{"id":2949,"date":"2019-12-12T20:14:29","date_gmt":"2019-12-12T17:14:29","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=2949"},"modified":"2020-01-18T15:09:03","modified_gmt":"2020-01-18T12:09:03","slug":"canetti-robert-walser-i","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2019\/12\/12\/canetti-robert-walser-i\/","title":{"rendered":"Canetti, Robert Walser (I)"},"content":{"rendered":"\n

Elias Canetti’nin Walser \u00fczerine bir yorumuyla Coetzee’nin bir yaz\u0131s\u0131nda kar\u015f\u0131la\u015fm\u0131\u015ft\u0131m. O al\u0131nt\u0131n\u0131n yer ald\u0131\u011f\u0131 metni ar\u0131yordum asl\u0131nda, hen\u00fcz bulamad\u0131m. Coetzee \u015f\u00f6yle anlat\u0131yor: Walser 1956’da, 78 ya\u015f\u0131ndayken Herisau’da kald\u0131\u011f\u0131 ak\u0131l hastanesinden \u00e7\u0131kt\u0131\u011f\u0131 bir k\u0131r y\u00fcr\u00fcy\u00fc\u015f\u00fc s\u0131ras\u0131nda vefat etmi\u015f. Kara g\u00f6m\u00fcl\u00fc cesedini \u00e7ocuklar bulmu\u015f. Coetzee, yazar\u0131n cesedinin foto\u011fraflanmas\u0131, da\u011f\u0131t\u0131ma sokulmas\u0131 ve bu ses getiren -yazar\u0131n yaln\u0131z \u00f6l\u00fcm\u00fc- olayla birlikte 1960’larda Walser’e dair biriken edebiyat ele\u015ftirisi k\u00fclliyat\u0131n\u0131 utan\u00e7 verici<\/em> buluyor. Gen\u00e7lik y\u0131llar\u0131nda parlayan fakat ya\u015fam\u0131n\u0131n son 25 y\u0131ll\u0131k d\u00f6neminde \u00fcretimi duran, ak\u0131l hastanesinde ya\u015fay\u0131p yaln\u0131z \u00f6len, \u00f6l\u00fcm\u00fcnden sonra Mikrogram’lar\u0131 ortaya \u00e7\u0131kt\u0131\u011f\u0131nda \u00e7al\u0131\u015f\u0131lmaya ba\u015flayan bir yazar \u00fczerinde biriken ilgi patlamas\u0131na 1973’ten bir Canetti al\u0131nt\u0131s\u0131yla i\u015faret ediyor: “Kendi kendime d\u00fc\u015f\u00fcn\u00fcyorum; sakin, g\u00fcvenli, cans\u0131z ve nizami akademik hayatlar\u0131n\u0131 peri\u015fanl\u0131k ve keder i\u00e7inde ya\u015fam\u0131\u015f bir yazar \u00fczerine kuranlara bak\u0131yorum, burada kendinden utanmas\u0131 gereken yaln\u0131z bir taraf var”.<\/p>\n

Canetti’nin ba\u015fka kitaplar\u0131nda da Walser anmalar\u0131 var, hatta \u0130nsan\u0131n Ta\u015fras\u0131<\/em> kitab\u0131nda a\u015fa\u011f\u0131daki pasajla kesi\u015fen b\u00f6l\u00fcmlerin de oldu\u011fu bir k\u0131s\u0131m var, orada Ahmet Cemal \u00e7evirmi\u015f, ‘p\u0131r\u0131lt\u0131’ yerine ‘par\u0131lt\u0131’ demesinin yan\u0131 s\u0131ra ba\u015fka farklar var. S\u00f6zc\u00fcklerin Bilinci’<\/em>nde de Kafka \u00fczerindeki etkisini an\u0131yor Canetti. Kurtar\u0131lm\u0131\u015f Dil’<\/em>de ise \u015eemsa Ye\u011fin’in orada Y\u00fcr\u00fcy\u00fc\u015f<\/em> diye \u00e7evirdi\u011fi, T\u00fcrk\u00e7eye Gezinti<\/em> olarak \u00e7evrilen kitab\u0131n \u00fczerinde yaratt\u0131\u011f\u0131 tutulmadan bahsediyor.<\/p>\n

