{"id":579,"date":"2017-11-25T20:58:23","date_gmt":"2017-11-25T18:58:23","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=579"},"modified":"2017-11-25T21:08:06","modified_gmt":"2017-11-25T19:08:06","slug":"baudrillard-otomat-ve-robot-uzerine","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2017\/11\/25\/baudrillard-otomat-ve-robot-uzerine\/","title":{"rendered":"Baudrillard, Otomat ve Robot \u00dczerine"},"content":{"rendered":"

\"\"“Bu iki yapay varl\u0131\u011f\u0131 birbirinden ay\u0131ran \u015fey iki ayn\u0131 d\u00fc\u015f\u00fcnce evrenidir. Birisi insan\u0131n tiyatral g\u00f6r\u00fcn\u00fcml\u00fc, mekanik ve duvar saatinin i\u00e7yap\u0131s\u0131n\u0131 and\u0131ran bir d\u00fczene sahip kop\u00adyas\u0131d\u0131r. Burada teknik b\u00fct\u00fcn\u00fcyle bir sim\u00fclakr etkisi ve analoji<\/em> yaratmay\u0131 hedeflemektedir. Di\u011feriyse teknik ilkeler taraf\u0131ndan belirlenmi\u015ftir, bu d\u00fczeyde \u00f6nemli olan makine\u00addir. Oysa makineyle birlikte kar\u015f\u0131m\u0131za bir e\u015fde\u011ferlik<\/em> so\u00adrunu \u00e7\u0131kmaktad\u0131r. Otomat bir tiyatro oyuncusunu (yapay bir varl\u0131k) and\u0131r\u0131r ve e\u011flendirirken, Devrim \u00f6ncesinin top\u00adlumsal ve tiyatral ya\u015fam\u0131na kat\u0131lmaktad\u0131r. Robotsa ad\u0131n\u00addan anla\u015f\u0131laca\u011f\u0131 gibi \u00e7al\u0131\u015fmaktad\u0131r. Burada tiyatro sona ermi\u015f, devreye insana \u00f6zg\u00fc bir mekanik anlay\u0131\u015f\u0131 girmi\u015ftir. Otomat insan\u0131n bir benzeri<\/em> ve onun muhatab\u0131d\u0131r (onunla satran\u00e7 oynar!). Makine insana e\u015fde\u011fer<\/em> bir varl\u0131kt\u0131r ve te\u00adkille\u015ftirilmi\u015f i\u015flemsel bir s\u00fcre\u00e7te onu kendisine e\u015fde\u011ferli bir varl\u0131k haline getirmektedir. Birinci basamak sim\u00fclakr ile ikinci basamak sim\u00fclakr aras\u0131ndaki fark i\u015fte budur.<\/p>\n

\u00d6yleyse “g\u00f6rsel” benzerlik bizi yan\u0131ltmamal\u0131. Otomat do\u011fay\u0131, insan ruhunun bir gizemi olup olmad\u0131\u011f\u0131n\u0131, varl\u0131k ve g\u00f6r\u00fcn\u00fcmler muammas\u0131n\u0131 bir t\u00fcr sorgulamad\u0131r. Alt\u0131nda ne var, i\u00e7inde ne var, gerisinde ne var t\u00fcr\u00fcnden sorular soran Tanr\u0131 gibi. E\u011fer kopya varsa bu t\u00fcrden sorular sorabilirsiniz. Do\u011fal tiyatronun<\/em> kahraman\u0131 olarak yarat\u0131lm\u0131\u015f insan \u00fczerine kurulan metafizik, Devrimle birlikte ortadan kaybolmadan \u00f6nce, otomat sayesinde somutla\u015ft\u0131r\u0131labil\u00admi\u015ftir. Otomat\u0131n ya\u015fayan insandan ba\u015fka ula\u015fmak iste\u00addi\u011fi (insandan daha da do\u011fal bir insan g\u00f6r\u00fcn\u00fcm\u00fcne sa\u00adhip olmay\u0131 ama\u00e7laman\u0131n d\u0131\u015f\u0131nda) bir hedef yoktur. \u0130nsan hareketlerindeki yumu\u015fakl\u0131ktan, organlar\u0131n\u0131n ve zekas\u0131n\u0131n