{"id":3379,"date":"2020-04-15T22:57:42","date_gmt":"2020-04-15T19:57:42","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=3379"},"modified":"2020-04-15T23:11:12","modified_gmt":"2020-04-15T20:11:12","slug":"kundera-ironi-uzerine","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2020\/04\/15\/kundera-ironi-uzerine\/","title":{"rendered":"Kundera, Roman ve \u0130roni"},"content":{"rendered":"\n

Kundera ironiyi roman t\u00fcr\u00fcne i\u00e7kin bir \u00f6zellik olarak g\u00f6r\u00fcyor. \u0130roniden bahsederken onu bir s\u00f6z sanat\u0131 olarak de\u011fil, genel bir yakla\u015f\u0131m olarak an\u0131yor genelde. Her ne kadar ironi dese de, bahsetti\u011fi yakla\u015f\u0131m benim kafamda keskin h\u00e2liyle bir ironidense mu\u011flak bir ironi gibi \u00e7\u0131nl\u0131yor. S\u00f6ylemek istedi\u011fini o kadar kolay a\u00e7\u0131k etmeyen tevriye’<\/em>de (\u00e7ift anlaml\u0131l\u0131k) oldu\u011fu gibi. Ama ironi de basit s\u00f6zl\u00fck anlam\u0131n\u0131n \u00f6tesinde bunu kaps\u0131yordur belki. Apa\u00e7\u0131k bir \u015fekilde kar\u015f\u0131t\u0131 im\u00e2 etmek i\u00e7in de\u011fil, okurun dikkatini kar\u015f\u0131t gibi g\u00f6r\u00fcnen, asl\u0131nda birebir kar\u015f\u0131t da olmayan \u00e7eli\u015fkili olgular\u0131n birlikteli\u011fine, bunlara dair yarg\u0131larda bulunman\u0131n imk\u00e2ns\u0131zl\u0131\u011f\u0131na do\u011fru \u00e7ekmek i\u00e7in ironiyi kullan\u0131yor. Kayna\u011f\u0131n\u0131 y\u0131llard\u0131r hat\u0131rlamasam da akl\u0131ma getirdi\u011fi \u015f\u00f6yle bir durum: “Ben kendimi hep eli a\u00e7\u0131k biri olarak bilirdim. Herkese yard\u0131m ederdim. Bir g\u00fcn fark ettim ki asl\u0131nda bencilin tekiyim. Me\u011fer bunu saklamak i\u00e7in bir bonk\u00f6r gibi davran\u0131yormu\u015fum.” Biri b\u00f6yle dedi\u011finde ona dair ne d\u00fc\u015f\u00fcn\u00fcr\u00fcz?<\/p>\n

Ba\u015fka yerlerde daha s\u0131k rastlad\u0131\u011f\u0131m ikilikteki gibi samimiyetle kar\u015f\u0131t y\u00f6nleri \u00fczerinden d\u00fc\u015f\u00fcnm\u00fcyor kavram\u0131. Werther i\u00e7in sordu\u011fu b\u00f6yle bir soru: “Duyarl\u0131 ve soylu mu? Yoksa sald\u0131rgan, kendine \u00e2\u015f\u0131k, hassas biri mi?” Bunu bilemeyece\u011fimizi d\u00fc\u015f\u00fcn\u00fcyor, her ne kadar ele\u015ftirmenleri, okurlar\u0131 ve analizcileri genelde metinleri belli bir sabitleme \u00fczerinden okusa da. Sabitlemek zorunday\u0131z bir noktada ki tutabilelim. Kundera da “her \u015fey olur” diyen bir yazar de\u011fil tabi ama herhalde bir mu\u011flakl\u0131k ve irrasyonalite \u00e7izgisi \u00e7ekiyor \u00e7ok iyi bildi\u011fimizi sand\u0131\u011f\u0131m\u0131z ger\u00e7ekli\u011fe.<\/span><\/p>\n

