{"id":4678,"date":"2021-12-06T01:27:21","date_gmt":"2021-12-05T22:27:21","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=4678"},"modified":"2025-07-24T10:36:45","modified_gmt":"2025-07-24T08:36:45","slug":"gunter-wallraff-lowest-of-the-low-notes","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2021\/12\/06\/gunter-wallraff-lowest-of-the-low-notes\/","title":{"rendered":"G\u00fcnter Wallraff, Lowest of the Low | Notes"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4690\" data-permalink=\"https:\/\/yalpertem.com\/blog\/2021\/12\/06\/gunter-wallraff-lowest-of-the-low-notes\/gunter-walraff-lowest-of-the-low-min\/\" data-orig-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/12\/gunter-walraff-lowest-of-the-low-min.png?fit=800%2C600&amp;ssl=1\" data-orig-size=\"800,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"gunter walraff &amp;#8211; lowest of the low-min\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/12\/gunter-walraff-lowest-of-the-low-min.png?fit=660%2C495&amp;ssl=1\" class=\"wp-image-4690 size-full aligncenter\" src=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/12\/gunter-walraff-lowest-of-the-low-min.png?resize=660%2C495\" alt=\"\" width=\"660\" height=\"495\" srcset=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/12\/gunter-walraff-lowest-of-the-low-min.png?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/12\/gunter-walraff-lowest-of-the-low-min.png?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/12\/gunter-walraff-lowest-of-the-low-min.png?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/p>\n<p>Lowest of the Low (&#8216;Ganz unten&#8217; in the original, &#8216;En Alttakiler&#8217; in Turkish) is G\u00fcnter Wallraff&#8217;s undercover participatory journalism book where he disguises himself as a migrant from Turkey and attempts at experiencing the daily lives of the migrants in Germany. It was published in 1985, and translated to Turkish too \u2013that&#8217;s how I read it after a recommendation from a friend. It is apparent that the book had caused debates and had a <a href=\"https:\/\/www.dw.com\/en\/the-lowest-of-the-low-no-more\/a-1746801\" target=\"_blank\" rel=\"nofollow noopener\">considerable impact<\/a> when it was first published. It seems to have become popular in the 80s in Turkey too, but it was a forgotten book as of today, or maybe I just never encountered it in another text or a bookstore.<\/p>\n<p>It&#8217;s not the only sensational work Wallraff published. Even though I haven&#8217;t read the other ones, there are some other journeys he took throughout his life, starting with working in a tabloid newspaper or, lately wearing blackface to act as a Somali. With his work, he is criticized both from the right (as expected) and from the left for his methodology being racist. Even though I admired his way of working, there are also some disturbing aspects of his methods, maybe mainly not putting his own identity on the table in his personal observations. One main question for me is about the will to present his own experience instead of building close relationships with people he wants to represent and strengthening their voices. He tries it from time to time in the book, where he transmits the dialogues without intervention. Nevertheless, Lowest of the Low was impressive in general.<\/p>\n<p>Wallraff disguises himself as Ali and builds a story around the challenge of not being able to speak Turkish. In his story, he is the son of a Turkish father who leaves him at a young age and a Greek mother. He grows up in Piraeus with his mom. When others ask him to speak a little bit of Greek, he gives examples from his early courses about Ancient Greek, Odyssey in particular. Despite being 43 years old, he does some physical training and acts as if he is around 25-30 years old. He thinks that he sees the other face of society by his experience.<\/p>\n<p>I don&#8217;t aim to summarize or transfer the disgraceful experiences he was exposed to during his life as Ali. He narrates all these in the book in a way that I cannot even cover the gist of it. Instead, I want to note jobs and places he worked just to remember and go back in the future.<\/p>\n<p>As first steps, he repairs the barn of a mansion in Cologne, and works at a farm in Lower Saxony, next to Grohnde Nuclear Power Plant. He goes to a football match between Germany and Turkey in Berlin, 1983 and to a meeting of CSU in Passau where Franz Josef Strauss also joins. He even pretends that he&#8217;s a follower of the Turkish nationalist movement and T\u00fcrke\u015f, leading to him having an autograph from Strauss.