i\u015flevlerine kadar (hatta bu kusursuzlu\u011fun, yani ideal \u00f6l\u00e7\u00fc\u00adlere uygun bir do\u011fall\u0131k kazand\u0131r\u0131lm\u0131\u015f, ruhtan yoksun bir v\u00fccudun neden oldu\u011fu bir huzursuzlu\u011fu ya\u015famak) kusursuz bir insan ikizi olmay\u0131 ama\u00e7lar. Bu kutsal olana kar\u015f\u0131 d\u00fczenlenmi\u015f bir sald\u0131r\u0131d\u0131r. Bu fark t\u0131pk\u0131 \u015fu sahnedeki ill\u00fcz\u00adyonistin, rolleri tersine \u00e7evirmi\u015f olan, o kusursuz otomat\u0131n tutuk olmas\u0131 gereken hareketlerini taklit ederek ger\u00e7ekle kopyan\u0131n birbirine kar\u0131\u015ft\u0131nlmas\u0131n\u0131 engellemeye \u00e7al\u0131\u015fmas\u0131 gibi her zaman korunmu\u015ftur. Kopya her zaman i\u00e7in \u015fey\u00adtani(1) bir yananlama sahip olmu\u015fken, otomat\u0131n olumlu bir mekanizma olarak alg\u0131lanmas\u0131n\u0131n nedeni hakk\u0131nda soru\u00adlan sorular\u0131n g\u00fcn\u00fcm\u00fcze kadar s\u00fcr\u00fcp gelmi\u015f olmas\u0131d\u0131r.<\/p>\n

Oysa robot konusunda bu t\u00fcrden sorularla kar\u015f\u0131la\u00ad\u015f\u0131lmamaktad\u0131r. Robotun g\u00f6r\u00fcn\u00fcmlerden \u00e7ok mekanik et\u00adkinlikle ili\u015fkisi vard\u0131r. Onun hedefi insana benzemek ve onunla kar\u015f\u0131la\u015ft\u0131r\u0131lmak de\u011fildir. Otomat\u0131 gizemli ve \u00e7ekici k\u0131lan o belli belirsiz metafizik fark ortadan kaybolmu\u015ftur; \u00e7\u00fcnk\u00fc robot onu kendi \u00e7\u0131kar\u0131na yutup yok etmi\u015ftir. Varl\u0131k ve g\u00f6r\u00fcnt\u00fc, \u00fcretim ve eme\u011fi kapsayan tek bir t\u00f6z i\u00e7inde eriyip birbirlerine kar\u0131\u015fm\u0131\u015flard\u0131r. Birinci basamak sim\u00fc\u00adlakr fark\u0131 asla ortadan kald\u0131rmamakta, sim\u00fclakr ve ger\u00e7ek aras\u0131nda her zaman belirgin bir s\u00fcrt\u00fc\u015fme olmas\u0131n\u0131 \u00f6ng\u00f6rmektedir (bu kurnazca oyunla \u00f6zellikle yan\u0131lsama \u00fczerine kurulmu\u015f resimde kar\u015f\u0131la\u015f\u0131lmaktad\u0131r, ancak daha genel\u00adde sanat\u0131n bu temel fark \u00fcst\u00fcne oturtuldu\u011fu s\u00f6ylenebilir). \u0130kinci basamak sim\u00fclakr ise ya g\u00f6r\u00fcn\u00fcmleri emerek ya da ger\u00e7e\u011fi yok ederek -hangisi i\u015finize geliyorsa- sorunu ba\u00adsite indirgemektedir. Ancak her durumda ortaya imgeden, yank\u0131dan, aynadan, g\u00f6r\u00fcn\u00fcmden yoksun bir ger\u00e7eklik \u00e7\u0131\u00adkartmaktad\u0131r. Emek, makine ve s\u0131nai \u00fcretim sistemi toplu halde tiyatral ill\u00fczyon ilkesine radikal bir \u015fekilde kar\u015f\u0131 \u00e7\u0131\u00adkan bu t\u00fcrden \u015feylerdir. Art\u0131k Tanr\u0131’yla insan aras\u0131nda bir benzerlik ya da benzemezlikten de\u011fil, i\u015flemsel ilkeye \u00f6zg\u00fc bir mant\u0131ktan s\u00f6z edilebilir.<\/p>\n

