{"id":3330,"date":"2020-04-07T00:19:00","date_gmt":"2020-04-06T21:19:00","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=3330"},"modified":"2020-06-15T22:42:34","modified_gmt":"2020-06-15T19:42:34","slug":"les-garcons-sauvages-2017-referanslar","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2020\/04\/07\/les-garcons-sauvages-2017-referanslar\/","title":{"rendered":"Les gar\u00e7ons sauvages (2017) | Referanslar"},"content":{"rendered":"\r\n

bir al\u0131nt\u0131-montaj<\/span><\/em><\/p>\r\n

Les gar\u00e7ons sauvages<\/span><\/i> (The Wild Boys, 2017) filmini bir arkada\u015f\u0131m David Cronenberg\u2019i anmam\u0131z \u00fczerine \u00f6nermi\u015fti. Bu queer, ok\u00fcltist, ger\u00e7ek\u00fcst\u00fcc\u00fc ve deneyci filmi izlerken akl\u0131ma hem ge\u00e7mi\u015fte izledi\u011fim benzer filmler geldi hem de izledi\u011fim film a\u015fina oldu\u011fum \u015feylere pek benzemiyor diye d\u00fc\u015f\u00fcnd\u00fcm. Al\u0131\u015f\u0131lmad\u0131k bir \u015feyle kar\u015f\u0131la\u015f\u0131nca uzand\u0131\u011f\u0131m\u0131z o benzetme \u00e7abas\u0131, filmler \u00fczerine yaz\u0131lan metinlerde kendini genelde belli ediyor.<\/span><\/p>\r\n

Edebiyata veya sanata dair konu\u015ftu\u011fumuzda, herhangi bir g\u00fcndelik sohbette, bir duyumu ifade ederken, soyut bir kavram\u0131 anlamaya ya da anlatmaya \u00e7al\u0131\u015f\u0131rken hep ba\u015fvurdu\u011fumuz, hayat\u0131 anlamland\u0131rman\u0131n birincil pratiklerinden olan benzetme, (sinema \u00fczerine) yaz\u0131larda yazan\u0131n k\u00fclt\u00fcrel sermayesini d\u0131\u015fa vurma ya da sinema a\u015fk\u0131yla ta\u015f\u0131p \u00e7a\u011flama anlar\u0131nda yo\u011funla\u015f\u0131yor. Baz\u0131 okurlar \u00f6zel isimlerin an\u0131lmas\u0131na nefret beslerken kimileri de bu kar\u015f\u0131la\u015fmalardan uslanmaz bir haz duyuyor. O andaki kar\u015f\u0131la\u015fmay\u0131 belki de sonradan asla tekrar y\u00fcz\u00fcne bak\u0131lmayacak olan yer imlerine eklemek: k\u00fclt\u00fcrel ve bili\u015fsel y\u00fck\u00fc devretmenin ferahl\u0131\u011f\u0131.<\/span><\/p>\r\n

Film yaz\u0131lar\u0131na bu g\u00f6zle bak\u0131nca, baz\u0131lar\u0131nda ba\u015fka hi\u00e7bir sanat eserinin yaz\u0131da konu edilmedi\u011fini, \u00f6tekilerdeyse metnin bir referans bombard\u0131man\u0131ndan olu\u015ftu\u011funu fark ediyorum. \u0130lgin\u00e7 gelen, \u00f6zellikle g\u00f6rece yenilik\u00e7i filmlere dair yaz\u0131lanlarda bu referans bollu\u011funun s\u0131kla\u015fmas\u0131. E\u011fer \u00fcretim yenilik\u00e7iyse, nas\u0131l oluyor da bu kadar k\u00fclt\u00fcrel ve tarihsel ilme\u011fi oluyor? Yeni ya da yeni gibi g\u00f6r\u00fcnen genelde ge\u00e7mi\u015fin avangart\u2019lar\u0131n\u0131n izini s\u00fcrmekle y\u00fck\u00fcml\u00fc.<\/span><\/p>\r\n

