Sat\u00fcrn’\u00fcn Halkalar\u0131<\/em> oldu. Sanki gazetenin edit\u00f6rleri bu kitab\u0131, insan\u0131n kan\u0131n\u0131 donduran bir g\u00fczelli\u011fe sahip bi\u00e7emi beni b\u00fcsb\u00fct\u00fcn yere sersin diye se\u00e7mi\u015fti. Bunu biliyordum, bana s\u00f6ylemi\u015flerdi fakat kitab\u0131 okurken ayr\u0131ca do\u011frulam\u0131\u015f oldum: Anlat\u0131c\u0131, sanki hepimiz d\u00fcnyaya \u00e7ift kat cam\u0131n ard\u0131ndan bak\u0131yormu\u015fuzcas\u0131na d\u00fcnyay\u0131 tuhaf ve yapay bir sessizlik i\u00e7inde tasvir ediyordu. Bu anlat\u0131c\u0131 yer yer, “h\u00e2l\u00e2 ya\u015fayanlar\u0131n diyar\u0131nda m\u0131yd\u0131 yoksa \u00e7oktan ba\u015fka bir \u00e2leme ge\u00e7mi\u015f miydi” emin olam\u0131yordu. Tanr\u0131m, ne keder ama! Anlat\u0131c\u0131, “uzun s\u00fcren \u00f6nemli bir \u00e7al\u0131\u015fman\u0131n bitmesinin ard\u0131ndan i\u00e7ini kaplayan bo\u015fluk duygusundan kurtulmak amac\u0131yla” \u0130ngiltere’nin do\u011fusundaki Suffolk Kontlu\u011fu’nu y\u00fcr\u00fcyerek dola\u015f\u0131yordu. Tek t\u00fck evlerle, \u0131ss\u0131z manzaralar ve harabelerle dolu k\u00fc\u00e7\u00fck yerle\u015fim b\u00f6lgelerinde yapt\u0131\u011f\u0131 gezintiler esnas\u0131nda t\u00fcm d\u00fcnyay\u0131 kapsayan bir ge\u00e7mi\u015fin izleriyle kar\u015f\u0131la\u015f\u0131yordu. Sahilde yapt\u0131\u011f\u0131 bu kutsal yolculuk i\u00e7inde ne\u015fe, \u0131\u015f\u0131k ve canl\u0131l\u0131k bar\u0131nd\u0131rm\u0131yordu. \u00d6l\u00fc bir adam i\u00e7in, diyordu sanki anlat\u0131c\u0131, t\u00fcm d\u00fcnya b\u00fcy\u00fck bir cenazeden ibaret.” (s. 39-40)<\/p>\n
\n“Ya\u015fam\u0131m! Okuru d\u00fc\u015f\u00fcnerek, beni daha yak\u0131ndan tan\u0131ma hakk\u0131na sahip oldu\u011funu d\u00fc\u015f\u00fcnerek kaleme alaca\u011f\u0131m k\u0131sa bir s\u00f6zl\u00fc\u011fe indirgenmesi iyi olacakt\u0131r eminim. Kurmacayla otobiyografiyi i\u00e7 i\u00e7e ge\u00e7irdikten, b\u00f6ylece kurmaca metinler yaratt\u0131ktan sonra \u015fimdi okurlar\u0131n ya\u015fam\u0131m ve benim hakk\u0131mda daha fazla bilgi sahibi olmas\u0131n\u0131 istiyorum yaln\u0131zca; kendi yaratt\u0131\u011f\u0131m metinlerin arkas\u0131na saklanmak istemiyorum art\u0131k. Kurmaca metin yazar\u0131n\u0131n kartlar\u0131n\u0131 a\u00e7\u0131k oynamas\u0131, yani kendisi hakk\u0131nda bilgi vermesi, kendi imgesine yans\u0131tmas\u0131 gerekti\u011fini s\u00f6yleyen W.G. Sebald’a kat\u0131l\u0131yorum.” (s. 105-6)<\/p>\n
