{"id":4397,"date":"2021-08-22T10:37:35","date_gmt":"2021-08-22T07:37:35","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=4397"},"modified":"2023-04-12T09:15:27","modified_gmt":"2023-04-12T07:15:27","slug":"some-german-literature-book-prizes","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2021\/08\/22\/some-german-literature-book-prizes\/","title":{"rendered":"German Literature Book Prizes"},"content":{"rendered":"<p>I took note of the recent awards for the literature written in German. Only some of them are translated to English for now.<\/p>\n<h4>German Book Prize (Deutscher Buchpreis) [<a href=\"https:\/\/www.deutscher-buchpreis.de\/\" target=\"_blank\" rel=\"nofollow noopener\">web<\/a>]<\/h4>\n<table style=\"border-collapse: collapse; width: 100%; height: 252px;\">\n<tbody>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\"><strong>Year<\/strong><\/td>\n<td style=\"width: 21.0605%; height: 28px;\"><strong>Author<\/strong><\/td>\n<td style=\"width: 28.0304%; height: 28px;\"><strong>Book (DE)<\/strong><\/td>\n<td style=\"width: 21.3635%; height: 28px;\"><strong>Book (EN)<\/strong><\/td>\n<td style=\"width: 20.4546%; height: 28px;\"><strong>Publisher<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 56px;\">\n<td style=\"width: 9.0909%; height: 56px;\">2022<\/td>\n<td style=\"width: 21.0605%; height: 56px;\">Kim de l&#8217;Horizon<\/td>\n<td style=\"width: 28.0304%; height: 56px;\">Blutbuch<\/td>\n<td style=\"width: 21.3635%; height: 56px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 56px;\">DuMont Buchverlag<\/td>\n<\/tr>\n<tr style=\"height: 56px;\">\n<td style=\"width: 9.0909%; height: 56px;\">2021<\/td>\n<td style=\"width: 21.0605%; height: 56px;\">Antje R\u00e1vik Strubel<\/td>\n<td style=\"width: 28.0304%; height: 56px;\">Blaue Frau<\/td>\n<td style=\"width: 21.3635%; height: 56px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 56px;\">S. Fischer Verlag<\/td>\n<\/tr>\n<tr style=\"height: 56px;\">\n<td style=\"width: 9.0909%; height: 56px;\">2020<\/td>\n<td style=\"width: 21.0605%; height: 56px;\">Anne Weber<\/td>\n<td style=\"width: 28.0304%; height: 56px;\">Annette, ein Heldinnenepos<\/td>\n<td style=\"width: 21.3635%; height: 56px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 56px;\">Matthes &amp; Seitz<\/td>\n<\/tr>\n<tr style=\"height: 56px;\">\n<td style=\"width: 9.0909%; height: 56px;\">2019<\/td>\n<td style=\"width: 21.0605%; height: 56px;\">Sa\u0161a Stani\u0161i\u0107<\/td>\n<td style=\"width: 28.0304%; height: 56px;\">Herkunft<\/td>\n<td style=\"width: 21.3635%; height: 56px;\">Where You Come From<\/td>\n<td style=\"width: 20.4546%; height: 56px;\">Luchterhand Literaturverlag<\/td>\n<\/tr>\n<tr style=\"height: 56px;\">\n<td style=\"width: 9.0909%; height: 56px;\">2018<\/td>\n<td style=\"width: 21.0605%; height: 56px;\">Inger-Maria Mahlke<\/td>\n<td style=\"width: 28.0304%; height: 56px;\">Archipel<\/td>\n<td style=\"width: 21.3635%; height: 56px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 56px;\">Rowohlt<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\">2017<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Robert Menasse<\/td>\n<td style=\"width: 28.0304%; height: 28px;\">Die Hauptstadt<\/td>\n<td style=\"width: 21.3635%; height: 28px;\">The Capital<\/td>\n<td style=\"width: 20.4546%; height: 28px;\">Suhrkamp<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\">2016<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Bodo Kirchhoff<\/td>\n<td style=\"width: 28.0304%; height: 28px;\">Widerfahrnis<\/td>\n<td style=\"width: 21.3635%; height: 28px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 28px;\">Frankfurter Verlagsanstalt<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>Leipzig Book Fair Prize &#8211; Fiction [<a href=\"https:\/\/www.preis-der-leipziger-buchmesse.de\/de\/\" target=\"_blank\" rel=\"nofollow noopener\">web<\/a>]<\/h4>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\"><strong>Year<\/strong><\/td>\n<td style=\"width: 21.0605%; height: 28px;\"><strong>Author<\/strong><\/td>\n<td style=\"width: 28.0304%; height: 28px;\"><strong>Book (DE)<\/strong><\/td>\n<td style=\"width: 21.3635%; height: 28px;\"><strong>Book (EN)<\/strong><\/td>\n<td style=\"width: 