Bu noktadan itibaren robotlar ve makineler yayg\u0131n\u00adla\u015fabilirler, hatta bu yayg\u0131nla\u015fma onlar i\u00e7in yasal bir an\u00adlama sahiptir. Y\u00fcce ve istisnai mekanizmalara sahip olan otomatlar asla b\u00f6yle bir \u015fey yapmam\u0131\u015flard\u0131r. \u0130nsanlar bile \u00e7o\u011falmaya ancak, sanayi devrimiyle birlikte, bir makine stat\u00fcs\u00fcne sahip olduktan sonra ba\u015flam\u0131\u015flard\u0131r. Her t\u00fcrl\u00fc benzerlik ve ikizlik s\u00fcrecinden kurtulan insanlar, minya\u00adt\u00fcrle\u015ftirilmi\u015f e\u015fde\u011ferlisine d\u00f6n\u00fc\u015ft\u00fckleri, \u00fcretim sistemi\u00adnin kendisi gibi \u00e7o\u011falmaya ba\u015flam\u0131\u015flard\u0131r. Otomatla bir\u00adlikte b\u00fcy\u00fcc\u00fc yama\u011f\u0131 mitini besleyen sim\u00fclakr\u0131n intikam alma olay\u0131 da sona ermi\u015ftir. Buna kar\u015f\u0131n intikam alma bir ikinci basamak sim\u00fclakr yasas\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr; \u00e7\u00fcnk\u00fc art\u0131k robotun, makinenin ve \u00f6l\u00fc eme\u011fin canl\u0131 emek \u00fczerin\u00addeki egemenlik d\u00f6nemine girilmi\u015ftir. Bu egemenlik \u00fcretim ve yeniden-\u00fcretim d\u00fczeni i\u00e7in zorunludur. \u00c7\u00fcnk\u00fc bu ter\u00adsine d\u00f6nd\u00fcrme sayesinde kopyalama s\u00fcrecinden \u00e7\u0131k\u0131larak (yeniden) \u00fcretim s\u00fcrecine girilmektedir. Bu sayede do\u011fal yasalar ve bi\u00e7im oyunlan d\u00fczeninden \u00e7\u0131k\u0131larak, ticari de\u00ad\u011fer yasas\u0131 ve g\u00fc\u00e7 hesaplan d\u00fczenine ge\u00e7ilmektedir.”<\/p>\n

(1)\u00a0\u00a0Kopya ya da yeniden-\u00fcretimde (reproduction<\/em>) insan\u0131 her zaman i\u00e7in huzursuz ve rahats\u0131z edici bir tuhafl\u0131k vard\u0131r. \u00d6rne\u011fin bir foto\u011fraf kar\u015f\u0131s\u0131nda duyulan huzursuzluk ve onu bir sihirbaz\u00adl\u0131\u011fa indirgemek gibi. Bu t\u00fcr bir huzursuzluk, genelde hemen her zaman yeniden-\u00fcretim ayg\u0131tlar\u0131ndan olu\u015fan teknik ayg\u0131tlar kar\u015f\u0131s\u0131nda duyulmaktad\u0131r. Benjamin bu t\u00fcr bir huzursuzlu\u00ad\u011fu, aynadan yans\u0131yan imge kar\u015f\u0131s\u0131nda duyulan huzursuzlu\u011fa benzetmektedir. Ayna olay\u0131nda bile sihirbazl\u0131ktan s\u00f6z edilebi\u00adlir. Oysa aynadan yans\u0131yan bu g\u00f6r\u00fcnt\u00fcy\u00fc bulundu\u011fu yerden s\u00f6k\u00fcp alarak istenildi\u011fi gibi ta\u015f\u0131nabilir, stoklanabilir, yeniden \u00fcretilebilir hale getirdi\u011finizde sihirbazl\u0131\u011f\u0131n boyutlar\u0131n\u0131n da o \u00f6l\u00ad\u00e7\u00fcde artt\u0131\u011f\u0131 g\u00f6r\u00fclmektedir (bkz. Pragl\u0131 \u00d6\u011frenci<\/em>. Bu f\u0131lmde \u015fey\u00adtan \u00f6\u011frencinin g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc ayna \u00fczerinden s\u00f6k\u00fcp almakta ve bu g\u00f6r\u00fcnt\u00fcyle \u00f6l\u00fcnceye kadar onun pe\u015fini b\u0131rakmamaktad\u0131r). Narsistin suda yans\u0131yan imgesi taraf\u0131ndan