{"id":194,"date":"2017-04-16T11:44:00","date_gmt":"2017-04-16T08:44:00","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=194"},"modified":"2025-07-07T11:45:23","modified_gmt":"2025-07-07T09:45:23","slug":"ayhan-gecgin-i-romanciyi-degerlendirmek","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2017\/04\/16\/ayhan-gecgin-i-romanciyi-degerlendirmek\/","title":{"rendered":"Ayhan Ge\u00e7gin I – Romanc\u0131y\u0131 Tart\u0131\u015fmak"},"content":{"rendered":"

Ko\u00e7ak’\u0131n Tehlikeli D\u00f6n\u00fc\u015fler kitab\u0131nda bahsetti\u011fi Aylak Adam ve Ayhan Ge\u00e7gin aras\u0131nda in\u015fa edilebilecek yol fikri beni Ge\u00e7gin\u2019in romanlar\u0131ndan do\u011fru uzun bir y\u00fcr\u00fcy\u00fc\u015fe \u00e7\u0131kma konusunda ayartm\u0131\u015ft\u0131. <\/span>Daha \u00f6nce yakalamam imkans\u0131z gibi g\u00f6r\u00fcnen u\u00e7ucu d\u00fc\u015f\u00fcncelere bir nebze daha yakla\u015fabilmeyi ummu\u015ftum. Di\u011fer okurlar\u0131n bu romanlar\u0131 nerelerden okuduklar\u0131na dair ilgimin bir sonucu olarak Ge\u00e7gin \u00fczerine yaz\u0131lanlar\u0131 kat etmeyi deneyece\u011fim. K<\/span>ar\u015f\u0131ma \u00e7\u0131kan ele\u015ftirilerde ortakl\u0131klar var.<\/span><\/p>\n

Ge\u00e7gin\u2019in romanlar\u0131 edebiyat \u00fczerine konu\u015fan ve yazanlar\u0131 belli bir ele alma bi\u00e7imine mi davet ediyor? Nisan 2017 itibariyle 4 roman\u0131, birka\u00e7 \u00f6yk\u00fcs\u00fc ve bir mektupla\u015fmas\u0131 yay\u0131mlanan Ge\u00e7gin hakk\u0131nda biriken ele\u015ftirel k\u00fclliyatta baz\u0131 ilgin\u00e7 ortakl\u0131klar ve payla\u015f\u0131lan y\u00f6nelimler var.<\/span><\/p>\n

Kenarda \u00fczerine yaz\u0131lm\u0131\u015f metinleri ara\u015ft\u0131r\u0131rken fark etti\u011fim, romanlar\u0131n\u0131 tek tek ele alan yaz\u0131lar\u0131n yan\u0131nda topyek\u00fcn bir yazar de\u011ferlendirmesini ama\u00e7layan <\/span>\u201cAyhan Ge\u00e7gin romanlar\u0131nda X\u201d<\/span><\/i> temal\u0131 yaz\u0131lardaki yo\u011funluk oldu. Metis\u2019in internet sitesinde bast\u0131\u011f\u0131 kitaplara dair dergilerde yaz\u0131lan yaz\u0131lar\u0131 derledi\u011fi b\u00f6l\u00fcm olmasa, internet ortam\u0131nda safi \u201cKenarda\u201d \u00fczerine yaz\u0131lan bir ele\u015ftiri yaz\u0131s\u0131na ula\u015fmam belki de m\u00fcmk\u00fcn olmayacakt\u0131. Ge\u00e7gin, \u00fc\u00e7\u00fcnc\u00fc roman\u0131 \u201cSon Ad\u0131m\u201d ile en az\u0131ndan internette kitap ele\u015ftirisi\/tan\u0131t\u0131m\u0131 yaz\u0131las\u0131 bir yazar stat\u00fcs\u00fcne ula\u015fana kadar yaln\u0131zca edebiyat ile daha s\u0131k\u0131 ba\u011f\u0131 olan ki\u015filer, romanlar\u0131 hakk\u0131nda yazm\u0131\u015f. Son Ad\u0131m ve Uzun Y\u00fcr\u00fcy\u00fc\u015f \u00fczerine yaz\u0131lan yaz\u0131lara ise internetten bolca ula\u015f\u0131labiliyor.<\/span><\/p>\n

