{"id":2281,"date":"2018-11-15T23:46:27","date_gmt":"2018-11-15T20:46:27","guid":{"rendered":"https:\/\/yalpertem.com\/blog\/?p=2281"},"modified":"2025-10-27T12:50:08","modified_gmt":"2025-10-27T11:50:08","slug":"tek-cumlelik-nobel-edebiyat-odulu-aciklamalari-2000-2017","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/11\/15\/tek-cumlelik-nobel-edebiyat-odulu-aciklamalari-2000-2017\/","title":{"rendered":"Tek C\u00fcmlelik Nobel Edebiyat \u00d6d\u00fcl\u00fc A\u00e7\u0131klamalar\u0131 (1990-2017)"},"content":{"rendered":"

\"\"<\/p>\n

A\u00e7\u0131klamalar\u0131 Nobel’in sitesinden<\/a> \u00e7evirdim -kesin ba\u015fkalar\u0131 \u00e7ok daha nitelikli bir \u015fekilde \u00e7evirmi\u015ftir, amac\u0131m elbette iyi \u00e7eviriden ziyade yak\u0131n okuma yapmak ve \u00e7e\u015fitli kelimeler \u00fczerinde vakit harcamak. Nobel Edebiyat \u00d6d\u00fcl\u00fc veren j\u00fcriler kendilerini ne denli edebi bir bi\u00e7imde a\u00e7\u0131kl\u0131yorlar? D\u00fcnyan\u0131n edebiyat olay\u0131 olarak g\u00f6r\u00fclen o t\u00f6rene dair, bir ya da birka\u00e7 tweet uzunlu\u011fundaki metni sunarken hangi s\u00f6zc\u00fckleri imtinayla se\u00e7iyorlar? Kendilerine, ge\u00e7mi\u015fe y\u00f6nelik, en iyi “\u00f6d\u00fcl a\u00e7\u0131klamas\u0131” \u00f6d\u00fcl\u00fc verseler hangi a\u00e7\u0131klamaya verirler acaba? Benim \u00fc\u00e7 aday\u0131m: Coetzee (yabanc\u0131l\u0131k), Munro (rakipsizlik) ve\u00a0Alexievich (\u00e7okseslilik).<\/em><\/p>\n

2018 y\u0131l\u0131nda, akademi \u00fcyesi Katarina Frostenson’\u0131n e\u015fi, su\u00e7u ispatlanm\u0131\u015f tecav\u00fcz su\u00e7lusu Jean-Claude Arnault’a dair 18 kad\u0131n taraf\u0131ndan y\u00f6neltilen taciz su\u00e7lamalar\u0131 sebebiyle Nobel Edebiyat \u00d6d\u00fcl\u00fc verilmiyor. Hollywood kar\u0131\u015ft\u0131, \u0130sve\u00e7 kar\u0131\u015ft\u0131, pek \u00e7ok yerde eylemler, tart\u0131\u015fmalar kaynamakta, dar\u0131s\u0131 hayat\u0131n her alan\u0131nda T\u00fcrkiye’nin ba\u015f\u0131na…<\/p>\n

Yak\u0131n ge\u00e7mi\u015fi merak etti\u011fimden ve de \u00e7evirmeyi denerken \u00fc\u015fenge\u00e7lik g\u00f6sterdi\u011fimden 1990’a kadar iz s\u00fcrd\u00fcm.<\/p>\n

\n

2017<\/strong>
\nM\u00fcthi\u015f duygu y\u00fckl\u00fc romanlar\u0131nda, d\u00fcnyayla olan aldat\u0131c\u0131 ba\u011flar\u0131m\u0131za dair aldat\u0131c\u0131 duyular\u0131m\u0131z\u0131n alt\u0131ndaki dipsiz bo\u015flu\u011fu a\u00e7\u0131\u011fa \u00e7\u0131karan Kazuo Ishiguro<\/em>.<\/p>\n

2016<\/strong>
\nB\u00fcy\u00fck Amerikan \u015fark\u0131 gelene\u011finde yeni \u015fiirsel ifadeler yaratt\u0131\u011f\u0131ndan\u00a0Bob Dylan<\/em>.<\/p>\n

2015<\/strong>
\nZaman\u0131m\u0131zda, ac\u0131 \u00e7ekmeye ve cesarete dair an\u0131t olan \u00e7oksesli yaz\u0131lar\u0131 sebebiyle\u00a0Svetlana Alexievich<\/em>.<\/p>\n