Ne olursa olsun, ben sakl\u0131 eskiye veya g\u00fcn\u00fcm\u00fczde kenarda kalm\u0131\u015f g\u00fcncele g\u00f6z k\u0131rpan i\u015fleri seviyorum. Les gar\u00e7ons sauvages\u2019\u0131 izledikten sonra hakk\u0131nda bir \u015feyler okumak i\u00e7in IMBD\u2019de ‘External Reviews’ b\u00f6l\u00fcm\u00fcne girince g\u00f6rd\u00fc\u011f\u00fcm birka\u00e7 yaz\u0131y\u0131 alt alta dizdim, i\u00e7lerinde bu filmi ge\u00e7mi\u015fteki eserlerle kar\u015f\u0131la\u015ft\u0131ran ve onlara benzeten k\u0131s\u0131mlar\u0131 ay\u0131klay\u0131p bir araya getirdim. Bertrand Mandico\u2019nun referans havuzunu standart sapman\u0131n i\u00e7inde kalarak seyirci g\u00f6z\u00fcnde haritalamaya \u00e7al\u0131\u015ft\u0131m. A\u015fa\u011f\u0131dakiler o yaz\u0131larda s\u00f6ylenenlerin bir araya getirilmesinden olu\u015fuyor.<\/span><\/p>\r\n

Enfant sauvage: <\/b>Do\u011fada tek ba\u015f\u0131na b\u00fcy\u00fcyen vah\u015fi \u00e7ocuk. (Kaspar?)<\/span><\/p>\r\n

\"\"<\/p>\r\n

“<\/span><\/p>\r\n

Senaryonun iskeletini William S. Burroughs\u2019un <\/span>Vah\u015fi O\u011flanlar<\/span><\/i> (1971) roman\u0131nda her t\u00fcr tahakk\u00fcme kar\u015f\u0131 duran e\u015fcinsel isyanc\u0131 gen\u00e7ler ve Jules Verne\u2019\u00fcn <\/span>\u0130ki Y\u0131l Okul Tatili<\/span><\/i>\u2019nde adada mahsur kalan okul \u00e7ocuklar\u0131 olu\u015fturuyor.<\/span><\/p>\r\n

Mandico\u2019nun \u00e7i\u00e7eklerle bezenmi\u015f al\u0131\u015f\u0131lmad\u0131k senaryosu aziz sinema-\u015fairi <\/span>Jean Vigo<\/span><\/i>\u2019yu, queer sineman\u0131n kutsal hayalcileri <\/span>Jack Smith<\/span><\/i> ve <\/span>James Bidgood<\/span><\/i>\u2019u, bir ba\u015fka b\u00f6l\u00fcm\u00fc <\/span>Calvin Klein\u2019\u0131n 90\u2019lardaki Eternity reklamlar\u0131n\u0131<\/span><\/i> hat\u0131rlat\u0131yor.<\/span><\/p>\r\n

S\u0131k fakat dinamik al\u0131nt\u0131lar\u0131, Bruce LaBruce\u2019un benzer anarko-erotizm ile y\u00fckl\u00fc <\/span>The Misandrits<\/span><\/i>\u2019indeki ne\u015feli bilgeli\u011fiyle ortakla\u015f\u0131yor.<\/span><\/p>\r\n