Burada ilgimi \u00e7eken noktalar: d\u00fcnyaya beliren k\u00f6kensiz bir hayranl\u0131k, yazar\u0131n ve karakterlerinin kendilerini s\u00fcrekli d\u0131\u015far\u0131da hissetmeleri, imkans\u0131z k\u0131s\u0131r d\u00f6ng\u00fcde bir inkarc\u0131l\u0131k, her t\u00fcr b\u00fcy\u00fckl\u00fckten ka\u00e7\u0131\u015f \u00e7izgileri, bir ak\u0131l hastanesi benzetmesi olarak ‘modern manast\u0131r’, kahramanlar\u0131n\u0131n s\u0131k an\u0131lan e\u015fsizli\u011fi ve yenili\u011fi, Canetti’nin i\u00e7ten \u00f6yk\u00fcnmeleri ve Walser’in k\u00fc\u00e7\u00fckl\u00fc\u011fe dair \u00e7eli\u015fkileri.<\/p>\n

\"\"<\/p>\n

“<\/p>\n

Robert Walser’<\/em>e toslad\u0131m, bir\u00e7oklar\u0131, ba\u015fka y\u00fcz ki\u015fi aras\u0131nda: En canl\u0131 olan\u0131.
     Kafka solmakta.<\/p>\n

Robert Walser’in edebiyat\u00e7\u0131 olarak \u00f6zelli\u011fi, motiflerini asla tel\u00e2ffuz etmeyi\u015fidir. O, b\u00fct\u00fcn edebiyat\u00e7\u0131lar\u0131n en \u00f6rt\u00fcl\u00fcs\u00fcd\u00fcr. Hayat\u0131ndan hep memnundur, hep her \u015feye hayrand\u0131r. Ama hayali so\u011fuktur, ki\u015fili\u011finin bir b\u00f6l\u00fcm\u00fcn\u00fc d\u0131\u015flad\u0131\u011f\u0131 i\u00e7in, ve bu nedenle de tekin de\u011fildir. Her \u015fey ona d\u0131\u015f<\/em> do\u011fad\u0131r ve bu do\u011fan\u0131n asl\u0131n\u0131, en \u00f6z\u00fcn\u00fc, korkuyu, hayat\u0131 boyunca ink\u00e2r eder.
     Gizlenmi\u015f her \u015fey i\u00e7in ondan \u00f6\u00e7 alan sesler ancak sonra ortaya \u00e7\u0131kar.
     Eserleri, korkuyu ele vermemek konusunda s\u00fcrekli bir \u00e7abad\u0131r. \u0130\u00e7inde fazla korku olu\u015fmadan \u00f6nce her yerden ka\u00e7ar \u2014te\u011fet ge\u00e7er hayat\u0131\u2014 ve de\u011fi\u015fir, kurtulur, \u00e7o\u011fu zaman hizmete ve k\u00fc\u00e7\u00fc\u011fe ka\u00e7arak. Her “y\u00fcksek” olana, her \u00f6nde gelen ve iddial\u0131 \u015feye kar\u015f\u0131 o derin ve i\u00e7g\u00fcd\u00fcsel antipatisi, onu iktidardan bo\u011fulan \u00e7a\u011f\u0131m\u0131z\u0131n \u00f6nemli bir edebiyat\u00e7\u0131s\u0131 yapar. Ona geleneksel anlamda “b\u00fcy\u00fck” bir edebiyat\u00e7\u0131 demeye \u00e7ekinir insan; “b\u00fcy\u00fck” s\u00f6zc\u00fc\u011f\u00fc kadar ona ters gelen bir \u015fey yoktur. Onun kendini verdi\u011fi \u015fey, b\u00fcy\u00fckl\u00fc\u011f\u00fcn yaln\u0131zca p\u0131r\u0131lt\u0131s\u0131d\u0131r<\/em>. P\u0131r\u0131lt\u0131y\u0131, seyretmekten zevk al\u0131r, ona kat\u0131lmaz. Bir insana d\u0131\u015f hayatta nelerin \u00f6nemli oldu\u011fundan utanmaks\u0131z\u0131n okuyamazs\u0131n\u0131z onu, b\u00f6ylece kendine \u00f6zg\u00fc bir azizdir o, ya\u015fanm\u0131\u015f ve i\u00e7i bo\u015falt\u0131lm\u0131\u015f ilkelere g\u00f6re de\u011fil.
     Onun “hayat m\u00fccadelesi” deneyimi, bu m\u00fccadelenin art\u0131k var olmad\u0131\u011f\u0131 tek alana, ak\u0131l hastanesine, modern manast\u0131ra g\u00f6t\u00fcr\u00fcr.<\/p>\n