2014<\/strong>
\n<\/em>Kavranmas\u0131 g\u00fc\u00e7 insan yazg\u0131lar\u0131n\u0131 an\u0131msatan ve zanaatin ya\u015fam-d\u00fcnyas\u0131n\u0131n gizemini aralayan haf\u0131za sanat\u0131 sebebiyle Patrick Modiano<\/em>.<\/p>\n

2013<\/strong>
\n\u00c7a\u011fda\u015f \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcn ustas\u0131, Alice Munro<\/em>.<\/p>\n

2012<\/strong>
\nHalis\u00fcnatif ger\u00e7ek\u00e7ili\u011fiyle halk hik\u00e2yelerini, tarihi ve \u00e7a\u011fda\u015f\u0131 kayna\u015ft\u0131ran, Mo Yan<\/em>.<\/p>\n

2011<\/strong>
\nS\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f, yar\u0131 saydam imgeleriyle bize ger\u00e7ekli\u011fe ferah bir eri\u015fim sa\u011flad\u0131\u011f\u0131 i\u00e7in,\u00a0Tomas Transtr\u00f6mer<\/em>.<\/p>\n

2010<\/em><\/strong>
\n\u0130ktidar yap\u0131lar\u0131n\u0131n haritac\u0131l\u0131\u011f\u0131na ve bireyin direni\u015f, isyan ve bozgununa dair dokunakl\u0131 imgeleri sebebiyle,\u00a0Mario Vargas Llosa<\/em>.<\/p>\n

2009<\/strong>
\n\u015eiirsel yo\u011funluk ve nesrin samimiyetiyle, m\u00fclks\u00fczle\u015ftirilmi\u015flerin peyzaj\u0131n\u0131 tasvir eden, Herta M\u00fcller<\/em>.<\/p>\n

2008<\/strong>
\nYeni ba\u015flang\u0131\u00e7lar\u0131n, \u015fiirsel macera ve duyumsal esrimenin yazar\u0131, h\u00fck\u00fcm s\u00fcren uygarl\u0131\u011f\u0131n \u00f6tesinde ve berisindeki insanl\u0131\u011f\u0131n ka\u015fifi,\u00a0Jean-Marie Gustave Le Cl\u00e9zio<\/em>.<\/p>\n

2007<\/strong>
\nKad\u0131n deneyiminin destans\u0131 anlat\u0131c\u0131s\u0131; ku\u015fku, ate\u015f ve \u00f6ng\u00f6r\u00fclerle dolu bir g\u00fc\u00e7le b\u00f6l\u00fcnm\u00fc\u015f uygarl\u0131\u011f\u0131 tetkik eden, Doris Lessing<\/em>.<\/p>\n

2006<\/strong>
\nDo\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc kentin melankolik ruhunun aray\u0131\u015f\u0131nda, k\u00fclt\u00fcrlerin \u00e7arp\u0131\u015fmas\u0131 ve i\u00e7 i\u00e7e ge\u00e7mesine dair yeni semboller ke\u015ffeden, Orhan Pamuk<\/em>.<\/p>\n

2005<\/strong>
\nOyunlar\u0131nda g\u00fcndelik gevezeliklerin ard\u0131ndaki u\u00e7urumlar\u0131n \u00f6rt\u00fcs\u00fcn\u00fc kald\u0131ran ve tahakk\u00fcm\u00fcn kapal\u0131 odalar\u0131na giri\u015fi zorlayan, Harold Pinter<\/em>.<\/p>\n

2004<\/strong>
\nRomanlar\u0131nda ses ve kar\u015f\u0131-seslerin ahenkli ak\u0131\u015f\u0131yla ve oyunlar\u0131ndaki ola\u011fan\u00fcst\u00fc dilsel co\u015fkunlukla toplumun kli\u015felerini ve h\u00fckmedici g\u00fcc\u00fcn\u00fc su y\u00fcz\u00fcne \u00e7\u0131karan, Elfreide Jelinek<\/em>.<\/p>\n

2003<\/strong>
\nYabanc\u0131 fig\u00fcr\u00fcn \u015fa\u015f\u0131rt\u0131c\u0131 dahil olu\u015funu say\u0131s\u0131z k\u0131l\u0131kta resmeden, John M. Coetzee<\/em>.<\/p>\n

2002<\/strong>
\nTarihin barbar keyfili\u011fine kar\u015f\u0131 bireyin k\u0131r\u0131lgan deneyiminin taraf\u0131n\u0131 tutan yaz\u0131n\u0131yla,\u00a0Imre Kert\u00e9sz<\/em>.<\/p>\n

