![\"\"](\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/11\/ben-lerner-22_04.jpg?resize=300%2C464\")
<\/p>\r\nBirka\u00e7 ay \u00f6nce, bir \u00f6dev i\u00e7in, bir kitap yaz\u0131s\u0131 \u00fczerine yaz\u0131 yazmay\u0131 denemi\u015ftim. Yaz\u0131 \u00e7ok k\u00f6t\u00fc oldu ama en az\u0131ndan bana Ben Lerner ve ironi bir d\u00fc\u015f\u00fcnme f\u0131rsat\u0131 verdi. Vaktim k\u0131sa oldu\u011fu i\u00e7in “okuma” f\u0131rsat\u0131 veremedi. \u0130roni ve samimiyet \u00fczerine okuduk\u00e7a buraya par\u00e7alar eklemek istiyorum.<\/p>\r\n
Kitap ele\u015ftirisini yazan Darmin Hadzibegovi\u00e7 bu kitab\u0131n ve ba\u015fka pek \u00e7ok sevdi\u011fim kitab\u0131n edit\u00f6r\u00fc. Yaz\u0131y\u0131 yazmadan \u00f6nce bak\u0131nca \u00f6\u011frenmi\u015ftim. Lerner’\u0131n ironiyi azalt\u0131p daha samimi yazmaya ba\u015flad\u0131\u011f\u0131na dair arg\u00fcman\u0131na kar\u015f\u0131 \u00e7\u0131kmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131m. Kitap s\u00f6yle\u015filerinde yazara da bu konuyu epeyce sormu\u015flar. Asl\u0131nda Lerner daha \u00e7ok Hadzibegovi\u00e7’in tespitine yak\u0131n bir \u015fekilde yan\u0131tl\u0131yor bu sorular\u0131 ama ben yanl\u0131\u015f okumay\u0131 seviyorum.<\/p>\r\n
<\/p>\r\n
Darmin Hadzibegovi\u00e7, Ben Lerner\u2019\u0131n 22:04 roman\u0131na dair kaleme ald\u0131\u011f\u0131 \u201cGelece\u011fin Yazar\u0131\u201d[1]<\/sup><\/a> ba\u015fl\u0131kl\u0131 ele\u015ftirel \u00f6vg\u00fcs\u00fcnde, romanda i\u00e7 i\u00e7e ge\u00e7en karma\u015f\u0131k \u00f6\u011feleri ikili z\u0131tl\u0131klarla form\u00fclle\u015ftiriyor.<\/p>\r\n \u00d6ncelikle, hen\u00fcz ikinci roman\u0131n\u0131 yazm\u0131\u015f bulunan Lerner\u2019\u0131, yazar olgunla\u015fmas\u0131 fikri \u00fczerinden de\u011ferlendiriyor. \u0130lk roman\u0131 Atocha\u2019dan Ayr\u0131l\u0131\u015f\u2019taki gen\u00e7, etraf\u0131na alayc\u0131 bir mesafeyle bakan karaktere g\u00f6re daha samimi bir karakter yaratt\u0131\u011f\u0131n\u0131 s\u00f6yledikten sonra, roman kahraman\u0131n\u0131n bir ifadesinden yola \u00e7\u0131karak yazar\u0131n \u201c<\/em>ironinin getirdi\u011fi imk\u00e2nlar\u0131n s\u0131n\u0131rlar\u0131n\u0131n fark\u0131na var[d\u0131\u011f\u0131n\u0131]\u201d<\/em> ve ironiden samimiyete do\u011fru yol ald\u0131\u011f\u0131n\u0131 iddia ediyor. Burada ironi ve samimiyet aras\u0131nda tart\u0131\u015fmal\u0131 bir z\u0131tl\u0131k kuruyor. \u0130lkini mahk\u00fbm ederek, ikinciyi m\u00fcjdeliyor.<\/p>\r\n Buna ek olarak, Lerner\u2019\u0131n, edebiyatta yeterince s\u00fcnd\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fc ileri s\u00fcrd\u00fc\u011f\u00fc \u201cge\u00e7mi\u015fin y\u00fck\u00fc\u201dyle bo\u011fu\u015fma hastal\u0131\u011f\u0131ndan s\u0131yr\u0131l\u0131p, bak\u0131\u015f\u0131n\u0131 gelece\u011fe y\u00f6nlendirdi\u011fini iddia ediyor. \u00c7ift anlaml\u0131 ifadesiyle, Lerner\u2019\u0131 \u201cgelece\u011fin yazar\u0131\u201d ba\u015fl\u0131\u011f\u0131yla taltif ediyor. Z\u0131tl\u0131k bu kez ge\u00e7mi\u015f ve gelecek aras\u0131nda kuruluyor.