{"id":1960,"date":"2018-08-18T14:54:49","date_gmt":"2018-08-18T11:54:49","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1960"},"modified":"2023-05-28T15:11:54","modified_gmt":"2023-05-28T13:11:54","slug":"peter-stamm-yedi-gun-okuma-notlari","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/08\/18\/peter-stamm-yedi-gun-okuma-notlari\/","title":{"rendered":"Peter Stamm – Yedi Y\u0131l (Okuma Notlar\u0131)"},"content":{"rendered":"

\"\"<\/p>\r\n\r\n\r\n\r\n\r\n\r\n

(Yine dandik bir okuma notu yazma hevesini bile tamamlayamad\u0131m, asla tamamlayamayaca\u011f\u0131m\u0131 fark edince, yar\u0131m olarak b\u0131rakay\u0131m dedim.)<\/em><\/p>\r\n\r\n\r\n\r\n

Kitab\u0131n kapak foto\u011fraf\u0131: tertemiz, \u00fct\u00fcl\u00fc, beyaz yatak \u00f6rt\u00fcs\u00fc ve yast\u0131\u011f\u0131n \u00fczerinde belli bir a\u011f\u0131rl\u0131kla \u00e7\u00f6k\u00fcnt\u00fc olu\u015fturan k\u0131rm\u0131z\u0131 elma. Kusursuz gibi g\u00f6r\u00fcnen d\u00fczenli bir yatak odas\u0131na s\u0131zan \u201cilk g\u00fcnah\u201d\u0131 imliyor olmal\u0131. Dini ve mitik referanslarla \u00f6r\u00fcl\u00fc olmasa da, kitaba ad\u0131n\u0131 veren \u201cYedi Y\u0131l\u201d hik\u00e2yesi de, romanda da an\u0131ld\u0131\u011f\u0131 \u00fczere (s. 132), Yarat\u0131l\u0131\u015f b\u00f6l\u00fcm\u00fcnde Yakup\u2019un Rahel ve Lea ile evliliklerine g\u00f6nderiyor: Yakup Rahel\u2019e a\u015f\u0131k olur, Rahel\u2019in babas\u0131 Lavan bunun kar\u015f\u0131l\u0131\u011f\u0131nda Yakup’un yedi y\u0131l kendisine hizmet etmesini ister. Yedi y\u0131l\u0131n sonunda Yakup\u2019u, Rahel yerine, k\u00fc\u00e7\u00fck karde\u015fi Lea ile evlendirir. Yakup\u2019un itiraz\u0131 \u00fczerine, kendisine yedi y\u0131l daha hizmet etmesi kar\u015f\u0131l\u0131\u011f\u0131nda Rahel\u2019i de Yakup\u2019a verir. Rahel uzun y\u0131llar boyunca bir t\u00fcrl\u00fc \u00e7ocuk sahibi olmaz fakat Lea\u2019n\u0131n bir\u00e7ok \u00e7ocu\u011fu (do\u011fru sayd\u0131ysam, 7 \u00e7ocuk) olur. \u0130ncil\u2019deki \u015fu c\u00fcmleler, Stamm\u2019\u0131n roman\u0131n\u0131n alt yap\u0131s\u0131n\u0131 kurarken, \u00fcslup olarak da yazar\u0131n b\u00fcy\u00fck olaylar\u0131 veya duygular\u0131 birka\u00e7 c\u00fcmlede mesafeli ve so\u011fuk bir \u015fekilde an\u0131p ge\u00e7en \u00fcslubunu hat\u0131rlat\u0131yor:<\/p>\r\n\r\n\r\n\r\n

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RAB Lea\u2019n\u0131n sevilmedi\u011fini g\u00f6r\u00fcnce, \u00e7ocuk sahibi olmas\u0131n\u0131 sa\u011flad\u0131. Oysa Rahel k\u0131s\u0131rd\u0131. Lea hamile kal\u0131p bir erkek \u00e7ocuk do\u011furdu. Ad\u0131n\u0131 Ruben koydu. \u201c\u00c7\u00fcnk\u00fc RAB mutsuzlu\u011fumu g\u00f6rd\u00fc\u201d dedi, \u201cKu\u015fkusuz art\u0131k kocam beni sever.\u201d<\/p>\r\n(Yarat\u0131l\u0131\u015f 29:31-32)<\/cite><\/blockquote>\r\n\r\n\r\n\r\n

Lea do\u011fan her yeni \u00e7ocu\u011fu, sevilmemesi kar\u015f\u0131l\u0131\u011f\u0131nda Tanr\u0131\u2019n\u0131n ona verdi\u011fi bir hediye olarak g\u00f6r\u00fcrken bu karakterin romandaki kar\u015f\u0131l\u0131\u011f\u0131 Iwona oluyor. Yakup\u2019un yerine Alexander, Rahel\u2019in yerineyse Sonja yerle\u015fiyor. \u0130ncil’in Yarat\u0131l\u0131\u015f b\u00f6l\u00fcm\u00fcn\u00fc okuyunca ve genel kutsal kitap hik\u00e2ye anlat\u0131c\u0131l\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcnce, Stamm’\u0131n \u00fcslup a\u00e7\u0131s\u0131ndan bu metinlerden de ilh\u00e2m alm\u0131\u015f olma ihtim\u00e2li kafam\u0131 kurcalad\u0131. \u0130leride Camus bahsinde bu benzerli\u011fi tekrarlayaca\u011f\u0131m. Duygusal yo\u011funlu\u011fu y\u00fcksek pek \u00e7ok deneyim, romanda birka\u00e7 c\u00fcmleyle ge\u00e7i\u015ftirilirken, deneyimin ki\u015fi \u00fczerindeki etkileri o h\u0131zl\u0131 ge\u00e7i\u015f i\u00e7inde kendini okurun zihnine dile d\u00f6k\u00fclmesi g\u00fc\u00e7 bir \u015fekilde bir his olarak i\u015fletmeyi ba\u015far\u0131yor. Stamm’\u0131n ada\u015f\u0131 Handke de bana hep \u00f6yle gelir, oradan do\u011fru da severim romanlar\u0131n\u0131.<\/p>\r\n\r\n\r\n\r\n