Roman\u0131n i\u015flevine dair s\u00fcrekli alt\u0131n\u0131 \u00e7izdi\u011fi \u015fey: yaln\u0131zca romanla anlat\u0131labilecek olan\u0131 ifade etmek. Bu \u00f6zel t\u00fcrde edebiyat\u0131n di\u011fer alanlar\u0131n\u0131n, felsefenin, sanat ve bilimin s\u00f6yleyemeyece\u011fi bir \u015fey oldu\u011fu iddias\u0131nda. \u0130roniye yakla\u015f\u0131m\u0131n\u0131n bu g\u00f6z\u00fcpek iddiay\u0131 destekleyen bir yan\u0131 var. Roman \u00e7eli\u015fkili gibi g\u00f6r\u00fcnen o halleri veya olaylar\u0131 sadece sunmakla kalmay\u0131p, o duruma nas\u0131l gelindi\u011finin d\u00f6k\u00fcm\u00fcn\u00fc en ince ve \u00f6nemli ayr\u0131nt\u0131s\u0131na kadar yapmakla y\u00fck\u00fcml\u00fc. Biraz da bu d\u00f6k\u00fcm\u00fcn do\u011fru yolunu bulabilme sanat\u0131. Tarihsel, psikolojik, denemeci veya ba\u015fka y\u00f6ntemlerden faydalanarak yapabilir i\u015fini. Fakat tamamlad\u0131\u011f\u0131nda onlar\u0131n toplam\u0131 de\u011fil de onlar\u0131 a\u015fan bir yan\u0131 ortaya \u00e7\u0131k\u0131yor, Kundera’dan anlayabildi\u011fim<\/em>.<\/p>\n

p.s. Kafka’ya dair ufkumu a\u00e7an tart\u0131\u015fmalar\u0131, g\u00fcn\u00fcn\u00fcn d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131 ve kitle ileti\u015fim ara\u00e7lar\u0131n\u0131n ileti\u015fimi getirdi\u011fi nokta \u00fczerinden roman\u0131n mevcut varolu\u015funu sorgulamas\u0131, kendi romanlar\u0131n\u0131 yazarken ve \u00e7evirileriyle kar\u015f\u0131la\u015ft\u0131\u011f\u0131nda yapt\u0131klar\u0131, herkesin tamamen payla\u015fmayabilece\u011fi ki\u015fisel b\u00fcy\u00fck-roman tarihi ve onlar \u00fczerinden detay okumalar\u0131yla \u00f6zel kitaplar\u0131mdan oldu Roman Sanat\u0131.<\/p>\n

\"\"<\/p>\n

“<\/p>\n

B\u00fct\u00fcn b\u00fcy\u00fck eserlerde tamamlanmam\u0131\u015f bir yan (tam da b\u00fcy\u00fck olmalar\u0131 y\u00fcz\u00fcnden) vard\u0131r. Broch bizi sadece sonuna kadar g\u00f6t\u00fcrd\u00fc\u011f\u00fc \u015feylerle de\u011fil, hedefleyip ula\u015famad\u0131\u011f\u0131 \u015feylerle de esinlendiriyor. Eserlerindeki tamamlanmam\u0131\u015fl\u0131k bize \u015fu noktalar\u0131n gerekli oldu\u011funu anlat\u0131r: <\/span>1. <\/span>K\u00f6kl\u00fc bir yal\u0131nl\u0131k <\/span><\/em>getirecek yeni bir sanat (yap\u0131sal a\u00e7\u0131kl\u0131\u011f\u0131 kaybetmeden modern d\u00fcnyada varolu\u015fun karma\u015f\u0131kl\u0131\u011f\u0131n\u0131n kucaklanmas\u0131n\u0131 sa\u011flayacak); <\/span>2. <\/span>Yeni bir <\/span><\/em>romanesk kontrpuan <\/em><\/span>sanat\u0131 (felsefeyi, hik\u00e2yeyi ve hayali tek bir m\u00fczik halinde kayna\u015ft\u0131rabilecek); <\/span>3. <\/span>Sadece <\/span>romana ait bir deneme <\/span><\/em>sanat\u0131 (yani apa\u00e7\u0131k bir mesaj ta\u015f\u0131ma iddias\u0131nda olmayan ama varsay\u0131mlara dayal\u0131, oyun gibi ya da ironik olarak kalabilen).<\/span> (s. 69)<\/p>\n

