{"id":4837,"date":"2022-03-05T21:45:48","date_gmt":"2022-03-05T18:45:48","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=4837"},"modified":"2023-05-03T00:08:26","modified_gmt":"2023-05-02T22:08:26","slug":"secondary-literature-on-thomas-bernhard","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2022\/03\/05\/secondary-literature-on-thomas-bernhard\/","title":{"rendered":"Secondary Literature on Thomas Bernhard"},"content":{"rendered":"<p>There are fewer books about Bernhard than I had imagined, the reader thought after thirty minutes of googling.<\/p>\n<p><strong>Books<\/strong><\/p>\n<ul>\n<li>Calandra, Denis (1983). <em>New German Dramatists: A Study of Peter Handke, Franz Xaver Kroetz, Rainer Werner Fassbinder, Heiner M\u00fcller, Thomas Brasch, Thomas Bernhard and Botho Strauss<\/em>, Palgrave.<\/li>\n<li>Dowden, Stephen D. (1991). <em>Understanding Thomas Bernhard<\/em>, University of South Carolina Press.<\/li>\n<li>Weiss, Gernot (1993). <em>Ausl\u00f6schung der Philosophie: Philosophiekritik bei Thomas Bernhard<\/em>, K\u00f6nigshausen u. Neumann.<\/li>\n<li>Martin, Charles W. (1995). <em>The Nihilism Of Thomas Bernhard: The portrayal of existential and social problems in his prose works<\/em>, Brill Rodopi.<\/li>\n<li>Wulf, Catharina (1996). <em>The Imperative of Narration: Beckett, Bernard, Schopenhauer, Lacan<\/em>, Sussex Academic Press.<\/li>\n<li>Niccolini, Elisabetta (2000). <em>Der Spaziergang des Schriftstellers: Lenz von Georg B\u00fcchner, Der Spaziergang von Robert Walser Gehen von Thomas Bernhard<\/em>, J. B. Metzler.<\/li>\n<li>Konzett, Matthias (2000). <em>The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek<\/em>, Camden House.<\/li>\n<li>Honegger, Gitta (2001). <em>Thomas Bernhard: The Making of an Austrian<\/em>, Yale University Press.<\/li>\n<li>Long, J. J. (2001). <em>The novels of Thomas Bernhard: form and its function<\/em>, Camden House.<\/li>\n<li>Konzett, Matthias (ed.) (2002). <em>A Companion to the Works of Thomas Bernhard<\/em>, Boydell &amp; Brewer.<\/li>\n<li>Frederick, Samuel (2012). <em>Narratives Unsettled: Digression in Robert Walser, Thomas Bernhard, and Adalbert Stifter<\/em>, Northwestern University Press.<\/li>\n<li>Reinert, Bastian &amp; G\u00f6tze, Clemens (2019). <em>Elfriede Jelinek und Thomas Bernhard: Intertextualit\u00e4t \u2013 Korrelationen \u2013 Korrespondenzen<\/em>, De Gruyter.<\/li>\n<li>Berwald, Olaf (ed.), Dowden Stephen D. (ed.) &amp; Thuswaldner, Gregor (ed.) (2020). <em>Thomas Bernhard&#8217;s Afterlives<\/em>, Bloomsbury.<\/li>\n<li>Fabjan, Peter (2021). <em>Ein Leben an der Seite von Thomas Bernhard: Ein Rapport<\/em>, Suhrkamp.<\/li>\n<\/ul>\n<p><strong>Misc<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.thomasbernhard.org\/biblio.shtml\" target=\"_blank\" rel=\"nofollow noopener\">Bibliography on thomasbernhard.org<\/a><\/li>\n<li>Ben Lerner&#8217;s essay <a href=\"https:\/\/www.the-tls.co.uk\/articles\/a-moment-of-freedom\/\" target=\"_blank\" rel=\"nofollow noopener\">&#8220;A moment of freedom&#8221;<\/a>\u00a0(behind a paywall)<\/li>\n<li>Tim Parks&#8217; essay <a href=\"https:\/\/www.nybooks.com\/articles\/2007\/01\/11\/the-genius-of-bad-news\/\" target=\"_blank\" rel=\"nofollow noopener\">&#8220;The Genius of Bad News&#8221;<\/a> (behind a paywall)<\/li>\n<\/ul>\n<p><strong>On &#8216;Walking&#8217; (Gehen), 1971<\/strong><\/p>\n<ul>\n<li>Tony&#8217;s Reading List, <a href=\"https:\/\/tonysreadinglist.wordpress.com\/2020\/12\/21\/gehen-walking-by-thomas-bernhard-review\/\" target=\"_blank\" rel=\"nofollow noopener\">review of Gehen (Walking)<\/a><\/li>\n<li>David Auerbach, <a href=\"https:\/\/www.waggish.org\/2003\/walking-thomas-bernhard\/\" target=\"_blank\" rel=\"nofollow noopener\">Walking\u201d, Thomas Bernhard<\/a><\/li>\n<li>Anja Ketterl, <a