ben bu roman\u0131 neden okudum<\/strong><\/p>\r\n\r\n\r\n\r\n

Hat\u0131rlad\u0131\u011f\u0131m kadar\u0131yla ana teman\u0131n ikili ili\u015fkiler oldu\u011fu romanlar\u0131 hele ki a\u015fk \u00fc\u00e7genlerini sevmiyor, okumuyordum. Bu roman\u0131 neden merak edip okudum? \u0130yi bir tan\u0131t\u0131m stratejisi uygulad\u0131 Nebula Kitap. Ba\u015fta \u201c\u0130svi\u00e7re\u2019nin ya\u015fayan en b\u00fcy\u00fck romanc\u0131s\u0131\u201d, arka kapakta Zadie Smith ve Alain de Botton \u00f6vg\u00fcleri, sosyal medya payla\u015f\u0131mlar\u0131 olmak \u00fczere\u2026 Stamm\u2019\u0131n h\u00e2li haz\u0131rda \u201cB\u00f6ylesi Bir G\u00fcnde\u201d (roman) ve \u201cU\u00e7uyoruz\u201d (\u00f6yk\u00fc) kitaplar\u0131 2009 ve 2010\u2019da \u0130thaki\u2019den \u00e7evrilmi\u015f, duymam\u0131\u015f\u0131m. Bu romanla tan\u0131d\u0131m. B\u00f6ylesi Bir G\u00fcnde’yi \u00f6ylesine bir g\u00fcnde okuyup sevdim, s\u0131ra u\u00e7u\u015fta.<\/p>\r\n\r\n\r\n\r\n

\"\"<\/figure>\r\n\r\n\r\n\r\n

 <\/p>\r\n\r\n\r\n\r\n

Buna ek olarak, ilk yorumlar\u0131 okuyunca, Stamm\u2019\u0131n \u00fcslubuyla ve roman konular\u0131yla ilgili olarak \u201cvarolu\u015f\u00e7u, so\u011fuk, mesafeli, duygular\u0131 eksiltili anlatan, okumas\u0131 yan\u0131lt\u0131c\u0131 derecede kolay, s\u0131radanl\u0131ktan filizlenen\u201d minvalindeki yorumlar merak\u0131m\u0131 uyand\u0131rd\u0131. Son olarak da, g\u00fcn\u00fcm\u00fcz g\u00fcndelik ya\u015fam\u0131na -elbet daha \u00e7ok Avrupa\u2019da, k\u0131smen de Bat\u0131l\u0131la\u015fm\u0131\u015f \u00fclkelerin orta s\u0131n\u0131flar\u0131nda ya\u015fand\u0131\u011f\u0131 kadar\u0131yla- dair sezgilerinin oldu\u011funu ya okudum ya da hissettim tan\u0131t\u0131mlardan. Okudum, pi\u015fman de\u011filim, devam ediyorum di\u011fer romanlar\u0131na.<\/p>\r\n\r\n\r\n\r\n

Romanlardan bir \u015feyler \u00f6\u011frenmeyi, beni ciddi bir bi\u00e7imde d\u00f6n\u00fc\u015ft\u00fcrmelerini, okur h\u00e2limi hayal bile edemedi\u011fim olaylarla kar\u015f\u0131la\u015ft\u0131rmalar\u0131n\u0131, zekice kurgulanm\u0131\u015f plot-twist\u2019ler kurmalar\u0131n\u0131 beklemiyorum. B\u00fcy\u00fck ihtimalle trajik bir hata sonucu edindi\u011fim sorunlu ve k\u0131s\u0131tl\u0131 edebiyat zevkim uyar\u0131nca, sahip oldu\u011fum d\u00fc\u015f\u00fcnceleri, kar\u015f\u0131la\u015ft\u0131\u011f\u0131m ya da g\u00f6zlemledi\u011fim hisleri \u201cedebi\u201d \u00fcsluplar\u0131yla bana tekrar anlatmalar\u0131n\u0131, hat\u0131rlatmalar\u0131n\u0131, alt\u0131n\u0131 \u00e7izmelerini, d\u00fc\u015f\u00fcncelerimden sapmalar yapt\u0131klar\u0131nda bu sapmalar\u0131 fark etmeyi, yerk\u00fcrede olup bitene dair ilgi alan\u0131ma yak\u0131n meselelere, \u00e7e\u015fitli perspektiflerle, olaylarla ve karakterlerle bakmalar\u0131n\u0131 bekliyorum. Belki de o y\u00fczden bir g\u00fcn belki kurtulu\u015fum olur diye bir heyecanla a\u00e7\u0131p okudu\u011fum romanlar hi\u00e7bir zaman kurtulu\u015fum olamad\u0131, her seferinde beni ya daha dibe \u00e7ekti, ya da dibe yak\u0131nl\u0131\u011f\u0131m\u0131n \u00e7ok da fena olmad\u0131\u011f\u0131n\u0131, o seviyede ba\u015fka pek \u00e7ok insan\u0131n da oldu\u011funu bana g\u00f6stererek bulundu\u011fum eksi rak\u0131m\u0131 \u00e7ok da dert etmememi sa\u011flad\u0131.<\/p>\r\n\r\n\r\n\r\n

Roman\u0131n evrenine bir giri\u015f ya da kitap arkas\u0131ndan kopya<\/strong><\/p>\r\n\r\n\r\n\r\n