20.4546%; height: 28px;\"><strong>Publisher<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.0909%;\">2022<\/td>\n<td style=\"width: 21.0605%;\">Tomer Gardi<\/td>\n<td style=\"width: 28.0304%;\">Eine runde Sache<\/td>\n<td style=\"width: 21.3635%;\">&#8211;<\/td>\n<td style=\"width: 20.4546%;\">Literaturverlag Droschl<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.0909%;\">2021<\/td>\n<td style=\"width: 21.0605%;\">Iris Hanika<\/td>\n<td style=\"width: 28.0304%;\">Echos Kammern<\/td>\n<td style=\"width: 21.3635%;\">&#8211;<\/td>\n<td style=\"width: 20.4546%;\">Literaturverlag Droschl<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.0909%;\">2020<\/td>\n<td style=\"width: 21.0605%;\">Lutz Seiler<\/td>\n<td style=\"width: 28.0304%;\">Stern 111<\/td>\n<td style=\"width: 21.3635%;\">&#8211;<\/td>\n<td style=\"width: 20.4546%;\">Suhrkamp<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.0909%;\">2019<\/td>\n<td style=\"width: 21.0605%;\">Anke Stelling<\/td>\n<td style=\"width: 28.0304%;\">Sch\u00e4fchen im Trockenen<\/td>\n<td style=\"width: 21.3635%;\">Higher Ground<\/td>\n<td style=\"width: 20.4546%;\">Verbrecher<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.0909%;\">2018<\/td>\n<td style=\"width: 21.0605%;\">Esther Kinsky<\/td>\n<td style=\"width: 28.0304%;\">Hain. Gel\u00e4nderoman<\/td>\n<td style=\"width: 21.3635%;\">&#8211;<\/td>\n<td style=\"width: 20.4546%;\">Suhrkamp<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.0909%;\">2017<\/td>\n<td style=\"width: 21.0605%;\">Natascha Wodin<\/td>\n<td style=\"width: 28.0304%;\">Sie kam aus Mariupol<\/td>\n<td style=\"width: 21.3635%;\">&#8211;<\/td>\n<td style=\"width: 20.4546%;\">Rowohlt<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.0909%;\">2016<\/td>\n<td style=\"width: 21.0605%;\">Guntram Vesper<\/td>\n<td style=\"width: 28.0304%;\">Frohburg<\/td>\n<td style=\"width: 21.3635%;\">&#8211;<\/td>\n<td style=\"width: 20.4546%;\">Sch\u00f6ffling &amp; Co.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>Swiss Book Prize [<a href=\"https:\/\/www.schweizerbuchpreis.ch\/\" target=\"_blank\" rel=\"nofollow noopener\">web<\/a>]<\/h4>\n<table style=\"border-collapse: collapse; width: 100%; height: 280px;\">\n<tbody>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\"><strong>Year<\/strong><\/td>\n<td style=\"width: 21.0605%; height: 28px;\"><strong>Author<\/strong><\/td>\n<td style=\"width: 28.0304%; height: 28px;\"><strong>Book (DE)<\/strong><\/td>\n<td style=\"width: 21.3635%; height: 28px;\"><strong>Book (EN)<\/strong><\/td>\n<td style=\"width: 20.4546%; height: 28px;\"><strong>Publisher<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\">2021<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Kim de l&#8217;Horizon<\/td>\n<td style=\"width: 28.0304%; height: 28px;\">Blutbuch<\/td>\n<td style=\"width: 21.3635%; height: 28px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 28px;\">DuMont Buchverlag<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\">2020<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Anna Stern<\/td>\n<td style=\"width: 28.0304%; height: 28px;\">das alles hier, jetzt<\/td>\n<td style=\"width: 21.3635%; height: 28px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 28px;\">Salis<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\">2019<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Sibylle Berg<\/td>\n<td style=\"width: 28.0304%; height: 28px;\">GRM. Brainfuck<\/td>\n<td style=\"width: 21.3635%; height: 28px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 28px;\">KiWi-Taschenbuch<\/td>\n<\/tr>\n<tr style=\"height: 84px;\">\n<td style=\"width: 9.0909%; height: 84px;\">2018<\/td>\n<td style=\"width: 21.0605%; height: 84px;\">Peter Stamm<\/td>\n<td style=\"width: 28.0304%; height: 84px;\">Die sanfte Gleichg\u00fcltigkeit der Welt<\/td>\n<td style=\"width: 21.3635%; height: 84px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 84px;\">FISCHER Taschenbuch<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\">2017<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Jonas L\u00fcscher<\/td>\n<td style=\"width: 28.0304%; height: 28px;\">Kraft<\/td>\n<td style=\"width: 21.3635%; height: 28px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 28px;\">Beck C. H.