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“<\/p>\r\n
Mildred huzursuzland\u0131.<\/p>\r\n
Beatty’nin kendini toplamas\u0131 bir dakika ald\u0131 ve ne s\u00f6ylemek istedi\u011fini yeniden d\u00fc\u015f\u00fcnd\u00fc.<\/p>\r\n
“B\u00fct\u00fcn bunlar ne zaman ba\u015flad\u0131, diye soruyordun, bizim i\u015fimiz, nas\u0131l ortaya \u00e7\u0131kt\u0131, nerede, ne zaman? Ger\u00e7ekten, ben de sana \u0130\u00e7 Sava\u015f denilen \u015fey civar\u0131nda ba\u015flad\u0131 diyebilirim. Ger\u00e7i bizim kural kitab\u0131m\u0131z daha \u00f6nce kuruldu\u011funu \u00f6ne s\u00fcr\u00fcyor. Ger\u00e7ek \u015fu ki, foto\u011fraf\u00e7\u0131l\u0131k gelene kadar biz pek yol alamad\u0131k. Sonra, yirminci y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda sinema do\u011fdu. Radyo, televizyon. Art\u0131k kitleleri olmaya ba\u015flad\u0131.”<\/p>\r\n
Montag yata\u011f\u0131nda oturdu, k\u0131m\u0131ldayam\u0131yordu.<\/p>\r\n
“Kitleleri olunca, basitle\u015fmeye ba\u015flad\u0131lar,” dedi Beatty. “\u00d6nceleri kitaplar birka\u00e7 ki\u015fiye \u00e7ekici gelmi\u015fti, \u015furada, burada, her yerde. Onlar farkl\u0131 olmay\u0131 g\u00f6ze alabiliyorlard\u0131. D\u00fcnyada yer \u00e7oktu. Fakat sonra g\u00f6zler, dirsekler ve a\u011f\u0131zlarla doldu ta\u015ft\u0131 d\u00fcnya. N\u00fcfus iki, \u00fc\u00e7, d\u00f6rt kat artt\u0131. Filmler, radyolar, dergiler, kitaplar bir \u00e7e\u015fit puding haz\u0131rlama y\u00f6nergesi d\u00fczeyine indi, beni anl\u0131yor musun?”<\/p>\r\n
“San\u0131r\u0131m.”<\/p>\r\n
Beatty havaya \u00fcfledi\u011fi dumandan \u015fekillere bak\u0131yordu. “G\u00f6z\u00fcnde canland\u0131r. Ondokuzuncu y\u00fczy\u0131l insan\u0131, atlar\u0131, k\u00f6pekleri, kedileri, a\u011f\u0131r \u00e7ekim halinde. Sonra, yirminci y\u00fczy\u0131lda, kameran\u0131 h\u0131zland\u0131r. Kitaplar k\u0131salt\u0131lm\u0131\u015f. \u00d6zetler, anahatlar, ufak resimli gazeteler. Her \u015fey komik \u00f6yk\u00fclere, kopuk sonlara d\u00f6n\u00fc\u015f\u00fcyordu.”<\/p>\r\n
Mildred ba\u015f\u0131yla onaylayarak “Kopuk sonlar,” dedi.<\/p>\r\n
“Klasik yap\u0131tlar kesilip on be\u015f dakikal\u0131k radyo oyunlar\u0131n\u0131, tekrar kesilip, iki dakikal\u0131k kitap s\u00fctununu dolduruyor, daha da k\u0131sal\u0131nca s\u00f6zl\u00fck sayfas\u0131nda on ya da on iki sat\u0131rl\u0131k \u00f6zet oluyorlard\u0131. \u015e\u00fcphesiz abart\u0131yorum. S\u00f6zl\u00fckler ba\u015fvuru i\u00e7indi, fakat \u00e7o\u011funun\u00a0Hamlet<\/em> ile ilgili b\u00fct\u00fcn bilgileri (Montag bu ad\u0131 \u015f\u00fcphesiz bilirsin; Mrs. Montag sizin i\u00e7in belki de belirsiz bir ad olabilir Hamlet) dedi\u011f\u011fim gibi\u00a0Hamlet<\/em> ile ilgili b\u00fct\u00fcn bilgileri, \u015funu iddia eden bir kitaptaki bir sayfal\u0131k \u00f6zetten ibaretti:\u00a0art\u0131k nihayet t\u00fcm klasikleri okuyabilirsiniz; kom\u015fular\u0131n\u0131zla a\u015f\u0131k atabilirsini<\/em>. G\u00f6r\u00fcyorsun, \u00e7ocuk yuvas\u0131ndan \u00fcniversiteye, \u00fcniversiteden tekrar \u00e7ocuk yuvas\u0131na; i\u015fte ge\u00e7en be\u015f y\u00fczy\u0131ldaki entelekt\u00fcel \u00f6r\u00fcnt\u00fcn\u00fcz.”