{"id":4463,"date":"2021-09-19T20:16:05","date_gmt":"2021-09-19T17:16:05","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=4463"},"modified":"2021-11-16T00:18:11","modified_gmt":"2021-11-15T21:18:11","slug":"minari","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2021\/09\/19\/minari\/","title":{"rendered":"Minari (2020) | Notes"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4466\" data-permalink=\"https:\/\/yalpertem.com\/blog\/2021\/09\/19\/minari\/minari-min\/\" data-orig-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/09\/minari-min.jpg?fit=1049%2C590&amp;ssl=1\" data-orig-size=\"1049,590\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"minari-min\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/09\/minari-min.jpg?fit=660%2C371&amp;ssl=1\" class=\"aligncenter wp-image-4466 size-large\" src=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/09\/minari-min.jpg?resize=660%2C371\" alt=\"\" width=\"660\" height=\"371\" srcset=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/09\/minari-min.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/09\/minari-min.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/09\/minari-min.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/09\/minari-min.jpg?w=1049&amp;ssl=1 1049w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/p>\n<p>The Rollberg chronicles: Minari. 7.5 on IMDB, 98% on Rotten Tomatoes. 6 Oscar nominations and the great grandmother Youn Yuh-jung wins the Best Supporting Actress Award, surpassing Colman, Close, and Bakalova.<\/p>\n<p>At its simplest, it felt like a well-formed melodrama of a migrant Korean family trying to make a good life for themselves in 1980s, Arkansas. The beauty of the film was probably in its modest details. The mundane chick sexing job, frustration about the trailer house (maybe marking the idea of groundlessness in popular culture, together with Nomadland), concerning heart problems of the little kid, idiosyncratic grandmother were the constituents that made the film unique.<\/p>\n<p>Was the cross-carrying sidekick Paul a second-level metaphor of Jacob&#8217;s farming dream? By any means, the film challenged the question of the community for me, with the funny but requisite church scenes.<\/p>\n<p>A dramatic fracture in the film was triggered by a fire. That reminded me of an old friend telling a story about the youthfulness that concluded with yet another fortuitous fire. It&#8217;s probably a common theme in literature and film. Steven Yeun knows it better, from the Burning, probably.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Rollberg chronicles: Minari. 7.5 on IMDB, 98% on Rotten Tomatoes. 6 Oscar nominations and the great grandmother Youn Yuh-jung wins the Best Supporting Actress Award, surpassing Colman, Close, and Bakalova. At its simplest, it felt like a well-formed melodrama of a migrant Korean family trying to make a good life for themselves in 1980s, &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2021\/09\/19\/minari\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Minari (2020) | Notes<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[675],"tags":[682,683,684],"class_list":["post-4463","post","type-post","status-publish","format-standard","hentry","category-film","tag-minari","tag-steven-yeun","tag-youn-yuh-jung"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s9WYIs-minari","jetpack-related-posts":[{"id":4594,"url":"https:\/\/yalpertem.com\/blog\/2021\/11\/13\/my-mexican-bretzel-2019\/","url_meta":{"origin":4463,"position":0},"title":"My Mexican Bretzel (2019) | Notes","author":"yalpertem","date":"13 November 2021","format":false,"excerpt":"A perfect bulk of personal recordings that span around twenty years and several countries meet with a creative and devoted filmmaker. My Mexican Bretzel is a found-footage montage by Nuria Gim\u00e9nez who finds about 50 rolls of raw film in the basement and comes up with an idea to make\u2026","rel":"","context":"In &quot;film&quot;","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/11\/my-mexican-bretzel-212x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1936,"url":"https:\/\/yalpertem.com\/blog\/2018\/07\/22\/deleuze-parnet-kucuk-hans-psikanaliz-elestirisi-ii\/","url_meta":{"origin":4463,"position":1},"title":"Deleuze &#038; Parnet, K\u00fc\u00e7\u00fck Hans: Psikanaliz Ele\u015ftirisi (II)","author":"yalpertem","date":"22 July 2018","format":false,"excerpt":"Totem ve Tabu'daki K\u00fc\u00e7\u00fck Hans pasaj\u0131ndan