2001<\/strong>
\nsezgi y\u00fckl\u00fc anlat\u0131s\u0131 ve d\u00fcr\u00fcst tetkiklerle y\u00fckl\u00fc \u00e7al\u0131\u015fmalar\u0131yla, bast\u0131r\u0131lm\u0131\u015f tarihlerin mevcudiyetine tan\u0131k olmaya zorlayan,\u00a0Sir Vidiadhar Surajprasad Naipaul<\/em>.<\/p>\n

2000<\/strong>
\nEvrensel ge\u00e7erlilik, keskin sezgiler ve dilsel becerilerle dolu bir k\u00fclliyatla, \u00c7in roman ve dramas\u0131na yeni yollar a\u00e7an,\u00a0Gao Xingjian<\/em>.<\/p>\n

1999<\/strong>
\nTarihin unutulmu\u015f y\u00fcz\u00fcn\u00fc resmeden, yerinde duramayan kara masallar\u0131yla, G\u00fcnter Grass<\/em>.<\/p>\n

1998<\/strong>
\nM\u00fctemadiyen hayal g\u00fcc\u00fc, tutku ve ironiye dayanan k\u0131ssalar\u0131yla, yakalanmas\u0131 g\u00fc\u00e7 ger\u00e7ekli\u011fi kavramam\u0131z\u0131 sa\u011flayan,\u00a0Jos\u00e9 Saramago<\/em>.<\/p>\n

1997<\/strong>
\n\u0130ktidar\u0131 oyarken ve ezilenlerin onurunu savunuruken Orta \u00c7a\u011f’\u0131n soytar\u0131lar\u0131na \u00f6yk\u00fcnen, Dario Fo<\/em>.<\/p>\n

1996<\/strong>
\n\u0130ronik hassasiyetiyle insanl\u0131\u011f\u0131n hakikatindeki par\u00e7alar\u0131n tarihsel ve biyolojik ba\u011flam\u0131na \u0131\u015f\u0131k tutan bir \u015fiirsellik sebebiyle, Wislawa Szymborska<\/em>.<\/p>\n

1995<\/strong>
\nLirik g\u00fczellik ve etik derinli\u011fe sahip \u00e7al\u0131\u015fmalar\u0131yla, g\u00fcnl\u00fck mucizeleri ve s\u00fcrmekte olan ge\u00e7mi\u015fi y\u00fccelten, Seamus Heaney<\/em>.<\/p>\n

1994<\/strong>
\nG\u00fcn\u00fcm\u00fcz insani a\u00e7mazlar\u0131n\u0131n huzursuz bir tasvirini kurmak i\u00e7in hayat ve miti birbirine ge\u00e7iren, \u015fiirsel bir g\u00fc\u00e7le hayali bir d\u00fcnya yaratan, Kenzaburo Oe<\/em>.<\/p>\n

1993<\/strong>
\n\u00d6nsezilerinin g\u00fcc\u00fc ve \u015fiirsel ifadeleriyle nitelenen romanlar\u0131yla, Amerikan ger\u00e7ekli\u011finin esas \u00e7ehresine hayat veren, Toni Morrison<\/em>.<\/p>\n

1992<\/strong>
\nTarihsel bak\u0131\u015fla s\u00fcrd\u00fcrd\u00fc\u011f\u00fc m\u00fcthi\u015f par\u0131lt\u0131l\u0131 \u015fiirsel k\u00fclliyatla, \u00e7ok k\u00fclt\u00fcrl\u00fcl\u00fc\u011fe dair \u00f6zverilerinin bir \u00e7\u0131kt\u0131s\u0131 olarak, Derek Walcott<\/em>.<\/p>\n

1991<\/strong>
\nFevkalade epik yaz\u0131m\u0131yla -Alfred Nobel’in ifadesiyle- insanl\u0131\u011fa m\u00fcthi\u015f faydalar sa\u011flayan, Nadine Gordimer<\/em>.<\/p>\n

1990<\/strong>
\nGeni\u015f ufuklarla dolu co\u015fkulu yaz\u0131m\u0131yla, tensel zekas\u0131 ve h\u00fcmanist do\u011frulu\u011fuyla nitelelen, Octavio Paz<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