<\/p>\r\n Mildred aya\u011fa kalkt\u0131 ve odada dola\u015fmaya ba\u015flad\u0131, bir\u015feyleri toplay\u0131p, yerine koyuyordu. Beatty ona ald\u0131rmad\u0131 ve devam etti: Mildred yatak \u00f6rt\u00fcs\u00fcn\u00fc d\u00fczeltti. Mildred yast\u0131\u011f\u0131na hafif hafif vururken Montag y\u00fcre\u011finin a\u011fz\u0131na geldi\u011fini hissetti. \u015eimdi de yast\u0131\u011f\u0131 al\u0131p g\u00fczelce d\u00fczeltip yerine koyabilmek i\u00e7in Mildred, omzunu \u00e7eki\u015ftiriyordu. Belki ba\u011f\u0131racak, bakacak ya da eliyle tutup, “Bu nedir?” diye sorup, saf saf kitab\u0131 havaya kald\u0131racakt\u0131.<\/p>\r\n “Okullar k\u0131salt\u0131ld\u0131, disiplin gev\u015fedi, felsefe, tarih, dil dersleri kalkt\u0131, \u0130ngilizce ve imla gitgide ihmal edilmeye ba\u015fland\u0131, en sonunda t\u00fcm\u00fcyle yok say\u0131ld\u0131. Ya\u015fam dolays\u0131z, i\u015f az, e\u011flence \u00e7al\u0131\u015fmaktan, anahtar\u0131 d\u00f6nd\u00fcrmekten, somunlar\u0131 ve civatalar\u0131 s\u0131kmaktan ba\u015fka bir \u015feyi \u00f6\u011frenmeye ne gerek var?”<\/p>\r\n “<\/p>\r\n Ray Bradbury, Fahrenheit 451, \u00e7ev. Zerrin Kalayl\u0131o\u011flu & Korkut Kalayl\u0131o\u011flu, \u0130thaki Yay\u0131nlar\u0131, 2012 [1953-1981 (g\u00f6zden ge\u00e7irilme)], s. 89-92.<\/p>\r\n","protected":false},"excerpt":{"rendered":" Bu blog Fahrenheit 451’de anlat\u0131lan k\u0131salt\u0131lm\u0131\u015f, k\u0131rp\u0131lm\u0131\u015f, \u00f6zetlenmi\u015f, basitle\u015fmi\u015f, ucuzlam\u0131\u015f, asgariye indirgenmi\u015f i\u00e7eri\u011fin bir \u00f6rne\u011fi oldu\u011fu derecede utan\u00e7 vericidir. Benjamin’in ar\u015fivci fikirlerinden heveslenip, Bradbury’nin distopyas\u0131na d\u00f6nm\u00fc\u015ft\u00fcr. “ Mildred huzursuzland\u0131. Beatty’nin kendini toplamas\u0131 bir dakika ald\u0131 ve ne s\u00f6ylemek istedi\u011fini yeniden d\u00fc\u015f\u00fcnd\u00fc. “B\u00fct\u00fcn bunlar ne zaman ba\u015flad\u0131, diye soruyordun, bizim i\u015fimiz, nas\u0131l ortaya \u00e7\u0131kt\u0131, nerede, ne … Continue reading Bradbury, Kitaplar\u0131 Yakmadan Hemen \u00d6nce<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,8],"tags":[511,510],"class_list":["post-2004","post","type-post","status-publish","format-standard","hentry","category-alinti","category-roman","tag-fahrenheit-451","tag-ray-bradbury"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
“Filmi h\u0131zland\u0131r, Montag, \u00e7abuk. T\u0131kla? Resim, Bak, G\u00f6z, \u015eimdi, Fiske, Burada, Orada, \u00c7abuk, Ad\u0131m, \u00c7\u0131k, \u0130n, \u0130\u00e7eri, D\u0131\u015far\u0131, Ni\u00e7in, Nas\u0131l, Kim, Ne, Nerede, Ee? Ya! Pat! \u015eak! \u015eaplak, Bing, Bong, Bum! \u00d6zetin \u00f6zeti, \u00f6zetin \u00f6zetinin \u00f6zeti. Politika m\u0131? Bir s\u00fctun, iki c\u00fcmle, bir ba\u015fl\u0131k! Sonra, orta yerde, her \u015fey kaybolur! Yay\u0131nc\u0131lar\u0131n, s\u00f6m\u00fcr\u00fcc\u00fclerin, radyo-televizyoncular\u0131n ellerinde adam\u0131n beyni \u00f6yle h\u0131zl\u0131 d\u00f6nd\u00fcr\u00fcl\u00fcr ki, sanki bir santrif\u00fcj t\u00fcm vakit kaybettiren d\u00fc\u015f\u00fcnceleri savurup atar.”<\/p>\r\n