“Ben yaln\u0131zca a\u015fa\u011f\u0131 b\u00f6lgelerde nefes alabiliyorum.” Robert Walser’in bu c\u00fcmlesi, edebiyat\u00e7\u0131lar\u0131n kader s\u00f6z\u00fc olabilirdi. Ama kibarlar bu c\u00fcmleyi s\u00f6ylemez ve \u00fcn kazanm\u0131\u015f olanlar ise bunu d\u00fc\u015f\u00fcnmeye art\u0131k cesaret edemez. “\u00dcnl\u00fc oldu\u011funuzu birazc\u0131k unutamaz m\u0131s\u0131n\u0131z?” demi\u015fti Hofmannsthal’a ve b\u00fcy\u00fcklerdeki \u00e7irkinli\u011fi hi\u00e7 kimse daha g\u00fc\u00e7l\u00fc belirtmemi\u015ftir.<\/p>\n

Walser gibi ilgin\u00e7 bir fig\u00fcr yaratamazd\u0131 hi\u00e7 kimse. O olmasa ortaya \u00e7\u0131kamazd\u0131 Kafka; Kafka’y\u0131 birlikte yaratan oydu ve Kafka’dan daha sivriydi.
     Kafka’n\u0131n karma\u015falar\u0131, bak\u0131\u015f a\u00e7\u0131s\u0131ndan gelmedi. Onun kat\u0131l\u0131\u011f\u0131, ba\u011f\u0131ml\u0131l\u0131k kat\u0131l\u0131\u011f\u0131d\u0131r. Kendini uzakla\u015ft\u0131rmak i\u00e7in Taoist olur.
     Walser’in \u015fans\u0131, ba\u015far\u0131s\u0131z bir babayd\u0131. O, do\u011fas\u0131 gere\u011fi Taoistti, Kafka gibi sonradan b\u00f6yle olmas\u0131 gerekmedi.
     Onun as\u0131l kaderi, g\u00fczel el yaz\u0131s\u0131d\u0131r. Bu yaz\u0131yla belli \u015feyler yaz\u0131lmaz. Ger\u00e7eklik, yaz\u0131n\u0131n g\u00fczelli\u011fine uyar. Bu, ona \u015fans getirdi\u011fi s\u00fcrece yazarak ya\u015fayabilir.
     Bu yaz\u0131 ba\u015far\u0131s\u0131z oldu\u011funda Walser i\u015fi b\u0131rak\u0131r. Herisau’daki y\u0131llar\u0131nda bundan korkmu\u015f olmas\u0131 olas\u0131d\u0131r.<\/p>\n

Robert Walser beni gittik\u00e7e sar\u0131yor, \u00f6zellikle de hayat\u0131. O, benim olmad\u0131\u011f\u0131m her \u015fey: \u00c7aresiz, su\u00e7suz ve \u00e7ocuksu i\u00e7tenlikli.<\/p>\n

Hakikatin \u00fcst\u00fcne gitmeksizin; hakikatin etraf\u0131nda dola\u015fmakla hakikatin kendisi olur.
     Bu, ne kastetti\u011fini daima bilen ama g\u00f6r\u00fcn\u00fcrde etraf\u0131nda d\u00f6nen Thomas Mann’\u0131n \u00fcst\u00fcn ve anla\u015f\u0131l\u0131r s\u00fcslemelerinden farkl\u0131d\u0131r. Walser, anla\u015f\u0131l\u0131r olmay\u0131 arzular<\/em>, ama olamaz.
     K\u00fc\u00e7\u00fck olmay\u0131 ister, ama k\u00fc\u00e7\u00fckl\u00fckle su\u00e7lanmaya dayanamaz.<\/p>\n

Ya\u015f\u0131n gere\u011fi pek az sayg\u0131 hissediyor da de\u011filsin. G\u00fcne\u015f, Musil, Robert Walser i\u00e7in b\u00fcy\u00fcm\u00fcyor musun hen\u00fcz?<\/p>\n

“<\/p>\n

Elias Canetti, Edebiyat\u00e7\u0131lar \u00dczerine, \u00e7ev. G\u00fcrsel Ayta\u00e7, Payel Yay\u0131nlar\u0131, 2007, s. 87-9.<\/p>\n","protected":false},"excerpt":{"rendered":"

