“Bazen \u00fcniversite y\u0131llar\u0131mda filmlerden etkilenen ve onlar\u0131 kendi hayat\u0131na aplike eden arkada\u015flar\u0131m vard\u0131. Ben de kendimi bir \u015feye ili\u015ftirmek ve tek ba\u015f\u0131ma bir \u015fey olmamak istiyorum. K\u00f6t\u00fc bir film g\u00f6rsem i\u00e7ine dalmak, bir k\u00f6hne eve girip yatmak istiyorum.”<\/em><\/p>\n”<\/p>\n
Armand’\u0131n da \u00e7enesi g\u00fc\u00e7l\u00fcyd\u00fc, hep \u00f6yle olmu\u015ftu ama \u015fimdi ait oldu\u011fu yere geldi\u011fi s\u00f6ylenebilirdi ve onu iyi kar\u015f\u0131lam\u0131\u015flard\u0131. Armand filoloji \u00f6\u011frencileri aras\u0131nda, \u00f6zellikle de Paul’le ba\u015f ba\u015fayken itiraf etti\u011fi gibi gibi, en g\u00f6zdeleri olan Frans\u0131zca \u00f6\u011frencileri ve sanat tarihi \u00f6\u011frencileri aras\u0131nda kendisini cennete d\u00fc\u015fm\u00fc\u015f hissediyordu. Niye? diye sordu Paul. \u00c7\u00fcnk\u00fc e\u011fitimlerini d\u00fc\u015f\u00fcnd\u00fcklerinden \u00e7ok kendi g\u00fczelliklerini d\u00fc\u015f\u00fcn\u00fcyorlar. Tam olarak bu yan\u0131t Paul Buer’e bir yan\u0131yla \u00e7ok \u00e7ekici, evet, k\u0131\u015fk\u0131rt\u0131c\u0131 geldi ve bir an i\u00e7in do\u011fa bilimleri yerine filoloji okumay\u0131 se\u00e7medi\u011fi i\u00e7in kendine k\u0131zd\u0131. Ba\u015fka \u015feylerin yan\u0131 s\u0131ra Armand e\u011fitimli insanlar gibi davranmay\u0131 \u00f6\u011frenmi\u015fti. Bu y\u00fczden birlikte sinemaya gideceklerinde izleyecekleri filmin se\u00e7imini hep Armand’a b\u0131rak\u0131yordu ve olduk\u00e7a s\u0131k sinemaya gidiyorlard\u0131. Bu y\u00fczden Gimle’ye gidip en yeni Frans\u0131z, \u0130talyan ya da Polonya filmlerini izliyorlard\u0131. Ge\u00e7en Y\u0131l Marienbad’da<\/em> filmini izleyip Gimle Sinemas\u0131’ndan \u00e7\u0131kt\u0131klar\u0131nda, …<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/04\/gimle-cinema-min.jpeg?resize=400%2C300\")
<\/p>\n
… Bunu d\u00f6rd\u00fcnc\u00fc izleyi\u015fim, dedi Armand, ve her seferinde daha da g\u00fczelle\u015fiyor. \u00d6yle olmas\u0131n\u0131 umal\u0131m, dedi Paul Buer; \u00e7\u00fcnk\u00fc d\u00fcr\u00fcst olmak gerekirse Ibsen’in bir oyununu sahneledikleri yer d\u0131\u015f\u0131nda \u00e7ok s\u0131k\u0131c\u0131 bulmu\u015ftu filmi. O oyun Rosmerholm’<\/em>d\u00fc, diyen Armand filmi par\u00e7a par\u00e7a a\u00e7\u0131klamaya giri\u015fti. O zaman Paul\u00a0Blow Up<\/em> filminden daha fazla ho\u015fland\u0131\u011f\u0131n\u0131 s\u00f6yledi, \u00f6zellikle hayal\u00ee toplarla tenis ma\u00e7\u0131 yapt\u0131klar\u0131 yeri be\u011fenmi\u015fti ama her \u015feyden \u00f6nce, Herkesin ne d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc ortada i\u015fte, dedi Armand’a daha sonra. Gimle Sinemas\u0131’na cinsel olarak uyar\u0131lmak i\u00e7in gitti\u011fini itiraf etmek aptalca, diye yan\u0131tlad\u0131, bu sadece ters teper. Ama ben\u00a0Blow Up<\/em> filmini be\u011fendim, …<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/04\/last-year-at-marienbad.png?resize=660%2C281\")
<\/p>\n
… dedi Paul inatla, 8\u00bd’<\/em>tan \u00e7ok daha iyi, o film \u00e7ok dura\u011fand\u0131. \u00d6yla [sic]<\/em> ama ne parlak bir filmdi, diye hayk\u0131rd\u0131 Armand. Paul’\u00fcn geli\u015fiminden korkuya kap\u0131l\u0131yor, s\u0131k s\u0131k ona okumas\u0131 gereken kitaplar \u00f6neriyordu. Kafka okumal\u0131s\u0131n, dedi bir keresinde. Okudum onu. \u0130yiydi, diye yan\u0131tlad\u0131 Paul. Hangisini okudun peki?\u00a0Dava<\/em>, anlad\u0131m o kitab\u0131. Demek anlad\u0131n, o zaman kafan iyi \u00e7al\u0131\u015f\u0131yor, \u00e7\u00fcnk\u00fc \u00e7ok az ki\u015fi anlad\u0131\u011f\u0131n\u0131 itiraf eder, diye yan\u0131tlad\u0131 Armand, filoloji \u00f6\u011frencisi havas\u0131 tak\u0131narak. Nas\u0131l anlad\u0131n peki? Biliyorsun, insanlar\u00a0Dava<\/em> derin, metafizik bir eser mi yoksa \u015fakac\u0131 biri taraf\u0131ndan m\u0131 yaz\u0131lm\u0131\u015f diye kafa yoruyorlar. Bence metafizik bir eser, diye yan\u0131tlad\u0131 Paul. Ah, b\u00f6yle diyorsun \u00e7\u00fcnk\u00fc bir \u015fakan\u0131n asl\u0131nda ne oldu\u011funu bilmiyorsun. Ger\u00e7ekten de asl\u0131nda senin sand\u0131\u011f\u0131ndan \u00e7ok daha karma\u015f\u0131k bir \u015fey, dedi Armand haval\u0131 bir tav\u0131rla.<\/p>\n”<\/p>\n