\u0130lk bak\u0131\u015fta, Kenarda\u2019y\u0131 tek ba\u015f\u0131na ele alan yaz\u0131 bulamasam da, bulabildi\u011fim de\u011ferlendirmeler aras\u0131nda yazar\u0131n genel \u00fcretimini tart\u0131\u015fmay\u0131 ama\u00e7layan yaz\u0131 ba\u015fl\u0131klar\u0131n\u0131n fazlal\u0131\u011f\u0131 ilgimi \u00e7ekti. <\/span>\u201cAyhan Ge\u00e7gin Roman\u0131nda Kent, Zaman, Birey\u201d <\/span><\/i>(G\u00fcn Zileli ve Ceren Cevahir G\u00fcndo\u011fan)<\/span>, <\/span>\u201cSes ve Manzara: Ayhan Ge\u00e7gin Romanlar\u0131\u201d <\/span><\/i>(B\u00fclent Eken)<\/span>, <\/span>\u201cAyhan Ge\u00e7gin romanlar\u0131nda evrensellik\u201d <\/span><\/i>(Irmak Zileli)<\/span>, <\/span>\u201cVladimir Makanin ve Ayhan Ge\u00e7gin: Hepimizi istila eden bo\u015fluk\u201d <\/span><\/i>(Bar\u0131\u015f Yarsel)<\/span>, <\/span>\u201cAyhan Ge\u00e7gin\u2019in D\u00fc\u015f\u00fcnce Deneyi\u201d<\/span><\/i>\u00a0(Nurdan G\u00fcrbilek) vb. yaz\u0131lar \u00e7e\u015fitli perspektiflerden Ayhan Ge\u00e7gin Roman\u0131\u2019n\u0131n ne oldu\u011funu anlat\u0131yorlard\u0131. Elbette b\u00f6yle yaz\u0131lar\u0131n var olmas\u0131, \u00f6ncelikle, romanc\u0131n\u0131n romanlar\u0131nda a\u00e7t\u0131\u011f\u0131, u\u011fra\u015ft\u0131\u011f\u0131, tekrarlad\u0131\u011f\u0131, geni\u015fletti\u011fi d\u00fc\u015f\u00fcncelerin mevcudiyetini ve tart\u0131\u015fmaya a\u00e7\u0131kl\u0131\u011f\u0131n\u0131 g\u00f6steriyordu. \u00d6te yanda ise metinleri okumaya ba\u015flad\u0131k\u00e7a, yazar\u0131n k\u00fclliyat\u0131n\u0131 konu etti\u011fini sand\u0131\u011f\u0131m yaz\u0131lar\u0131n bir k\u0131sm\u0131n\u0131n hi\u00e7 de \u00f6yle olmad\u0131\u011f\u0131 ayyuka \u00e7\u0131kt\u0131.<\/span><\/p>\n

\u201cVladimir Makanin ve Ayhan Ge\u00e7gin: Hepimizi istila eden bo\u015fluk\u201d<\/span><\/i> metin boyunca sadece Kenarda roman\u0131 ile Makanin\u2019in eserlerini kar\u015f\u0131la\u015ft\u0131r\u0131yor; <\/span>\u201cAyhan Ge\u00e7gin romanlar\u0131nda evrensellik\u201d<\/span><\/i> sadece Son Ad\u0131m\u2019\u0131 anarak Ge\u00e7gin\u2019in safi k\u00f6yden kente g\u00f6\u00e7en, kendi ifadesiyle, \u201cdo\u011fulu birey\u201din de\u011fil bu hikaye \u00fczerinden insanl\u0131\u011fa dair kimlik sorunlar\u0131 ele ald\u0131\u011f\u0131n\u0131n alt\u0131n\u0131 \u00e7iziyor; <\/span>\u201cSes ve Manzara: Ayhan Ge\u00e7gin Romanlar\u0131\u201d<\/span><\/i> ise Kenarda\u2019y\u0131 ansa da temelde Gen\u00e7lik D\u00fc\u015f\u00fc \u00fczerinden Ayhan Ge\u00e7gin\u2019de bulunmas\u0131 olas\u0131 biricik bir edebi sesi edebiyat ve felsefe tarihi \u00fczerinden a\u011f\u0131r referanslarla te\u015fhis ediyordu. <\/span><\/p>\n

Neden bu ele\u015ftiri yazarlar\u0131, romanc\u0131n\u0131n bir veya iki kitab\u0131na bakarak romanc\u0131n\u0131n toptan vesikas\u0131n\u0131 \u00e7ekme tela\u015f\u0131ndalar? Ya da bu bir tela\u015f de\u011fil, Ge\u00e7gin\u2019in romanlar\u0131nda halihaz\u0131rda payla\u015f\u0131lan d\u00fc\u015f\u00fcncelerin, dilin, anlat\u0131lar\u0131n tek \u00f6rnek \u00fczerinden incelenebilece\u011fine dair bir saptama m\u0131? Romanc\u0131n\u0131n t\u00fcm eserlerinde ortak olanlar, tekil olarak bir roman\u0131ndaki aray\u0131\u015f\u0131ndan daha m\u0131 de\u011ferli? Yoksa tek tek kitaplar\u0131na girmek biraz zorlu bir deneyim oldu\u011fundan, tek bir kitab\u0131 \u00fczerine konu\u015fmay\u0131 denerken genel k\u00fclliyat\u0131yla ortakla\u015ft\u0131rmak durumu kolayla\u015ft\u0131r\u0131yor mu? Bu sorular elbette sadece Ge\u00e7gin\u2019in ele\u015ftirisine ait durumlar de\u011fil, romanc\u0131n\u0131n ifadesiyle \u201ckekeleyen\u201d yazarlar\u0131n \u00e7o\u011funun \u00e7evresinde b\u00f6yle bir ele\u015ftiri alan\u0131 birikiyor.<\/span><\/p>\n

