{"id":2773,"date":"2019-10-05T22:05:38","date_gmt":"2019-10-05T19:05:38","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=2773"},"modified":"2019-12-01T11:12:14","modified_gmt":"2019-12-01T08:12:14","slug":"luis-bunuel-son-nefesim-okuma-notlari-i","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2019\/10\/05\/luis-bunuel-son-nefesim-okuma-notlari-i\/","title":{"rendered":"Luis Bu\u00f1uel | Son Nefesim (Okuma Notlar\u0131 I)"},"content":{"rendered":"\n

Jean Epstein\u2019dan Bu\u00f1uel\u2019e:
<\/span>\u201c<\/span>Dikkatli olun. Sizde ger\u00e7ek\u00fcst\u00fcc\u00fc e\u011filimler sezinliyorum. O insanlardan uzak durun.<\/span><\/i>\u201d (s. 114)<\/span><\/p>\n

\u201c<\/span>…bana ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fck nedir diye soruldu\u011funda; \u2018\u015fiir ve d\u00fc\u015f dolu, t\u00f6resel ve devrimci bir ak\u0131md\u0131r\u2019, diye yan\u0131tlar\u0131m hep.<\/span><\/i>\u201d (s. 136)<\/span><\/p>\n

Andr\u00e9 Breton\u2019dan Bu\u00f1uel\u2019e:
<\/span>\u201c<\/span>Bunu kabullenmek \u00e7ok ac\u0131, sevgili Luis ama, skandal yok art\u0131k!..<\/span><\/i>\u201d (s. 142)<\/span><\/p>\n

\"\"<\/p>\n

Bu\u00f1uel\u2019in <\/span>Son Nefesim<\/span><\/i> ba\u015fl\u0131kl\u0131 kitab\u0131n\u0131n Afa bas\u0131m\u0131n\u0131n kapa\u011f\u0131nda y\u00f6netmenin sigara i\u00e7ti\u011fi pozu bana kitapta t\u00fct\u00fcnle ilgili bir \u015fakan\u0131n bu ba\u015fl\u0131\u011fa g\u00f6z k\u0131rpt\u0131\u011f\u0131n\u0131 hissettiriyordu. Filmlerinden oyunbazl\u0131\u011f\u0131yla tan\u0131d\u0131\u011f\u0131m Bu\u00f1uel, \u00f6l\u00fcme iyiden yakla\u015ft\u0131\u011f\u0131 seksenlerinde yazd\u0131\u011f\u0131 hayat hik\u00e2yesine ba\u015fl\u0131k ararken ya\u015fam\u0131n\u0131 sigaradan ald\u0131\u011f\u0131 son nefesiyle de anabilir diye \u00e7a\u011fr\u0131\u015fm\u0131\u015ft\u0131. Bu \u015faka, kendi i\u00e7 d\u00fcnyamda sakl\u0131 kalsa da ba\u015fl\u0131\u011fa yak\u0131ndan bak\u0131nca, \u201cnefes\u201d diye \u00e7evrilen soupir\/sigh kelime tercihinin kar\u015f\u0131l\u0131\u011f\u0131n\u0131n daha yo\u011fun, sesli bir nefes, bir i\u00e7 \u00e7eki\u015f, ahlama oldu\u011funu \u00f6\u011frendim. Tamamen \u201cah o eski g\u00fcnler, ger\u00e7ek\u00fcst\u00fc g\u00fcnler, gen\u00e7li\u011fin mucizeleri\u201d kipinde yaz\u0131lm\u0131\u015f bir kitap olmasa da nostaljiye kayan, ge\u00e7mi\u015fi ah \u00e7ekerek y\u00e2d etti\u011fi yerler yok de\u011fildi sevgili y\u00f6netmenin.<\/span><\/p>\n