(cis) Kad\u0131nlar\u0131n (cis) erkekleri canland\u0131rd\u0131\u011f\u0131 filmler yeni de\u011fil. \u00d6nemli \u00f6rnekleri <\/span>Radu Gabrea<\/span><\/i>\u2019n\u0131n \u00e7ekti\u011fi <\/span>Fassbinder<\/span><\/i> anti-biyografisi <\/span>A Man Like Eva<\/span><\/i> (1984) filminde oyuncu <\/span>Eva Mattes<\/span><\/i>\u2019in oynamas\u0131 say\u0131labilir. Film ele\u015ftirmeni ve tarih\u00e7isi Parker Tyler\u2019\u0131n <\/span>Screening the Sexes<\/span><\/i> (1972) kitab\u0131nda s\u00f6yledi\u011fi bireyin (oyuncunun) erotik enstr\u00fcman\u0131n\u0131n sadece cinsel organ\u0131 de\u011fil b\u00fct\u00fcn v\u00fccudu oldu\u011funu, filmin bunu ifade etmek i\u00e7in ideal bir ara\u00e7 oldu\u011fu iddas\u0131n\u0131 hat\u0131rlat\u0131yor.<\/span><\/p>\r\n

Ana\u00ebl Snoek\u2019in canland\u0131rd\u0131\u011f\u0131 ve birinci tekil anlat\u0131c\u0131 olan Tanguy, g\u00f6rkemli duru\u015fuyla ve sersemleten \u00f6zsayg\u0131s\u0131yla <\/span>Claude Cahun<\/span><\/i>\u2019un me\u015fhur peroksitlenmi\u015f oto-portresindeki butch pozunu hat\u0131rlat\u0131yor. Tanguy karakteri, ayn\u0131 zamanda ger\u00e7ek\u00fcst\u00fcc\u00fc ressam <\/span>Yves Tanguy<\/span><\/i>\u2019u \u00e7a\u011fr\u0131\u015ft\u0131yor, onun <\/span>He Did What He Wanted<\/span><\/i> ve <\/span>The Ribbon of Extremes<\/span><\/i> tablolar\u0131 bu filmin de alternatif isimleri olabilirmi\u015f.<\/span><\/p>\r\n

\"\"<\/p>\r\n

Claude Cahun, Self Portrait, 1928<\/span><\/em><\/p>\r\n

Yaratt\u0131\u011f\u0131 etkili manyetik alanla, Jean-Louis rol\u00fcndeki Vimala Pons grubun fiyakal\u0131 ve hiddetli <\/span>Adonis<\/span><\/i>\u2019i. S\u00fcrekli olarak \u00e7ekicili\u011fin kurallar\u0131n\u0131 ba\u015ftan yazan ve onaylayan Jean-Louis bir sahnede Fassbinder\u2019in <\/span>Querelle<\/span><\/i> (1982) filminde Brad Davis\u2019in bayg\u0131n denizcisini, bir di\u011ferinde <\/span>Charlotte Rampling<\/span><\/i>‘in 1974\u2019\u00fcn g\u00fcld\u00fcr\u00fcc\u00fc <\/span>The Night Porter<\/span><\/i> filmindeki SS drag karakterini ya da <\/span>Photoplay<\/span><\/i> dergisinin \u00e7ok eski say\u0131lar\u0131ndaki <\/span>Byronesque<\/span><\/i> ekran idollerini hat\u0131rlat\u0131yor.<\/span><\/p>\r\n

Komik, brutal, seksi ve garip bir film olarak The Wild Boys k\u0131smen kasvetli <\/span>Burroughs<\/span><\/i> metnine dayanabilir fakat oyunbazl\u0131\u011f\u0131 elden b\u0131rakm\u0131yor. Epeyce stilize olan film asla hermetik bir yol izlemiyor.<\/span><\/p>\r\n

Clockwork Orange<\/span><\/i> ve <\/span>Captains Courageous<\/span><\/i>\u2019un k\u00f6t\u00fc \u00e7ocuk rehabilitasyonlar\u0131n\u0131 <\/span>Bataille<\/span><\/i>\u2019\u0131n <\/span>G\u00f6z\u00fcn Hikayesi<\/span><\/i> ve <\/span>Angela Carter<\/span><\/i>\u2019\u0131n <\/span>Passion of a New Eve<\/span><\/i>\u2019indeki erotik cinsiyet-a\u015f\u0131r\u0131 yap\u0131bozumlarla ger\u00e7ek\u00fcst\u00fcc\u00fc ve garip \u015fekillerde kesi\u015ftiriyor. Bir rehabilitasyon \u00f6yk\u00fcs\u00fc. Edebiyat \u00f6\u011fretmeniyle <\/span>Macbeth<\/span><\/i>\u2019in cad\u0131lar sahnesini oynad\u0131klar\u0131 bir sarho\u015f bir performans sahnesiyle a\u00e7\u0131l\u0131yor.<\/span><\/p>\r\n