A\u00e7\u0131klamalar\u0131 Nobel’in sitesinden \u00e7evirdim -kesin ba\u015fkalar\u0131 \u00e7ok daha nitelikli bir \u015fekilde \u00e7evirmi\u015ftir, amac\u0131m elbette iyi \u00e7eviriden ziyade yak\u0131n okuma yapmak ve \u00e7e\u015fitli kelimeler \u00fczerinde vakit harcamak. Nobel Edebiyat \u00d6d\u00fcl\u00fc veren j\u00fcriler kendilerini ne denli edebi bir bi\u00e7imde a\u00e7\u0131kl\u0131yorlar? D\u00fcnyan\u0131n edebiyat olay\u0131 olarak g\u00f6r\u00fclen o t\u00f6rene dair, bir ya da birka\u00e7 tweet uzunlu\u011fundaki metni sunarken hangi … Continue reading Tek C\u00fcmlelik Nobel Edebiyat \u00d6d\u00fcl\u00fc A\u00e7\u0131klamalar\u0131 (1990-2017)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[248,7,529],"tags":[528],"class_list":["post-2281","post","type-post","status-publish","format-standard","hentry","category-ceviri","category-edebiyat","category-liste","tag-nobel-edebiyat-odulu"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-AN","jetpack-related-posts":[{"id":2823,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/10\/sembolist-edebiyat-ceviri\/","url_meta":{"origin":2281,"position":0},"title":"Sembolist Edebiyat (\u00c7eviri)","author":"yalpertem","date":"10 November 2019","format":false,"excerpt":"(Brittanica'n\u0131n Sembolist Edebiyat makalesinin \u00e7evirisi. Rodenbach okuyunca merak ettim sembolistleri. Tersine'yi okumal\u0131y\u0131m.) 19. y\u00fczy\u0131l sonlar\u0131nda Frans\u0131z \u015fairleri aras\u0131nda k\u0131smen organize bir \u015fekilde do\u011fan edebi ve sanatsal bir hareket olarak Sembolizm, resim ve tiyatroya geni\u015fledi, 20. y\u00fczy\u0131l Avrupal\u0131 ve Amerikal\u0131 edebiyat\u00e7\u0131lar\u0131n\u0131 \u00e7e\u015fitli derecelerde etkiledi. Sembolist sanat\u00e7\u0131lar bireyin duygusal deneyimini incelikli ve\u2026","rel":"","context":"In "\u00e7eviri"","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1480,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/14\/bloom-edebiyat-calismalari-okumanin-bugunu\/","url_meta":{"origin":2281,"position":1},"title":"Bloom, Edebiyat \u00c7al\u0131\u015fmalar\u0131 ve Okuman\u0131n Bug\u00fcn\u00fc","author":"yalpertem","date":"14 May 2018","format":false,"excerpt":"\u015eimdiye dek edebiyat ele\u015ftirileri, k\u00fclt\u00fcrel \u00e7al\u0131\u015fmalar, k\u00fclt\u00fcrel sermaye tart\u0131\u015fmalar\u0131, post-marksist veya post-yap\u0131salc\u0131 d\u00fc\u015f\u00fcn\u00fcrler vb. kanallar\u0131ndan a\u015fina oldu\u011fum g\u00f6r\u00fc\u015flerin b\u00fcy\u00fck k\u0131sm\u0131na bir kar\u015f\u0131 \u00e7\u0131k\u0131\u015f Harold Bloom'unki. \"\u0130ngiliz\/Amerikan Edebiyat\u0131\" e\u011fitiminde payla\u015f\u0131lan baz\u0131 g\u00f6r\u00fc\u015fler olsa gerek, ben oraya \u00e7ok a\u015fina olmad\u0131\u011f\u0131mdan \u015fa\u015f\u0131rd\u0131m. Bir kar\u015f\u0131 g\u00f6r\u00fc\u015f \u00e7etelesi olarak hat\u0131rda tutmak i\u00e7in buraya ge\u00e7irdim. Neil\u2026","rel":"","context":"In "genel"","block_context":{"text":"genel","link":"https:\/\/yalpertem.com\/blog\/category\/genel\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/harold-bloom-bat%C4%B1-kanonu-%C3%A7a%C4%9Flar%C4%B1n-ekolleri-ve-kitaplar%C4%B1-200x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2914,"url":"https:\/\/yalpertem.com\/blog\/2019\/12\/07\/maurice-blanchotya-kisa-giris-c-fynsk-notlar\/","url_meta":{"origin":2281,"position":2},"title":"Maurice Blanchot’ya K\u0131sa Giri\u015f | C. Fynsk (Notlar)","author":"yalpertem","date":"7 December 2019","format":false,"excerpt":"Genel olarak, Blanchot'nun 1930'lardan bug\u00fcne ba\u015fkalar\u0131 taraf\u0131ndan nas\u0131l temkinle kar\u015f\u0131land\u0131\u011f\u0131ndan, gen\u00e7li\u011findeki sa\u011fc\u0131l\u0131\u011f\u0131ndan, etraf\u0131ndaki haleden, \u015fimdiye kadar tan\u0131\u015ft\u0131\u011f\u0131m Blanchot'ya bir yerden dokunmu\u015f herkesten duydu\u011fum \"okudum ama ben tam bilmiyorum, g\u00fczel, nas\u0131l desem, pek bir \u015fey diyemem,\" diye ba\u015flayan ifadelerin olas\u0131 sebeplerinden bahsediyor. 