{"id":235,"date":"2017-09-02T22:28:34","date_gmt":"2017-09-02T19:28:34","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=235"},"modified":"2025-08-25T22:48:58","modified_gmt":"2025-08-25T20:48:58","slug":"houllebecq-fedakarlik-uzerine","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2017\/09\/02\/houllebecq-fedakarlik-uzerine\/","title":{"rendered":"Houellebecq, Fedakarl\u0131k \u00dczerine"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"237\" data-permalink=\"https:\/\/yalpertem.com\/blog\/2017\/09\/02\/houllebecq-fedakarlik-uzerine\/temel-parcaciklar-michel-houellececq\/\" data-orig-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/temel-parcaciklar-michel-houellececq.jpg?fit=382%2C600&amp;ssl=1\" data-orig-size=\"382,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"temel parcaciklar &amp;#8211; michel houellececq\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/temel-parcaciklar-michel-houellececq.jpg?fit=382%2C600&amp;ssl=1\" class=\"size-medium wp-image-237 alignleft\" src=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/temel-parcaciklar-michel-houellececq.jpg?resize=191%2C300\" alt=\"\" width=\"191\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/temel-parcaciklar-michel-houellececq.jpg?resize=191%2C300&amp;ssl=1 191w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/temel-parcaciklar-michel-houellececq.jpg?w=382&amp;ssl=1 382w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" \/>&#8220;Bu kad\u0131n yedi ya\u015f\u0131ndan ba\u015flayarak \u00e7iftlik i\u015flerinde, yar\u0131 ilkel alkolikler aras\u0131nda korkun\u00e7 bir \u00e7ocukluk ge\u00e7irmi\u015fti. Eri\u015fkinlik d\u00f6nemi, bir an\u0131s\u0131 olamayacak kadar k\u0131sa s\u00fcrm\u00fc\u015ft\u00fc. Kocas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra hem d\u00f6rt \u00e7ocu\u011funu yeti\u015ftirmi\u015f hem de fabrikada \u00e7al\u0131\u015fm\u0131\u015ft\u0131. K\u0131\u015f ortas\u0131nda, ailenin temizli\u011fi i\u00e7in avludan su ta\u015f\u0131m\u0131\u015ft\u0131. Altm\u0131\u015f\u0131ndan sonra, hen\u00fcz emekli oldu\u011funda, yeniden k\u00fc\u00e7\u00fck bir \u00e7ocukla o\u011flunun o\u011fluyla u\u011fra\u015fmay\u0131 kabul etmi\u015fti. O \u00e7ocu\u011fun da hi\u00e7bir eksi\u011fi olmam\u0131\u015ft\u0131; ne temiz giysiler ne pazar \u00f6\u011flenleri g\u00fczel yemekler ne de sevgi eksikti. Ya\u015fam\u0131 boyunca t\u00fcm bunlar\u0131 yapm\u0131\u015ft\u0131 bu kad\u0131n. \u0130nsanl\u0131k tarihinin -az bile olsa- t\u00fcm\u00fc kapsayan bir ara\u015ft\u0131rmas\u0131, bu t\u00fcr olaylar\u0131 g\u00f6z \u00f6n\u00fcnde tutmak zorundad\u0131r. Tarihsel olarak bu t\u00fcr insanlar ya\u015fam\u0131\u015ft\u0131r. T\u00fcm ya\u015famlar\u0131 boyunca, yaln\u0131zca \u00f6zveri ve sevgiyle \u00e7al\u0131\u015fan, zor ko\u015fullarda \u00e7al\u0131\u015fan, ya\u015famlar\u0131n\u0131 bir \u00f6zveri ve sevgi anlay\u0131\u015f\u0131 i\u00e7inde, ger\u00e7ek anlamda ba\u015fkalar\u0131na adayan, hi\u00e7bir zaman kendilerini feda ediyormu\u015f duygusuna kap\u0131lmayan, ba\u015fkalar\u0131na ya\u015famlar\u0131n\u0131 adamaktan ba\u015fka bir ya\u015fama bi\u00e7imi d\u00fc\u015f\u00fcnmeyen insanlar. Uygulamada bu t\u00fcr insanlar genellikle kad\u0131nlard\u0131.