{"id":727,"date":"2017-12-09T15:21:14","date_gmt":"2017-12-09T13:21:14","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=727"},"modified":"2023-07-25T10:06:04","modified_gmt":"2023-07-25T08:06:04","slug":"deleuze-guattari-felsefe-bilim-sanat-kaos-tutarlilik","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2017\/12\/09\/deleuze-guattari-felsefe-bilim-sanat-kaos-tutarlilik\/","title":{"rendered":"Deleuze & Guattari, Felsefe, Bilim ve Sanat ile D\u00fc\u015f\u00fcnme"},"content":{"rendered":"

\"\"“D\u00fc\u015f\u00fcnceyi, d\u00fc\u015f\u00fcncenin \u00fc\u00e7 b\u00fcy\u00fck formunu, sanat, bilim ve felsefeyi tan\u0131mlayan \u015fey, her zaman kaosla kap\u0131\u015fmak, bir d\u00fczlem \u00e7izmek, kaosun \u00fczerine bir d\u00fczlem \u00e7ekmektir. Ama felsefe, tutarl\u0131l\u0131k vererek sonsuzu kurtarmak ister: Kavramsal ki\u015filiklerin edimiyle, olaylar\u0131 ya da tutarl\u0131 kavramlar\u0131 sonsuza ta\u015f\u0131yacak bir i\u00e7kinlik d\u00fczlemi \u00e7izer. Buna kar\u015f\u0131l\u0131k bilim g\u00f6nderimi kazanmak u\u011fruna sonsuzdan vazge\u00e7er: K\u0131smi g\u00f6zlemcilerin edimiyle, her seferinde \u015feylerin durumlar\u0131n\u0131, fonksiyonlar\u0131 ya da g\u00f6nderimsel \u00f6nermeleri tan\u0131mlayan, yaln\u0131zca tan\u0131mlanmam\u0131\u015f koordinatlardan bir d\u00fczlem \u00e7izer. Sanat sonsuzu yeniden veren sonluyu yaratmak ister: Estetik fig\u00fcrlerin edimiyle, an\u0131tlar\u0131 ya da bile\u015fik duyumlar\u0131 ta\u015f\u0131yan, bir kompozisyon d\u00fczlemi \u00e7izer. Damisch, Klee’nin “E\u015fittir sonsuz” tablosunu \u00e7\u00f6z\u00fcmlemi\u015fti. Bu elbette bir alegori de\u011fil, kendini resim olarak sunan resmetme tavr\u0131d\u0131r. Kenarda dans eden ve tuvali kateden koyu lekeler, bize kaosun sonsuz ge\u00e7i\u015fiymi\u015f gibi geliyor; tuval \u00fczerindeki, de\u011fnek\u00e7iklerle b\u00f6l\u00fcnm\u00fc\u015f nokta serpintisi, sonlu bile\u015fik duyumdur, ama sonsuzu bize, = \u221e k\u0131lan kompozisyon d\u00fczlemi \u00fczerine a\u00e7\u0131l\u0131r. Bununla birlikte sanat\u0131, bilimle felsefenin, sonlu yolla sonsuz yolun bir bire\u015fimiymi\u015f gibi d\u00fc\u015f\u00fcnmeyece\u011fiz. \u00dc\u00e7 yol da \u00f6zg\u00fcnd\u00fcr, her biri \u00f6tekiler kadar do\u011frudandur ve d\u00fczlemin ve o d\u00fczlemi i\u015fgal eden \u015feyin t\u00fcr\u00fcne g\u00f6re birbirinden ayr\u0131l\u0131r. D\u00fc\u015f\u00fcnmek, kavramlar arac\u0131l\u0131\u011f\u0131yla d\u00fc\u015f\u00fcnmektir ve bu d\u00fc\u015f\u00fcncelerden her biri \u00f6tekilerden daha iyi, ya da daha bir yo\u011funlukla, daha bir taml\u0131kla, daha bire\u015fimsel olarak “d\u00fc\u015f\u00fcnce” de\u011fildir. Sanat\u0131n \u00e7er\u00e7eveleri bilimsel koordinatlar olmad\u0131\u011f\u0131 gibi, duyumlar da kavramlar, ya da kavramlar duyum de\u011fillerdir. Sanat\u0131 felsefeye yakla\u015ft\u0131rmak \u00fczere