Sineklerin Tanr\u0131s\u0131<\/span><\/i> ve <\/span>The Pink Lagoon<\/span><\/i>\u2019un bulu\u015ftu\u011fu bu tuhaf \u0131ss\u0131z adadaki fallik yusuf\u00e7uklar, yumru k\u00f6klerin bo\u015falmalar\u0131, yapraklarla d\u00fcz\u00fc\u015fmeler, fundal\u0131\u011f\u0131n derinliklerindeki uykular <\/span>Naked Lunch<\/span><\/i>\u2019tan <\/span>Matango<\/span><\/i>\u2019ya <\/span>Robinson Crusoe<\/span><\/i> tarz\u0131 halis\u00fcnatif gezintileri (<\/span>Valhalla Rising<\/span><\/i>\u2019e kadar gidilebilir) an\u0131msat\u0131yor.<\/span><\/p>\r\n

Bu film ne anlama geliyor? Neden cinselli\u011finizin tahmin etti\u011finizden daha garip ve karanl\u0131k oldu\u011funu ke\u015ffetmek \u00fczere gidip biraz <\/span>Bataille<\/span><\/i>, <\/span>Huysmanns<\/span><\/i> ya da <\/span>Angela Carter<\/span><\/i> okumuyorsunuz?<\/span><\/p>\r\n

Filmin y\u00f6netmenini unutmay\u0131n: Bertrand Mandico. Size \u015f\u00f6yle ba\u011f\u0131r\u0131yor: <\/span>Bunuel<\/span><\/i>, <\/span>Jarman<\/span><\/i>, <\/span>Anger<\/span><\/i>, huzur i\u00e7inde yatabilirsiniz (evet, <\/span>Kenneth<\/span><\/i>, biliyorum ya\u015f\u0131yorsun ama, sen dinlen, \u015fimdilik dinlen.)<\/span><\/p>\r\n

Elina L\u00f6wensohn (Let the Corpses Tan\u2019den uzun y\u0131llar sonra gelen ikinci ger\u00e7ek\u00fcst\u00fc cinsellik mash-up\u2019\u0131yla) gizemli, panama \u015fapkal\u0131 Dr. Moreau<\/em> benzeri S\u00e9verin(e) rol\u00fcyle kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.<\/span><\/p>\r\n

The Wild Boys\u2019u kategorilendirmek zor. Ana yap\u0131s\u0131 ve \u00e7at\u0131\u015fmas\u0131 az \u00e7ok isyankar bir b\u00fcy\u00fcme hik\u00e2yesi ve deniz maceras\u0131na benziyor, biraz <\/span>Sineklerin Tanr\u0131s\u0131<\/span><\/i> biraz da <\/span>Randal Kleiser<\/span><\/i>\u2019in <\/span>The Blue Lagoon<\/span><\/i>\u2019undan damlat\u0131lm\u0131\u015f. <\/span>Terrence Malick<\/span><\/i> filmlerindeki gibi katmanl\u0131 bir \u00fcst ses kullan\u0131l\u0131yor. Yine de, ak\u0131\u015fkan cinsiyetli karakterlerini r\u00fcyavari bir \u015fekilde hisli orman bitkileriyle -tersine <\/span>Evil Dead <\/span><\/i>tarz\u0131nda- sevi\u015ftiren, kad\u0131ns\u0131 bacaklar\u0131 olan \u00e7al\u0131l\u0131klar\u0131 ve penis \u015feklinde meyvelerinden s\u00fcte benzer bir tutkal ak\u0131tan a\u011fa\u00e7lar\u0131n oldu\u011fu bu filmle \u00f6tekiler aras\u0131nda ba\u015fka benzerlikler bulmak g\u00fc\u00e7.<\/span><\/p>\r\n