href=\"http:\/\/web.fu-berlin.de\/phin\/beiheft15\/b15t09.pdf\" target=\"_blank\" rel=\"nofollow noopener\">So-Called Speechlessness: Voiceless Speech in Thomas Bernhard&#8217;s Walking<\/a><\/li>\n<li>Jan Lechner, <a href=\"https:\/\/www.grin.com\/document\/32994\" target=\"_blank\" rel=\"nofollow noopener\">\u00dcber die Zeit und ihre Strukturen in &#8220;Gehen&#8221; von Thomas Bernhard<\/a><\/li>\n<li>J\u00fcrgen Doll, <a href=\"https:\/\/journals.openedition.org\/germanica\/1851?lang=de\" target=\"_blank\" rel=\"nofollow noopener\">&#8220;Die Grenz\u00fcberschreitung nach Steinhof&#8221; Zu Thomas Bernhards Erz\u00e4hlung Gehen<\/a><\/li>\n<li>Anke Gleber, <a href=\"https:\/\/www.jstor.org\/stable\/24648170\" target=\"_blank\" rel=\"nofollow noopener\">&#8220;Ausl\u00f6schung, Gehen&#8221; Thomas Bernhards Poetik der Destruktion und Reiteration<\/a><\/li>\n<li>Walking, on <a href=\"https:\/\/second.wiki\/wiki\/gehen_erzc3a4hlung\" target=\"_blank\" rel=\"nofollow noopener\">second.wiki<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>There are fewer books about Bernhard than I had imagined, the reader thought after thirty minutes of googling. Books Calandra, Denis (1983). New German Dramatists: A Study of Peter Handke, Franz Xaver Kroetz, Rainer Werner Fassbinder, Heiner M\u00fcller, Thomas Brasch, Thomas Bernhard and Botho Strauss, Palgrave. Dowden, Stephen D. (1991). Understanding Thomas Bernhard, University of &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2022\/03\/05\/secondary-literature-on-thomas-bernhard\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Secondary Literature on Thomas Bernhard<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[660],"tags":[56],"class_list":["post-4837","post","type-post","status-publish","format-standard","hentry","category-glossary","tag-thomas-bernhard"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-1g1","jetpack-related-posts":[{"id":6204,"url":"https:\/\/yalpertem.com\/blog\/2022\/05\/17\/theater\/","url_meta":{"origin":4837,"position":0},"title":"theater","author":"yalpertem","date":"17 May 2022","format":false,"excerpt":"Hedda by Henrik Ibsen (Hedda Gabler) Berliner Ensemble - Werkraum Director: Heiki Riipinen Mar. 9, 2024 Professor Bernhardi by Arthur Schnitzler Version: Thomas Ostermeier, Florian Borchmeyer Director:\u2009Thomas\u2009Ostermeier Schaub\u00fchne Sep. 15, 2022 Ausl\u00f6schung. Ein Zerfall by Thomas Bernhard Director: Karin Henkel Deutsches Theater Berlin Nov. 26, 2022","rel":"","context":"In &quot;genel&quot;","block_context":{"text":"genel","link":"https:\/\/yalpertem.com\/blog\/category\/genel\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":240,"url":"https:\/\/yalpertem.com\/blog\/2017\/09\/02\/bernhard-olumsuzluk-uzerine\/","url_meta":{"origin":4837,"position":1},"title":"Bernhard, \u00d6l\u00fcms\u00fczl\u00fck \u00dczerine","author":"yalpertem","date":"2 September 2017","format":false,"excerpt":"\"Stefan Kilisesi'nde \u00f6l\u00fcm yere d\u00fc\u015f\u00fcnceye kadar oturma iste\u011fi duymu\u015ftum, dedi. Ama ba\u015faramad\u0131m, bu iste\u011fe kar\u015f\u0131 duydu\u011fum derin yo\u011funlu\u011fa ra\u011fmen. Bunun daha da \u00f6tesine ge\u00e7ecek yo\u011funlu\u011fa olana\u011f\u0131m olmad\u0131, dedi, zaten isteklerimiz de ancak en y\u00fcksek yo\u011funlukla dilersek yerine gelir. \u00c7ocuklu\u011fundan beri \u00f6lme iste\u011fi duymu\u015f, hani denir ya, kendini \u00f6ld\u00fcrme iste\u011fi, ama\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/bitik-adam-thomas-bernhard-193x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5596,"url":"https:\/\/yalpertem.com\/blog\/2022\/11\/21\/bernhard-on-the-observer\/","url_meta":{"origin":4837,"position":2},"title":"Bernhard, on the observer","author":"yalpertem","date":"21 November 2022","format":false,"excerpt":"I was copying quotes about the observer from the novels I read, here, in Turkish. This one is the first attempt in English. The friend here is Paul, Wittgenstein's Nephew, the one in the psychiatric hospital. As Bernhard informs, he's a restless observer, like Thomas. I hadn't noticed that the\u2026","rel":"","context":"In &quot;quote&quot;","block_context":{"text":"quote","link":"https:\/\/yalpertem.com\/blog\/category\/quote\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/11\/thomas-bernhard-wittgensteins-nephew-195x300.