yak\u0131n zamanlarda ortaya \u00e7\u0131kan iki giri\u015fim, soyut sanatla kavramsal sanatt\u0131r; ancak bu giri\u015fimler kavram\u0131 duyuma ekleyemezler, kavram de\u011fil duyumlar yarat\u0131rlar. Soyut sanat, duyumun orada saf bir zihinsel varl\u0131k, d\u00fc\u015f\u00fcnen ve d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f bir \u0131\u015f\u0131yan madde haline gelece\u011fi, bir deniz ya da a\u011fa\u00e7 duyumunun de\u011fil, ama bir deniz kavram\u0131 ya da a\u011fa\u00e7 kavram\u0131 duyumunun s\u00f6z konusu oldu\u011fu, arkitektonik bir kompozisyon d\u00fczlemi uzatarak, duyumu inceltmeye, maddeden kurtarmaya \u00e7al\u0131\u015f\u0131r sadece. Kavramsal sanat, her \u015feyin; \u015feylerin, imge ve kli\u015felerin, \u00f6nermelerin \u2013bir \u015fey, ayn\u0131 \u00f6l\u00e7ekte ve ayn\u0131 yerdeki foto\u011fraf\u0131, s\u00f6zl\u00fckten \u00e7\u0131kar\u0131lm\u0131\u015f tan\u0131m\u0131\u2013 orada sonsuza kadar yeniden \u00fcretilebilir bir duyum de\u011feri kazanmalar\u0131 i\u00e7in, yeterince tarafs\u0131zla\u015ft\u0131r\u0131lm\u0131\u015f (g\u00f6sterilmemi\u015f yap\u0131tlar\u0131 bir araya getiren katalog, kendi haritas\u0131yla kapl\u0131 zemin, mimarisi olmayan, i\u015flevinden bo\u015falt\u0131lm\u0131\u015f mek\u00e2nlar, “flatbed<\/em>“\u00a0<\/em>d\u00fczlemi) bir kompozisyon d\u00fczlemi yerle\u015ftirmek suretiyle ve genelleme arac\u0131l\u0131\u011f\u0131yla, kar\u015f\u0131 y\u00f6nde bir maddeden kurtarma aray\u0131\u015f\u0131nda. Bununla birlikte, bu son se\u00e7enekte, b\u00f6ylece duyuma ya da kavrama ula\u015f\u0131ld\u0131\u011f\u0131 kesin de\u011fil, \u00e7\u00fcnk\u00fc kompozisyon d\u00fczlemi kendisini “bilgilendirici” k\u0131lma e\u011filiminde ve de duyum, “maddele\u015ftirmenin” ya da tersinin, yani s\u00f6z konusu i\u015fin sanat olup olmad\u0131\u011f\u0131na karar vermenin muhtemelen ona ait olaca\u011f\u0131 bir izleyicinin basit “kan\u0131s\u0131na” ba\u011flanm\u0131\u015f oluyor. S\u0131radan alg\u0131lar\u0131 ve duygulan\u0131mlar\u0131 sonsuzda yeniden bulmak ve kavram\u0131 toplumsal g\u00f6vdenin ya da b\u00fcy\u00fck Amerikan metropol\u00fcn\u00fcn bir\u00a0doxa<\/em>‘s\u0131na indirgemek u\u011fruna ne \u00e7ok emek!<\/p>\n

\u00dc\u00e7 d\u00fc\u015f\u00fcnce bi\u00e7imi, bire\u015fim ve \u00f6zde\u015fle\u015fme olmaks\u0131z\u0131n kesi\u015fir, i\u00e7 i\u00e7e girer. Felsefe kavramlar\u0131yla olaylar \u00e7\u0131kart\u0131r, sanat duyumlar\u0131yla an\u0131tlar diker, bilim de fonksiyonlar\u0131yla \u015feylerin durumlar\u0131n\u0131 kurar. D\u00fczlemler aras\u0131nda zengin bir ileti\u015fim \u00f6rg\u00fcs\u00fc yerle\u015febilir. Ama \u015febekenin y\u00fckselen noktalar\u0131, duyumun, kendili\u011finden kavram ya da fonksiyon duyum kavram\u0131, fonksiyonun da, duyum ya da kavram fonksiyonu haline geldi\u011fi noktalar\u0131 vard\u0131r. Ve bu \u00f6\u011felerden herhangi biri, hen\u00fcz h\u00e2l\u00e2 gelecek, h\u00e2l\u00e2 belirsiz ya da bilinmez olabilmeksizin ortaya \u00e7\u0131kmaz. Bir d\u00fczlem \u00fczerinde yarat\u0131lm\u0131\u015f her \u00f6\u011fe, \u00f6teki d\u00fczlemler \u00fczerinde yarat\u0131lmay\u0131 bekleyen, daha ba\u015fka ayr\u0131\u015f\u0131k \u00f6\u011felere \u00e7a\u011fr\u0131da bulunur: Ayr\u0131\u015f\u0131k-do\u011fum olarak d\u00fc\u015f\u00fcnce. Bu y\u00fckselen noktalar\u0131n iki a\u015f\u0131r\u0131 tehlike ta\u015f\u0131d\u0131\u011f\u0131 do\u011frudur: Ya bizi i\u00e7inden \u00e7\u0131kmak istedi\u011fimiz kan\u0131ya g\u00f6t\u00fcreceklerdir do\u011fruca, ya da kap\u0131\u015fmak istedi\u011fimiz kaosun i\u00e7ine iteceklerdir bizi.”<\/p>\n

Gillez Deleuze & F\u00e9lix Guattari, Felsefe Nedir?, Yap\u0131 Kredi Yay\u0131nlar\u0131, \u00e7ev. Turhan Ilgaz, 2015 [1993], 10. bas\u0131m, s. 193-5.<\/p>\n

\"\"
Paul Klee | Equals Infinity (1932)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

“D\u00fc\u015f\u00fcnceyi, d\u00fc\u015f\u00fcncenin \u00fc\u00e7 b\u00fcy\u00fck formunu, sanat, bilim ve felsefeyi tan\u0131mlayan \u015fey, her zaman kaosla kap\u0131\u015fmak, bir d\u00fczlem \u00e7izmek, kaosun \u00fczerine bir d\u00fczlem \u00e7ekmektir. Ama felsefe, tutarl\u0131l\u0131k vererek sonsuzu kurtarmak ister: Kavramsal ki\u015filiklerin edimiyle, olaylar\u0131 ya da tutarl\u0131 kavramlar\u0131 sonsuza ta\u015f\u0131yacak bir i\u00e7kinlik d\u00fczlemi \u00e7izer. Buna kar\u015f\u0131l\u0131k bilim g\u00f6nderimi kazanmak u\u011fruna sonsuzdan vazge\u00e7er: K\u0131smi g\u00f6zlemcilerin edimiyle, … Continue reading Deleuze & Guattari, Felsefe, Bilim ve Sanat ile D\u00fc\u015f\u00fcnme<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,101],"tags":[197,202,161,203],"class_list":["post-727","post","type-post","status-publish","format-standard","hentry","category-alinti","category-felsefe","tag-felix-guattari","tag-felsefe-nedir","tag-gilles-deleuze","tag-paul-klee"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-bJ","jetpack-related-posts":[{"id":740,"url":"https:\/\/yalpertem.com\/blog\/2017\/12\/11\/deleuze-guattari-arzu-politikasina-giris-okuma-notlari\/","url_meta":{"origin":727,"position":0},"title":"Deleuze & Guattari: Arzu Politikas\u0131na Giri\u015f (Okuma Notlar\u0131)","author":"yalpertem","date":"11 December 2017","format":false,"excerpt":"Philip Goodchild\u2019\u0131n 1996\u2019da yazd\u0131\u011f\u0131 Deleuze & Guattari: Arzu Politikas\u0131na Giri\u015f kitab\u0131, merkezinde iki felsefecinin birlikte yazd\u0131klar\u0131 kitaplar\u0131 ve a\u011f\u0131rl\u0131kla Deleuze\u2019\u00fcn di\u011fer metinlerini sistematik bir bi\u00e7imde okumay\u0131 ama\u00e7l\u0131yor. Ele\u015ftirel bir okumadan ziyade adanm\u0131\u015f bir \u00f6\u011frencinin yak\u0131n okumas\u0131 olarak, olabildi\u011fince yorumdan ka\u00e7\u0131nma