{"id":4783,"date":"2022-01-11T00:49:36","date_gmt":"2022-01-10T21:49:36","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=4783"},"modified":"2025-11-01T10:43:56","modified_gmt":"2025-11-01T09:43:56","slug":"how-to-act-on-reality-tv-notes","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2022\/01\/11\/how-to-act-on-reality-tv-notes\/","title":{"rendered":"How To Act On Reality TV | Notes"},"content":{"rendered":"

My dear friend H. whom I owe many of my personal interests in film and music, has been spamming me about John Wilson for a week or two. Wilson has a docuseries called How To with John Wilson<\/em> that I’ll watch soon if I find a legal way, but How To Act On Reality TV<\/em> was the introduction to the filmmaker for me: it documents a workshop by a media professional who helps people planning to join to Reality TV. He gives tips to the participants about how to introduce themselves better and improve their self-expression, educates them about how the producers and the audience desire to see them on screen, and warns about the pitfalls to avoid acting while being hyper-authentic. Of course, the video itself is a great example of Reality TV. The whole workshop is recorded similarly. In addition, there are some familiar missions for the participants such as trying to get phone numbers from strangers in a park or a sudden singing performance on a supermarket aisle. On the other hand, the camera \u2014and the editor\u2014 does not avoid including the scenes about the participants yawning. All in all, we need boredom too.<\/p>\n

He manages to achieve exactly the sweet spot where authenticity intersects with essayistic intent. As the trainer says, “it’s the improv factor, that I like most… it’s also an opportunity to serialize in a way where documentaries can’t… I guess I’m not patient enough.”<\/em> I felt that it was the very reason why I, and I think several other people, like YouTube or any other sort of personal content.<\/p>\n

How To Act On Reality TV | Vimeo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