<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 9.0909%; height: 28px;\">2016<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Christian Kracht<\/td>\n<td style=\"width: 28.0304%; height: 28px;\">Die Toten<\/td>\n<td style=\"width: 21.3635%; height: 28px;\">The Dead<\/td>\n<td style=\"width: 20.4546%; height: 28px;\">FISCHER Taschenbuch<\/td>\n<\/tr>\n<tr style=\"height: 56px;\">\n<td style=\"width: 9.0909%; height: 56px;\">2015<\/td>\n<td style=\"width: 21.0605%; height: 56px;\">Monique Schwitter<\/td>\n<td style=\"width: 28.0304%; height: 56px;\">Eins im Andern<\/td>\n<td style=\"width: 21.3635%; height: 56px;\">&#8211;<\/td>\n<td style=\"width: 20.4546%; height: 56px;\">FISCHER Taschenbuch<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>The Georg B\u00fcchner Prize [<a href=\"https:\/\/www.deutscheakademie.de\/en\/awards\/georg-buechner-preis\" target=\"_blank\" rel=\"nofollow noopener\">web<\/a>]<\/h4>\n<table style=\"border-collapse: collapse; width: 100%; height: 226px;\">\n<tbody>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\"><strong>Year<\/strong><\/td>\n<td style=\"width: 21.0605%; height: 28px;\"><strong>Author<\/strong><\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><strong>Praise<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\">2022<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Emine Sevgi \u00d6zdamar<\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><em>Ihre Theaterst\u00fccke, Erz\u00e4hlungen und Romane verleihen der deutschen Literatur durch die Intensit\u00e4t ihres Erz\u00e4hlens und ihre herausragende Sprachkraft eine neue poetische Weite.<\/em><br \/>\n<strong>deepl:<\/strong> Her plays, stories and novels give German literature a new poetic breadth through the intensity of her storytelling and her outstanding power of language.<\/td>\n<\/tr>\n<tr style=\"height: 30px;\">\n<td style=\"width: 10.4545%; height: 30px;\">2021<\/td>\n<td style=\"width: 21.0605%; height: 30px;\">Clemens J. Setz<\/td>\n<td style=\"width: 68.4849%; height: 30px;\"><em>Mit staunenswerter Vielseitigkeit, mit enzyklop\u00e4dischem Wissen, mit einem Reichtum der poetischen und sprachsch\u00f6pferischen Imagination demonstriert Clemens J. Setz eine radikale Zeitgenossenschaft&#8230;<\/em><br \/>\n<strong>deepl: <\/strong>With astonishing versatility, with encyclopaedic knowledge, with a wealth of poetic and linguistic imagination, Clemens J. Setz demonstrates a radical contemporan.<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\">2020<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Elke Erb<\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><em>Ihr gelingt es wie keiner anderen, die Freiheit und Wendigkeit der Gedanken in der Sprache zu verwirklichen&#8230;<\/em><br \/>\n<strong>deepl:<\/strong> She succeeds like no other in realizing the freedom and agility of thought in language&#8230;.<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\">2019<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Lukas B\u00e4rfuss<\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><em>&#8230;der mit hoher Stilsicherheit und formalem Variationsreichtum stets neu und anders existentielle Grundsituationen des modernen Lebens erkundet.<br \/>\n<\/em><strong>deepl:<\/strong> &#8230;who, with a high degree of stylistic confidence and a wealth of formal variation, constantly explores the basic existential situations of modern life in new and different ways.<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\">2018<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Ter\u00e9zia Mora<\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><em>&#8230;ihre eminente Gegenw\u00e4rtigkeit und lebendige Sprachkunst, die Alltagsidiom und Poesie, Drastik und Zartheit vereint.<br \/>\n<\/em><strong>deepl: <\/strong>&#8230;her eminent presence and lively linguistic art, which combines everyday idiom and poetry, drasticness and tenderness.<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\">2017<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Jan Wagner<\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><em>&#8230;dessen Gedichte spielerische Sprachfreude und meisterhafte Formbeherrschung vereinen.