Ge\u00e7mi\u015fe y\u00f6nelen, bindirme (superimposition) ve geriden g\u00f6sterimin (rear projection) \u00e7arp\u0131c\u0131 kullan\u0131m\u0131, her t\u00fcrl\u00fc \u2018ger\u00e7ekli\u011fin\u2019 abart\u0131lmas\u0131 ve sapt\u0131r\u0131lmas\u0131 a\u00e7\u0131s\u0131ndan Guy Maddin<\/em> filmleriyle kar\u015f\u0131la\u015ft\u0131r\u0131labilecek bir esteti\u011fi var.<\/span><\/p>\r\n

Mandico\u2019nun filme \u00e7ekti\u011fi sahneler [IMDB\u2019de negatif bilgisinde Super 16 yaz\u0131yor], 70\u2019lerin amat\u00f6r kumlu (grainy) Super 8mm<\/em> kay\u0131tlar\u0131n\u0131 hat\u0131rlat\u0131yor.<\/span><\/p>\r\n

\"\"<\/p>\r\n

Sineman\u0131n geride kalm\u0131\u015f bir d\u00f6nemini, Lynch-vari<\/em> bir karabasan gibi, gizem dolu bir \u015fehvet d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcyle anlat\u0131yor. Bunun yan\u0131nda y\u00f6netmen Damien Hirst<\/em>\u2019\u00fcn tats\u0131z i\u015flerine g\u00f6z k\u0131rpan g\u00f6steri\u015fli hipster imajlar\u0131ndan ve parlak elmas-gibi kafataslar\u0131ndan ya da fazla pozlad\u0131\u011f\u0131 \u00e7ekimlerden geri ad\u0131m atm\u0131yor.<\/span><\/p>\r\n

Klasikler y\u00f6netmen \u00fcst\u00fcndeki etkisi filmin kad\u0131nlar\u0131 temsil bi\u00e7iminde de kendini g\u00f6steriyor. Dr. Severine, Yves Saint Laurent<\/em>‘in 60’lardaki ikonik Le Smoking<\/em> smokinini ya da Katherine Hepburn<\/em>‘\u00fcn pantolonlar\u0131n\u0131 hat\u0131rlatan g\u00fc\u00e7l\u00fc beyaz d\u00f6piyesiyle androjen bir g\u00fczellik sunuyor.<\/p>\r\n

Film H. G. Wells’in Doktor Moreau’nun Adas\u0131<\/em> ya da Robinson Crusoe<\/em>‘nun a\u00e7t\u0131\u011f\u0131 macera roman\u0131 gelene\u011finden geliyor. [ele\u015ftirmen burada zaten a\u00e7\u0131k kap\u0131y\u0131 \u00e7alm\u0131\u015f :)]<\/p>\r\n

Mandico’nun imgelemi bedensel ak\u0131\u015fkanlar\u0131 i\u00e7eren bitkiler, k\u0131ll\u0131 testisler gibi g\u00f6r\u00fcnen meyveler, ba\u015ftan \u00e7\u0131kan otlar ve din\u00e7 a\u011fa\u00e7larla Hieronymus Bosch<\/em>‘un Garden of Earthly Delights<\/em>‘\u0131n\u0131n avangart muadiline benziyor.<\/p>\r\n