ba\u015ftan \u00e7\u0131kart\u0131lma\u00ads\u0131ndan, insan \u00fczerinde kendi ikizinin olu\u015fturdu\u011fu saplant\u0131ya, hatta g\u00fcn\u00fcm\u00fczde insan\u0131n kendi imgesi gibi (McLuhan ‘a g\u00f6re tekni\u011fin \u00fcretti\u011fi narsis serap) salg\u0131lad\u0131\u011f\u0131 ve bu imgeyi yine ken\u00addisine bozuk, kay\u0131k bir \u015fekilde bile olsa g\u00f6nderdi\u011fi \u015fu muaz\u00adzam teknik donan\u0131m\u0131n, \u00f6l\u00fcmc\u00fcl denilebilecek tersine \u00e7evrili\u00ad\u015fine kadar giden her t\u00fcrl\u00fc yeniden-\u00fcretim bir t\u00fcr u\u011fursuzluk i\u00e7ermektedir. Yeniden-\u00fcretim \u00f6z\u00fcnde \u015feytani bir \u015feydir; \u00e7\u00fcnk\u00fc temel \u015feyleri yerinden oynatmaktad\u0131r. Bu d\u00fc\u015f\u00fcnce bizim i\u00e7in de ge\u00e7erlidir. Bizim burada bir kod i\u015flemi gibi betimledi\u011fimiz sim\u00fclasyon, bug\u00fcne kadar oldu\u011fu gibi bundan sonra da, t\u0131pk\u0131 sim\u00fclakr nesnenin (ilkel heykelcik, imge ya da foto\u011fraf) birincil amac\u0131n\u0131n bir kara b\u00fcy\u00fc i\u015flemi olmas\u0131 gibi, devasa bir g\u00fcd\u00fcmle\u00adme giri\u015fimi, bir denetim ve \u00f6l\u00fcm evreni haline gelmi\u015ftir.\u00a0<\/span><\/p>\n

Jean Baudrillard, Simgesel De\u011fi\u015f Toku\u015f ve \u00d6l\u00fcm, \u00e7ev. O\u011fuz Adan\u0131r, Bo\u011fazi\u00e7i \u00dcniversitesi Yay\u0131nevi, 4. bas\u0131m, 2016 [1976], s. 93-5.<\/p>\n","protected":false},"excerpt":{"rendered":"

“Bu iki yapay varl\u0131\u011f\u0131 birbirinden ay\u0131ran \u015fey iki ayn\u0131 d\u00fc\u015f\u00fcnce evrenidir. Birisi insan\u0131n tiyatral g\u00f6r\u00fcn\u00fcml\u00fc, mekanik ve duvar saatinin i\u00e7yap\u0131s\u0131n\u0131 and\u0131ran bir d\u00fczene sahip kop\u00adyas\u0131d\u0131r. Burada teknik b\u00fct\u00fcn\u00fcyle bir sim\u00fclakr etkisi ve analoji yaratmay\u0131 hedeflemektedir. Di\u011feriyse teknik ilkeler taraf\u0131ndan belirlenmi\u015ftir, bu d\u00fczeyde \u00f6nemli olan makine\u00addir. Oysa makineyle birlikte kar\u015f\u0131m\u0131za bir e\u015fde\u011ferlik so\u00adrunu \u00e7\u0131kmaktad\u0131r. Otomat bir … Continue reading Baudrillard, Otomat ve Robot \u00dczerine<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,20],"tags":[87],"class_list":["post-579","post","type-post","status-publish","format-standard","hentry","category-alinti","category-sosyoloji","tag-jean-baudrillard"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-9l","jetpack-related-posts":[{"id":2435,"url":"https:\/\/yalpertem.com\/blog\/2018\/12\/16\/frankl-varolussal-bosluk-ve-pazar-gunu-nevrozu\/","url_meta":{"origin":579,"position":0},"title":"Frankl, Varolu\u015fsal Bo\u015fluk ve Pazar G\u00fcn\u00fc Nevrozu","author":"yalpertem","date":"16 December 2018","format":false,"excerpt":"\" Varolu\u015fsal bo\u015fluk, yirminci y\u00fczy\u0131l\u0131n yayg\u0131n bir olgusudur. Bu