\n“Eprimi\u015f kuma\u015f belki de ba\u015fka bir d\u00fcnyan\u0131n \u0131\u015f\u0131\u011f\u0131n\u0131n d\u00fc\u015ft\u00fc\u011f\u00fc bir g\u00fcn, s\u00f6zel kuma\u015f\u0131n hayata anlam veren mant\u0131k dokusunun \u00f6ld\u00fc\u011f\u00fc bir cennettedir. G\u00fczel g\u00fcnlerdi. Yine de o cennetteki biri dilin yarat\u0131c\u0131s\u0131n\u0131 delirtti, kuma\u015f epridik\u00e7e epridi ve eski d\u00fczeninden, eski anlam\u0131ndan yoksun kalan hayatlar\u0131m\u0131z sa\u00e7ma sapan bir hal ald\u0131. Bug\u00fcn tan\u0131nmaz hale gelen bu kuma\u015f, eprimi\u015f de olsa, Sebald’\u0131n varl\u0131\u011f\u0131n\u0131 sezinledi\u011fi kuma\u015f olabilir pek\u00e2l\u00e2; ancak bir anl\u0131k ama b\u00fcy\u00fcleyici par\u0131lt\u0131s\u0131n\u0131 alg\u0131layabildi\u011fimiz halde vard\u0131r ve bu kuma\u015f -tabii alg\u0131larsak- ve bu par\u0131lt\u0131lar, belki de asl\u0131nda neler olabilece\u011fini de, yanl\u0131\u015f anla\u015f\u0131lman\u0131n ne oldu\u011funu da bilmedi\u011fimizi de, yanl\u0131\u015f anla\u015f\u0131lman\u0131n ne oldu\u011funu da bilmedi\u011fimizi ama cennette silah sesleri duyuldu\u011funu ya da en az\u0131ndan -kendisine hayatlar\u0131m\u0131zdaki tuhaf bir tesad\u00fcf\u00fc, dolay\u0131s\u0131yla da eprimi\u015f kuma\u015ftaki ba\u015fka bir par\u0131lt\u0131y\u0131 g\u00f6zler \u00f6n\u00fcne seren belgeleri g\u00f6sterdi\u011fimde Sergio Pitol’un bana dedi\u011fi gibi- “muhakkak bir \u015fey olmu\u015f olmas\u0131 gerekti\u011fini, bu kadar\u0131n\u0131n kesin oldu\u011funu” do\u011fruluyordur.” (s. 195-6)<\/p>\n
“K\u0131rk be\u015f y\u0131l \u00f6nce bug\u00fcn, 1956 y\u0131l\u0131nda, W.G. Sebald’\u0131n karda dola\u015fmaya \u00e7\u0131kan dedesi \u00f6ld\u00fc; gezintiye \u00e7\u0131kan ba\u015fka biriyle, benzer bir gezintide yine karlar\u0131n \u00fcst\u00fcne devriliveren Robert Walser’le neredeyse ayn\u0131 saatte karlar\u0131n \u00fcst\u00fcne y\u0131\u011f\u0131ld\u0131 kald\u0131.<\/p>\n
Tek bir Noel g\u00fcn\u00fc i\u00e7in iki \u00f6l\u00fc.<\/p>\n
On bir g\u00fcn \u00f6nce, 14 Aral\u0131k Cuma g\u00fcn\u00fc yazar W.G. Sebald arabas\u0131n\u0131n direksiyonu ba\u015f\u0131nda \u00f6ld\u00fc. Hep sanki ba\u015fka bir \u00e7a\u011fdan f\u0131rlam\u0131\u015f gibi bir hali vard\u0131: \u0131ss\u0131z b\u00f6lgelerden ta ge\u00e7mi\u015fe de\u011fin uzanan, d\u00fcnyan\u0131n b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc i\u015faret eden, yok olu\u015fun ve y\u0131k\u0131m\u0131n tarihteki izini s\u00fcren hafif antika bir adam.” (s. 294-5)<\/p>\n
\n“A\u011flad\u0131m, g\u00f6zya\u015flar\u0131ma engel olamad\u0131m. Ge\u00e7mi\u015fin bu beklenmedik d\u00f6n\u00fc\u015f\u00fcne a\u011flad\u0131m. Sebald’\u0131n Vertigo<\/em>‘sunda \u00e7ok benzer bir \u015fey olur: “All’estero<\/em>” b\u00f6l\u00fcm\u00fcn\u00fcn anlat\u0131c\u0131s\u0131 kitaptaki \u00f6yk\u00fclerden birinde arkada\u015f\u0131 Olga’yla seyahat eder ve Olga \u00e7ocukken gitti\u011fi okula girmekten kendini alamaz: “Ellili y\u0131llar\u0131n ba\u015flar\u0131nda s\u0131ralar\u0131nda oturdu\u011fu s\u0131n\u0131fta, aradan neredeyse otuz sene ge\u00e7mi\u015fken, ayn\u0131 \u00f6\u011fretmen ayn\u0131 ses tonuyla ders anlat\u0131yor ve t\u0131pk\u0131 o zamanlardaki gibi