Kubrick’in A Clockwork Orange<\/em>‘\u0131n\u0131 hat\u0131rlatan bir sahnede -benzer beyaz g\u00f6mlekler giyen ve grotesk maskeler takan- be\u015f kahraman\u0131n \u00f6\u011fretmene tecav\u00fczleri alt a\u00e7\u0131lardan \u00e7ekilerek bir g\u00fc\u00e7 vurgusu yap\u0131l\u0131yor.<\/p>\r\n

Jean Cocteau<\/em>‘da oldu\u011fu gibi Mandico da sahici uyarlamalar ve referanslardansa ger\u00e7ekli\u011fin \u00fczerini kaplayan fantazmagorik d\u00fcnyalar\u0131 yeniden yaratmaya koyuluyor.<\/p>\r\n

Alkolle y\u0131kanan olay yerinde do\u011fa\u00fcst\u00fc olan\u0131n varl\u0131\u011f\u0131 yay\u0131l\u0131yor. Gen\u00e7lerin aday\u0131 ke\u015ffiyle Mandico filmin cinsel sorgulamas\u0131n\u0131 ve ekspresyonist yakla\u015f\u0131m\u0131n\u0131 ortaya koyuyor. Gen\u00e7ler mora boyal\u0131 g\u00f6ky\u00fcz\u00fcnden \u00e7a\u011flayan fallik \u00e7\u0131k\u0131nt\u0131lardan serpilen besinleri ve siklonik has\u0131rotlar\u0131n\u0131n beyaz t\u00fcyleriyle kar\u015f\u0131la\u015f\u0131yor. Bu gibi y\u00fcce anlar \u00e7e\u015fitli g\u00f6rsel ve ba\u011flamsal referanslar\u0131 akla getiriyor, en ba\u015fta da Guy Maddin<\/em>‘in i\u015flerini.<\/p>\r\n

Filmde 1:66:1: oran\u0131nda \u00e7ekilmi\u015f renkli ve siyah beyaz planlar yumu\u015fat\u0131lm\u0131\u015f k\u00f6\u015feleriyle (Super16’da \u00e7ekilmi\u015f) Lisandro Alonso<\/em>‘nun Jauja<\/em>‘s\u0131na benziyor . . . Querelle-vari <\/em>renk paletine ge\u00e7ti\u011finde daha etkileyici oluyor.<\/p>\r\n

Bu film bir trip. Kenneth Anger<\/em>‘in i\u015flerini, Rainer Werner Fassbinder’in Querelle<\/em>‘ini, David Lynch’in Eraserhead<\/em>‘ini ve bir \u015fekilde Adam Resnick’in Cabin Boy<\/em>‘unu hat\u0131rlat\u0131yor. [ger\u00e7ek bir referans\u00e7\u0131 yazm\u0131\u015f, gizleme yok]<\/p>\r\n

Filmin ilk yar\u0131s\u0131 A Clockwork Orange<\/em>‘\u0131n punk versiyonu gibi.<\/p>\r\n

Mandico’nun erotik evreni soyut olana, neredeyse ger\u00e7ek\u00fcst\u00fc bir evrene, a\u00e7\u0131k\u00e7a Valerian Borowczyk’in Goto, Island of Love<\/em> (1969) filmindeki ve sineman\u0131n olu\u015fmakta oldu\u011fu y\u0131llardaki say\u0131s\u0131z sessiz film ya da antik erotikaya do\u011fru a\u00e7\u0131l\u0131yor.<\/p>\r\n

Bu filmde Lovecraft\u00e7\u0131<\/em> aday\u0131 cinsiyet sava\u015f\u0131n\u0131n \u00e7ok daha fantazile\u015ftirilmi\u015f, n\u00fckteli sahas\u0131 i\u00e7in terk ediyoruz, yine de s\u00fcre\u00e7 ayn\u0131 gibi g\u00f6r\u00fcn\u00fcyor.<\/p>\r\n

“<\/p>\r\n

\"\"<\/p>\r\n

Yaz\u0131lar<\/strong><\/p>\r\n

Melissa Anderson, The Wild Boys, https:\/\/4columns.org\/anderson-melissa\/the-wild-boys<\/p>\r\n