Yedi Y\u0131l: ya\u015fad\u0131\u011f\u0131 g\u00fcnden ge\u00e7mi\u015fteki \u00f6nemli an\u0131lar\u0131na geri d\u00f6n\u00fc\u015flerle ilerleyen roman, evli ve bir \u00e7ocuklu mimar Alexander\u2019\u0131n \u00fcniversite y\u0131llar\u0131ndan ge\u00e7 yeti\u015fkinlik y\u0131llar\u0131na do\u011fru ilerlerken, karakterin e\u015fi Sonja ve garip-a\u015fk\u0131 Iwona aras\u0131ndaki gel-gitlerini kat ediyor. Kitap arkas\u0131 tan\u0131t\u0131mda yeterince iyi ifade edilmi\u015f: \u201cBir yanda \u00fcniversitede tan\u0131\u015ft\u0131\u011f\u0131, \u00fcst s\u0131n\u0131f bir aileden gelen, g\u00fczel, iyi e\u011fitimli, h\u0131rsl\u0131 Sonja; di\u011fer yanda silik, neredeyse \u00e7irkin, sessiz sedas\u0131z, \u2018kendini birilerine, hatta kendine bile be\u011fendirmeye dair her t\u00fcrl\u00fc umudunu yitirmi\u015f\u2019 gibi g\u00f6r\u00fcnen Katolik, Polonyal\u0131 g\u00f6\u00e7men Iwona\u201d. Bu tasvirdeki Iwona, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde Alexander\u2019\u0131n a\u011fz\u0131ndan ve (o) kad\u0131na bak\u0131\u015f\u0131ndan yap\u0131lm\u0131\u015f, hemen roman\u0131n temel sorular\u0131ndan, b\u00f6yle birisi neden Iwona\u2019ya tutulur tart\u0131\u015fmas\u0131n\u0131 a\u00e7\u0131yor. Stamm bunun net yan\u0131t\u0131n\u0131 verebilecek durumda olmasa da bu problematik \u00fczerine yapt\u0131\u011f\u0131 \u00e7e\u015fitlemeler roman boyunca \u00e7ok \u00e7e\u015fitli ba\u011flamlarda ya\u015fam\u0131 anlamaya, anlayamamaya, anlamaya \u00e7al\u0131\u015fmadan ya\u015famaya, ya\u015famdan at\u0131lmaya, ya\u015fama tutunmaya dair sorgulamalara d\u00f6n\u00fc\u015f\u00fcyor. Bunlar\u0131 kendimce ifade etmeye \u00e7al\u0131\u015fmadan \u00f6nce, roman hakk\u0131nda \u00e7\u0131kan pop\u00fcler ele\u015ftiri\/tan\u0131t\u0131m metinlerinden bana ufuk a\u00e7anlar\u0131n\u0131 bir not etmek istiyorum.<\/p>\r\n\r\n\r\n\r\n

Ele\u015ftirmenlerden do\u011fru<\/strong><\/p>\r\n\r\n\r\n\r\n

Toby Litt\u2019in (1) alt ba\u015fl\u0131\u011f\u0131 \u201cmimar\u0131n kusursuzluk ile m\u00fccadelesini resmetmek\u201d olan de\u011ferlendirmesi, mesleki olarak g\u00fczeli arayan Alexander\u2019\u0131n g\u00fczel ve \u00e7irkin aras\u0131ndaki gerilimlerine ve iki ili\u015fkilenme bi\u00e7imi aras\u0131ndaki farka odaklan\u0131yor. Sonja i\u00e7in g\u00fczelden uzakla\u015fma gibi bir niyet yokken, Alexander hem t\u00fcm bu g\u00fczellik i\u00e7inde bocal\u0131yor hem de bu g\u00fczel e\u015f-ev-ya\u015fam \u00e7emberinin d\u0131\u015f\u0131nda kalan Iwona\u2019ya tam da b\u00f6ylesi bir z\u0131tl\u0131ktan beslenerek ilgi duymaya ba\u015fl\u0131yor. Iwona\u2019ya dair ilk g\u00f6r\u00fc\u015fmelerindeki d\u00fc\u015f\u00fcnceleri \u201c[\u00e7]irkinli\u011fi ve zavall\u0131l\u0131\u011f\u0131 beni tahrik ediyordu, onun aram\u0131za kat\u0131lma \u00e7abas\u0131 bizi k\u0131\u015fk\u0131rt\u0131yor ve g\u00fcl\u00fcn\u00e7 duruma d\u00fc\u015f\u00fcr\u00fcyordu.\u201d (s. 20) olarak an\u0131l\u0131yor. Alexander ve Sonja\u2019n\u0131n mesle\u011fi olarak mimarl\u0131k metaforu g\u00fczellik ve estetik tart\u0131\u015fmalar\u0131na a\u00e7\u0131labiliyor.<\/p>\r\n\r\n\r\n\r\n

Yedi Y\u0131l\u2019\u0131n prolog c\u00fcmlesi Le Corbusier\u2019den: \u201cG\u00f6lgeler ve \u0131\u015f\u0131k bi\u00e7imleri ortaya \u00e7\u0131kar\u0131r\u201d. Le Corbusier ayn\u0131 zamanda Sonja\u2019n\u0131n \u00e7ok sevdi\u011fi ve esinlendi\u011fi, Alexander\u2019\u0131n ise mesafeli oldu\u011fu bir mimar. \u00dcniversite y\u0131llar\u0131n\u0131n sonunda, Sonja\u2019n\u0131n Marsilya\u2019daki Cit\u00e9 Radieuse binas\u0131n\u0131 g\u00f6rme niyetiyle \u00e7\u0131kt\u0131\u011f\u0131 k\u0131sa seyahatte yak\u0131nla\u015f\u0131yorlar, Le Corbusier ise ikisinin ya\u015fam g\u00f6r\u00fc\u015fleri i\u00e7in a\u00e7\u0131klay\u0131c\u0131 olarak kullan\u0131l\u0131yor:<\/p>\r\n\r\n\r\n\r\n