niyetiyle, ikilinin d\u00fc\u015f\u00fcnce \u00e7izgilerinden do\u011fru d\u0131\u015far\u0131ya a\u00e7\u0131lan; metinleri kendi \u00fcslubunda\u2026","rel":"","context":"In "felsefe"","block_context":{"text":"felsefe","link":"https:\/\/yalpertem.com\/blog\/category\/felsefe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/12\/deleuze-guattari-arzu-politikas%C4%B1na-giris-1-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1156,"url":"https:\/\/yalpertem.com\/blog\/2018\/04\/22\/nancy-felsefe-ozgurlugun-mantigi\/","url_meta":{"origin":727,"position":1},"title":"Nancy, Felsefe: \u00d6zg\u00fcrl\u00fc\u011f\u00fcn Mant\u0131\u011f\u0131","author":"yalpertem","date":"22 April 2018","format":false,"excerpt":"\" Bu \u00f6teki d\u00fc\u015f\u00fcnce ile y\u00fck\u00fcml\u00fc olan kimdir? \u0130\u015flemcisi, memuru ya da \"uzman\u0131\" olan kimse yoktur. Her d\u00fc\u015f\u00fcncede bu \u00f6teki d\u00fc\u00ad\u015f\u00fcnce d\u00fc\u015f\u00fcn\u00fcr -ve bu d\u00fc\u015f\u00fcnceyi d\u00fc\u015f\u00fcn\u00fcr, yani onu tartar, onu dener, onu \u00f6zg\u00fcrl\u00fc\u011f\u00fcn s\u0131nav\u0131na sokar. \"Her d\u00fc\u015f\u00fcncede\" d\u00fc\u015f\u00fc\u00adn\u00fcr: bu, bir matematik d\u00fc\u015f\u00fcncesinde bir oyun olabilir, ya da bir politika, teknik,\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/04\/jean-luc-nancy-ozgurluk-deneyimi-191x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":478,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/14\/gilles-deleuze-kaynakca\/","url_meta":{"origin":727,"position":2},"title":"Gilles Deleuze – Kaynak\u00e7a","author":"yalpertem","date":"14 November 2017","format":false,"excerpt":"Birincil Kaynaklar (Kitap) Empirisme et subjectivit\u00e9 (1953) [Ampirizm ve \u00d6znellik] Nietzsche et la philosophie (1962) [Nietzsche ve Felsefe] La philosophie critique de Kant (1963) [Kant \u00dczerine D\u00f6rt Ders ||\u00a0Kant'\u0131n Ele\u015ftirel\/Ele\u015ftiri Felsefesi] Proust et les signes (1964, 2. 1976) [Proust ve G\u00f6stergeler] Le Bergsonisme (1966) [Bergsonculuk] Pr\u00e9sentation de Sacher-Masoch (1967) [Sacher-Masoch\u2019un\u2026","rel":"","context":"In "okuma listesi"","block_context":{"text":"okuma listesi","link":"https:\/\/yalpertem.com\/blog\/category\/okuma-listesi\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":633,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/30\/goodchild-deleuze-nietzsche-guc-istenci-beden-ve-soykutuk-uzerine\/","url_meta":{"origin":727,"position":3},"title":"Goodchild, Deleuze & Nietzsche: G\u00fc\u00e7 \u0130stenci, Beden ve Soyk\u00fct\u00fck \u00dczerine","author":"yalpertem","date":"30 November 2017","format":false,"excerpt":"Philip Goodchild, bu pasajda Nietzsche'nin g\u00fc\u00e7 istenci, beden tasavvuru ve soyk\u00fct\u00fck y\u00f6ntemi gibi baz\u0131 temel kavramlar\u0131n\u0131 Deleuze'\u00fcn nas\u0131l okudu\u011funu