anla\u015f\u0131l\u0131r bir \u015feydir; bunun nedeni, ger\u00e7ek bir insan olduktan sonra insan\u0131n ya\u015fad\u0131\u011f\u0131 iki y\u00f6nl\u00fc bir kay\u0131p olabilir. Tarihin \u015fafa\u011f\u0131nda insan, bir hayvan\u0131n davran\u0131\u015flar\u0131n\u0131 belirleyen ve g\u00fcvence alt\u0131na alan baz\u0131 hayvanca i\u00e7g\u00fcd\u00fclerini kaybetmi\u015ftir. Cennet gibi, bu g\u00fcvenlik de insana sonsuza kadar kapanm\u0131\u015ft\u0131r;\u2026","rel":"","context":"In "genel"","block_context":{"text":"genel","link":"https:\/\/yalpertem.com\/blog\/category\/genel\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/12\/viktor-frankl-insan%C4%B1n-anlam-aray%C4%B1%C5%9F%C4%B1-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":534,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/20\/baudrillard-gosterge-ekonomi-politigi\/","url_meta":{"origin":579,"position":1},"title":"Baudrillard, G\u00f6sterge Ekonomi Politi\u011fi Ele\u015ftirisi","author":"yalpertem","date":"20 November 2017","format":false,"excerpt":"\"Harcama s\u00fcrecinde paran\u0131n anlam\u0131 de\u011fi\u015fmektedir. M\u00fc\u00adzayede s\u00fcrecinde bir kez tespit edilmi\u015f olan bu olgu bir varsay\u0131ma d\u00f6n\u00fc\u015ft\u00fcr\u00fclerek b\u00fct\u00fcn t\u00fcketim evrenine ta\u015f\u0131na\u00adbilir. T\u00fcketim, yaln\u0131zca (de\u011fi\u015fim de\u011ferine yeni bir kulla\u00adn\u0131m de\u011feri atfedilmesinden) sat\u0131n almaktan ibaret bir ey\u00adlem de\u011fil, ayn\u0131 zamanda (olay\u0131n bu yan\u0131 gerek kapitalizm gerekse Marx taraf\u0131ndan kesinlikle ihmal edilmi\u015ftir) bir\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/11\/gosterge-ekonomi-politigi-hakkinda-bir-elestiri-jean-baudrillard-193x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1310,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/01\/baudrillard-anlamin-zedelenmesi\/","url_meta":{"origin":579,"position":2},"title":"Baudrillard, Anlam\u0131n Zedelenmesi","author":"yalpertem","date":"1 May 2018","format":false,"excerpt":"\" \u0130ster politik, ister e\u011fitici, isterse k\u00fclt\u00fcrel i\u00e7erikli olsun sonu\u00e7ta niyet anlam ileterek kitleleri\u00a0anlam\u0131n egemenli\u011fi alt\u0131nda tutmakt\u0131r. Yani, kendini haberin s\u00fcrekli ahlaksalla\u015ft\u0131r\u0131lmas\u0131 zorunlulu\u011fu bi\u00e7iminde d\u0131\u015favuran anlam \u00fcretimi zorunlulu\u011fu. Daha iyi haber verebilmek i\u00e7in, daha iyi toplumsalla\u015ft\u0131rmak i\u00e7in, kitlelerin k\u00fclt\u00fcrel d\u00fczeylerini y\u00fckseltmeye \u00e7al\u0131\u015fmak i\u00e7in vb. vb. Hepsi palavra. \u00c7\u00fcnk\u00fc kitleler bu\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/jean-baudrillard-sessiz-y%C4%B1%C4%9F%C4%B1nlar%C4%B1n-g%C3%B6lgesinde-181x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":304,"url":"https:\/\/yalpertem.com\/blog\/2017\/09\/24\/baudrillard-kulturel-tuketim-uzerine\/","url_meta":{"origin":579,"position":3},"title":"Baudrillard, K\u00fclt\u00fcrel