(Zambakl\u0131 Padi\u015fah, Ece Ayhan)<\/em><\/p>\r\nBu su binlerce y\u0131ld\u0131r
Bu \u015fehrin ve insanlar\u0131n\u0131n kaderini \u00e7izmi\u015f<\/p>\r\n\r\n\r\n\r\n\r\n\r\n
Bu suyun alt\u0131nda bo\u011fulmu\u015f \u00e7ocuklar,
\u00c7uvallara t\u0131k\u0131l\u0131p at\u0131lm\u0131\u015f \u015fairler var<\/p>\r\n\r\n\r\n\r\n
Bu suyun alt\u0131nda bat\u0131k faytonlar,
Yosun tutmu\u015f toplar var<\/p>\r\n\r\n\r\n\r\n
Bu suyun alt\u0131nda bizimkinin aynadaki g\u00f6r\u00fcnt\u00fcs\u00fc gibi
Ona e\u015f ama ters bir d\u00fcnya var<\/p>\r\n\r\n\r\n\r\n
Zaman\u0131n tersine akt\u0131\u011f\u0131
\u00c7\u0131narlar\u0131n yapraklar\u0131n\u0131n
Denizin taban\u0131n\u0131 yalad\u0131\u011f\u0131 bir d\u00fcnya<\/p>\r\n\r\n\r\n\r\n
Tersine minareleri
Tersine kilise kubbeleri
Ba\u015f a\u015fa\u011f\u0131 mezar ta\u015flar\u0131yla
Bir denizalt\u0131 d\u00fcnyas\u0131<\/p>\r\n\r\n\r\n\r\n
Tersine atl\u0131 tramvaylar\u0131
Ba\u015f a\u015fa\u011f\u0131 giden taht\u0131revanlar\u0131
Deniz taban\u0131na do\u011fru u\u00e7an Hezarfen Ahmet \u00c7elebileriyle
Bir su alt\u0131 d\u00fcnyas\u0131<\/p>\r\n\r\n\r\n\r\n
Su alt\u0131nda \u00e7alan bandolar\u0131
Bir \u00f6nceki y\u00fczy\u0131l\u0131n fetihlerine ilerleyen sipahileri
Ge\u00e7mi\u015fte ya\u015fayacaklar\u0131 a\u015fklardan habersiz a\u015f\u0131klar\u0131yla
D\u00fcnyan\u0131n ba\u015flang\u0131c\u0131na do\u011fru ya\u015flanan bir d\u00fcnya<\/p>\r\n\r\n\r\n\r\n
Harika bir d\u00fcnya
Oraya hi\u00e7bir ge\u00e7it yok mu?<\/p>\r\n\r\n\r\n\r\n
\u00d6yle bir d\u00fcnya yok ki<\/p>\r\n","protected":false},"excerpt":{"rendered":"
Burak \u00c7evik’in Tuzdan Kaide’sinin kay\u0131k sahnesi ve \u00c7evik’in i\u015faret edi\u015fi bu filmle kar\u015f\u0131la\u015ft\u0131rd\u0131. 80’lerde sinemada az \u00e7ok neler yap\u0131ld\u0131\u011f\u0131n\u0131 bildi\u011fimi san\u0131yordum, haberim yokmu\u015f. Mine’yi bile yeni izledim. Tekerleme, Merlyn Ecer’in 1985’te \u00e7ekti\u011fi bitirme teziymi\u015f. T\u00fcrkiye’de \u00e7ekilmi\u015f kent filmi, deneysel film, \u015fiir filmi aray\u0131\u015f\u0131nda olanlar bir bakabilir. Darbe sonras\u0131 ad\u0131 de\u011fi\u015ftirilmi\u015f sokaklardan finalindeki d\u00f6nme dolap imaj\u0131na … Continue reading TEKerLEME (1985) | Bo\u011faz’da Sandal \u015eiiri<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[298],"tags":[550,549,551,548],"class_list":["post-2489","post","type-post","status-publish","format-standard","hentry","category-sinema","tag-izzet-yasar","tag-merlyn-solakhan","tag-mustafa-irgat","tag-tekerleme"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-E9","jetpack-related-posts":[{"id":6089,"url":"https:\/\/yalpertem.com\/blog\/2023\/04\/22\/solstad-genc-armand-ve-arkadaslarinin-film-ve-kitaplari\/","url_meta":{"origin":2489,"position":0},"title":"Solstad, Gen\u00e7 Armand ve arkada\u015flar\u0131n\u0131n film ve kitaplar\u0131","author":"yalpertem","date":"22 April 2023","format":false,"excerpt":"\u00d6zel isimler, ki\u015filer ve mekanlar epeyce farkl\u0131 olmas\u0131na ra\u011fmen kendi \u00fcniversite deneyimime tuhaf yak\u0131nl\u0131klar buldum bu paragrafta. \u00dczerime o y\u0131llarda h\u00fccum eden aceleci, \u00e7ap\u0131ndan habersiz ve ba\u015far\u0131s\u0131zl\u0131\u011fa mahkum bir bilme iste\u011fini hat\u0131rlad\u0131m. Antonioni, Ibsen, ve Kafka. Hoh. \"Ger\u00e7ekten de asl\u0131nda senin sand\u0131\u011f\u0131ndan \u00e7ok daha karma\u015f\u0131k bir \u015fey, dedi Armand haval\u0131\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/04\/dag-solstad-armand-v-min-663x1024.