{"id":5827,"date":"2023-01-23T23:09:41","date_gmt":"2023-01-23T22:09:41","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=5827"},"modified":"2025-11-01T10:41:11","modified_gmt":"2025-11-01T09:41:11","slug":"menu-2022-notes","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2023\/01\/23\/menu-2022-notes\/","title":{"rendered":"Menu (2022) | Notes"},"content":{"rendered":"<p>&#8220;All except Margot have been carefully chosen, and all are about to become players in Slowik\u2019s elaborate opera of humiliation, self-loathing and revenge.&#8221; (<a href=\"https:\/\/www.nytimes.com\/2022\/11\/17\/movies\/the-menu-review.html\" target=\"_blank\" rel=\"nofollow noopener\">The NYT<\/a>)<\/p>\n<p>Directed by Mark Mylod \u2014the lead director of Succession with 13 episodes. It&#8217;s a film about nerds and cults. The focus is food; the whole eating experience. Its genre, horror\/thriller\/comedy, is something that I don&#8217;t know much about. I watched this film thanks to the joy of watching Glass Onion and joking about it together with a friend. Glass Onion was an action\/thriller\/comedy as I understand. I thought of watching another thriller in a closed space. I saw Mark Kermode also drew a parallel between the two films.<\/p>\n<p>The service class resentment is nice to see in a popular movie but it wasn&#8217;t as intricately described in the film compared to how it depicts the niche interest in food, for the super-rich. The temple, Hawthorn; and the executor, Chef Slowik. I saw a YouTube video-essayist reading the cult as an allegory of the influencer culture, pretty contemporary.<\/p>\n<p>The characters are varied in terms of their relationship with this unique dinner and food. There are top-tier restaurant critics, tech bros who really like to have a bread, a food-nerd and an apostle of Slowik, his coincidental date, an uninterested movie star, and another wealthy couple who just attends the dinner as if it&#8217;s regular fine dine. The exquisite dinner is presented as an activity for the ultra-rich and it costs $1250 per person. Considering the crew, the organization, the number of the customers (12)&#8230; Not sure whether the &#8220;$1250 per person&#8221; is a high profit margin business or not, considering the accommodation costs of the whole crew, especially if they are also well-paid cooks.<\/p>\n<p>What went well: the whole orchestration of the kitchen crew and their commitment to Slowik, the suicide of the sous-chef, initial introduction of the island, the daily life of the crew, inter-titles about the dishes, oh my dayum! cheeseburger scene, &#8220;more than you deserve, less than your desire&#8221; punchline&#8230;<\/p>\n<p>I think the cynical people who also like Jiro: Dreams of Sushi would enjoy it. The producers probably knew and planned it from the beginning.<\/p>\n<p><em>Some Letterboxd favourites:<\/em><\/p>\n<p>&#8220;never thought i would leave a film being surprised that cannibalism wasn&#8217;t involved&#8221;, <a href=\"https:\/\/letterboxd.com\/sophiedarcy\/film\/the-menu-2022\/\" target=\"_blank\" rel=\"nofollow noopener\">sophie<\/a><\/p>\n<p>&#8220;even service workers get their own midsommar&#8221;, <a href=\"https:\/\/letterboxd.com\/jay\/film\/the-menu-2022\/\" target=\"_blank\" rel=\"nofollow noopener\">The Jay of Water<\/a><\/p>\n<p>&#8220;She beat the menu monster by saying can I haz cheeseburger&#8221;, <a href=\"https:\/\/letterboxd.com\/megbitchell\/film\/the-menu-2022\/\" target=\"_blank\" rel=\"nofollow noopener\">Megan Bitchell<\/a><\/p>\n<p>&#8220;The Menu is the only film bold enough to ask the question: what if Ratatouille was directed by Ari Aster but with a half-baked execution and was neither as fun nor sharp as it thought it was?&#8221;, <a href=\"https:\/\/letterboxd.com\/kun\/film\/the-menu-2022\/\" target=\"_blank\" rel=\"nofollow noopener\">Hungkat<\/a><\/p>\n<p>&#8220;he seemed a lot happier running that hotel, maybe should have stuck with that&#8221;, <a href=\"https:\/\/letterboxd.com\/bcrosser\/film\/the-menu-2022\/\" target=\"_blank\" rel=\"nofollow noopener\"> Benjamin Rosser <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;All except Margot have been carefully chosen, and all are about to become players in Slowik\u2019s elaborate opera of humiliation, self-loathing and revenge.&#8221; (The NYT) Directed by Mark Mylod \u2014the lead director of Succession with 13 episodes. It&#8217;s a film about nerds and cults. The focus is food; the whole eating experience. Its genre, horror\/thriller\/comedy, &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2023\/01\/23\/menu-2022-notes\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Menu (2022) | Notes<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[861],"tags":[],"class_list":["post-5827","post","type-post","status-publish","format-standard","hentry","category-film-notes"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-1vZ","jetpack-related-posts":[{"id":5222,"url":"https:\/\/yalpertem.com\/blog\/2022\/09\/06\/letat-et-moi-2022\/","url_meta":{"origin":5827,"position":0},"title":"L&#8217;\u00e9tat et moi (2022)","author":"yalpertem","date":"6 September 2022","format":false,"excerpt":"L'\u00e9tat et moi \/ Der Staat und Ich \/ The State and Me (watched in Zukunft, as the only audience) Some plot and tag lines about the film: \u201cA composer named Hans List fought on the barricades of the Paris Commune in 1871. 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But capital has one sole driving force, the drive to valorize itself, to create surplus-value, to make its constant part, the means of production, absorb the greatest possible amount of surplus labour. 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