My dear friend H. whom I owe many of my personal interests in film and music, has been spamming me about John Wilson for a week or two. Wilson has a docuseries called How To with John Wilson that I’ll watch soon if I find a legal way, but How To Act On Reality TV … Continue reading How To Act On Reality TV | Notes<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[861],"tags":[707,706],"class_list":["post-4783","post","type-post","status-publish","format-standard","hentry","category-film-notes","tag-how-to-act-on-reality-tv","tag-john-wilson"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-1f9","jetpack-related-posts":[{"id":5222,"url":"https:\/\/yalpertem.com\/blog\/2022\/09\/06\/letat-et-moi-2022\/","url_meta":{"origin":4783,"position":0},"title":"L’\u00e9tat et moi (2022)","author":"yalpertem","date":"6 September 2022","format":false,"excerpt":"L'\u00e9tat et moi \/ Der Staat und Ich \/ The State and Me (watched in Zukunft, as the only audience) Some plot and tag lines about the film: \u201cA composer named Hans List fought on the barricades of the Paris Commune in 1871. He now wakes up to a new\u2026","rel":"","context":"In "film"","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/l-etat-et-moi-linz-1024x746.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/l-etat-et-moi-linz-1024x746.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/l-etat-et-moi-linz-1024x746.png?resize=525%2C300 1.5x"},"classes":[]},{"id":5249,"url":"https:\/\/yalpertem.com\/blog\/2022\/09\/17\/germanys-counter-cinemas-julia-hertag-notes\/","url_meta":{"origin":4783,"position":1},"title":"Germany’s Counter-Cinemas, Julia Hert\u00e4g (Notes)","author":"yalpertem","date":"17 September 2022","format":false,"excerpt":"I took some notes from Julia Hert\u00e4g\u2019s \u201cGermany\u2019s Counter-Cinemas\u201d article published in New Left Review. All the quotations in the notes are from the article: Hert\u00e4g, J. (2022, May\/June). Germany\u2019s Counter-Cinemas. New Left Review, 135. https:\/\/newleftreview.org\/issues\/ii135\/articles\/julia-hertag-germany-s-counter-cinemas Germany\u2019s Counter-Cinemas The author gives examples of the export-driven cinema in Germany with the\u2026","rel":"","context":"In "film"","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/julia-hertaeg-germanys-counter-cinemas-new-left-review-1024x624.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/julia-hertaeg-germanys-counter-cinemas-new-left-review-1024x624.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/julia-hertaeg-germanys-counter-cinemas-new-left-review-1024x624.png?resize=525%2C300 1.5x"},"classes":[]},{"id":5720,"url":"https:\/\/yalpertem.com\/blog\/2022\/12\/12\/berlin-chamissoplatz-1980-notes\/","url_meta":{"origin":4783,"position":2},"title":"Berlin Chamissoplatz (1980) | Notes","author":"yalpertem","date":"12 December 2022","format":false,"excerpt":"Berlin Chamissoplatz, with an overt word-play reference to D\u00f6blin\u2019s novel, was made interestingly in the same year Fassbinder adopted the novel to the TV series. 1980, a cinematic year for Berlin\u2019s famous squares\u2026 It was the first film I saw from Rudolf Thome. Der Philosoph (1989) and Tagebuch (1975) are\u2026","rel":"","context":"In "film in germany"","block_context":{"text":"film in germany","link":"https:\/\/yalpertem.com\/blog\/category\/film\/film-in-germany\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/berlin-chamissoplatz-1980-min-1024x616.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/berlin-chamissoplatz-1980-min-1024x616.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/berlin-chamissoplatz-1980-min-1024x616.png?resize=525%2C300 1.5x"},"classes":[]},{"id":4558,"url":"https:\/\/yalpertem.com\/blog\/2021\/10\/22\/phoenix-2014-notes\/","url_meta":{"origin":4783,"position":3},"title":"Phoenix (2014) | Notes","author":"yalpertem","date":"22 October 2021","format":false,"excerpt":"Phoenix tells the story of Nelly who is freed from Auschwitz. As a demolished survivor with wounds on her face, she goes out of the hospital after an aesthetic surgery with bandages and starts looking for his husband. The loss and the recovery of identity after the camp start with\u2026","rel":"","context":"In "film-notes"","block_context":{"text":"film-notes","link":"https:\/\/yalpertem.com\/blog\/category\/film\/film-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/phoenix-2014-nina-hoss-1-1024x576.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/phoenix-2014-nina-hoss-1-1024x576.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/phoenix-2014-nina-hoss-1-1024x576.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":5737,"url":"https:\/\/yalpertem.com\/blog\/2022\/12\/14\/breathless-with-chatgpt\/","url_meta":{"origin":4783,"position":4},"title":"Breathless (\u00c0 bout de souffle) | with ChatGPT","author":"yalpertem","date":"14 December 2022","format":false,"excerpt":"We talked with ChatGPT about \u00c0 bout de souffle (1960) a bit. It was a great average cinephile conversation. Most of the time it just praises the film and brings some extra trivia. I removed some repetitive parts from the replies but left it untouched other than that. I'll document\u2026","rel":"","context":"In "ai"","block_context":{"text":"ai","link":"https:\/\/yalpertem.com\/blog\/category\/ai\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4696,"url":"https:\/\/yalpertem.com\/blog\/2021\/12\/16\/weimar-culture-outsider-as-insider-peter-gay-notes-i\/","url_meta":{"origin":4783,"position":5},"title":"Weimar Culture: Outsider as Insider, Peter Gay | Notes I","author":"yalpertem","date":"16 December 2021","format":false,"excerpt":"Peter Gay's comprehensive account on the culture of the Weimar era (1918-1933), first published in 1968. I'll try to take notes, chapter by chapter. For general histories of the era, check out the liberal Erich Eyck and the radical Arthur Rosenberg. For political history, see Heinrich August Winkler and Hans\u2026","rel":"","context":"In "notes"","block_context":{"text":"notes","link":"https:\/\/yalpertem.com\/blog\/category\/notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/12\/weimar-culture-peter-gay-min-200x300.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=4783"}],"version-history":[{"count":17,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4783\/revisions"}],"predecessor-version":[{"id":5502,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4783\/revisions\/5502"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=4783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=4783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=4783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}