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3952,"url":"https:\/\/yalpertem.com\/blog\/2021\/01\/06\/berlin-v\/","url_meta":{"origin":2489,"position":1},"title":"Berlin V","author":"yalpertem","date":"6 January 2021","format":false,"excerpt":"Hayat\u0131mda ilk defa Noel'i kutland\u0131\u011f\u0131 bir yerde ge\u00e7irdim. Sokaklarda s\u0131k s\u0131k evine \u00e7am a\u011fac\u0131 ta\u015f\u0131yan insanlarla kar\u015f\u0131la\u015ft\u0131m. Evler, daha do\u011frusu g\u00f6rebildi\u011fim kadar\u0131yla pencereler, renk renk \u0131\u015f\u0131klarla s\u00fcslendi. Bir \u015fekilde etkile\u015fime ge\u00e7ti\u011fim insanlar \u0131srarla benim de Noel'imi kutlad\u0131lar, bunun verili kabul edilmesine biraz \u015fa\u015f\u0131rd\u0131m, biraz da ho\u015fuma gitti kutlanmak, sebebi \u00f6nemli\u2026","rel":"","context":"In "berlin"","block_context":{"text":"berlin","link":"https:\/\/yalpertem.com\/blog\/category\/berlin\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/01\/berlin-odeon-1024x768.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/01\/berlin-odeon-1024x768.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/01\/berlin-odeon-1024x768.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":4152,"url":"https:\/\/yalpertem.com\/blog\/2021\/03\/14\/ulrich-kohler-neden-politik-filmler-yapmiyorum-ceviri\/","url_meta":{"origin":2489,"position":2},"title":"Ulrich K\u00f6hler, Neden Politik Filmler Yapm\u0131yorum (\u00c7eviri)","author":"yalpertem","date":"14 March 2021","format":false,"excerpt":"ifs internationale filmschule k\u00f6ln gmbh Ulrich K\u00f6hler'in 2007'de yazd\u0131\u011f\u0131 Neden Politik Filmler Yapm\u0131yorum yaz\u0131s\u0131n\u0131 \u00e7evirdim. \u0130ngilizce \u00e7evirisinden \u00e7evirdi\u011fim i\u00e7in iki kat anlam kaymas\u0131 olabilir. Yaz\u0131yla Marco Abel'in The Counter-Cinema of the Berlin School kitab\u0131nda kar\u015f\u0131la\u015fm\u0131\u015ft\u0131m. K\u00f6hler, metni bu s\u0131n\u0131fland\u0131rman\u0131n pejoratif kullan\u0131m\u0131na dair de bir serzeni\u015fle kapat\u0131yor. *** Ken Loach -\u2026","rel":"","context":"In "\u00e7eviri"","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3330,"url":"https:\/\/yalpertem.com\/blog\/2020\/04\/07\/les-garcons-sauvages-2017-referanslar\/","url_meta":{"origin":2489,"position":3},"title":"Les gar\u00e7ons sauvages (2017) | Referanslar","author":"yalpertem","date":"7 April 2020","format":false,"excerpt":"bir al\u0131nt\u0131-montaj Les gar\u00e7ons sauvages (The Wild Boys, 2017) filmini bir arkada\u015f\u0131m David Cronenberg\u2019i anmam\u0131z \u00fczerine \u00f6nermi\u015fti. Bu queer, ok\u00fcltist, ger\u00e7ek\u00fcst\u00fcc\u00fc ve deneyci filmi izlerken akl\u0131ma