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Whyte, I. B., & Frisby, D. (Eds.). (2012). Metropolis Berlin: 1880-1940<\/em>. University of California Press.<\/p>\n “Metropolis Berlin: 1880-1940 reconstitutes the built environment of Berlin during the period of its classical modernity using over two hundred contemporary texts, virtually all of which are published in English translation for the first time. They are from the pens of those who created Berlin as one of the world\u2019s great cities and those who observed this process: architects, city planners, sociologists, political theorists, historians, cultural critics, novelists, essayists, and journalists. Divided into nineteen sections, each prefaced by an introductory essay, the account unfolds chronologically, with the particular structural concerns of the moment addressed in sequence\u2014be they department stores in 1900, housing in the 1920s, or parade grounds in 1940. Metropolis Berlin: 1880-1940 not only details the construction of Berlin, but explores homes and workplaces, public spaces, circulation, commerce, and leisure in the German metropolis as seen through the eyes of all social classes, from the humblest inhabitants of the city slums, to the great visionaries of the modern city, and the demented dictator resolved to remodel Berlin as Germania.” \u00a0\u2013 from University of California Press<\/a><\/p>\n Gross, L. (1999). The last Jews in Berlin<\/em>. Carroll & Graf.<\/p>\n “When Adolf Hitler came to power in 1933, approximately one hundred sixty thousand Jews called Berlin home. By 1943 less than five thousand remained in the nation\u2019s capital, the epicenter of Nazism, and by the end of the war, that number had dwindled to one thousand. All the others had died in air raids, starved to death, committed suicide, or been shipped off to the death camps.<\/p>\n In this captivating and harrowing book, Leonard Gross details the real-life stories of a dozen Jewish men and women who spent the final twenty-seven months of World War II underground, hiding in plain sight, defying both the Gestapo and, even worse, Jewish \u201ccatchers\u201d ready to report them to the Nazis in order to avoid the gas chambers themselves. A teenage orphan, a black-market jewel trader, a stylish young designer, and a progressive intellectual were among the few who managed to survive. Through their own resourcefulness, bravery, and at times, sheer luck, these Jews managed to evade the tragic fates of so many others.<\/p>\n Gross has woven these true stories of perseverance into a heartbreaking, suspenseful, and moving account with the narrative force of a thriller. Compiled from extensive interviews, The Last Jews in Berlin reveals these individuals\u2019 astounding determination, against all odds, to live each day knowing it could be their last.” \u2013 from Open Road<\/a><\/p>\n Ingram, S. (Ed.). (2012). World film locations: Berlin<\/em>. Intellect Books.<\/p>\n “One of the most dynamic capital cities of the twenty-first century, Berlin also has one of the most tumultuous modern histories. A city that came of age, in many senses, with the cinema, it has been captured on film during periods of exurberance, devastation, division and reconstruction. World Film Locations: Berlin offers a broad overview of these varied cinematic representations.<\/p>\n Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of 46 key scenes from productions shot on location across the city as well as spotlight essays in which contributors with expertise in German studies, urban history and film studies focus on issues central to understanding Berlin film, such as rubble, construction sites and music, and controversial film personalities from Berlin, such as Marlene Dietrich and Leni Riefenstahl. With the help of full-colour illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city\u2019s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favourite and possibly soon-to-be-favourite films.” \u2013 from Intellect Books<\/a><\/p>\n Spector, S. (2016). Violent sensations: sex, crime, and utopia in Vienna and Berlin, 1860-1914<\/em>. The University of Chicago Press.<\/p>\n “Around the turn of the twentieth century, Vienna and Berlin were centers of scientific knowledge, accompanied by a sense of triumphalism and confidence in progress. Yet they were also sites of fascination with urban decay, often focused on sexual and criminal deviants and the tales of violence surrounding them. Sensational media reports fed the prurient public\u2019s hunger for stories from the criminal underworld: sadism, sexual murder, serial killings, accusations of Jewish ritual child murder\u2014as well as male and female homosexuality.<\/p>\n In Violent Sensations, Scott Spector explores how the protagonists of these stories\u2014people at society\u2019s margins\u2014were given new identities defined by the groundbreaking sciences of psychiatry, sexology, and criminology, and how this expert knowledge was then transmitted to an eager public by journalists covering court cases and police investigations. The book analyzes these sexual and criminal subjects on three levels: first, the expertise of scientists, doctors, lawyers, and scholars; second, the sensationalism of newspaper scandal and pulp fiction; and, third, the subjective ways that the figures themselves came to understand who they were. Throughout, Spector answers important questions about how fantasies of extreme depravity and bestiality figure into the central European self-image of cities as centers of progressive civilization, as well as the ways in which the sciences of social control emerged alongside the burgeoning emancipation of women and homosexuals.” \u2013 from The University of Chicago Press<\/a><\/p>\n MacGregor, I. (2019). Checkpoint Charlie: the Cold War, the Berlin Wall, and the most dangerous place on earth<\/em>. Scribner.<\/p>\n “In the early 1960s, East Germany committed a billion dollars to the creation of the Berlin Wall, an eleven-foot-high barrier that consisted of seventy-nine miles of fencing, 300 watchtowers, 250 guard dog runs, twenty bunkers, and was operated around the clock by guards who shot to kill. Over the next twenty-eight years, at least five thousand people attempt to smash through it, swim across it, tunnel under it, or fly over it.<\/p>\n In 1989, the East German leadership buckled in the face of a civil revolt that culminated in half a million East Berliners demanding an end to the ban on free movement. The world\u2019s media flocked to capture the moment which, perhaps more than any other, signaled the end of the Cold War. Checkpoint Charlie had been the epicenter of global conflict for nearly three decades.<\/p>\n Now, \u201cin capturing the essence of the old Cold War [MacGregor] may just have helped us to understand a bit more about the new one\u201d (The Times, London)\u2014the mistrust, oppression, paranoia, and fear that gripped the world throughout this period. Checkpoint Charlie is about the nerve-wracking confrontation between the West and USSR, highlighting such important global figures as Eisenhower, Stalin, JFK, Nikita Khrushchev, Mao Zedung, Nixon, Reagan, and other politicians of the period. He also includes never-before-heard interviews with the men who built and dismantled the Wall; children who crossed it; relatives and friends who lost loved ones trying to escape over it; military policemen and soldiers who guarded the checkpoints; CIA, MI6, and Stasi operatives who oversaw operations across its borders; politicians whose ambitions shaped it; journalists who recorded its story; and many more whose living memories contributed to the full story of Checkpoint Charlie.” \u2013 from Simon & Schuster<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"
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