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Ger\u00e7ekten keyifli bir yolculuktu. Daha \u00f6nce hi\u00e7 bu kadar uzun s\u00fcre bir arada olmam\u0131\u015ft\u0131k ve \u00e7ok iyi anla\u015f\u0131yorduk. Sonja, Le Corbusier\u2019yi anlat\u0131yor, o ve eserleri hakk\u0131nda her \u015feyi biliyordu. Onunla ne al\u0131p veremedi\u011fin var, diye sordu. Hi\u00e7, dedim, ho\u015flanm\u0131yorum, hepsi bu. Binalar\u0131nda ukalaca bir hava var. Sanki benden ideal insan yaratmak istiyorlarm\u0131\u015f hissine kap\u0131l\u0131yorum. Binalar\u0131ndan birine girdin mi hi\u00e7? Hay\u0131r, dedim, ama y\u0131\u011f\u0131nla foto\u011fraf g\u00f6rd\u00fcm. Sonja, foto\u011fraflar\u0131n yetmedi\u011fini s\u00f6yledi, \u00e7\u00fcnk\u00fc Le Corbusier\u2019nin niteli\u011fi d\u0131\u015f cepheden ziyade i\u00e7 mek\u00e2ndan anla\u015f\u0131l\u0131rd\u0131. Ayr\u0131ca bir binan\u0131n, i\u00e7inde ya\u015fayanlar\u0131 olumlu y\u00f6nde de\u011fi\u015ftirmesi k\u00f6t\u00fc bir \u015fey say\u0131lmazd\u0131. \u0130nsanlar\u0131n dikkate al\u0131nmas\u0131 gereken hik\u00e2yeleri oldu\u011funu belirttim. Yeni bir insan yaratma yolundaki b\u00fct\u00fcn \u00e7abalar ba\u015far\u0131s\u0131zl\u0131\u011fa u\u011fram\u0131\u015f, hatta tarifsiz sorunlara yol a\u00e7t\u0131\u011f\u0131 olmu\u015ftu. Le Corbusier sava\u015fta ne yapt\u0131 ki? Sonja, bunun a\u00e7\u0131k\u00e7a bilinmedi\u011fini ama Le Corbusier\u2019nin kesinlikle fa\u015fist olmad\u0131\u011f\u0131n\u0131 s\u00f6yledi. Yirmi y\u0131l sonra kimse dekonstr\u00fcktivizmden s\u00f6z etmeyecek, dedi, ama Le Corbusier hep var olacak.<\/p>\r\n(s. 52-3)<\/cite><\/blockquote>\r\n\r\n\r\n\r\n

Alexander planlanm\u0131\u015f hayat\u0131 ya\u015farken t\u00f6kezliyor, Sonja ise onu s\u00fcrd\u00fcrmek i\u00e7in elinden geleni yap\u0131yor.<\/p>\r\n\r\n\r\n\r\n

Iwona karakteri i\u00e7in Stamm, r\u00f6portaj\u0131nda iletti\u011fi \u00fczere (2), Witold Gombrowicz\u2019in \u2018Yvonne, the Princess of Burgundy\u2019 oyunundan esinlenmi\u015f, T\u00fcrk\u00e7e \u00e7evirisi san\u0131r\u0131m yok. \u201cGombrowicz\u2019in abs\u00fcrdist oyununda, prens neredeyse dilsiz ve s\u0131radan bir kad\u0131nla evleniyor ve kad\u0131n\u0131n di\u011fer insanlarda sald\u0131rganl\u0131k ve utanma duygular\u0131n\u0131 tahrik etti\u011fini fark ediyor\u201dmu\u015f (3). Stamm’\u0131n romana dair problemati\u011fi:<\/p>\r\n\r\n\r\n\r\n

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\u0130lgimi \u00e7eken soru, ben beni seven bir kad\u0131n\u0131n ben onu sevmesem bile benim \u00fczerimde bir g\u00fcc\u00fc olup olmad\u0131\u011f\u0131yd\u0131. Sonu\u00e7 olarak kitap her t\u00fcrl\u00fc \u015fey hakk\u0131ndayd\u0131. Alex ve Sonja aras\u0131ndaki kusursuz ili\u015fkiyi bir noktada temelsiz bir evle kar\u015f\u0131la\u015ft\u0131rd\u0131m. Her \u015feyin g\u00f6r\u00fcn\u00fcr, g\u00fczel ve sakin oldu\u011fu temiz, iyi \u0131\u015f\u0131kland\u0131r\u0131lm\u0131\u015f mekanlar. Iwona, \u00e7irkin kad\u0131n, Alex i\u00e7in bir ma\u011fara gibiydi, i\u00e7inde saklanabilece\u011fi bir yer. Onun a\u015fk\u0131 ko\u015fulsuzdu. Bir yanda, \u00e7ekici olmad\u0131\u011f\u0131 i\u00e7in, Alex\u2019i sinirlendiriyordu, di\u011fer yanda Alex onunlayken, rol yapmas\u0131 gerekmedi\u011finden, Sonja\u2019yla oldu\u011funda g\u00f6re daha \u00e7ok evinde hissediyordu. Arzu ve i\u011frenmenin ayn\u0131 madalyonun iki y\u00fcz\u00fc olup olmad\u0131\u011f\u0131ndan emin de\u011filim, ama \u015furas\u0131 kesin ki, birinden di\u011ferine ge\u00e7mek i\u015ften bile de\u011fil. Seks, hayatta hayvani taraf\u0131m\u0131z\u0131n bize h\u00fckmetti\u011fi nadir anlardan birisi. Yemek yerken oldu\u011fu gibi di\u011fer alanlarda bizi daha medeni h\u00e2le getirmeye \u00e7al\u0131\u015fan kurallar\u0131m\u0131z var. Yeme\u011fimizi tabaklara koyuyor, s\u00fcsl\u00fcyor ve \u00e7atal b\u0131\u00e7ak tak\u0131mlar\u0131yla yiyoruz, ellerimizle yemenin \u00e7ok daha kolay oldu\u011fu zamanlarda bile. Seks yapt\u0131\u011f\u0131m\u0131zda, bu kadar \u00e7ok kural yok, \u00e7ok \u00f6zel bir an, kontrol\u00fc kaybediyoruz ve bu ayn\u0131 zamanda hem \u00e7ok g\u00fczel hem de biraz \u00fcrk\u00fct\u00fcc\u00fc. [4]<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\n