hem ge\u00e7mi\u015fte izledi\u011fim benzer filmler geldi hem de izledi\u011fim film a\u015fina oldu\u011fum \u015feylere pek benzemiyor diye d\u00fc\u015f\u00fcnd\u00fcm. Al\u0131\u015f\u0131lmad\u0131k bir \u015feyle kar\u015f\u0131la\u015f\u0131nca uzand\u0131\u011f\u0131m\u0131z o benzetme\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2020\/04\/the-wild-boys-les-gar%C3%A7ons-sauvages-203x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2579,"url":"https:\/\/yalpertem.com\/blog\/2019\/04\/09\/yesayan-bazi-insanlar-ve-digerleri\/","url_meta":{"origin":2489,"position":4},"title":"Yesayan, Baz\u0131 \u0130nsanlar ve Di\u011ferleri","author":"yalpertem","date":"9 April 2019","format":false,"excerpt":"Zabel Yesayan Son Kadeh'te s\u0131k s\u0131k yo\u011fun bir a\u015fk\u0131, arzulayan bir \u00f6znenin dilinden anlat\u0131yor. Ben o dalgal\u0131 pasajlar yerine yine d\u00fc\u015fm\u00fc\u015f insan\u0131 ve onun di\u011ferleriyle kar\u015f\u0131la\u015ft\u0131rmas\u0131n\u0131 buldu\u011fum yerleri \u00e7izdim. Ge\u00e7enlerde de bir arkada\u015f\u0131mla kendi hayatlar\u0131m\u0131z \u00fczerine konu\u015furken buna yak\u0131n bir \u015feyler sezmi\u015ftik. Sabah kalk, i\u015fe git, \u00e7al\u0131\u015f, arkada\u015flar\u0131nla g\u00f6r\u00fc\u015f, evde\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/04\/zabel-yesayan-son-kadeh.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4704,"url":"https:\/\/yalpertem.com\/blog\/2022\/01\/06\/asiri-sagin-kahini-houellebecq-ceviri\/","url_meta":{"origin":2489,"position":5},"title":"A\u015f\u0131r\u0131 Sa\u011f’\u0131n Kahini (\u00c7eviri)","author":"yalpertem","date":"6 January 2022","format":false,"excerpt":"Martin Gelin'in Boston Review'da 14 May\u0131s 2020'de yay\u0131mlanan The Prophet of the Far Right makalesini \u00e7evirdim. Yaz\u0131da Michel Houellebecq'in d\u00fc\u015f\u00fcnsel k\u00f6klerini Fransa'dan alan ve yak\u0131n zamanda ABD'de \u00f6n plana \u00e7\u0131kt\u0131\u011f\u0131n\u0131 iddia etti\u011fi g\u00fcncel muhafazakarl\u0131kla ili\u015fkisini ele al\u0131yor. Entelekt\u00fcel ortamlarda paye verilmesi zor bu pozisyona ra\u011fmen Houellebecq'in edebiyat d\u00fcnyas\u0131nda de\u011fer g\u00f6rmesini\u2026","rel":"","context":"In "\u00e7eviri"","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/01\/houellebecq-thalasso-min-300x126.jpeg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/01\/houellebecq-thalasso-min-300x126.jpeg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2022\/01\/houellebecq-thalasso-min-300x126.jpeg?resize=525%2C300 1.5x"},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=2489"}],"version-history":[{"count":17,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2489\/revisions"}],"predecessor-version":[{"id":7428,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2489\/revisions\/7428"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=2489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=2489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=2489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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<\/p>\r\n\r\n\r\n\r\n