D\u00fcnyaya beliren k\u00f6kensiz bir hayranl\u0131k, yazar\u0131n ve karakterlerinin kendilerini s\u00fcrekli d\u0131\u015far\u0131da hissetmeleri, imkans\u0131z fakat k\u0131s\u0131r d\u00f6ng\u00fcde bir inkarc\u0131l\u0131k, her t\u00fcr b\u00fcy\u00fckl\u00fckten ka\u00e7\u0131\u015f \u00e7izgileri, bir ak\u0131l hastanesi benzetmesi olarak ‘modern manast\u0131r’, kahramanlar\u0131n\u0131n s\u0131k an\u0131lan e\u015fsizli\u011fi ve yenili\u011fi (g\u00fczel bir tart\u0131\u015fma, daha \u00f6nceden olmayan neyi bulmu\u015f bu yazar?), Canetti’nin i\u00e7ten \u00f6yk\u00fcnmeleri ve Walser’in k\u00fc\u00e7\u00fckl\u00fc\u011fe dair \u00e7eli\u015fkileri.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,252],"tags":[599,423,588],"class_list":["post-2949","post","type-post","status-publish","format-standard","hentry","category-alinti","category-yazin","tag-edebiyatcilar-uzerine","tag-elias-canetti","tag-robert-walser"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-Lz","jetpack-related-posts":[{"id":2834,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/13\/sebald-walserin-ucuculugu\/","url_meta":{"origin":2949,"position":0},"title":"Sebald, Walser’in U\u00e7uculu\u011fu","author":"yalpertem","date":"13 November 2019","format":false,"excerpt":"Robert Walser'in hayat hik\u00e2yesinde b\u0131rakt\u0131\u011f\u0131 izler \u00f6yle silikti ki r\u00fczg\u00e2r onlar\u0131 az kals\u0131n al\u0131p g\u00f6t\u00fcrecekti. En az\u0131ndan 1913 bahar\u0131nda \u0130svi\u00e7re'ye d\u00f6nd\u00fc\u011f\u00fcnden beri, ger\u00e7ekteyse elbette ba\u015f\u0131ndan itibaren, d\u00fcnyaya pamuk ipli\u011fiyle ba\u011fl\u0131yd\u0131.","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/w-g-sebald-k%C4%B1r-evinde-ikamet-192x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":175,"url":"https:\/\/yalpertem.com\/blog\/2017\/03\/16\/romancinin-romani-j-m-coetzee\/","url_meta":{"origin":2949,"position":1},"title":"Romanc\u0131n\u0131n Roman\u0131 – J. M. Coetzee","author":"yalpertem","date":"16 March 2017","format":false,"excerpt":"T\u00fcrk\u00e7eye Romanc\u0131n\u0131n Roman\u0131 olarak \u00e7evrilen bu metni internette \u201cNovelist\u2019s Novel\u201d diye birka\u00e7 kere arat\u0131p bulamay\u0131p, orijinal ba\u015fl\u0131\u011f\u0131n\u0131n romandaki yazar\u0131n ad\u0131 olan \u201cElisabeth Costello\u201d oldu\u011funu \u00f6\u011frendim (O zamanlar ya kitaplar\u0131n orijinal adlar\u0131n\u0131n kitab\u0131n ba\u015f\u0131nda yazd\u0131\u011f\u0131n\u0131 bilmiyordum ya da o g\u00fcn d\u00fc\u015f\u00fcnememi\u015fim). Romanc\u0131n\u0131n Roman\u0131, cesur ve iki yoruma a\u00e7\u0131k bir \u00e7eviri hamlesi,\u2026","rel":"","context":"In "genel"","block_context":{"text":"genel","link":"https:\/\/yalpertem.com\/blog\/category\/genel\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/03\/romancinin-romani-jm-coetzee-min-192x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1568,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/22\/canetti-vaaz-etmeyen-kafka\/","url_meta":{"origin":2949,"position":2},"title":"Canetti, Vaaz Etmeyen Kafka","author":"yalpertem","date":"22 May 2018","format":false,"excerpt":"\" Kafka'da edebiyat\u00e7\u0131l\u0131\u011f\u0131n her t\u00fcr kibri eksiktir; o asla \u00f6v\u00fcnmez, \u00f6v\u00fcnmeyi bilmez. Kendini k\u00fc\u00e7\u00fck g\u00f6r\u00fcr ve k\u00fc\u00e7\u00fck ad\u0131mlarla y\u00fcr\u00fcr. Ad\u0131m\u0131n\u0131 att\u0131\u011f\u0131 yerde, zeminin sa\u011flam olmad\u0131\u011f\u0131n\u0131 hisseder. O, insan\u0131 ta\u015f\u0131maz; onun yan\u0131nda olundu\u011funda