Solstad, D. (2002) [2006]. Armand V: G\u00fcn y\u00fcz\u00fcne \u00e7\u0131kmam\u0131\u015f bir roman\u0131n dipnotlar\u0131<\/em>, (\u00e7ev. Deniz Canefe), Jaguar Kitap, s. 36-7.<\/p>\n","protected":false},"excerpt":{"rendered":"\u00d6zel isimler, ki\u015filer ve mekanlar epeyce farkl\u0131 olmas\u0131na ra\u011fmen kendi \u00fcniversite deneyimime tuhaf yak\u0131nl\u0131klar buldum bu paragrafta. \u00dczerime o y\u0131llarda h\u00fccum eden aceleci, \u00e7ap\u0131ndan habersiz ve ba\u015far\u0131s\u0131zl\u0131\u011fa mahkum bir bilme iste\u011fini hat\u0131rlad\u0131m. Antonioni, Ibsen, ve Kafka. Hoh. “Ger\u00e7ekten de asl\u0131nda senin sand\u0131\u011f\u0131ndan \u00e7ok daha karma\u015f\u0131k bir \u015fey, dedi Armand haval\u0131 bir tav\u0131rla.”\u00a0\u015eule G\u00fcrb\u00fcz’\u00fcn Co\u015fkuyla \u00d6lmek … Continue reading Solstad, Gen\u00e7 Armand ve arkada\u015flar\u0131n\u0131n film ve kitaplar\u0131<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33],"tags":[669],"class_list":["post-6089","post","type-post","status-publish","format-standard","hentry","category-alinti","tag-dag-solstad"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-1Ad","jetpack-related-posts":[{"id":259,"url":"https:\/\/yalpertem.com\/blog\/2017\/09\/03\/gurbuz-kendini-anlatan-birisi\/","url_meta":{"origin":6089,"position":0},"title":"G\u00fcrb\u00fcz, Kendini Anlatan Birisi","author":"yalpertem","date":"3 September 2017","format":false,"excerpt":"\"Ben \u00e7\u0131kt\u0131\u011f\u0131m yere, gezip g\u00f6rd\u00fckten sonra girmek ve giderek k\u00fc\u00e7\u00fclerek orada kalmak, bitmek istiyorum. Ne yapt\u0131\u011f\u0131m sorulursa, olur ya, sadece bekliyorum. Bazen \u00dcsk\u00fcdar'a y\u00fcr\u00fcrken g\u00f6zlerim sanki \u00e7ok ac\u0131l\u0131 ve a\u011flamakl\u0131 bir geceden \u00e7\u0131km\u0131\u015f\u0131m gibi k\u0131rp\u0131\u015farak, adeta tutu\u015farak yan\u0131yor. Etraf\u0131ma, gelen ge\u00e7ene bakmak istiyor, bakam\u0131yorum. G\u00f6zlerim k\u0131rp\u0131\u015f\u0131yor. Bal\u0131klar, marullar, k\u0131rm\u0131z\u0131 so\u011fanlar,\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/coskuyla-olmek-sule-gurbuz-199x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4314,"url":"https:\/\/yalpertem.com\/blog\/2021\/07\/18\/gozlemcilik-ve-genclik-solstad\/","url_meta":{"origin":6089,"position":1},"title":"G\u00f6zlemcilik ve Gen\u00e7lik | Solstad","author":"yalpertem","date":"18 July 2021","format":false,"excerpt":"Ihlamurdere'nin her \u015feyi satan d\u00fckkanlar\u0131ndan ald\u0131\u011f\u0131m bantlarla kitaplar\u0131m\u0131n bir k\u0131sm\u0131n\u0131 kolilere k\u0131st\u0131r\u0131p ayr\u0131labileceklerimi -ki kitap ay\u0131rmak bana g\u00fczel bir edebiyat e\u011fitimi gibi gelmi\u015fti- sahaflara kendi ellerimle teslim ederek vedala\u015ft\u0131\u011f\u0131mdan ve okumaya al\u0131\u015ft\u0131\u011f\u0131m dilde yeni kitaplar edinmek zorla\u015ft\u0131\u011f\u0131ndan beri fiziksel kitaplarla arama mesafe girmi\u015fti. 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Notodden'in n\u00fcfusu 1960'lardan kitab\u0131n yaz\u0131ld\u0131\u011f\u0131 d\u00f6neme kadar pek dalgalanmam\u0131\u015f, genelde 12-13 bin civar\u0131ndaym\u0131\u015f. Belki romandan sonra buraya g\u00f6\u00e7en birka\u00e7 ba\u015fka k\u00fct\u00fcphaneci olmu\u015ftur. 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