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<\/p>\nI watched Sisters with Transistors (2020) again and thought of gathering some books related to the history of the electronic music from different perspectives.<\/p>\n
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Sicko, D. (2010). Techn<\/em>o rebels: the renegades of electronic funk<\/em> (2nd ed.). Wayne State University Press.<\/p>\n “When it was originally published in 1999, Techno Rebels became the definitive text on a hard-to-define but vital genre of music. Author Dan Sicko demystified techno\u2019s characteristics, influences, and origins and argued that although techno enjoyed its most widespread popularity in Europe, its birthplace and most important incubator was Detroit. In this revised and updated edition, Sicko expands on Detroit\u2019s role in the birth of techno and takes readers on an insider\u2019s tour of techno\u2019s past, present, and future in an enjoyable account filled with firsthand anecdotes, interviews, and artist profiles.<\/p>\n Techno Rebels begins by examining the underground 1980s party scene in Detroit, where DJs and producers like the Electrifying Mojo, Ken Collier, The Wizard, and Richard Davis were experimenting with music that was a world apart from anything happening in New York or Los Angeles. He details the early days of the “Belleville Three”\u2014Juan Atkins, Derrick May, and Kevin Saunderson\u2014who created the Detroit techno sound and became famous abroad as the sound spread to the UK and Europe. In this revised edition, Sicko delves deeper into the Detroit story, detailing the evolution of the artists and scene into the mid-1990s, and looks to nearby Ann Arbor to consider topics like the Electrifying Mojo\u2019s beginnings, the role of radio station WCBN, and the emergence of record label Ghostly International. Sicko concludes by investigating how Detroit techno functions today after the contrived electronica boom of the late 1990s, through the original artists, new sounds, and Detroit\u2019s annual electronic music festival.<\/p>\n Ultimately, Sicko argues that techno is rooted in the “collective dreaming” of the city of Detroit\u2014as if its originators wanted to preserve what was great about the city\u2014its machines and its deep soul roots. Techno Rebels gives a thorough picture of the music itself and the trailblazing musicians behind it and is a must-read for all fans of techno, popular music, and contemporary culture.” \u2014 Wayne State University Press<\/a><\/p>\n Broughton, F. (2022). Last Night a DJ Saved My Life: The History of the Disc Jockey<\/em>. Orion Publishing Group.<\/p>\n “When someone says, \u2018You have to know your history\u2026\u2019 this is it. This classic book is the whole unruly story of dance music in one volume. It recreates the dancefloors that made history, conjuring their atmosphere with loving detail and bringing you the voices of the DJs and clubbers at their heart \u2013 from grime, garage, house, hip hop and disco, to techno, soul, reggae, rock\u2019n\u2019roll, and EDM. Whether musical outlaw, obsessive crate-digger or overpaid superstar, the DJ has been at the spinning centre of nightlife for a century, making parties wilder, pushing clubbers harder, and driving music into completely new shapes and styles. In 1999 this was the first book to do justice to the DJ\u2019s rollercoaster ride. Twenty years later, it\u2019s fully refreshed, carefully updated and filled with even more stories, including two brand new chapters. This edition comes with a new foreword by James Murphy (LCD Soundsystem).” \u2014 Zabriskie<\/a><\/p>\n Saunders, J., & Cummins, J. (2007). House music… The real story<\/em>. Publish America.<\/p>\n “Jesse Saunders’ story is one of the most important in the history of popular culture. From his hometown of Chicago, Jesse created the first original House music record and launched the House music movement across the land. Eventually, his style of music would come to sell millions of records and CDs, take over the popular consciousness of millions of kids across the earth and cement the electronic revolution in music. Written with author James Cummins, this autobiography tells the story of how it all happened. From the streets of Chicago to the biggest music labels in Los Angeles, California, it follows Jesse Saunders as he recreates the musical landscape of America. Touching on the celebrity culture of the 1980s and a90s and into the twenty-first century, you will read many shocking things about some of your favorite artists. Jesse Saunders is an artist whose influence on modern music will never be forgotten.” \u2014 Abebooks<\/a><\/p>\n Freke, O. (2020). Synthesizer evolution: from analogue to digital (and back)<\/em>. Velocity Press.<\/p>\n “From acid house to prog-rock, there is no form of modern popular music that hasn\u2019t been propelled forward by the synthesizer. As a result, they have long been objects of fascination, desire and reverence for keyboard players, music producers and fans of electronic music alike. Whether looking at an imposing modular system or posing with a DX7 on Top of the Pops, the synth has also always had an undeniable physical presence.<\/p>\n Synthesizer Evolution: From Analogue to Digital (and Back) celebrates their impact on music and culture by providing a comprehensive and meticulously researched directory of every major synthesizer, drum machine and sampler made between 1963 and 1995. Each featured instrument is illustrated by hand and shown alongside its vital statistics and some fascinatingly quirky facts.<\/p>\n From its invention in the early 1960s to the digital revolution of the 1980s right up until the point that analogue circuits could be modelled using software in the mid-1990s, this book tells the story of synthesizers from analogue to digital \u2013 and back again.<\/p>\n Tracing that history and showing off their visual beauty with art-book quality illustrations, Synthesizer Evolution is a must for any self-respecting synth fan. The book has 128 pages, is 23cm x 17.4cm in size and printed on heavyweight 130gsm matt art paper.<\/p>\n Author Oli Freke says: \u201cThis book has grown out of a life-long obsession with synthesizers and electronic music, and it\u2019s fantastic to be able to share this with my fellow synth obsessives and music fans who celebrate the synth\u2019s role in modern music. I\u2019m eternally grateful to Velocity Press for going with me on this journey and supporting the project so keenly.\u201d” \u2014 Velocity Press<\/a><\/p>\n Pinch, T. J., & Trocco, F. (2004). Analog days: the invention and impact of the Moog synthesizer<\/em>. Harvard University Press.<\/p>\n “Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new\u2014an extraordinary rarity in musical culture\u2014it was an instrument that used a genuinely new source of sound: electronics. How this came to be\u2014how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion\u2014is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.<\/p>\n The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used\u2014from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson\u2014recapture their visions of the future of electronic music and a new world of sound.<\/p>\n Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.” \u2014 Harvard University Press<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"
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