\"\"\r\n
\u00c7e\u015fitli yatak kitap kapaklar\u0131 (ortadakinden emin de\u011filim)

<\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

Roman\u0131n \u00e7ifti Alexander ve Sonja mimar: mimarl\u0131\u011fa bak\u0131\u015flar\u0131nda farklar olsa da mesle\u011fin kendisi g\u00fczellik ve estetik odakl\u0131 tart\u0131\u015fmalar\u0131n alt\u0131n\u0131 \u00e7iziyor. Sonja Le Corbusier gibi daha modernist ve planc\u0131 mimarlara ilgi duyarken Alexander \u201cplanlanm\u0131\u015f mekan ve hayat\u201da kar\u015f\u0131 biraz daha mesafeli. Zaten \u00f6zya\u015fam\u00f6yk\u00fcs\u00fc de bu planlanamayan \u00fccralarda seyrediyor<\/p>\r\n\r\n\r\n

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Stamm\u2019\u0131n, Alexander\u2019\u0131n alkolizme d\u00fc\u015f\u00fc\u015f a\u015famas\u0131n\u0131 k\u00fc\u00e7\u00fcc\u00fck gibi ifade edilen olaylar ve karakterin kendisine adeta objektif bir perspektiften bakarak anlatt\u0131\u011f\u0131 de\u011fi\u015fimler \u00fczerinden ifade etti\u011fi k\u0131sa paragraf:<\/p>\r\n\r\n\r\n\r\n

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Bu arada alkol t\u00fcketimim artm\u0131\u015ft\u0131. \u00d6\u011fle tatillerimi uzat\u0131yor, uyku bast\u0131r\u0131p \u00e7al\u0131\u015famayacak duruma gelinceye kadar bira ve bazen de \u015farap i\u00e7iyordum. Aptalca davrand\u0131\u011f\u0131m\u0131 biliyordum ama alkol gerginli\u011fimi al\u0131yordu. \u0130\u00e7ki i\u00e7ince durumumuzun \u00e7aresizli\u011fi g\u00f6z\u00fcme daha hafif g\u00f6r\u00fcn\u00fcyor ve moralim biraz d\u00fczeliyordu. Paydostan sonra i\u00e7meye devam ediyordum. Bir g\u00fcn Sophie otomobildeyken trafik \u0131\u015f\u0131klar\u0131n\u0131 g\u00f6rmedi\u011fim i\u00e7in az kals\u0131n ba\u015fka bir otomobile \u00e7arp\u0131yordum. Ondan sonra g\u00fcnd\u00fczleri i\u00e7meyi b\u0131rakm\u0131\u015f ama ak\u015famlar\u0131 daha \u00e7ok i\u00e7meye ba\u015flam\u0131\u015ft\u0131m. Bir s\u00fcre sonra i\u00e7meden uyuyamaz oldum.<\/p>\r\n(s. 196-7)<\/cite><\/blockquote>\r\n\r\n\r\n\r\n

Bu yorum hatr\u0131ma \u015eule G\u00fcrb\u00fcz\u2019e her r\u00f6portajda sorulan \u201cantik saat uzman\u0131 olman\u0131z, roman\u0131n\u0131zdaki zaman alg\u0131s\u0131n\u0131 nas\u0131l etkiliyor\/etkiliyor mu\/kurmada kurucu \u00f6\u011fe mi?\u201d minvalindeki sorular\u0131 getirdi. G\u00fcrb\u00fcz her rop\u00f6rtajda “yeter, hay\u0131r, tamam belki biraz!” diyordu, g\u00f6zlerini deviriyordur belki bu s\u0131rada. Peter Stamm da muhasebecilik yapm\u0131\u015f. O y\u00fczden diyorlar ki \u201c[h]er ne kadar kariyerini geride b\u0131rakm\u0131\u015f olsa da, roman ve \u00f6yk\u00fclerindeki karakterleri muhasebeci gibi hareket ediyor ve d\u00fc\u015f\u00fcn\u00fcyorlar, deneyimlerinin hepsini oranlar ve maliyetler, kazan\u00e7 ve kay\u0131plar \u00fczerinden hesapl\u0131yorlar\u201d [5].<\/p>\r\n\r\n\r\n

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Stamm\u2019\u0131 bana \u00e7eken yanlardan birisi de T\u00fcrkiye\u2019deki okudu\u011fum yazarlarda da g\u00f6rd\u00fc\u011f\u00fcm, hayattaki k\u00fc\u00e7\u00fck anlar (\u0130leti\u015fim ve Can Yay\u0131nlar\u0131\u2019ndan b\u00f6yle epey kitap okumu\u015f olmal\u0131y\u0131m) ilgisi oldu. Roman boyu olup bitenler, g\u00fcndelik ve s\u0131radan ya\u015fam\u0131n en temel meseleleri: arkada\u015flar, birisiyle tan\u0131\u015fma, a\u015f\u0131k olma, evlenme, \u00e7ocuk sahibi olma, aldatma, iflas etme, ba\u011f\u0131ml\u0131l\u0131k, ayr\u0131lma, tatile gitme, hava almaya \u00e7\u0131kma, m\u00fcze gezme, bir dostla dertle\u015fme\u2026 Elbette herkesin her daim ya\u015fad\u0131\u011f\u0131 anlar olma raddesinde g\u00fcndelik de\u011fil fakat bir tan\u0131d\u0131\u011f\u0131n\u0131z\u0131n size gelip anlatt\u0131\u011f\u0131nda \u201cbirini \u00f6ld\u00fcrme, dedektif olma, b\u00fcy\u00fc \u00f6\u011frenme, \u015fizofren olma\u201d gibi \u00f6rneklere g\u00f6re daha az \u015fa\u015f\u0131raca\u011f\u0131n\u0131z, hayat\u0131n gidi\u015fat\u0131nda olas\u0131 t\u00f6kezlemeler ve kar\u015f\u0131la\u015fmalar\u0131 ifade eden anlar. Benim on c\u00fcmleyle anlatamayaca\u011f\u0131m \u015fekilde, bir ele\u015ftirmenin izah\u0131: \u201cStamm katastrofik olaylara ilgili de\u011fil, bunun yerine, k\u00fc\u00e7\u00fck incinmeler ve ihanetler, ka\u00e7\u0131lamaz g\u00fc\u00e7s\u00fczl\u00fckler ve derme \u00e7atma onar\u0131mlara ilgili\u201d [6].<\/p>\r\n\r\n\r\n\r\n