T\u00fcketim \u00dczerine","author":"yalpertem","date":"24 September 2017","format":false,"excerpt":"\"Science et Vie\u00a0okumak bir t\u00fcr uzla\u015fman\u0131n [compromis] \u00fcr\u00fcn\u00fcd\u00fcr: ayr\u0131cal\u0131kl\u0131 k\u00fclt\u00fcre \u00f6zlem, ama ayr\u0131cal\u0131\u011f\u0131n reddi bi\u00e7imindeki savunmac\u0131 kar\u015f\u0131-g\u00fcd\u00fcyle birlikte (yani hem \u00fcst s\u0131n\u0131fa \u00f6zlem hem de kendi s\u0131n\u0131f konumunun yeniden olumlanmas\u0131). Daha kesin olarak bu okuma kat\u0131lma g\u00f6stergesi olarak rol oynar. Neye kat\u0131lma? Ayn\u0131 mu\u011flak talebi ta\u015f\u0131yanlar\u0131n, Science et Vie (ya\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/tuketim-toplumu-199x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1016,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/05\/auster-karakteri-tanitmak\/","url_meta":{"origin":579,"position":4},"title":"Auster, Karakteri Tan\u0131tmak (I)","author":"yalpertem","date":"5 March 2018","format":false,"excerpt":"\" Miles Heller Miles yirmi sekiz ya\u015f\u0131nda; bildi\u011fi kadar\u0131yla hi\u00e7bir beklentisi yok. En az\u0131ndan ate\u015fli bir h\u0131rs\u0131, makul bir gelecek kurman\u0131n kendisine neler sa\u011flayaca\u011f\u0131 hakk\u0131nda en ufak bir fikri yok. Florida'da daha uzun s\u00fcre kalmayaca\u011f\u0131n\u0131, yak\u0131nda yine ba\u015fka yerlere gitmek isteyece\u011fini biliyor; ama o iste\u011fin kendisini harekete ge\u00e7meye zorlayaca\u011f\u0131 ana\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/paul-auster-sunset-park-192x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1709,"url":"https:\/\/yalpertem.com\/blog\/2018\/06\/10\/lefebvre-yabancilasma-uzerine\/","url_meta":{"origin":579,"position":5},"title":"Lefebvre, Yabanc\u0131la\u015fma \u00dczerine","author":"yalpertem","date":"10 June 2018","format":false,"excerpt":"\" Yabanc\u0131la\u015fma kavram\u0131, otuz y\u0131l kadar \u00f6nce yeniden ele al\u0131nd\u0131\u011f\u0131ndan beri defalarca incelenmi\u015ftir. Bu incelemenin derinle\u015ftirilmi\u015f bir tarihini elbette yazmak gerekir. Bu tarih, \"Felsefenin miras\u0131 ve belki de temel malvarl\u0131\u011f\u0131 olan yabanc\u0131la\u015fma mefhumu, modern d\u00fcnyan\u0131n bilinmesinde analiz ayg\u0131t\u0131 olarak nas\u0131l hizmet edebilir? Felsefeden toplumsal bilimlere nas\u0131l ge\u00e7er?\" teorik sorununu \u00e7\u00f6zmeyi\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/06\/henri-lefebvre-g%C3%BCndelik-hayat%C4%B1n-ele%C5%9Ftirisi-II-210x300.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=579"}],"version-history":[{"count":0,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/579\/revisions"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}