<\/p>\r\n Bu \u201cgelecek\u201d fikrinin ilk \u00e7a\u011fr\u0131\u015f\u0131m\u0131, roman\u0131n a\u00e7\u0131l\u0131\u015f\u0131ndan, Hasidik Yahudilerden bir mesel: yar\u0131n\u0131n d\u00fcnyas\u0131 bug\u00fcnden bamba\u015fka de\u011fil, bug\u00fcn\u00fcn neredeyse ayn\u0131s\u0131 olacak, sadece biraz farkl\u0131. Yani gelece\u011fin imk\u00e2nlar\u0131 bug\u00fcnde halihaz\u0131rda bulunmakta. Romanda, yeni kitab\u0131n\u0131 yazmak i\u00e7in avans\u0131n\u0131 alan karakter, nas\u0131l bir kitap yazaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcrken, gelece\u011fe i\u015faret eden pek \u00e7ok olayla kar\u015f\u0131la\u015f\u0131yor: \u00f6l\u00fcmc\u00fcl olma ihtimali ta\u015f\u0131yan bir hastal\u0131k, Occupy Wall Street eylemleri, kas\u0131rga tehdidi, yak\u0131n bir arkada\u015f\u0131na sperm ba\u011f\u0131\u015flayarak baba olma ihtimali gibi\u2026<\/p>\r\n \u0130roni ve samimiyet, ge\u00e7mi\u015f ve gelece\u011fe dair ikinciler lehine \u00f6vg\u00fcy\u00fc, kitab\u0131n kapan\u0131\u015f\u0131ndaki, 1986\u2019dan, Ronald Reagan\u2019\u0131n ulusa sesleni\u015f al\u0131nt\u0131s\u0131yla yeniden d\u00fc\u015f\u00fcnebiliriz: \u201cAsla daha heyecan verici bir zaman ya\u015fanmad\u0131, co\u015fkulu mucizelerin ve destans\u0131 ba\u015far\u0131lar\u0131n zaman\u0131. Gelece\u011fe D\u00f6n\u00fc\u015f filminde dedikleri gibi, \u2018Gidece\u011fimiz yerde, yola ihtiyac\u0131m\u0131z yok\u2019.\u201d Bu, ironik, bug\u00fcn\u00fc ge\u00e7mi\u015ften \u00f6rneklerle d\u00fc\u015f\u00fcnen bir final de\u011filse, ba\u015fka ne olabilir?<\/p>\r\n \u0130ronik yakla\u015f\u0131m, t\u0131pk\u0131 ge\u00e7mi\u015fle ilgilenmek gibi, postmodern metinlerde daha \u00e7ok kar\u015f\u0131m\u0131za \u00e7\u0131kan bir e\u011filim. Hadzibegovi\u00e7, yazar\u0131 anti-postmodern olarak bile tan\u0131ml\u0131yor, roman boyu kendi \u00fczerine d\u00fc\u015f\u00fcnmesine ra\u011fmen. Romandan \u00fcretmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 tez bir y\u00f6n\u00fcyle do\u011fru. Anlat\u0131, belirsiz bir \u015fimdide, gezegenin, siyasetin ya da bireysel ili\u015fkilerin gelece\u011fine dair, roman kahraman\u0131n\u0131n bizzat kendi ya\u015fam \u00f6yk\u00fcs\u00fcnden \u00fcretti\u011fi sorularla ilerliyor. Fakat, bu sorular\u0131 ayn\u0131 zamanda tarihsel referanslarla, ba\u015fka sanat \u00fcr\u00fcnleri \u00fczerine d\u00fc\u015f\u00fcnerek kuruyor. S\u00f6yle\u015filerinde, roman\u0131, di\u011fer t\u00fcm edebiyat ve sanat formlar\u0131n\u0131 so\u011furabilen form olarak g\u00f6r\u00fcp yazd\u0131\u011f\u0131n\u0131 s\u00f6yleyen Lerner i\u00e7in kaynaklar \u00e7o\u011fu zaman ge\u00e7mi\u015ften, bak\u0131\u015f ise ironik mesafeden temelleniyor.<\/p>\r\n [1]<\/sup><\/a> Hadzibegovi\u00e7, D. (2017), Gelece\u011fin Yazar\u0131, K24, https:\/\/t24.com.tr\/k24\/yazi\/gelecegin-yazari,1154<\/a><\/p>\r\n <\/p>\r\n","protected":false},"excerpt":{"rendered":"