Erich Kuersten, Isles of L\u00f6wensohn: THE WILD BOYS, LET THE CORPSES TAN, https:\/\/acidemic.blogspot.com\/2018\/12\/isles-of-lowensohn-wild-boys-let-their.html<\/p>\r\n

Jake Watt, THE WILD BOYS \u2605\u2605\u2605\u2605 A SURREAL COMING-OF-AGE ADVENTURE, https:\/\/www.maketheswitch.com.au\/article\/review-the-wild-boys-a-surreal-coming-of-age-adventure<\/p>\r\n

Andreea Patru, OUT OF THIS WORLD: SURREALIST FILMS AT INTERNATIONAL FILM FESTIVAL ROTTERDAM 2018, https:\/\/read.kinoscope.org\/2018\/02\/08\/world-surrealist-films-international-film-festival-rotterdam-2018\/<\/p>\r\n

Pauline Lorillard, The Wild Boys Blu-ray, http:\/\/www.dvdbeaver.com\/film4\/blu-ray_reviews_59\/the_wild_boys_blu-ray.htm<\/p>\r\n

Patrick Gamble, IndieLisboa 2018: The Wild Boys review, https:\/\/cine-vue.com\/2018\/05\/indielisboa-2018-the-wild-boys-review.html<\/p>\r\n

Vassilis Economou, The Wild Boys: Gender-bending surrealism, https:\/\/cineuropa.org\/en\/newsdetail\/333975\/<\/p>\r\n

Kenneth George Godwin, Post-Op, weeks two and three, https:\/\/www.cageyfilms.com\/2019\/07\/post-op-weeks-two-and-three\/<\/p>\r\n","protected":false},"excerpt":{"rendered":"

bir al\u0131nt\u0131-montaj Les gar\u00e7ons sauvages (The Wild Boys, 2017) filmini bir arkada\u015f\u0131m David Cronenberg\u2019i anmam\u0131z \u00fczerine \u00f6nermi\u015fti. Bu queer, ok\u00fcltist, ger\u00e7ek\u00fcst\u00fcc\u00fc ve deneyci filmi izlerken akl\u0131ma hem ge\u00e7mi\u015fte izledi\u011fim benzer filmler geldi hem de izledi\u011fim film a\u015fina oldu\u011fum \u015feylere pek benzemiyor diye d\u00fc\u015f\u00fcnd\u00fcm. Al\u0131\u015f\u0131lmad\u0131k bir \u015feyle kar\u015f\u0131la\u015f\u0131nca uzand\u0131\u011f\u0131m\u0131z o benzetme \u00e7abas\u0131, filmler \u00fczerine yaz\u0131lan metinlerde … Continue reading Les gar\u00e7ons sauvages (2017) | Referanslar<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,298],"tags":[633,632,634],"class_list":["post-3330","post","type-post","status-publish","format-standard","hentry","category-alinti","category-sinema","tag-bertrand-mandico","tag-les-garcons-sauvages","tag-the-wild-boys"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-RI","jetpack-related-posts":[{"id":1488,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/15\/uyar-sinemalar-uzerine\/","url_meta":{"origin":3330,"position":0},"title":"Uyar, Sinemalar \u00dczerine","author":"yalpertem","date":"15 May 2018","format":false,"excerpt":"Tomris Uyar'\u0131n sinema salonlar\u0131 ve d\u00f6n\u00fc\u015f\u00fcm\u00fc \u00fczerine yazd\u0131\u011f\u0131 bu gayet \u015fahsi, kimi zaman elitist bir dile bile kayd\u0131\u011f\u0131 s\u00f6ylenebilecek, g\u00f6r\u00fc\u015fler g\u00fcn\u00fcm\u00fczdeki tart\u0131\u015fmalar\u0131 ne g\u00fczel \u00f6nceliyor. 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