<br \/>\n<\/em><strong>deepl:<\/strong> &#8230;whose poems combine a playful joy of language and a masterful command of form.<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\">2016<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Marcel Beyer<\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><em>Seine Texte widmen sich der Vergegenw\u00e4rtigung deutscher Vergangenheit mit derselben pr\u00e4zisen Hingabe, mit der sie dem Sound der Jetztzeit nachsp\u00fcren.<br \/>\n<\/em><strong>deepl:<\/strong> His texts are dedicated to the visualization of the German past with the same precise devotion with which they trace the sound of the present.<\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 10.4545%; height: 28px;\">2015<\/td>\n<td style=\"width: 21.0605%; height: 28px;\">Rainald Goetz<\/td>\n<td style=\"width: 68.4849%; height: 28px;\"><em>&#8230; der sich mit einzigartiger Intensit\u00e4t zum Chronisten der Gegenwart und ihrer Kultur gemacht hat. Er hat sie beschrieben, zur Anschauung gebracht und zu Wort kommen lassen, er hat sie gefeiert und verdammt und mit den Mitteln der Theorie analysiert.<br \/>\n<\/em><strong>deepl:<\/strong> &#8230; who with unique intensity has made himself a chronicler of the present and its culture. He has described it, brought it to view and made it speak, he has celebrated and condemned it and analyzed it with the means of theory.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>I took note of the recent awards for the literature written in German. Only some of them are translated to English for now. German Book Prize (Deutscher Buchpreis) [web] Year Author Book (DE) Book (EN) Publisher 2022 Kim de l&#8217;Horizon Blutbuch &#8211; DuMont Buchverlag 2021 Antje R\u00e1vik Strubel Blaue Frau &#8211; S. Fischer Verlag 2020 &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2021\/08\/22\/some-german-literature-book-prizes\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">German Literature Book Prizes<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[529],"tags":[681],"class_list":["post-4397","post","type-post","status-publish","format-standard","hentry","category-liste","tag-german-literary-prizes"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-18V","jetpack-related-posts":[{"id":5729,"url":"https:\/\/yalpertem.com\/blog\/2022\/12\/13\/books-on-berlin-xvii\/","url_meta":{"origin":4397,"position":0},"title":"Books on Berlin XVII","author":"yalpertem","date":"13 December 2022","format":false,"excerpt":"Parker, J. (2016). Tales of Berlin in American Literature up to the 21st Century. Brill. \"Of all European cities, Americans today are perhaps most curious about Berlin, whose position in the American imagination is an essential component of nineteenth-century, postwar and contemporary transatlantic imagology. Over various periods, Berlin has been\u2026","rel":"","context":"In &quot;berlin-books&quot;","block_context":{"text":"berlin-books","link":"https:\/\/yalpertem.com\/blog\/category\/list\/berlin-books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/books-on-berlin-xvii-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/books-on-berlin-xvii-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/12\/books-on-berlin-xvii-1024x768.png?resize=525%2C300 1.5x"},"classes":[]},{"id":5433,"url":"https:\/\/yalpertem.com\/blog\/2022\/10\/19\/books-on-berlin-x\/","url_meta":{"origin":4397,"position":1},"title":"Books on Berlin X","author":"yalpertem","date":"19 October 2022","format":false,"excerpt":"Taberner, S., & Finlay, F. (ed.). (2002). Recasting German identity: culture, politics, and literature in the Berlin Republic. Camden House. \"This collection of fifteen essays by scholars from the UK, the US, Germany, and Scandinavia revisits the question of German identity. Unlike previous books on this topic, however, the focus\u2026","rel":"","context":"In &quot;berlin-books&quot;","block_context":{"text":"berlin-books","link":"https:\/\/yalpertem.com\/blog\/category\/list\/berlin-books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-X-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-X-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-X-1024x768.png?resize=525%2C300 