Oto\/biyografi okuru de\u011filim, bir hik\u00e2ye dinliyorsam kurmaca olmas\u0131n\u0131 tercih ediyorum. Ger\u00e7eklik iddias\u0131 i\u00e7eren ge\u00e7mi\u015fe d\u00f6n\u00fck hat\u0131rlamalar\u0131 okumak bana tedirginlik veriyor. Sadece b\u00f6yle kitaplar okuyan, kitapl\u0131\u011f\u0131ndaki t\u00fcm s\u0131rtlar\u0131n iki isimden olu\u015ftu\u011fu -yazan ve anlat\u0131lan ki\u015fi- biriyle konu\u015fmu\u015ftum. Nas\u0131l ya\u015fayabilece\u011fimize dair en parlak fikirleri b\u00f6ylesi deneyimlerin aktar\u0131mlar\u0131ndan edinebilece\u011fimizi s\u00f6ylemi\u015fti. Son Nefesim, bu gibi \u00f6z ya\u015fam \u00f6yk\u00fcs\u00fc kitaplar\u0131na dair merak\u0131m\u0131 uyand\u0131rd\u0131. Kitab\u0131 bana hediye eden arkada\u015f\u0131m, benim gibi \u00fcniversite y\u0131llar\u0131nda sinema sevgisiyle y\u0131kanm\u0131\u015f, bu s\u0131rada Afa sinema serilerini ve y\u00f6netmen ya\u015famlar\u0131n\u0131 da yutmu\u015f. Bunu sevmem \u00fczerine hemen di\u011fer klasikleri hat\u0131rlatt\u0131: Kurba\u011fa Ya\u011f\u0131 Sat\u0131c\u0131s\u0131 (K.), B\u00fcy\u00fcl\u00fc Fener (B.) ve M\u00fch\u00fcrlenmi\u015f Zaman (T.). Antonioni neden hayat\u0131n\u0131 yazmam\u0131\u015f ki diye merak ettim. \u00d6te yandan, sinemac\u0131lar\u0131n bu kitaplara m\u00fcthi\u015f ba\u015fl\u0131klar bulduklar\u0131n\u0131 fark ettim, ne de olsa onlar\u0131n i\u015fleri de vurucu imgelerle.<\/span><\/p>\n

Bu\u00f1uel, kitab\u0131n yaz\u0131m\u0131nda, son filmlerinde hep senarist olarak g\u00f6rd\u00fc\u011f\u00fcm\u00fcz, Jean-Claude Carri\u00e8re\u2019in kendisine yard\u0131m etti\u011fini s\u00f6yl\u00fcyor. Ek\u015fis\u00f6zl\u00fck\u2019te Bu\u00f1uel anlatm\u0131\u015f Carri\u00e8re yazm\u0131\u015f diye aktarm\u0131\u015flar. Kitapta yazar m\u00fcdahalesi kendini hissettiriyor, e\u011fer b\u00f6yle bir m\u00fcdahale yoktuysa da, Bu\u00f1uel ke\u015fke hayat\u0131n\u0131n bir k\u0131sm\u0131n\u0131 -mesela paras\u0131zl\u0131ktan film yapamad\u0131\u011f\u0131 o uzun y\u0131llardaki bo\u015f zamanlar\u0131n\u0131- daha \u00e7ok yazmaya ay\u0131rsaym\u0131\u015f diye d\u00fc\u015f\u00fcnd\u00fcrd\u00fc bana. Olaylar\u0131 az \u00e7ok kronolojik anlat\u0131rken birden \u2018<\/span>D\u00fc\u015fler\u2026 D\u00fc\u015fler<\/span><\/i>\u2019 (s. 116), \u2018<\/span>Tanr\u0131ya \u015e\u00fck\u00fcr Tanr\u0131tan\u0131maz<\/span><\/i>\u2019 (s. 214), \u2018<\/span>Sevdiklerim – Sevmediklerim<\/span><\/i>\u2019 (s. 273) diye ak\u0131\u015f\u0131 sapt\u0131ran fakat okurun ilgisini birden toparlayan ara b\u00f6l\u00fcmler yazma fikri usta yazar i\u015fi gibime geldi benim.<\/span><\/p>\n

Kayboldu\u011fu d\u00fc\u015f\u00fcn\u00fclen bir k\u0131z \u00e7ocu\u011funun arand\u0131\u011f\u0131, fakat \u00e7ocu\u011fun ebeveynlerinin yan\u0131nda dola\u015f\u0131p kaybolmad\u0131\u011f\u0131n\u0131 onlara bir t\u00fcrl\u00fc anlatamad\u0131\u011f\u0131 bir fikirden yola \u00e7\u0131karak; ya da bir davet sonras\u0131 konuklar\u0131n hi\u00e7bir engel olmamas\u0131na ra\u011fmen evden gidememesinin nas\u0131l bir hik\u00e2yeye d\u00f6n\u00fc\u015febilece\u011fini d\u00fc\u015fleyerek sinema yapan birisi otobiyografisine nas\u0131l ba\u015flar?<\/span><\/p>\n