anlat\u0131yor. Deleuze \u00fczerine yorumlar\u0131nda s\u0131k\u00e7a tekrarlanan \"kuvvet\" vurgusuyla ba\u011fl\u0131yor bu kavramlar\u0131. \u00d6zellikle soyk\u00fct\u00fc\u011fe dair yorumunda tarihselcili\u011fi co\u011frafyac\u0131 bir anlay\u0131\u015fla yerinden edi\u015fi, bir s\u0131\u00e7rama etkisi yaratt\u0131 benim Nietzsche'nin bu y\u00f6ntemini ve Deleuze'deki\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/11\/deleuze-guattari-arzu-politikas%C4%B1na-giris-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":667,"url":"https:\/\/yalpertem.com\/blog\/2017\/12\/03\/goodchild-deleuze-guattarideki-iki-farkli-kapital-turu\/","url_meta":{"origin":727,"position":4},"title":"Goodchild, Deleuze & Guattari’deki \u0130ki Farkl\u0131 Kapital T\u00fcr\u00fc","author":"yalpertem","date":"3 December 2017","format":false,"excerpt":"\"Asl\u0131nda i\u015f ba\u00ad\u015f\u0131nda olan iki farkl\u0131 kapital t\u00fcr\u00fc vard\u0131r ve bunlar iki farkl\u0131 de\u011fi\u015f to\u00adku\u015f rejimi halinde i\u015f g\u00f6r\u00fcrler. De\u011fi\u015f toku\u015f ve \u00f6deme \u015feklinde dola\u00ad\u015fan ittifak kapitali, yat\u0131r\u0131mlar ve kazan\u00e7lar \u015feklinde dola\u015fan h\u0131s\u0131m\u00adsal kapitalle ayn\u0131 de\u011fildir. \u0130\u015f\u00e7ilere \u00f6denen para, kendisini \u00e7o\u011falta\u00admaz; sadece t\u00fcketici mallar\u0131 i\u00e7in de\u011fi\u015f toku\u015f edilebilir. Oysa, bir\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/12\/deleuze-guattari-arzu-politikas%C4%B1na-giris-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":470,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/13\/parnet-deleuze-spinoza-ve-kederle-beslenen-iktidar\/","url_meta":{"origin":727,"position":5},"title":"Parnet & Deleuze, Spinoza ve Kederle Beslenen \u0130ktidar","author":"yalpertem","date":"13 November 2017","format":false,"excerpt":"\"Bir beden ne yapabilir? Deneyiniz, ama denemek i\u00e7in daha nice sak\u0131ncalar vard\u0131r. Yaln\u0131zca insanlar\u0131n de\u011fil, yerle\u015fik iktidarlar\u0131n da bize keder bula\u015ft\u0131rd\u0131\u011f\u0131 tats\u0131z bir d\u00fcnyada ya\u015famaktay\u0131z. Keder, h\u00fcz\u00fcnl\u00fc etkiler eylem g\u00fcc\u00fcm\u00fcz\u00fc en aza indirenlerdir. Yerle\u015fik iktidarlar\u0131n bizi k\u00f6leli\u011fe indirgemek i\u00e7in bizim kederlenmemize ihtiya\u00e7lar\u0131 vard\u0131r. Tiran, papaz ve tin al\u0131c\u0131lar\u0131n\u0131n hayat\u0131n a\u011f\u0131r\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/11\/diyaloglar-deleuze-parnet-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=727"}],"version-history":[{"count":1,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/727\/revisions"}],"predecessor-version":[{"id":6478,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/727\/revisions\/6478"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}