insan\u0131 hi\u00e7bir \u015fey ta\u015f\u0131maz. B\u00f6ylece, edebiyat\u00e7\u0131lar\u0131n kand\u0131rmacas\u0131na ve b\u00f6b\u00fcrlenmesine d\u00fc\u015fmez. \u00c7ok iyi hissetti\u011fi edebiyat\u00e7\u0131 ihti\u015fam\u0131 onun kendi s\u00f6zlerinde\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/elias-canetti-edebiyat%C3%A7%C4%B1lar-%C3%BCzerine-206x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2851,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/17\/benjamin-robert-walser\/","url_meta":{"origin":2949,"position":3},"title":"Benjamin, Robert Walser","author":"yalpertem","date":"17 November 2019","format":false,"excerpt":"Walser'den hen\u00fcz sadece Jakob von Gunten'i okudum. \u0130kinci roman\u0131n ortalar\u0131nday\u0131m. Yazar\u0131n etraf\u0131ndaki haleye besledi\u011fim a\u015final\u0131k beni bir anda hakk\u0131nda yazanlar\u0131n metinlerine g\u00f6t\u00fcrd\u00fc. Jakob von Gunten'in arka kapa\u011f\u0131nda adam asmaca misali bo\u015f al\u0131nt\u0131larda ge\u00e7it yapan Alman ekol\u00fc yazarlar, Ben Lerner, Ferit Edg\u00fc ve Coetzee de bir halo etkisi yapm\u0131\u015f olsa gerek.\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/robert-walser-tanner-kardesler-196x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2839,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/13\/ozlu-walserle-tanisma\/","url_meta":{"origin":2949,"position":4},"title":"\u00d6zl\u00fc, Walser’le Tan\u0131\u015fma","author":"yalpertem","date":"13 November 2019","format":false,"excerpt":"Bu mektuplarda yeni bir yazarla tan\u0131\u015fma, ondan etkilenme, onu T\u00fcrk\u00e7eye \u00e7evirip yay\u0131mlamaya dair samimi (\"i\u00e7ten duydu\u011fum bir yazar\"), entelekt\u00fcel (\"okur i\u00e7in daha iyi olur\") ve profesyonel (\"ka\u00e7a m\u00e2l olur\") ifadeler var. \"Bilmem Robert Walser'i tan\u0131r m\u0131s\u0131n? \u0130svi\u00e7re edebiyat\u0131n\u0131n bence en \u00f6nemli yazar\u0131. Tam bir Kafkaesk korku ve Dostoyevski y\u00fcre\u011fi ve\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/tezer-ozlu-ferit-edgu-her-seyin-sonundayim-min-194x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5072,"url":"https:\/\/yalpertem.com\/blog\/2022\/07\/03\/gurbuz-kiyamet-emeklisi-notlar-4\/","url_meta":{"origin":2949,"position":5},"title":"G\u00fcrb\u00fcz, K\u0131yamet Emeklisi | Notlar 4","author":"yalpertem","date":"3 July 2022","format":false,"excerpt":"[235-] Aziz'in kula\u011f\u0131ndaki ta\u015flar \u00e7\u0131kart\u0131lm\u0131\u015f, Kas\u0131m gelmi\u015f, 70'lerin sonlar\u0131nda olsak gerek. Baba'dan \"vakar\"l\u0131 g\u00f6r\u00fcnme \u00fcst\u00fcne bir \u00f6vg\u00fc al\u0131yor, vakar\u0131 olmasa da varm\u0131\u015f gibi yapmak iyidir diyor Baba (s. 236). Vakar'\u0131n ilk \u00e7a\u011f\u0131rd\u0131\u011f\u0131 Ishiguro'nun G\u00fcnden Kalanlar'\u0131. \u00c7ok \u00e7ok uzaklardan da olsa, o roman Aziz'e hayat\u0131n nas\u0131l ya\u015fanabilece\u011fine dair olumsuz bir \u00f6neri\u2026","rel":"","context":"In "genel"","block_context":{"text":"genel","link":"https:\/\/yalpertem.com\/blog\/category\/genel\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=2949"}],"version-history":[{"count":1,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2949\/revisions"}],"predecessor-version":[{"id":3015,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2949\/revisions\/3015"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=2949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=2949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=2949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}