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":116,"url":"https:\/\/yalpertem.com\/blog\/2016\/12\/27\/yuruyorum\/","url_meta":{"origin":4837,"position":3},"title":"Y\u00fcr\u00fcyorum","author":"yalpertem","date":"27 December 2016","format":"image","excerpt":"\"But only one is a wanderer, two together are always going somewhere.\" Sevgi Soysal | Y\u00fcr\u00fcmek Thomas Bernhard | Y\u00fcr\u00fcmek - Evet Ayhan Ge\u00e7gin | Uzun Y\u00fcr\u00fcy\u00fc\u015f Rebbeca Solnit | Yol A\u015fk\u0131: Y\u00fcr\u00fcmenin Tarihi David Le Breton | Y\u00fcr\u00fcmeye \u00d6vg\u00fc Werner Herzog | Buzda Y\u00fcr\u00fcy\u00fc\u015f: M\u00fcnih - Paris Henry David\u2026","rel":"","context":"In &quot;edebiyat&quot;","block_context":{"text":"edebiyat","link":"https:\/\/yalpertem.com\/blog\/category\/edebiyat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2016\/12\/yurumek-sevgisoysal-225x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1827,"url":"https:\/\/yalpertem.com\/blog\/2018\/07\/01\/bernhard-gezinti-dostluk-ve-aptallik\/","url_meta":{"origin":4837,"position":4},"title":"Bernhard, Gezinti, Dostluk ve Aptall\u0131k","author":"yalpertem","date":"1 July 2018","format":false,"excerpt":"\" Soka\u011fa gezintiye \u00e7\u0131kanlar,\" dedi Moro, \"anakronizmin en makul uygulay\u0131c\u0131lar\u0131, onlar gezintilerini yaparken, en akl\u0131 ba\u015f\u0131nda olmayanlar aras\u0131nda en akl\u0131 ba\u015f\u0131nda olanlar, ayn\u0131 zamanda en bedbahtlar aras\u0131nda en mutlu olanlard\u0131r, muhtemelen, sevgili Bay Robert, ama onlara en akl\u0131 ba\u015f\u0131nda olmayanlar aras\u0131nda en akl\u0131 ba\u015f\u0131nda olanlar, en bedbahtlar aras\u0131nda en mutlular\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/07\/thomas-bernhard-ungenach-194x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1359,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/07\/bernhard-yurumek-sonsuz-oykunun-acilisi\/","url_meta":{"origin":4837,"position":5},"title":"Bernhard, Y\u00fcr\u00fcmek (Sonsuz \u00d6yk\u00fcn\u00fcn A\u00e7\u0131l\u0131\u015f\u0131)","author":"yalpertem","date":"7 May 2018","format":false,"excerpt":"Nadiren Thomas Bernhard \u00f6yk\u00fcs\u00fc veya roman\u0131 okumaya ba\u015fl\u0131yorum, k\u0131sa bir s\u00fcre i\u00e7inde, belki bir saat, belki birka\u00e7 g\u00fcn sonra, ne deh\u015fet verici, ne \u00e7ekilmez bir Thomas Bernhard kitab\u0131 bu diyorum. Kelimeler ve \u015feylerin bitmek bilmeyen tekrarlar\u0131, \u00f6tekinin s\u00f6yledi\u011fini an\u0131\u015flar\u0131, kendinden bir ba\u015fkas\u0131na ondan tekrar kendine d\u00f6nen s\u00f6z ve duygu iletmeleri,\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2016\/12\/thomas-bernhard-y%C3%BCr%C3%BCmek-evet-min.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=4837"}],"version-history":[{"count":17,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4837\/revisions"}],"predecessor-version":[{"id":6138,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4837\/revisions\/6138"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=4837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=4837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=4837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}