Zaman zaman yazar olarak, kendim olarak m\u00fcdahale etmeyi severim. B\u00f6yle durumlarda, her \u015fey tona ba\u011fl\u0131. Daha ilk s\u00f6zc\u00fckten itibaren, d\u00fc\u015f\u00fcncelerim bir oyun havas\u0131ndad\u0131r, ironiktir, alayc\u0131d\u0131r, k\u0131\u015fk\u0131rt\u0131c\u0131d\u0131r, deneysel ya da sorgulay\u0131c\u0131d\u0131r. <\/span>Varolman\u0131n Dayan\u0131lmaz <\/span>H<\/span>a<\/span>fifl<\/span>i<\/span>\u011fi’<\/span><\/em>nin b\u00fct\u00fcn bir alt\u0131nc\u0131 b\u00f6l\u00fcm\u00fc (B\u00fcy\u00fck Y\u00fcr\u00fcy\u00fc\u015f), <\/span>kitsch <\/span>\u00fczerine bir denemedir ve temel ilke de \u015fudur: <\/span>“Kitsch <\/em><\/span>pisli\u011fin mutlak ink\u00e2r\u0131d\u0131r.” <\/span>Kitsch <\/span><\/em>\u00fczerine b\u00fct\u00fcn bu fikir y\u00fcr\u00fctmelerin benim i\u00e7in \u00e7ok b\u00fcy\u00fck \u00f6nemi vard\u0131r, bunun arkas\u0131nda pek \u00e7ok d\u00fc\u015f\u00fcnce, deneyim, inceleme, hatta tutku yatar ama ton asla ciddi de\u011fil, k\u0131\u015fk\u0131rt\u0131c\u0131\u00add\u0131r. Bu deneme roman\u0131n d\u0131\u015f\u0131nda d\u00fc\u015f\u00fcn\u00fclemez; benim “sadece romana \u00f6zg\u00fc deneme” dedi\u011fim de budur i\u015fte.<\/span> (s. 82)<\/p>\n

\u0130roni <\/span>(ironie) <\/span><\/strong>Kim hakl\u0131, kim haks\u0131z? Emma Bovary dayan\u0131lmaz m\u0131yd\u0131? Yoksa cesur ve etkileyici mi? Ya Werther? Duyarl\u0131 ve soylu mu? Yoksa sald\u0131rgan, kendine \u00e2\u015f\u0131k, hassas biri mi? Roman ne kad<\/span>ar dikkatli okunursa cevap da o kadar olanaks\u0131zla\u015f\u0131yor; \u00e7\u00fcnk\u00fc zaten roman tan\u0131m olarak ironik bir sanat: Roman\u0131n “ger\u00e7e\u011fi” gizlidir, telaffuz edilmemi\u015ftir, telaffuz edilemez. Joseph Conrad <\/span>Bat\u0131l\u0131 G\u00f6zler Alt\u0131nda <\/span><\/em>adl\u0131 eserinde, bir Rus devrimcisine<\/span> \u015funlar\u0131 s\u00f6yletir: “Kad\u0131nlar\u0131n, \u00e7ocuklar\u0131n ve devrimcilerin, b\u00fct\u00fcn c\u00f6mert i\u00e7g\u00fcd\u00fclerin, her t\u00fcrl\u00fc inanc\u0131n, her t\u00fcrl\u00fc fedakarl\u0131\u011f\u0131n, b\u00fct\u00fcn eylemlerin inkar\u0131 demek olan ironiden tiksindiklerini hat\u0131rlay\u0131n, Razumov!” \u0130roni insan\u0131 sinirlendirir. Alay etti\u011fi ya da sald\u0131rd\u0131\u011f\u0131 i\u00e7in de\u011fil ama d\u00fcnyan\u0131n anla\u015f\u0131lmazl\u0131\u011f\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne sererek bizi kesin inan\u00e7lardan yoksun b\u0131rakt\u0131\u011f\u0131 i\u00e7in. Leonardo Sciascia, “\u0130roni kadar anlamas\u0131 zor, \u00e7\u00f6z\u00fclmesi olanaks\u0131z bir \u015fey yoktur,” der. Bir roman\u0131 \u00fcslup zorlamalar\u0131yla “zorla\u015ft\u0131rmay\u0131 istemek” bo\u015funad\u0131r; bu s\u00f6zc\u00fc\u011fe lay\u0131k her roman, ne kadar \u015feffaf olsa da alttan alta bar\u0131nd\u0131rd\u0131\u011f\u0131 ironiyle zaten yeterince zordur.<\/span> (s. 126-7)<\/p>\n