Bir \u201cproje\u201d olarak Alexander ve Sonja\u2019n\u0131n evlili\u011fi:<\/strong><\/p>\r\n\r\n\r\n\r\n

Fay [7], Alexander\u2019\u0131n g\u00fczel ve h\u0131rsl\u0131 mimar arkada\u015f\u0131 Sonja ile sakince yak\u0131nla\u015f\u0131p evlenmesini bir proje olarak okuyor. Sonja\u2019nin ideal bir e\u015f olmas\u0131 ve Alexander\u2019\u0131n onunla evlenme niyetini temelde gereksinimleri ve ama\u00e7lar\u0131 ortaya konmu\u015f bir proje gibi: iyi bir araba daha almak, her ne kadar mimariyle bak\u0131\u015flar\u0131 farkl\u0131 y\u00f6nlerde de olsa (Le Corbusier\u2019e kar\u015f\u0131 Aldo Rossi) birlikte ba\u015far\u0131l\u0131 bir meslek hayat\u0131na yelken a\u00e7mak, birka\u00e7 \u00e7ocuk b\u00fcy\u00fctmek\u2026<\/p>\r\n\r\n\r\n\r\n

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Sonja, Iwona\u2019n\u0131n tam tersiydi. G\u00fczel ve zekiydi, s\u00f6yleyecek \u00e7ok s\u00f6z\u00fc ve do\u011fal bir \u00f6zg\u00fcveni vard\u0131, al\u0131ml\u0131yd\u0131. Onun yan\u0131ndayken cesaretim k\u0131r\u0131l\u0131rd\u0131, oldu\u011fumdan daha iyi olmak zorunda hissederdim kendimi. Iwona\u2019n\u0131n yan\u0131ndayken ise zaman \u00e7ok a\u011f\u0131r ilerlemi\u015fti, aram\u0131zdaki sessizlikten rahats\u0131zl\u0131k duymu\u015ftum. Sorular\u0131ma tek kelimelik yan\u0131tlar vermi\u015fti, konu\u015fman\u0131n t\u0131kanmamas\u0131 i\u00e7in s\u00fcrekli \u00e7abalamak zorunda kalm\u0131\u015ft\u0131m. Sonja ise kusursuz bir arkada\u015ft\u0131. Varl\u0131kl\u0131 bir aileden geliyordu, davran\u0131\u015flar\u0131nda ve s\u00f6zlerinde baya\u011f\u0131l\u0131k s\u00f6z konusu olmazd\u0131. Kariyer merdivenlerini h\u0131zla t\u0131rmanacakt\u0131 mutlaka. Muhtemelen sosyal konut tasar\u0131m\u0131na y\u00f6nelir, enc\u00fcmenlerde yer al\u0131r, yan\u0131 s\u0131ra da kendisi gibi temiz, bak\u0131ml\u0131 ve iyi terbiye alm\u0131\u015f iki, \u00fc\u00e7 \u00e7ocuk b\u00fcy\u00fct\u00fcrd\u00fc. Ama Sonja bir erke\u011fe asla -Iwona\u2019n\u0131n sanki ba\u015fka bir se\u00e7ene\u011fi yokmu\u015f gibi bana s\u00f6yledi\u011fi tarzda- onu sevdi\u011fini s\u00f6ylemezdi. Iwona\u2019n\u0131n ilan\u0131 a\u015fk\u0131 beni rahats\u0131z etmi\u015fti, ayn\u0131 \u015fekilde onunla birlikte g\u00f6r\u00fclme fikrinden de s\u0131k\u0131nt\u0131 duymu\u015ftum ama onun sevgisini d\u00fc\u015f\u00fcnmekte bile y\u00fcceltici bir \u015fey vard\u0131. Iwona beni ciddiye alan, kendisine bir \u015fey ifade etti\u011fim tek insand\u0131.<\/p>\r\n(s. 28-9)<\/cite><\/blockquote>\r\n\r\n\r\n

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Robson (8), Stamm\u2019\u0131n \u00fcslubunda, ba\u015fka metinlerde de kar\u015f\u0131la\u015ft\u0131\u011f\u0131m, Camus esintilerinden s\u00f6z ediyor. Bu esintileri, \u201ckendine has bir so\u011fukluk\u201d, \u201ctak\u0131nt\u0131l\u0131 derecede bir eksiltili bir nesir olmamas\u0131na ra\u011fmen, \u00e7ok fazla \u015feyi h\u0131zl\u0131ca ge\u00e7en\u201d ve Camus\u2019de de olan fakat Stamm\u2019da imza mahiyetinde olan \u201cmasum betimleyici c\u00fcmlelerle zihinsel atmosferi veren\u201d \u00f6zelliklerle ifade ediyor. Yine Robson’un roman\u0131n ana karakteri \u00fczerine s\u00f6yledikleriyle bitiri\u015f (bunu \u00e7evirmeye \u00e7al\u0131\u015fmad\u0131m):<\/p>\r\n\r\n\r\n\r\n