<\/p>\n<p>After working some time at Mcdonald&#8217;s, he critically examines the company&#8217;s work culture, which might look pretty ordinary (in a negative sense) today but was surprising for him back in the 80s. After the service sector, he starts to work in construction sites, without papers (GBI, WTB, DIMA), and as a subcontracted laborer.<\/p>\n<p>Ali tries hard to be baptized and meets with several priests who reject his will to convert to Christianity. Only toward the end, one migrant priest accepts his request. He even tries his luck with Sannyasins, followers of Bhagwan, but he is also ridiculed and rejected there. An infobox among the pages redirected me to an interview <a href=\"https:\/\/www.spiegel.de\/politik\/bhagwan-a-236bb09c-0002-0001-0000-000013513700?context=issue\" target=\"_blank\" rel=\"nofollow noopener\">Bhagwan gave to Der Spiegel in 1985<\/a>, where he had some terrifying appraisal of Hitler. That wasn&#8217;t mentioned in Wild Wild Country, or maybe I missed it. This religion-side-story ends with Ali discovering the funeral services in order to send his corpse back to his country after his death.<\/p>\n<p>I found out that going step by step with every other experience will be hard for me. I couldn&#8217;t even cover the majority of the book. Let me take a short note about the drug trials he attends, the factory near Hamburg that produces brake pads by processing asbestos, his long-lasting knot at Thyssen, his dear boss Adler and W\u00fcrgassen nuclear power plant.<\/p>\n<p>Throughout the book, Wallraff refers to numerous occasions that tarnish one&#8217;s physical health and self-esteem. Even though I read some critics who argue that what the author cares about in the end is his personal gains after these projects he did, when I think solely about the book, I found Wallraff&#8217;s effort and position positive and thought he was in solidarity with the migrant workers. As I understand, his conclusion is a puzzling one. How did these people tolerate all this misery?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lowest of the Low (&#8216;Ganz unten&#8217; in the original, &#8216;En Alttakiler&#8217; in Turkish) is G\u00fcnter Wallraff&#8217;s undercover participatory journalism book where he disguises himself as a migrant from Turkey and attempts at experiencing the daily lives of the migrants in Germany. It was published in 1985, and translated to Turkish too \u2013that&#8217;s how I read &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2021\/12\/06\/gunter-wallraff-lowest-of-the-low-notes\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">G\u00fcnter Wallraff, Lowest of the Low | Notes<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,672],"tags":[702,700,699,701],"class_list":["post-4678","post","type-post","status-publish","format-standard","hentry","category-genel","category-notes","tag-en-alttakiler","tag-ganz-unten","tag-gunter-wallraff","tag-lowest-of-the-low"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-1ds","jetpack-related-posts":[{"id":4534,"url":"https:\/\/yalpertem.com\/blog\/2021\/10\/11\/die-eingeladenen-the-invitees-sinema-transtopia\/","url_meta":{"origin":4678,"position":0},"title":"Die Eingeladenen \/ The Invitees [Sinema Transtopia]","author":"yalpertem","date":"11 October 2021","format":false,"excerpt":"I found an institution that curates films and discussions around those films that they've selected. I attended three film screenings there which were about the migrant workers in Germany. Just in case they might remove the schedules from their website, I'll annotate the ones I watched there. I really liked\u2026","rel":"","context":"In &quot;film&quot;","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/SI%CC%87NEMA-TRANSTOPIA-DIE-EINGELADENEN-THE-INVITEES-768x402-min.jpeg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/SI%CC%87NEMA-TRANSTOPIA-DIE-EINGELADENEN-THE-INVITEES-768x402-min.jpeg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/SI%CC%87NEMA-TRANSTOPIA-DIE-EINGELADENEN-THE-INVITEES-768x402-min.jpeg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/SI%CC%87NEMA-TRANSTOPIA-DIE-EINGELADENEN-THE-INVITEES-768x402-min.jpeg?resize=700%2C400 2x"},"classes":[]},{"id":5729,"url":"https:\/\/yalpertem.com\/blog\/2022\/12\/13\/books-on-berlin-xvii\/","url_meta":{"origin":4678,"position":1},"title":"Books on Berlin XVII","author":"yalpertem","date":"13 December 2022","format":false,"excerpt":"Parker, J. (2016). Tales of Berlin in American Literature up to the 21st Century. Brill. \"Of all European cities, Americans today are perhaps most curious about Berlin, whose position in the American imagination is an essential component of nineteenth-century, postwar and contemporary transatlantic imagology. Over various periods, Berlin has been\u2026","rel":"","context":"In &quot;berlin-books&quot;","block_context":{"text":"berlin-books","link":"https:\/\/yalpertem.com\/blog\/category\/list\/berlin-books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/books-on-berlin-xvii-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/books-on-berlin-xvii-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/books-on-berlin-xvii-1024x768.png?resize=525%2C300 1.5x"},"classes":[]},{"id":4180,"url":"https:\/\/yalpertem.com\/blog\/2021\/04\/23\/line-space-batumans-the-idiot-and-basarans-biri-ve-digerleri\/","url_meta":{"origin":4678,"position":2},"title":"Line Space: Batuman\u2019s \u2018The Idiot\u2019 and Ba\u015faran\u2019s \u2018Biri ve Di\u011ferleri\u2019","author":"yalpertem","date":"23 April 2021","format":false,"excerpt":"An idle attempt to write in English Elif Batuman\u2019s first autofiction novel The Idiot (2017) follows Selin\u2019s first year in a prestigious university. Selin reads novels, watches films, studies linguistics, learns new languages, goes on a blithe journey in Europe starting with a cultural tourism in France followed by couple\u2026","rel":"","context":"In &quot;denemetin&quot;","block_context":{"text":"denemetin","link":"https:\/\/yalpertem.com\/blog\/category\/denemetin\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/04\/biri-ve-digerleri-tunc-basaran-1024x874.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5240,"url":"https:\/\/yalpertem.com\/blog\/2022\/09\/12\/1-turkisches-filmfestival-berlin\/","url_meta":{"origin":4678,"position":3},"title":"1. T\u00fcrkisches Filmfestival Berlin","author":"yalpertem","date":"12 September 2022","format":false,"excerpt":"There's a film festival in the city that will show films from Turkey. I wanted to document it here since it's the first one. I don't know if the website and online links will be available in the future. The films will be shown in Babylon, a cinema I was\u2026","rel":"","context":"In &quot;film&quot;","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/berlin-turkish-film-festival-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/berlin-turkish-film-festival-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/berlin-turkish-film-festival-1024x768.png?resize=525%2C300 1.5x"},"classes":[]},{"id":4558,"url":"https:\/\/yalpertem.com\/blog\/2021\/10\/22\/phoenix-2014-notes\/","url_meta":{"origin":4678,"position":4},"title":"Phoenix (2014) | Notes","author":"yalpertem","date":"22 October 2021","format":false,"excerpt":"Phoenix tells the story of Nelly who is freed from Auschwitz. As a demolished survivor with wounds on her face, she goes out of the hospital after an aesthetic surgery with bandages and starts looking for his husband. The loss and the recovery of identity after the camp start with\u2026","rel":"","context":"In &quot;film-notes&quot;","block_context":{"text":"film-notes","link":"https:\/\/yalpertem.com\/blog\/category\/film\/film-notes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/phoenix-2014-nina-hoss-1-1024x576.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/phoenix-2014-nina-hoss-1-1024x576.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/10\/phoenix-2014-nina-hoss-1-1024x576.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":5505,"url":"https:\/\/yalpertem.com\/blog\/2022\/10\/31\/books-in-berlin-xvi-fiction\/","url_meta":{"origin":4678,"position":5},"title":"Books in Berlin XVI | fiction","author":"yalpertem","date":"31 October 2022","format":false,"excerpt":"We have two Michael Hofmann translations today. Two early, one mid, and two late 20th-century books... Do\u0308blin, A. (2018 [1929]). Berlin Alexanderplatz (M. Hofmann, Trans.). New York Review Books. \"Berlin Alexanderplatz, the great novel of Berlin and the doomed Weimar Republic, is one of the great books of the twentieth\u2026","rel":"","context":"In &quot;berlin-books&quot;","block_context":{"text":"berlin-books","link":"https:\/\/yalpertem.com\/blog\/category\/list\/berlin-books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-in-berlin-XVI-fiction-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-in-berlin-XVI-fiction-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-in-berlin-XVI-fiction-1024x768.png?resize=525%2C300 1.5x"},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=4678"}],"version-history":[{"count":22,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4678\/revisions"}],"predecessor-version":[{"id":7066,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4678\/revisions\/7066"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=4678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=4678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=4678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}