Roman (ve <\/span>\u015fiir) <\/span>(roman [et po\u00e9sie]) <\/span><\/strong>1857. Y\u00fczy\u0131l\u0131n en \u00f6nemli y\u0131l\u0131. <\/span>K\u00f6t\u00fcl\u00fck \u00c7i\u00e7ekleri<\/em>: <\/span>lirik \u015fiir kendi alan\u0131n\u0131, kendi \u00f6z\u00fcn\u00fc ke\u015ffediyor. <\/span>Madame Bovary<\/em>: <\/span>\u0130lk defa bir roman \u015fiirin en y\u00fcksek taleplerini (“her \u015feyin \u00fczerinde g\u00fczelli<\/span>\u011fi arama iste\u011fi; her bir s\u00f6zc\u00fc\u011f\u00fcn \u00f6nem ta\u015f\u0131mas\u0131; metindeki yo\u011fun melodi; her ayr\u0131nt\u0131da \u00f6zg\u00fcnl\u00fck aray\u0131\u015f\u0131”) kar\u015f\u0131lamaya haz\u0131r. 1857’den itibaren roman\u0131n tarihi, <\/span>\u015fiire d\u00f6n\u00fc\u015fen roman’<\/em>\u0131n <\/span>tarihi olacakt\u0131r. Ama <\/span>\u015fiirin taleplerini \u00fcstlenmek, <\/span>roman\u0131 <\/span>lirikle\u015ftirmekten (<\/span>\u00f6z\u00fcndeki ironiden vazge\u00e7mek, d\u0131\u015f d\u00fcnyaya s\u0131rt\u0131n\u0131 d\u00f6nmek, roman\u0131 ki\u015fisel itiraflara d\u00f6n\u00fc\u015ft\u00fcrmek, onu s\u00f6z oyunlar\u0131 ve s\u00fcslerle doldurmak) ba\u015fka bir \u015feydir. <\/span>\u015eair olmu\u015f romanc\u0131lann <\/span>en b\u00fcy\u00fckleri \u015fiddetle <\/span>antiliriktir<\/em>: <\/span>Flaubert, Joyce, Kafka, Gombrowicz. Roman: antilirik \u015fiir. (s. 137)<\/span><\/p>\n