\u201cIn his own account of things, Alex emerges as part narcissist, part stick-in-the-mud \u2013 a man so joyless he can find nothing to like in either Rain Man or The Lives of Others. There can be no question of him truly loving either Sonia or Ivona since both relationships, though founded on a kind of trade, lack all trace of mutuality. His role is that of punisher in the lives of women who are looking for pain. (Sonia only started showing interest in him after hearing from his ex-girlfriend \u201cwhat a son of a bitch I was\u201d). In some ways, it\u2019s an ideal set-up and one that Stamm renders with almost geometric precision. Alex can luxuriate in regret at the road not taken: the girl who wanted to be hurt, or at least knew she stood a chance of being hurt, ends up in a loveless marriage; and the girl lacking pride and self-respect is used, abandoned and then, seven years later, used again.\u201d<\/p>\r\n\r\n\r\n\r\n

Referanslar<\/strong><\/p>\r\n\r\n\r\n\r\n

1 https:\/\/www.theguardian.com\/books\/2012\/may\/04\/seven-years-peter-stamm-review<\/a><\/p>\r\n\r\n\r\n\r\n

2 http:\/\/www.thewhitereview.org\/feature\/interview-peter-stamm\/<\/a><\/p>\r\n\r\n\r\n\r\n

3 https:\/\/www.theguardian.com\/books\/2012\/may\/04\/seven-years-peter-stamm-review1<\/a><\/p>\r\n\r\n\r\n\r\n

4 http:\/\/www.thewhitereview.org\/feature\/interview-peter-stamm\/<\/a><\/p>\r\n\r\n\r\n\r\n

5 https:\/\/www.nytimes.com\/2011\/03\/27\/books\/review\/book-review-seven-years-by-peter-stamm.html<\/a><\/p>\r\n\r\n\r\n\r\n

6 http:\/\/necessaryfiction.com\/reviews\/SevenYearsbyPeterStamm<\/a><\/p>\r\n\r\n\r\n\r\n

7 https:\/\/www.nytimes.com\/2011\/03\/27\/books\/review\/book-review-seven-years-by-peter-stamm.html<\/a><\/p>\r\n\r\n\r\n\r\n

8 https:\/\/www.newstatesman.com\/culture\/culture\/2012\/05\/review-seven-years-peter-stamm<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"