f\u0131s\u0131lda\u015fmay\u0131 b\u0131rak\u0131p dikkatlerini derste toplamalar\u0131 i\u00e7in uyar\u0131yordu \u00e7ocuklar\u0131. B\u00fcy\u00fck holde, etraf\u0131 bir zamanlar ona devasa g\u00f6r\u00fcnen kapal\u0131 kap\u0131larla \u00e7evirili, tek ba\u015f\u0131nayken bir a\u011flama krizine tutulmu\u015ftu Olga. Daha sonra anlatm\u0131\u015ft\u0131 bunu bana (…). Olga, ne b\u00fct\u00fcn yol boyunca ne de gecenin devam\u0131nda, ge\u00e7mi\u015fin beklenmedik bir \u015fekilde tekrar ortaya \u00e7\u0131k\u0131\u015f\u0131n\u0131n getirdi\u011fi huzursuzluktan kurtarabilmi\u015fti yakas\u0131n\u0131.”<\/p>\nBurada Sebald sanki ge\u00e7mi\u015f, t\u00fcm<\/em> ge\u00e7mi\u015f, h\u00e2l\u00e2 ya\u015fanmaya, olmaya ve y\u00fczeye \u00e7\u0131kmaya, kendince var olmaya<\/em> devam eder, der. Ziyaret\u00e7i kart\u0131 g\u00f6stermeden, bizim kendisini \u00e7a\u011f\u0131rmam\u0131z\u0131 bile beklemeden ge\u00e7mi\u015f, ge\u00e7mi\u015fimiz\u00a0devam eder \u015fimdiki zamanda vuku bulmaya<\/em>. Nefes kesicidir bu, korkutucudur. “Beni burada, a\u015fa\u011f\u0131da b\u0131rakma bir ba\u015f\u0131ma, Tanr\u0131m” diye yakaran Emily Dickinson’\u0131 an\u0131msat\u0131yor bu bana. San\u0131r\u0131m Dickinson ilelebet i\u00e7ine t\u0131k\u0131ld\u0131\u011f\u0131m\u0131z karanl\u0131k bir bodrum kat\u0131ndan ibaret bu d\u00fcnyada yapayaln\u0131z ve kimsesiz oldu\u011fumuzu biliyordu.” (s. 297-8)<\/p>\np.s. Her ne kadar kitab\u0131 iki sefer taram\u0131\u015f olsam da “Sebald” isimlerini bulmak i\u00e7in, bir\u00e7ok al\u0131nt\u0131y\u0131 ka\u00e7\u0131rd\u0131\u011f\u0131ma eminim.<\/p>\n
Enrique Vila-Matas, Montano Hastal\u0131\u011f\u0131, \u00e7ev. Seda Ersavc\u0131, Jaguar Yay\u0131nlar\u0131, 2017 [2002].<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Montano Hastal\u0131\u011f\u0131, oda\u011f\u0131nda Sebald metinleri olan bir roman de\u011fil. Oda\u011f\u0131nda -ki referans verdi\u011fi metinler s\u00f6z konusu oldu\u011funda bir referans oda\u011f\u0131 yok asl\u0131nda- pek \u00e7ok edebi metin var. Sebald ilk on aday listesini ancak zorlar fakat se\u00e7ici ge\u00e7irgenlik ve\u00a0baader-meinhof fenomeni uyar\u0131nca ben onu se\u00e7ip ta\u015f\u0131d\u0131m. Referanslar\u0131 buraya \u00e7ekilse telif sorunu ya\u015fatacak kadar s\u0131k vurgulanan yazarlar da … Continue reading Vila-Matas, Montano Hastal\u0131\u011f\u0131’nda Sebald Referanslar\u0131<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33],"tags":[520,521,254],"class_list":["post-2207","post","type-post","status-publish","format-standard","hentry","category-alinti","tag-enrique-vila-matas","tag-montano-hastaligi","tag-w-g-sebald"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-zB","jetpack-related-posts":[{"id":2574,"url":"https:\/\/yalpertem.com\/blog\/2019\/05\/02\/ileri-elestirel-kurmaca-kurmaca-elestiri\/","url_meta":{"origin":2207,"position":0},"title":"\u0130leri, Ele\u015ftirel