“<\/p>\n

Milan Kundera, Roman Sanat\u0131, \u00e7ev. Aysel Bora, Can Yay\u0131nlar\u0131, 2017 [1986], 7. bas\u0131m.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kundera ironiyi roman t\u00fcr\u00fcne i\u00e7kin bir \u00f6zellik olarak g\u00f6r\u00fcyor. \u0130roniden bahsederken onu bir s\u00f6z sanat\u0131 olarak de\u011fil, genel bir yakla\u015f\u0131m olarak an\u0131yor genelde. Her ne kadar ironi dese de, bahsetti\u011fi yakla\u015f\u0131m benim kafamda keskin h\u00e2liyle bir ironidense mu\u011flak bir ironi gibi \u00e7\u0131nl\u0131yor. S\u00f6ylemek istedi\u011fini o kadar kolay a\u00e7\u0131k etmeyen tevriye’de (\u00e7ift anlaml\u0131l\u0131k) oldu\u011fu gibi. Ama … Continue reading Kundera, Roman ve \u0130roni<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,31,406,252],"tags":[6,117,635],"class_list":["post-3379","post","type-post","status-publish","format-standard","hentry","category-alinti","category-deneme","category-elestiri-2","category-yazin","tag-ironi","tag-milan-kundera","tag-roman-sanati"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-Sv","jetpack-related-posts":[{"id":3292,"url":"https:\/\/yalpertem.com\/blog\/2020\/03\/23\/lerner-ironi-ve-samimiyet-2204\/","url_meta":{"origin":3379,"position":0},"title":"Lerner, \u0130roni ve Samimiyet: 22:04","author":"yalpertem","date":"23 March 2020","format":false,"excerpt":"Birka\u00e7 ay \u00f6nce, bir \u00f6dev i\u00e7in, bir kitap yaz\u0131s\u0131 \u00fczerine yaz\u0131 yazmay\u0131 denemi\u015ftim. Yaz\u0131 \u00e7ok k\u00f6t\u00fc oldu ama en az\u0131ndan bana Ben Lerner ve ironi bir d\u00fc\u015f\u00fcnme f\u0131rsat\u0131 verdi. Vaktim k\u0131sa oldu\u011fu i\u00e7in \"okuma\" f\u0131rsat\u0131 veremedi. \u0130roni ve samimiyet \u00fczerine okuduk\u00e7a buraya par\u00e7alar eklemek istiyorum. 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Ba\u015ftan \u00e7\u0131kar\u0131c\u0131l\u0131\u011f\u0131na kar\u015f\u0131 uyar\u0131yor. \u0130roniyle belli bir noktaya kadar var\u0131labilece\u011fini, yeterince derine inilemeyece\u011fini d\u00fc\u015f\u00fcn\u00fcyor. \" \u0130roninin size h\u00e2kim olmas\u0131na izin vermeyin, bilhassa da yarat\u0131c\u0131 olmayan anlarda. Yarat\u0131c\u0131 anlarda ise ya\u015fam\u0131 kavramak i\u00e7in faydalanaca\u011f\u0131n\u0131z fazladan bir yol olarak kullanmaya \u00e7al\u0131\u015f\u0131n ironiyi. 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Oysa, koca bir d\u00f6nem, burjuva s\u0131n\u0131f\u0131n\u0131n utkunluk d\u00f6nemi boyunca, bi\u00e7im a\u015fa\u011f\u0131 a\u015fa\u011f\u0131 yukar\u0131 d\u00fc\u015f\u00fcnce pahas\u0131nayd\u0131; hi\u00e7 ku\u015fkusuz, d\u00fczenine, \u00f6rtmecesine \u00f6zen g\u00f6steriliyordu, ama yazar d\u00fczenekleri hi\u00e7bir yenilik saplant\u0131s\u0131na kap\u0131lmadan, el s\u00fcr\u00fclmeden aktar\u0131lan, \u00f6nceden olu\u015fmu\u015f bir ara\u00e7 kulland\u0131\u011f\u0131\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/04\/roland-barthes-yaz%C4%B1n%C4%B1n-s%C4%B1f%C4%B1r-derecesi-300x194.