sonra, Diyaloglar'da Deleuze'\u00fcn psikanaliz ele\u015ftirisinin bir \u00f6zetini i\u00e7eren \"\u00d6l\u00fc Psikanaliz, \u00c7\u00f6z\u00fcmleyiniz\" ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcmdeki K\u00fc\u00e7\u00fck Hans referanslar\u0131n\u0131 i\u00e7eren ikinci metni ekliyorum. \u0130lk iki paragrafta asl\u0131nda hen\u00fcz K\u00fc\u00e7\u00fck Hans'dan bahsedilmiyor fakat Deleuze'\u00fcn neden Freud'un K\u00fc\u00e7\u00fck Hans'\u0131n as\u0131l meselelerini yakalayamayaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fcn altyap\u0131s\u0131n\u0131 olu\u015fturuyor bu k\u0131s\u0131mlar. Deleuze'\u00fcn ahlak\u00e7\u0131l\u0131kla\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/11\/diyaloglar-deleuze-parnet-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5737,"url":"https:\/\/yalpertem.com\/blog\/2022\/12\/14\/breathless-with-chatgpt\/","url_meta":{"origin":4463,"position":2},"title":"Breathless (\u00c0 bout de souffle) | with ChatGPT","author":"yalpertem","date":"14 December 2022","format":false,"excerpt":"We talked with ChatGPT about \u00c0 bout de souffle (1960) a bit. It was a great average cinephile conversation. Most of the time it just praises the film and brings some extra trivia. I removed some repetitive parts from the replies but left it untouched other than that. I'll document\u2026","rel":"","context":"In &quot;ai&quot;","block_context":{"text":"ai","link":"https:\/\/yalpertem.com\/blog\/category\/ai\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5240,"url":"https:\/\/yalpertem.com\/blog\/2022\/09\/12\/1-turkisches-filmfestival-berlin\/","url_meta":{"origin":4463,"position":3},"title":"1. T\u00fcrkisches Filmfestival Berlin","author":"yalpertem","date":"12 September 2022","format":false,"excerpt":"There's a film festival in the city that will show films from Turkey. I wanted to document it here since it's the first one. I don't know if the website and online links will be available in the future. The films will be shown in Babylon, a cinema I was\u2026","rel":"","context":"In &quot;film&quot;","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/berlin-turkish-film-festival-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/berlin-turkish-film-festival-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/09\/berlin-turkish-film-festival-1024x768.png?resize=525%2C300 1.5x"},"classes":[]},{"id":5179,"url":"https:\/\/yalpertem.com\/blog\/2022\/08\/31\/blutsauger-2021\/","url_meta":{"origin":4463,"position":4},"title":"Blutsauger (2021)","author":"yalpertem","date":"31 August 2022","format":false,"excerpt":"\"As a capitalist, he is only capital personified. His soul is the soul of capital. But capital has one sole driving force, the drive to valorize itself, to create surplus-value, to make its constant part, the means of production, absorb the greatest possible amount of surplus labour. Capital is dead\u2026","rel":"","context":"In &quot;film&quot;","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/08\/blutsauger-2021.jpeg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/08\/blutsauger-2021.jpeg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/08\/blutsauger-2021.jpeg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/08\/blutsauger-2021.jpeg?resize=700%2C400 2x"},"classes":[]},{"id":5152,"url":"https:\/\/yalpertem.com\/blog\/2022\/08\/14\/corsage-2022\/","url_meta":{"origin":4463,"position":5},"title":"Corsage (2022)","author":"yalpertem","date":"14 August 2022","format":false,"excerpt":"I watched Corsage in Kino International without English subtitles. I was wandering around on a boring Sunday trying to find a film to watch, and didn't notice that it didn't have subtitles, DF. Kino International might be the cinema that I wanted to visit, but something was withholding me for\u2026","rel":"","context":"In &quot;film&quot;","block_context":{"text":"film","link":"https:\/\/yalpertem.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/08\/corsage-2022-min-212x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=4463"}],"version-history":[{"count":6,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4463\/revisions"}],"predecessor-version":[{"id":4571,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4463\/revisions\/4571"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=4463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=4463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=4463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}