\u0131zca porter\u00a0\u00e0 col<\/em>, yakada\/boyunda ta\u015f\u0131mak], kap\u0131 kap\u0131 dola\u015f\u0131p sat\u0131lan, 20. y\u00fczy\u0131l\u0131n ba\u015f\u0131nda \u00f6zellikle ucuz bulvar\/ak\u015fam gazetesi t\u00fcr\u00fc edebiyata atfen yerle\u015fmi\u015f k\u0131smen hicvi tan\u0131m -yay. haz. n.<\/span><\/p>\n

Ernst Bloch, \u0130zler (Spuren), \u0130leti\u015fim Yay\u0131nlar\u0131, \u00e7ev. Suzan Gerid\u00f6nmez, 2010 [1969], s. 25-30.<\/p>\n","protected":false},"excerpt":{"rendered":"

“1. G\u00fcn, fazla bir \u015fey vaat etmiyor gibiydi bug\u00fcn. Para yoksa Paris bile k\u00fc\u00e7\u00fcl\u00fcr. Eski i\u015f\u00e7i meyh\u00e2nesine gittim ki daha k\u00f6t\u00fc olup da daha ucuz olmayanlar\u0131 da var. Fakat orada kendinden ge\u00e7en birini g\u00f6rd\u00fcm; hem de adamak\u0131ll\u0131, \u00f6ylesine mas\u00fbm bir haz duyarak, tam da olmas\u0131 gerekti\u011fi gibi. Kar\u015f\u0131mda duran adam, \u00e7al\u0131\u015fmaktan y\u0131pranm\u0131\u015f yumruklar\u0131nda bir \u0131stakoz … Continue reading Bloch, Oyun Tarzlar\u0131, Maalesef [g\u00fcnde ve kentte olu\u015f]<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,31,222],"tags":[267,268],"class_list":["post-979","post","type-post","status-publish","format-standard","hentry","category-alinti","category-deneme","category-kent","tag-ernst-bloch","tag-izler"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-fN","jetpack-related-posts":[{"id":32,"url":"https:\/\/yalpertem.com\/blog\/2016\/10\/22\/kalecinin-penalti-anindaki-endisesi-peter-handke\/","url_meta":{"origin":979,"position":0},"title":"Kalecinin Penalt\u0131 An\u0131ndaki Endi\u015fesi | Peter Handke","author":"yalpertem","date":"22 October 2016","format":false,"excerpt":"Kalecinin penalt\u0131 an\u0131ndaki endi\u015fesini Josef K.\u2019n\u0131n fena bir \u015fey yapmam\u0131\u015f olmas\u0131na ra\u011fmen tutuklanmas\u0131 gibi d\u00fc\u015f\u00fcnebilir miyiz? Josef K.\u2019y\u0131 tutuklad\u0131lar, Josef Bloch\u2019u i\u015ften att\u0131lar ve hikaye ba\u015flad\u0131. Bloch\u2019un ilk dereceden erkek karde\u015fleri Josef K., Mersault veya Samsa gibi g\u00f6r\u00fcn\u00fcyor. Buras\u0131 zaten edebi\/ele\u015ftirel k\u00fclliyat\u0131n da birikti\u011fi bir alan. Benim i\u00e7in zor alan.\u2026","rel":"","context":"In "edebiyat"","block_context":{"text":"edebiyat","link":"https:\/\/yalpertem.com\/blog\/category\/edebiyat\/"},"img":{"alt_text":"kalecinin-penalti-anindaki-endisesi","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2016\/10\/kalecinin-penalti-anindaki-endisesi-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":228,"url":"https:\/\/yalpertem.com\/blog\/2017\/08\/31\/kristeva-modern-insan-ve-ruh-uzerine\/","url_meta":{"origin":979,"position":1},"title":"Kristeva, Modern \u0130nsan ve Ruh \u00dczerine","author":"yalpertem","date":"31 August 2017","format":false,"excerpt":"\"Kendimize bir ruh olu\u015fturmak i\u00e7in gerekli ne zaman\u0131m\u0131z ne de yerimiz var. Bu t\u00fcr bir kayg\u0131ya dair basit bir \u015f\u00fcphe bile sa\u00e7ma ve yersiz bulunuyor. Kendi kibrine ve ba\u015f\u0131na buyruklu\u011funa g\u00f6bekten ba\u011fl\u0131 modern insan, belki ac\u0131 \u00e7eken ama asla vicdan azab\u0131 duymayan