(Yine dandik bir okuma notu yazma hevesini bile tamamlayamad\u0131m, asla tamamlayamayaca\u011f\u0131m\u0131 fark edince, yar\u0131m olarak b\u0131rakay\u0131m dedim.) Kitab\u0131n kapak foto\u011fraf\u0131: tertemiz, \u00fct\u00fcl\u00fc, beyaz yatak \u00f6rt\u00fcs\u00fc ve yast\u0131\u011f\u0131n \u00fczerinde belli bir a\u011f\u0131rl\u0131kla \u00e7\u00f6k\u00fcnt\u00fc olu\u015fturan k\u0131rm\u0131z\u0131 elma. Kusursuz gibi g\u00f6r\u00fcnen d\u00fczenli bir yatak odas\u0131na s\u0131zan \u201cilk g\u00fcnah\u201d\u0131 imliyor olmal\u0131. Dini ve mitik referanslarla \u00f6r\u00fcl\u00fc olmasa da, kitaba … Continue reading Peter Stamm – Yedi Y\u0131l (Okuma Notlar\u0131)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[105,8],"tags":[508,509],"class_list":["post-1960","post","type-post","status-publish","format-standard","hentry","category-ders-notlari","category-roman","tag-peter-stamm","tag-yedi-yil"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-vC","jetpack-related-posts":[{"id":832,"url":"https:\/\/yalpertem.com\/blog\/2018\/01\/10\/malcolm-gladwell-outliers-okuma-notlari\/","url_meta":{"origin":1960,"position":0},"title":"Malcolm Gladwell – Outliers (Okuma Notlar\u0131)","author":"yalpertem","date":"10 January 2018","format":false,"excerpt":"Sesli kitap ser\u00fcvenimin yeni dura\u011f\u0131 Gladwell. \u0130ngilizce sesli kitap dinleme s\u00fcrecinde, T\u00fcrk\u00e7e\u2019ye \u00e7evrildi\u011fini bile bilmedi\u011fim bilsem de hi\u00e7 takip etmedi\u011fim yay\u0131nevlerinden \u00e7\u0131kan kitaplarla tan\u0131\u015f\u0131yorum. Bu kitaplar\u0131 al\u0131p okur muyum, emin de\u011filim. Fakat y\u00fcr\u00fcy\u00fc\u015flerde ve g\u00f6z yorgunlu\u011fu ya da s\u0131k\u0131\u015f\u0131kl\u0131k sebebiyle kitap okuyamad\u0131\u011f\u0131m metrob\u00fcs yolculuklar\u0131nda dinlemesi iyi olabiliyor. Genelde, asl\u0131nda d\u00fc\u015fman\u2026","rel":"","context":"In "okuma notlar\u0131"","block_context":{"text":"okuma notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/ders-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/malcolm-gladwell-outliers-199x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2813,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/10\/elif-batuman-budala-okuma-notlari\/","url_meta":{"origin":1960,"position":1},"title":"Elif Batuman | Budala (Okuma Notlar\u0131)","author":"yalpertem","date":"10 November 2019","format":false,"excerpt":"Budala, T\u00fcrkiye\u2019den ABD\u2019ye g\u00f6\u00e7m\u00fc\u015f bir ailenin k\u0131z\u0131 Selin\u2019in \u00fcniversitedeki ilk y\u0131l\u0131ndaki kar\u015f\u0131la\u015fmalar\u0131n\u0131 konu ediyor. Selin, 90\u2019lar\u0131n ortas\u0131nda Harvard\u2019da e-postayla, ilk a\u015fk\u0131yla, Macaristan\u2019da \u00f6\u011fretmenlik yapma deneyimiyle tan\u0131\u015f\u0131yor. Bir yazar\u0131n b\u00fcy\u00fcme roman\u0131 olarak g\u00f6r\u00fclebilecek kitap, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde Elif Batuman\u2019\u0131n kendi ba\u015f\u0131ndan ge\u00e7en olaylardan yola \u00e7\u0131k\u0131yor.","rel":"","context":"In "okuma notlar\u0131"","block_context":{"text":"okuma notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/ders-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/elif-batuman-budala-198x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2640,"url":"https:\/\/yalpertem.com\/blog\/2019\/06\/14\/proust-okuma-notlarim-ii-okuma-notu-bile-yazamamak\/","url_meta":{"origin":1960,"position":2},"title":"Proust Okuma Notlar\u0131m II | Okuma Notu Bile Yazamamak","author":"yalpertem","date":"14 June 2019","format":false,"excerpt":"\u00dcvert\u00fcr: Bu yaz\u0131 romanlarla hi\u00e7 ilgisi olmayan tam bir g\u00fcnl\u00fck girdisi oldu. Buran\u0131n g\u00fcnl\u00fck gibi bir yan\u0131 da oldu\u011fu i\u00e7in ileride d\u00f6n\u00fcp bakay\u0131m diye kay\u0131t alt\u0131na almak istedim. \u0130\u015fler, her zaman oldu\u011fu gibi, ba\u015fta d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm yolda ilerlemedi. \u201c\u0130\u015fler\u201d, \u201chayat\u201d ya da \u201cg\u00fcnler\u201d gibi kelimelerle sorumlulu\u011fu birinciden \u00fc\u00e7\u00fcnc\u00fc tekile kayd\u0131rmay\u0131 seviyorum.\u2026","rel":"","context":"In "proust notlar\u0131"","block_context":{"text":"proust notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/proust-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/06\/Bhupen-Khakhar-Landscaping-on-Head-1985-224x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2773,"url":"https:\/\/yalpertem.com\/blog\/2019\/10\/05\/luis-bunuel-son-nefesim-okuma-notlari-i\/","url_meta":{"origin":1960,"position":3},"title":"Luis Bu\u00f1uel | Son Nefesim (Okuma Notlar\u0131 I)","author":"yalpertem","date":"5 October 2019","format":false,"excerpt":"Kayboldu\u011fu d\u00fc\u015f\u00fcn\u00fclen bir k\u0131z \u00e7ocu\u011funun arand\u0131\u011f\u0131, fakat \u00e7ocu\u011fun ebeveynlerinin yan\u0131nda dola\u015f\u0131p kaybolmad\u0131\u011f\u0131n\u0131 onlara bir t\u00fcrl\u00fc anlatamad\u0131\u011f\u0131 bir fikirden yola \u00e7\u0131karak; ya da bir davet sonras\u0131 konuklar\u0131n hi\u00e7bir engel olmamas\u0131na ra\u011fmen evden gidememesinin nas\u0131l bir hik\u00e2yeye d\u00f6n\u00fc\u015febilece\u011fini d\u00fc\u015fleyerek sinema yapan birisi otobiyografisine nas\u0131l ba\u015flar?","rel":"","context":"In "biyografi"","block_context":{"text":"biyografi","link":"https:\/\/yalpertem.com\/blog\/category\/edebiyat\/biyografi\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/10\/luis-bunuel-son-nefesim-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":791,"url":"https:\/\/yalpertem.com\/blog\/2018\/01\/05\/bicakci-babaanne-ile-yuruyus-ve-yavaslik-uzerine\/","url_meta":{"origin":1960,"position":4},"title":"B\u0131\u00e7akc\u0131, Babaanne ile Y\u00fcr\u00fcy\u00fc\u015f ve Yava\u015fl\u0131k \u00dczerine","author":"yalpertem","date":"5 January 2018","format":false,"excerpt":"\"Geleneksel Pazartesi Y\u00fcr\u00fcy\u00fc\u015fleri. Babaannemle. Son be\u015f alt\u0131 ayd\u0131r hemen her pazartesi. Akl\u0131n alabilece\u011fi, ad\u0131m\u0131n at\u0131labilece\u011fi, insan\u0131n ilerleyebilece\u011fi en yava\u015f bi\u00e7imde. Olabilecek en a\u011f\u0131r tempoda. Genellikle yan yana. Bazen el ele, bazen kol kola. Evinin hemen devam\u0131ndaki Caddebostan sahil yolunda. Normalde yedi dakikada y\u00fcr\u00fcyece\u011fim mesafeyi bazen bir, bazen bir bu\u00e7uk saatte\u2026","rel":"","context":"In "roman"","block_context":{"text":"roman","link":"https:\/\/yalpertem.com\/blog\/category\/edebiyat\/roman\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/uyku-sersemi-min-193x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2749,"url":"https:\/\/yalpertem.com\/blog\/2019\/09\/15\/sigizmund-krjijanovski-bir-cesedin-otobiyografisi-okuma-notlari\/","url_meta":{"origin":1960,"position":5},"title":"Sigizmund Krjijanovski | Bir Cesedin Otobiyografisi (Okuma Notlar\u0131)","author":"yalpertem","date":"15 September 2019","format":false,"excerpt":"Ya\u015fam\u0131 boyunca hi\u00e7 kitab\u0131 bas\u0131lmayan, nerede g\u00f6m\u00fcl\u00fc oldu\u011fu bilinmeyen bir yazar oldu\u011funu \u00f6\u011frendikten sonra ba\u015flad\u0131m Krjijanovski'yi okumaya. H\u00fcz\u00fcnl\u00fc bir ba\u015flang\u0131\u00e7.","rel":"","context":"In "okuma notlar\u0131"","block_context":{"text":"okuma notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/ders-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/09\/bir-cesedin-otobiyografisi-sigizmund-krjijanovski-183x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=1960"}],"version-history":[{"count":13,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1960\/revisions"}],"predecessor-version":[{"id":6251,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1960\/revisions\/6251"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=1960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=1960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=1960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}