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":141,"url":"https:\/\/yalpertem.com\/blog\/2017\/03\/04\/ben-buradan-okuyorum-tim-parks\/","url_meta":{"origin":3379,"position":3},"title":"Ben Buradan Okuyorum | Tim Parks","author":"yalpertem","date":"4 March 2017","format":false,"excerpt":"Huysuz Tim Parks\u2019\u0131, Metis soluk sar\u0131 kapa\u011f\u0131yla basmasa tan\u0131yamayacakt\u0131m. Halbuki romanlar\u0131 daha \u00f6nceden Kanat ve Alef\u2019den \u00e7evrilmi\u015f, yay\u0131mlanm\u0131\u015f. \"Ben Buradan Okuyorum\", birka\u00e7 kitap\u00e7\u0131da da ilk haftas\u0131nda t\u00fckenmi\u015fti, \u00e7al\u0131\u015fanlarla beraberce \u015fa\u015f\u0131rm\u0131\u015ft\u0131k, nas\u0131l pop\u00fclerle\u015fti bir \u201cmetis ele\u015ftiri\u201d kitab\u0131 acaba diye. Ben kapa\u011f\u0131n ve ba\u015fl\u0131\u011f\u0131n\u0131n albenisinden diye d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcm. Kitab\u0131 okuduktan sonra ele\u015ftirilerine bakarken,\u2026","rel":"","context":"In "deneme"","block_context":{"text":"deneme","link":"https:\/\/yalpertem.com\/blog\/category\/deneme\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/03\/ben_buradan_okuyorum-tim_parks-min-201x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1359,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/07\/bernhard-yurumek-sonsuz-oykunun-acilisi\/","url_meta":{"origin":3379,"position":4},"title":"Bernhard, Y\u00fcr\u00fcmek (Sonsuz \u00d6yk\u00fcn\u00fcn A\u00e7\u0131l\u0131\u015f\u0131)","author":"yalpertem","date":"7 May 2018","format":false,"excerpt":"Nadiren Thomas Bernhard \u00f6yk\u00fcs\u00fc veya roman\u0131 okumaya ba\u015fl\u0131yorum, k\u0131sa bir s\u00fcre i\u00e7inde, belki bir saat, belki birka\u00e7 g\u00fcn sonra, ne deh\u015fet verici, ne \u00e7ekilmez bir Thomas Bernhard kitab\u0131 bu diyorum. Kelimeler ve \u015feylerin bitmek bilmeyen tekrarlar\u0131, \u00f6tekinin s\u00f6yledi\u011fini an\u0131\u015flar\u0131, kendinden bir ba\u015fkas\u0131na ondan tekrar kendine d\u00f6nen s\u00f6z ve duygu iletmeleri,\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2016\/12\/thomas-bernhard-y%C3%BCr%C3%BCmek-evet-min.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1106,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/20\/cioran-yazi-siir-ve-bir-cesit-yasam-sanati\/","url_meta":{"origin":3379,"position":5},"title":"Cioran, Yaz\u0131, \u015eiir ve Bir \u00c7e\u015fit Ya\u015fam Sanat\u0131","author":"yalpertem","date":"20 March 2018","format":false,"excerpt":"\"B\u00fct\u00fcn fiiliyat\u0131m\u0131z\u0131n ard\u0131nda yatan \u015feyler var; psikolojik a\u00e7\u0131dan il\u00adgin\u00e7 olan da budur, sadece y\u00fczeyi biliriz, yapma taraf\u0131... Dile getiri\u00adlen \u015feyin i\u00e7ine girilir, ama \u00f6nemli olan, dile getirilmemi\u015f \u015feydir, z\u0131mni olan \u015feydir, bir davran\u0131\u015f\u0131n ya da bir s\u00f6z\u00fcn s\u0131rr\u0131. Bundan dola\u00ady\u0131 ba\u015fkalar\u0131 hakk\u0131ndaki ve kendimiz hakk\u0131ndaki yarg\u0131lar\u0131m\u0131z\u0131n bir b\u00f6l\u00fcm\u00fc yanl\u0131\u015ft\u0131r. Baya\u011f\u0131\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/10\/ezeli-maglup-emile-cioran-201x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/3379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=3379"}],"version-history":[{"count":21,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/3379\/revisions"}],"predecessor-version":[{"id":3403,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/3379\/revisions\/3403"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=3379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=3379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=3379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}