&#8221;<\/p>\n<p>Michel Houellebecq, Temel Par\u00e7ac\u0131klar, \u00e7ev. Osman Senemo\u011flu, Can Yay\u0131nlar\u0131, 2013 [1998], s. 90.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Bu kad\u0131n yedi ya\u015f\u0131ndan ba\u015flayarak \u00e7iftlik i\u015flerinde, yar\u0131 ilkel alkolikler aras\u0131nda korkun\u00e7 bir \u00e7ocukluk ge\u00e7irmi\u015fti. Eri\u015fkinlik d\u00f6nemi, bir an\u0131s\u0131 olamayacak kadar k\u0131sa s\u00fcrm\u00fc\u015ft\u00fc. Kocas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra hem d\u00f6rt \u00e7ocu\u011funu yeti\u015ftirmi\u015f hem de fabrikada \u00e7al\u0131\u015fm\u0131\u015ft\u0131. K\u0131\u015f ortas\u0131nda, ailenin temizli\u011fi i\u00e7in avludan su ta\u015f\u0131m\u0131\u015ft\u0131. Altm\u0131\u015f\u0131ndan sonra, hen\u00fcz emekli oldu\u011funda, yeniden k\u00fc\u00e7\u00fck bir \u00e7ocukla o\u011flunun o\u011fluyla u\u011fra\u015fmay\u0131 kabul &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2017\/09\/02\/houllebecq-fedakarlik-uzerine\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Houellebecq, Fedakarl\u0131k \u00dczerine<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,8],"tags":[53,52,54],"class_list":["post-235","post","type-post","status-publish","format-standard","hentry","category-alinti","category-roman","tag-fedakarlik","tag-michel-houellebecq","tag-temel-parcaciklar"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-3N","jetpack-related-posts":[{"id":1225,"url":"https:\/\/yalpertem.com\/blog\/2018\/04\/21\/diken-houellebecqde-hinc-ve-kinizm\/","url_meta":{"origin":235,"position":0},"title":"Diken, Houellebecq&#8217;de H\u0131n\u00e7 ve Kinizm","author":"yalpertem","date":"21 April 2018","format":false,"excerpt":"B\u00fclent Diken Nihilizm okumas\u0131yla, kendine benzer niyetlerle bir okurluk ve seyircili\u011fi deneyimleyen bir avu\u00e7 insan\u0131n seyretti\u011fi y\u00f6r\u00fcngede dola\u015f\u0131yor. \u00d6nce Nietzsche sonra Deleuze ve \u017di\u017eek, bu \u00e7er\u00e7evede zengin bir referans listesini s\u0131rt\u0131na alarak perde aralar\u0131nda Nuri Bilge Ceylan'a da Houellebecq'e de u\u011fruyor. 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Aralar\u0131ndaki ba\u011flar art\u0131k kopmu\u015f bile olsa entelekt\u00fceller s\u0131n\u0131f\u0131, \u00f6zellikle de filozoflar, bu konuda h\u00e2l\u00e2 sinir krizleri ge\u00e7iriyor. \u00d6rne\u011fin Peruk'u ele alal\u0131m. Babas\u0131n\u0131n tar\u0131m i\u015f\u00e7isini oldu\u011funu anlatmak i\u00e7in hi\u00e7bir f\u0131rsat\u0131 ka\u00e7\u0131rmayan iyi bir \u00e7ocuk. 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Oldu\u011fu gibi aktar\u0131yorum.) \"\u00d6yle ki yazmak i\u00e7in ka\u00e7\u0131\u015f \u00e7izgileriyle, \u00f6z\u00fcnde, bir ili\u015fki kurmakt\u0131r. 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