\u201c<\/span>Bu yar\u0131 biyografik kitapta, macera romanlar\u0131ndaki gibi zaman zaman yolumu kaybetti\u011fim ve \u015fa\u015f\u0131rt\u0131c\u0131 bir metnin dayan\u0131lmaz \u00e7ekicili\u011fine kendimi kapt\u0131rd\u0131\u011f\u0131m olmu\u015ftur. Ve t\u00fcm \u00f6zenime kar\u015f\u0131n, belki de h\u00e2l\u00e2 i\u00e7inde ger\u00e7ek olmayan bir-iki an\u0131 kalm\u0131\u015ft\u0131r. Yineliyorum, bunun pek o kadar \u00f6nemi yok. Beni ben yapan, inand\u0131\u011f\u0131m ger\u00e7eklerdir de. Tarih yazar\u0131 olmad\u0131\u011f\u0131m i\u00e7in, ne bir nottan ne de bir kitaptan yararland\u0131m. Ortaya koydu\u011fum portre, ne olursa olsun, bana aittir. Kararl\u0131l\u0131\u011f\u0131mla, karars\u0131zl\u0131\u011f\u0131mla, yinelemelerimle, unutkanl\u0131klar\u0131mla ve nihayet do\u011frular\u0131mla ve yalanlar\u0131mla, benim portrem\u2026 Tek s\u00f6zc\u00fckle s\u00f6ylemek gerekirse: Benim belle\u011fim.<\/span><\/i>\u201d (s. 12)<\/span><\/p>\n

\u0130lk paragraftan, yazd\u0131\u011f\u0131 t\u00fcr\u00fcn beklentisini k\u0131r\u0131lmaya u\u011fratma niyeti okunuyor. Birisi kendi hayat\u0131n\u0131 zaten ne kadar oldu\u011fu gibi anlatabilir ki? Bu\u00f1uel \u00f6zelinde devreye, bir bulu\u015fa \u00e7evrilen \u2018unutkanl\u0131k\u2019 giriyor, ve haf\u0131zaya ve yazara g\u00fcvenilmezlik ba\u015ftan kuruluyor. Buradan itibaren ben kitab\u0131 Bu\u00f1uel\u2019in kendi ya\u015fam\u0131ndan esinlendi\u011fi bir sinemac\u0131 kurmacas\u0131 olarak okuyorum, yan\u0131lsam da sorun de\u011fil. \u0130spanya\u2019daki i\u00e7 sava\u015f\u0131 da, 68 Bahar\u0131\u2019n\u0131 da, bir Avrupal\u0131\u2019n\u0131n g\u00f6z\u00fcnden Meksika g\u00f6zlemlerini de tekil bir ki\u015finin bak\u0131\u015f\u0131ndan do\u011fru okuyorum sonu\u00e7ta. Ba\u015fka ba\u015fka anlatan \u00f6tekiler de var.<\/span><\/p>\n

Bu\u00f1uel, filmlerine ilgi duyan ruh\u00e7\u00f6z\u00fcmlemecileri ve ele\u015ftirmenleri vakurca, ho\u015f g\u00f6rerek ve te\u015fekk\u00fcrle kar\u015f\u0131lasa da b\u00f6ylesi akademik ilgileri olmad\u0131\u011f\u0131n\u0131n alt\u0131n\u0131 defalarca \u00e7iziyor. Kitaptan \u00f6nce de y\u00f6netmenin sinemas\u0131nda aranan ve bulup \u00e7\u0131kar\u0131lan m\u00e2n\u00e2lara istinaden \u201cfikir ho\u015fuma gitti yapt\u0131m\u201d, \u201cr\u00fcyamda g\u00f6rm\u00fc\u015ft\u00fcm\u201d ya da \u201carkada\u015flarla aram\u0131zdaki b\u00f6yle bir \u015fakam\u0131z vard\u0131\u201d \u015feklinde verdi\u011fi yan\u0131tlar\u0131 okurdum. Burada da sinema tarihine ge\u00e7mi\u015f sahnelerin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde sezgilerinden ve bilin\u00e7alt\u0131ndan do\u011fru, olabildi\u011fince el de\u011fmeden ve \u00fczerine fazladan bir s\u00f6ylem bindirmeden filme ald\u0131\u011f\u0131n\u0131 iddia etti\u011fi bir\u00e7ok \u00f6rnek var.<\/span><\/p>\n