bir narsisiktir [sic]. Ist\u0131rap onu bedeninde yakalar; onu\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/08\/ruhun-yeni-hastaliklari-julia-kristeva-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":894,"url":"https:\/\/yalpertem.com\/blog\/2018\/01\/23\/gurbilek-ayhan-gecgin-ve-olumsuz-yasam-uzerine\/","url_meta":{"origin":979,"position":2},"title":"Nurdan G\u00fcrbilek: Ayhan Ge\u00e7gin ve Olumsuz Ya\u015fam \u00dczerine","author":"yalpertem","date":"23 January 2018","format":false,"excerpt":"Not: San\u0131r\u0131m bu post internette payla\u015f\u0131lm\u0131\u015f, ziyaret edenler olmu\u015f. Eski ba\u015fl\u0131ktaki virg\u00fcllerden dolay\u0131, ba\u015fkas\u0131n\u0131n yazd\u0131\u011f\u0131 bir metin oldu\u011fu d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f olabilir. Tepeye de not d\u00fc\u015feyim dedim, a\u015fa\u011f\u0131daki b\u00f6l\u00fcm Nurdan G\u00fcrbilek'in Express'te (Yaz 2016, say\u0131 144) yay\u0131mlanan \"Uzun Y\u00fcr\u00fcy\u00fc\u015f, Eksik Halk\" adl\u0131 uzun ve derin denemesinden \"ka\u00e7\u0131\u015f \u00e7izgisi\" kavram\u0131n\u0131 oda\u011f\u0131na alan bir\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=525%2C300 1.5x"},"classes":[]},{"id":1510,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/16\/althusser-ideoloji-maddi-bir-varolusa-sahiptir\/","url_meta":{"origin":979,"position":3},"title":"Althusser, \u0130deoloji Maddi Bir Varolu\u015fa Sahiptir (I)","author":"yalpertem","date":"16 May 2018","format":false,"excerpt":"\" Tez II: \u0130deoloji maddi bir var olu\u015fa sahiptir. \u0130deolojiyi olu\u015fturur gibi gelen \"d\u00fc\u015f\u00fcncelerin\" ya da tasar\u0131mlamalar\u0131n, vb. \u00fclk\u00fcsel, d\u00fc\u015f\u00fcnsel, tinsel de\u011fil, maddi var olu\u015fa sahip olduklar\u0131n\u0131 s\u00f6ylerken hafif\u00e7e de\u011finmi\u015ftik bu teze. 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Y\u00fcksek sesle lafa kar\u0131\u015fan Bloch, izleyicilerle at\u0131\u015fmaya\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/kalecinin-penalti-anindaki-endisesi-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1003,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/04\/blanchot-yazma-kitap-ve-okuma-uzerine-i\/","url_meta":{"origin":979,"position":5},"title":"Blanchot, Yazma, Kitap ve Okuma \u00dczerine (I)","author":"yalpertem","date":"4 March 2018","format":false,"excerpt":"Bir Blanchot kitab\u0131ndan \"yaz\u0131\" \u00fczerine k\u0131sa bir pasaj al\u0131nt\u0131lamak ahmakl\u0131k. K\u00fclliyat\u0131 zaten yazmay\u0131, okumay\u0131, al\u0131nt\u0131lamay\u0131, ba\u015fka metinleri, onlar\u0131n yazarlar\u0131yla muhabbeti ku\u015fatm\u0131\u015f okur-yazardan b\u00f6ylesi bir par\u00e7a s\u00f6k\u00fcp \u00e7\u0131karmak utan\u00e7 verici. Ne okumak, ne yazmak, ne konu\u015fmak, ne var ki sadece bunlarda yatar daha \u015fimdiden s\u00f6ylenmi\u015f olandan, Bilme'den, anla\u015fmadan kurtulu\u015fumuz, verilenin belki\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi-198x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=979"}],"version-history":[{"count":0,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/979\/revisions"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}