1.5x"},"classes":[]},{"id":5315,"url":"https:\/\/yalpertem.com\/blog\/2022\/10\/10\/books-on-berlin-vi\/","url_meta":{"origin":4397,"position":2},"title":"Books on Berlin VI","author":"yalpertem","date":"10 October 2022","format":false,"excerpt":"F\u00f6llmer, M. (2015). Individuality and modernity in Berlin self and society from Weimar to the wall. Cambridge University Press. \"Moritz F\u00f6llmer traces the history of individuality in Berlin from the late 1920s to the construction of the Berlin Wall in August 1961. The demand to be recognised as an individual\u2026","rel":"","context":"In &quot;berlin-books&quot;","block_context":{"text":"berlin-books","link":"https:\/\/yalpertem.com\/blog\/category\/list\/berlin-books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-VI-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-VI-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-VI-1024x768.png?resize=525%2C300 1.5x"},"classes":[]},{"id":5296,"url":"https:\/\/yalpertem.com\/blog\/2022\/10\/06\/books-on-berlin-ii\/","url_meta":{"origin":4397,"position":3},"title":"Books on Berlin II","author":"yalpertem","date":"6 October 2022","format":false,"excerpt":"Moss, T. (2020). Remaking Berlin: a history of the city through infrastructure, 1920-2020. The MIT Press. \"An examination of Berlin's turbulent history through the lens of its water and energy infrastructures. In Remaking Berlin, Timothy Moss takes a novel perspective on Berlin's turbulent twentieth-century history, examining it through the lens\u2026","rel":"","context":"In &quot;berlin-books&quot;","block_context":{"text":"berlin-books","link":"https:\/\/yalpertem.com\/blog\/category\/list\/berlin-books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-II-1024x819.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-II-1024x819.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-on-berlin-II-1024x819.png?resize=525%2C300 1.5x"},"classes":[]},{"id":5487,"url":"https:\/\/yalpertem.com\/blog\/2022\/10\/27\/books-around-berlin-xv\/","url_meta":{"origin":4397,"position":4},"title":"Books around Berlin XV","author":"yalpertem","date":"27 October 2022","format":false,"excerpt":"As the number of books increases, the contextual relationship with Berlin unwinds. The ones from now on have an oblique relationship with the city. Hugues, P. (2017). Hannah\u2019s dress: Berlin 1904-2014 (C. J. Delogu, Trans.). Polity Press. \"Hannah's Dress tells the dizzying story of Berlin's modern history. Curious to learn\u2026","rel":"","context":"In &quot;berlin-books&quot;","block_context":{"text":"berlin-books","link":"https:\/\/yalpertem.com\/blog\/category\/list\/berlin-books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-around-berlin-15-1024x768.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-around-berlin-15-1024x768.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/10\/books-around-berlin-15-1024x768.png?resize=525%2C300 1.5x"},"classes":[]},{"id":4837,"url":"https:\/\/yalpertem.com\/blog\/2022\/03\/05\/secondary-literature-on-thomas-bernhard\/","url_meta":{"origin":4397,"position":5},"title":"Secondary Literature on Thomas Bernhard","author":"yalpertem","date":"5 March 2022","format":false,"excerpt":"There are fewer books about Bernhard than I had imagined, the reader thought after thirty minutes of googling. Books Calandra, Denis (1983). New German Dramatists: A Study of Peter Handke, Franz Xaver Kroetz, Rainer Werner Fassbinder, Heiner M\u00fcller, Thomas Brasch, Thomas Bernhard and Botho Strauss, Palgrave. Dowden, Stephen D. (1991).\u2026","rel":"","context":"In &quot;glossary&quot;","block_context":{"text":"glossary","link":"https:\/\/yalpertem.com\/blog\/category\/glossary\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=4397"}],"version-history":[{"count":15,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4397\/revisions"}],"predecessor-version":[{"id":5999,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/4397\/revisions\/5999"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=4397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=4397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=4397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}