Okuma hayat\u0131m rastlant\u0131larla, birbirine g\u00f6z k\u0131rpan kitaplarla s\u00fcr\u00fcp gidiyor. Bu kitab\u0131n ard\u0131na Elif Batuman\u2019\u0131n The Idiot roman\u0131n\u0131 okumaya ba\u015flad\u0131m, oradaki \u00f6\u011frenci \u0130spanyol avangard\u0131 ba\u015fl\u0131kl\u0131 bir derste, k\u00fc\u00e7\u00fcmsedi\u011fi bir hocadan, End\u00fcl\u00fcs K\u00f6pe\u011fi\u2019ni dinliyor. Hoca, filmde g\u00f6z\u00fcn jiletle kesilmesinin ya da ba\u015fka bir\u00e7ok \u015feyin ne anlama geldi\u011fini asla anlayamayaca\u011f\u0131m\u0131z\u0131, yorumlayamayaca\u011f\u0131m\u0131z\u0131, \u00e7\u00fcnk\u00fc ger\u00e7ek\u00fcst\u00fcc\u00fclerin y\u00f6nteminin bizzat buna yol a\u00e7t\u0131\u011f\u0131n\u0131 anlat\u0131yor. \u00d6\u011frenci de bir akademisyenin \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131 bir alanda b\u00f6ylesi \u00e7aresizlikte bir yorum yapmas\u0131n\u0131 ac\u0131 verici buluyor, polemi\u011fe giriyor. Bu\u00f1uel, b\u00fct\u00fcn yap\u0131t\u0131na yakla\u015fmaya \u00e7al\u0131\u015fan bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131n ge\u00e7irdikleri krizlerin sebeplerini sakin sakin anlat\u0131yor. Sembolizm ve g\u00f6ndermelerin \u00e7ok kat\u0131 olmad\u0131\u011f\u0131 daha \u00e7a\u011fr\u0131\u015f\u0131msal bir sinema sanki. End\u00fcl\u00fcs K\u00f6pe\u011fi’nde bir odan\u0131n i\u00e7inde atlarla y\u00fckl\u00fc piyanolar\u0131 ipleri s\u0131rtlayarak \u00e7eken adam\u0131 bug\u00fcn tekrar izleyince Bu\u00f1uel’in d\u00fc\u015flerine birazc\u0131k da olsa yak\u0131nla\u015ft\u0131\u011f\u0131m\u0131 hissettim.<\/span><\/p>\n

(bu kitaba sonra tekrar d\u00f6nmek istiyorum, okurken beni \u00e7ok etkisi alt\u0131na alm\u0131\u015ft\u0131 fakat \u015fimdi akl\u0131ma ba\u015fka bir \u015feyler tak\u0131ld\u0131\u011f\u0131 i\u00e7in uzakla\u015ft\u0131m biraz, de\u011ferli buldu\u011fum hi\u00e7bir \u015feyden bahsetmeyi ba\u015faramad\u0131m yine)<\/span><\/em><\/p>\n

Luis Bu\u00f1uel, Son Nefesim, \u00e7ev. \u0130lkay Kurdak, Afa Yay\u0131nlar\u0131, 1987 [1982], 2. bas\u0131m.<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Kitap vesilesiyle, \u00e7ok uzun y\u0131llard\u0131r takip etti\u011fim Tan Tolga Demirci’nin Bu\u00f1uel ve ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fck yaz\u0131lar\u0131na geri d\u00f6nd\u00fcm. Tactile Deney<\/a> burada da dursun, olur da g\u00f6r\u00fcp k\u0131zarsa kald\u0131r\u0131r\u0131m.