Kurmaca & Kurmaca Ele\u015ftiri","author":"yalpertem","date":"2 May 2019","format":false,"excerpt":"Cem \u0130leri'nin Okurun Belle\u011fi kitab\u0131 Sebald'\u0131n yap\u0131t\u0131na (bu terimi de ondan \u00f6\u011frendim) yak\u0131n okuma yap\u0131yor. Temel referans\u0131 Benjamin, okudu\u011fum ilk 150 sayfada en s\u0131k an\u0131lan \u00f6teki yazar Proust -bazen de Barthes. Ben bilmiyorum Proust'u hen\u00fcz. (Kitap bitti\u011finde bu evrenin \u00e7ok daha katmanl\u0131 ve zengin oldu\u011funu \u00f6\u011frenmi\u015ftim.) Ele\u015ftirel Kurmaca ve Kurmaca\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/05\/cem-ileri-okurun-belle%C4%9Fi.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2834,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/13\/sebald-walserin-ucuculugu\/","url_meta":{"origin":2207,"position":1},"title":"Sebald, Walser’in U\u00e7uculu\u011fu","author":"yalpertem","date":"13 November 2019","format":false,"excerpt":"Robert Walser'in hayat hik\u00e2yesinde b\u0131rakt\u0131\u011f\u0131 izler \u00f6yle silikti ki r\u00fczg\u00e2r onlar\u0131 az kals\u0131n al\u0131p g\u00f6t\u00fcrecekti. En az\u0131ndan 1913 bahar\u0131nda \u0130svi\u00e7re'ye d\u00f6nd\u00fc\u011f\u00fcnden beri, ger\u00e7ekteyse elbette ba\u015f\u0131ndan itibaren, d\u00fcnyaya pamuk ipli\u011fiyle ba\u011fl\u0131yd\u0131.","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/w-g-sebald-k%C4%B1r-evinde-ikamet-192x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2479,"url":"https:\/\/yalpertem.com\/blog\/2019\/02\/12\/sebald-istanbuldan-gecis\/","url_meta":{"origin":2207,"position":2},"title":"Sebald, \u0130stanbul’dan Ge\u00e7i\u015f","author":"yalpertem","date":"12 February 2019","format":false,"excerpt":"Sevdi\u011fim yazar memlekete gelmi\u015f. Asl\u0131nda ne buras\u0131 benim i\u00e7in memleket, ne onun hik\u00e2yesini anlatt\u0131\u011f\u0131 ki\u015filerin sabitleyebilece\u011fi bir memleketi var. Yine de bir yerlerle ge\u00e7ici, y\u00fczeysel, y\u00fcrekten, anl\u0131k veya temsili ba\u011flar kuruyor, ba\u011flardan da anlamlar dev\u015firiyoruz, telakkisi zor olsa da. \" Gece al\u0131nan bu notlar\u0131 \u0130stanbul'a var\u0131\u015f g\u00fcn\u00fcndeki daha ayr\u0131nt\u0131l\u0131 bir\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/sebald-gocmenler.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1898,"url":"https:\/\/yalpertem.com\/blog\/2018\/07\/17\/sebald-sinirlar-ici-gezintiler\/","url_meta":{"origin":2207,"position":3},"title":"Sebald, S\u0131n\u0131rlar \u0130\u00e7i Gezintiler","author":"yalpertem","date":"17 July 2018","format":false,"excerpt":"\" 1980 Ekim'iydi, neredeyse yirmi be\u015f senedir, g\u00f6\u011f\u00fc genellikle gri bulutlarla kapl\u0131 bir kontlukta ya\u015famay\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fcm \u0130ngiltere'den, \u00f6zellikle k\u00f6t\u00fc giden bir d\u00f6nemi geride b\u0131rakmak i\u00e7in tebdilimek\u00e2nda ferahl\u0131k vard\u0131r umuduyla Viyana'ya gitmi\u015ftim. Fakat Viyana'ya geli\u015fimin hemen ard\u0131ndan ortaya \u00e7\u0131kt\u0131 ki, yaz\u0131 ve bah\u00e7e i\u015flerinin art\u0131k dolduramad\u0131\u011f\u0131 g\u00fcnler fazlas\u0131yla uzuyordu ve ben\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/07\/w.-g.-sebald-vertigo-192x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":943,"url":"https:\/\/yalpertem.com\/blog\/2018\/02\/08\/sebald-casement-somuru-ile-mucadele\/","url_meta":{"origin":2207,"position":4},"title":"Sebald, Casement ve S\u00f6m\u00fcr\u00fc ile M\u00fccadele","author":"yalpertem","date":"8 February 2018","format":false,"excerpt":"\"Kongo'nun ticarete a\u00e7\u0131lmas\u0131 \u00e7er\u00e7evesinde yerli halka uygulanan zorbal\u0131klar\u0131n tarz\u0131 ve boyutlar\u0131yla ilgili haberler kamuoyuna ilk kez 1903 y\u0131l\u0131nda, o s\u0131ralarda Boma'daki \u0130ngiliz Konsoloslu\u011fu'na atanan Roger Casement taraf\u0131ndan duyuruldu. D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131 Sekreteri Lord Landsdowne'a sundu\u011fu raporda Casement, -Korzeniovski Londral\u0131 bir tan\u0131d\u0131\u011f\u0131na, kendisinin uzun zamand\u0131r unutmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u015feyleri Casement'\u0131n anlatabilece\u011fini s\u00f6ylemi\u015fti- siyahlar\u0131n\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/sebald-saturn-un-halkalari-188x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3244,"url":"https:\/\/yalpertem.com\/blog\/2020\/03\/11\/crary-blog-uzerine\/","url_meta":{"origin":2207,"position":5},"title":"Crary, Blog \u00dczerine","author":"yalpertem","date":"11 March 2020","format":false,"excerpt":"Blog'a ekledi\u011fim kay\u0131tlar tam da blog girdisi say\u0131lmazlar. Ba\u015fta telif hakk\u0131 ihlali, bunun yan\u0131 s\u0131ra tembelce giri\u015filmi\u015f ar\u015fiv, g\u00fcnl\u00fck ve yaz\u0131 denemelerinden olu\u015fuyor i\u00e7erik. Ki\u015fisel ve mahrem dijital alan\u0131mda dosyalamak yerine, yar\u0131-kamusal bir alana a\u00e7ma sebebim ne? S\u0131radan ko\u015fullarda hi\u00e7 kimse girip okumayacak olsa da bir g\u00fcn \u00e7ok isabetli bir\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2020\/03\/jonathan-crary-7-24-gec-kapitalizm-ve-uykularin-sonu-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=2207"}],"version-history":[{"count":0,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/2207\/revisions"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=2207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=2207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=2207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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