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Halbuki romanlar\u0131 daha \u00f6nceden Kanat ve Alef\u2019den \u00e7evrilmi\u015f, yay\u0131mlanm\u0131\u015f. \"Ben Buradan Okuyorum\", birka\u00e7 kitap\u00e7\u0131da da ilk haftas\u0131nda t\u00fckenmi\u015fti, \u00e7al\u0131\u015fanlarla beraberce \u015fa\u015f\u0131rm\u0131\u015ft\u0131k, nas\u0131l pop\u00fclerle\u015fti bir \u201cmetis ele\u015ftiri\u201d kitab\u0131 acaba diye. Ben kapa\u011f\u0131n ve ba\u015fl\u0131\u011f\u0131n\u0131n albenisinden diye d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcm. Kitab\u0131 okuduktan sonra ele\u015ftirilerine bakarken,\u2026","rel":"","context":"In "deneme"","block_context":{"text":"deneme","link":"https:\/\/yalpertem.com\/blog\/category\/deneme\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/03\/ben_buradan_okuyorum-tim_parks-min-201x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1969,"url":"https:\/\/yalpertem.com\/blog\/2018\/08\/11\/kazuo-ishiguro-gunden-kalanlarin-cikis-fikri-ceviri\/","url_meta":{"origin":2281,"position":4},"title":"Kazuo Ishiguro – “G\u00fcnden Kalanlar”\u0131n \u00c7\u0131k\u0131\u015f Fikri (\u00c7eviri)","author":"yalpertem","date":"11 August 2018","format":false,"excerpt":"Kazuo Ishiguro 2017'de Toronto Film Festivali'nde s\u00f6yle\u015fi yapm\u0131\u015f. S\u00f6yle\u015fi temelde G\u00fcnden Kalanlar'\u0131n (1989) uyarlamas\u0131 The Remains of the Day (1993) \u00fczerinden bu roman\u0131n uyarlama s\u00fcreci, sinema\/edebiyat ili\u015fkisi ve haf\u0131zan\u0131n kendi romanc\u0131l\u0131\u011f\u0131ndaki merkezi rol\u00fc \u00fczerine. \u00c7evirdi\u011fim k\u0131s\u0131m, konu\u015fman\u0131n ba\u015f\u0131nda (00:00 - 05:14) Ishiguro'nun roman\u0131n ana karakteri ba\u015fu\u015fak Stevens'\u0131n temsil etti\u011fi iki\u2026","rel":"","context":"In "\u00e7eviri"","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/08\/kazuo-ishiguro-tiff-2017.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/08\/kazuo-ishiguro-tiff-2017.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/08\/kazuo-ishiguro-tiff-2017.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/08\/kazuo-ishiguro-tiff-2017.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/08\/kazuo-ishiguro-tiff-2017.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/08\/kazuo-ishiguro-tiff-2017.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2839,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/13\/ozlu-walserle-tanisma\/","url_meta":{"origin":2281,"position":5},"title":"\u00d6zl\u00fc, Walser’le Tan\u0131\u015fma","author":"yalpertem","date":"13 November 2019","format":false,"excerpt":"Bu mektuplarda yeni bir yazarla tan\u0131\u015fma, ondan etkilenme, onu T\u00fcrk\u00e7eye \u00e7evirip yay\u0131mlamaya dair samimi (\"i\u00e7ten duydu\u011fum bir yazar\"), entelekt\u00fcel (\"okur i\u00e7in daha iyi olur\") ve profesyonel (\"ka\u00e7a m\u00e2l olur\") ifadeler var. \"Bilmem Robert Walser'i tan\u0131r m\u0131s\u0131n? \u0130svi\u00e7re edebiyat\u0131n\u0131n bence en \u00f6nemli yazar\u0131. Tam bir Kafkaesk korku ve Dostoyevski y\u00fcre\u011fi ve\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/tezer-ozlu-ferit-edgu-her-seyin-sonundayim-min-194x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=2281"}],"version-history":[{"count":2,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2281\/revisions"}],"predecessor-version":[{"id":7388,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2281\/revisions\/7388"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=2281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=2281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=2281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}