<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Kayboldu\u011fu d\u00fc\u015f\u00fcn\u00fclen bir k\u0131z \u00e7ocu\u011funun arand\u0131\u011f\u0131, fakat \u00e7ocu\u011fun ebeveynlerinin yan\u0131nda dola\u015f\u0131p kaybolmad\u0131\u011f\u0131n\u0131 onlara bir t\u00fcrl\u00fc anlatamad\u0131\u011f\u0131 bir fikirden yola \u00e7\u0131karak; ya da bir davet sonras\u0131 konuklar\u0131n hi\u00e7bir engel olmamas\u0131na ra\u011fmen evden gidememesinin nas\u0131l bir hik\u00e2yeye d\u00f6n\u00fc\u015febilece\u011fini d\u00fc\u015fleyerek sinema yapan birisi otobiyografisine nas\u0131l ba\u015flar?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[585,105,298],"tags":[586,587],"class_list":["post-2773","post","type-post","status-publish","format-standard","hentry","category-biyografi","category-ders-notlari","category-sinema","tag-luis-bunuel","tag-son-nefesim"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-IJ","jetpack-related-posts":[{"id":1488,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/15\/uyar-sinemalar-uzerine\/","url_meta":{"origin":2773,"position":0},"title":"Uyar, Sinemalar \u00dczerine","author":"yalpertem","date":"15 May 2018","format":false,"excerpt":"Tomris Uyar'\u0131n sinema salonlar\u0131 ve d\u00f6n\u00fc\u015f\u00fcm\u00fc \u00fczerine yazd\u0131\u011f\u0131 bu gayet \u015fahsi, kimi zaman elitist bir dile bile kayd\u0131\u011f\u0131 s\u00f6ylenebilecek, g\u00f6r\u00fc\u015fler g\u00fcn\u00fcm\u00fczdeki tart\u0131\u015fmalar\u0131 ne g\u00fczel \u00f6nceliyor. Birka\u00e7 sat\u0131rda sinema salonlar\u0131n\u0131n farkl\u0131 izleyici kitlelerine hitab\u0131, \"modern\" sinema salonlar\u0131 dedi\u011fi yeni salonlardan ho\u015fnutsuzluklar\u0131, sinemaya gelen seyirci kitlesinin d\u00f6n\u00fc\u015f\u00fcm\u00fcnden rahats\u0131zl\u0131\u011f\u0131 ve son olarak k\u00fc\u00e7\u00fck\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/tomris-uyar-y%C3%BCzle%C5%9Fmeler-bir-uyumsuzun-notlar%C4%B1-168x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2813,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/10\/elif-batuman-budala-okuma-notlari\/","url_meta":{"origin":2773,"position":1},"title":"Elif Batuman | Budala (Okuma Notlar\u0131)","author":"yalpertem","date":"10 November 2019","format":false,"excerpt":"Budala, T\u00fcrkiye\u2019den ABD\u2019ye g\u00f6\u00e7m\u00fc\u015f bir ailenin k\u0131z\u0131 Selin\u2019in \u00fcniversitedeki ilk y\u0131l\u0131ndaki kar\u015f\u0131la\u015fmalar\u0131n\u0131 konu ediyor. Selin, 90\u2019lar\u0131n ortas\u0131nda Harvard\u2019da e-postayla, ilk a\u015fk\u0131yla, Macaristan\u2019da \u00f6\u011fretmenlik yapma deneyimiyle tan\u0131\u015f\u0131yor. Bir yazar\u0131n b\u00fcy\u00fcme roman\u0131 olarak g\u00f6r\u00fclebilecek kitap, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde Elif Batuman\u2019\u0131n kendi ba\u015f\u0131ndan ge\u00e7en olaylardan yola \u00e7\u0131k\u0131yor.","rel":"","context":"In "okuma notlar\u0131"","block_context":{"text":"okuma notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/ders-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/elif-batuman-budala-198x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2038,"url":"https:\/\/yalpertem.com\/blog\/2018\/09\/27\/labirent-burhan-sonmez-okuma-notlari\/","url_meta":{"origin":2773,"position":2},"title":"Labirent – Burhan S\u00f6nmez (Okuma Notlar\u0131)","author":"yalpertem","date":"27 September 2018","format":false,"excerpt":"\"Gece yar\u0131s\u0131nda kent uyudu\u011funda (kent uyur mu?) y\u0131lanlar avizelerden \u00e7\u0131k\u0131p tavana yay\u0131l\u0131r, \u00f6l\u00fcms\u00fcz s\u0131v\u0131lar\u0131yla duvarlarda dola\u015f\u0131r, perdelerin ard\u0131na s\u00fcz\u00fcl\u00fcp t\u0131sla\u015f\u0131r, zehirlerini birbirlerine ak\u0131tarak sar\u0131la dolana sevi\u015fir, sonra g\u00fcne\u015fin ilk \u0131\u015f\u0131\u011f\u0131nda kanlar\u0131 sakinlemi\u015f ve derileri parlam\u0131\u015f halde yuvalar\u0131na geri d\u00f6nerler\". (s. 13-4). Burhan S\u00f6nmez'in d\u00f6rd\u00fcnc\u00fc roman\u0131, Eyl\u00fcl 2018. \u0130ntihar sonras\u0131 hayatta\u2026","rel":"","context":"In "roman"","block_context":{"text":"roman","link":"https:\/\/yalpertem.com\/blog\/category\/edebiyat\/roman\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/09\/burhan-sonmez-labirent-199x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2749,"url":"https:\/\/yalpertem.com\/blog\/2019\/09\/15\/sigizmund-krjijanovski-bir-cesedin-otobiyografisi-okuma-notlari\/","url_meta":{"origin":2773,"position":3},"title":"Sigizmund Krjijanovski | Bir Cesedin Otobiyografisi (Okuma Notlar\u0131)","author":"yalpertem","date":"15 September 2019","format":false,"excerpt":"Ya\u015fam\u0131 boyunca hi\u00e7 kitab\u0131 bas\u0131lmayan, nerede g\u00f6m\u00fcl\u00fc oldu\u011fu bilinmeyen bir yazar oldu\u011funu \u00f6\u011frendikten sonra ba\u015flad\u0131m Krjijanovski'yi okumaya. H\u00fcz\u00fcnl\u00fc bir ba\u015flang\u0131\u00e7.","rel":"","context":"In "okuma notlar\u0131"","block_context":{"text":"okuma notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/ders-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/09\/bir-cesedin-otobiyografisi-sigizmund-krjijanovski-183x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2640,"url":"https:\/\/yalpertem.com\/blog\/2019\/06\/14\/proust-okuma-notlarim-ii-okuma-notu-bile-yazamamak\/","url_meta":{"origin":2773,"position":4},"title":"Proust Okuma Notlar\u0131m II | Okuma Notu Bile Yazamamak","author":"yalpertem","date":"14 June 2019","format":false,"excerpt":"\u00dcvert\u00fcr: Bu yaz\u0131 romanlarla hi\u00e7 ilgisi olmayan tam bir g\u00fcnl\u00fck girdisi oldu. Buran\u0131n g\u00fcnl\u00fck gibi bir yan\u0131 da oldu\u011fu i\u00e7in ileride d\u00f6n\u00fcp bakay\u0131m diye kay\u0131t alt\u0131na almak istedim. \u0130\u015fler, her zaman oldu\u011fu gibi, ba\u015fta d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm yolda ilerlemedi. \u201c\u0130\u015fler\u201d, \u201chayat\u201d ya da \u201cg\u00fcnler\u201d gibi kelimelerle sorumlulu\u011fu birinciden \u00fc\u00e7\u00fcnc\u00fc tekile kayd\u0131rmay\u0131 seviyorum.\u2026","rel":"","context":"In "proust notlar\u0131"","block_context":{"text":"proust notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/proust-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/06\/Bhupen-Khakhar-Landscaping-on-Head-1985-224x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1003,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/04\/blanchot-yazma-kitap-ve-okuma-uzerine-i\/","url_meta":{"origin":2773,"position":5},"title":"Blanchot, Yazma, Kitap ve Okuma \u00dczerine (I)","author":"yalpertem","date":"4 March 2018","format":false,"excerpt":"Bir Blanchot kitab\u0131ndan \"yaz\u0131\" \u00fczerine k\u0131sa bir pasaj al\u0131nt\u0131lamak ahmakl\u0131k. K\u00fclliyat\u0131 zaten yazmay\u0131, okumay\u0131, al\u0131nt\u0131lamay\u0131, ba\u015fka metinleri, onlar\u0131n yazarlar\u0131yla muhabbeti ku\u015fatm\u0131\u015f okur-yazardan b\u00f6ylesi bir par\u00e7a s\u00f6k\u00fcp \u00e7\u0131karmak utan\u00e7 verici. Ne okumak, ne yazmak, ne konu\u015fmak, ne var ki sadece bunlarda yatar daha \u015fimdiden s\u00f6ylenmi\u015f olandan, Bilme'den, anla\u015fmadan kurtulu\u015fumuz, verilenin belki\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi-198x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=2773"}],"version-history":[{"count":0,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2773\/revisions"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=2773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=2773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=2773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}