Ele\u015ftirilerde sezdi\u011fim bir di\u011fer nokta, romanlardaki c\u00fcmlelerin ve paragraflar\u0131n ele\u015ftiri yaz\u0131lar\u0131nda kullan\u0131lma oran\u0131 oldu. Bir\u00e7ok ele\u015ftiri adeta romanlardan c\u00fcmlelerin birbirine montajlanmas\u0131 s\u0131ras\u0131nda araya ele\u015ftirmenin bir iki c\u00fcmle ve kavram ile giri\u015fi \u015feklindeydi. G\u00fcrbilek\u2019in \u00f6ncelikle Deleuze, Kafka, Nietzsche sonras\u0131nda heybesinde oldu\u011funu art\u0131k \u00f6\u011frendi\u011fimiz ba\u015fka onlarca d\u00fc\u015f\u00fcn\u00fcr\u00fc i\u015fe ko\u015farak Ge\u00e7gin\u2019in t\u00fcm romanlar\u0131na yay\u0131lan ve birbirine yans\u0131yan pasajlar\u0131n\u0131 birbirine montajlayarak sonu\u00e7lar \u00e7\u0131kard\u0131\u011f\u0131 yaz\u0131s\u0131 bunun son noktas\u0131yd\u0131. Zileli ve G\u00fcndo\u011fan\u2019\u0131n daha \u00e7ok tan\u0131t\u0131m yaz\u0131s\u0131 olabilecek yaz\u0131s\u0131 ise \u00fc\u00e7 Ge\u00e7gin pasaj\u0131 ve bunlardaki ortakl\u0131\u011f\u0131 tespit eden bir c\u00fcmlelik ifadelerin art arda dizilmesinden olu\u015fuyordu. Yazd\u0131klar\u0131 genelde tan\u0131m\u0131 gere\u011fi bir yarg\u0131 belirten \u201caforizma\u201d olmaktan \u00e7ok uzak olsa da, Ge\u00e7gin\u2019in farkl\u0131 romanlar\u0131nda benzer bir dil ile, tekrar ederek girip \u00e7\u0131kt\u0131\u011f\u0131 dipsiz kuyular, okur olarak ele\u015ftiri yazarlar\u0131n\u0131 derinden etkileme ve \u201ckendini tekrardan yazd\u0131rma, s\u00f6yletme\u201d<\/em> g\u00fcc\u00fcn\u00fc i\u00e7inde ta\u015f\u0131yor.<\/span><\/p>\n

Son nokta olarak, yine \u015fimdiye kadar okudu\u011fum ele\u015ftiriler \u00fczerinden romanc\u0131n\u0131n felsefi ve edebi olarak hangi ba\u011flamlar, kaynaklar ve akrabal\u0131klar \u00fczerinden okundu\u011funun kaba bir d\u00f6k\u00fcm\u00fcn\u00fc yapmaya \u00e7al\u0131\u015faca\u011f\u0131m. \u201cAcaba Ge\u00e7gin hakk\u0131nda yazanlar kendi corpus\u2019lar\u0131n\u0131 romanc\u0131n\u0131n \u00fczerine y\u0131\u011farak kendi d\u00fc\u015f\u00fcncelerine romanc\u0131y\u0131 alet ediyor, kendi d\u00fc\u015f\u00fcnce ak\u0131\u015flar\u0131nda kolonize ediyor olabilirler mi? Ya da tam tersi olarak Ayhan Ge\u00e7gin bizzat nerelerden okunabilece\u011fini okur ve ele\u015ftirmenlere f\u0131s\u0131ld\u0131yor olabilir mi?\u201d<\/em> gibi bir sorunun pe\u015finden gidece\u011fim. Bu sorular\u0131n kesin cevaplar\u0131 c\u0131l\u0131z bir ihtimal ve hi\u00e7 kimseye kabul ettirilemeyecek bir iddia olurdu, yine de cevab\u0131 de\u011fil, sorusu heyecan veren bir ara\u015ft\u0131rma nesnesi benim i\u00e7in.<\/span><\/p>\n

Kurba\u011falara \u0130nan\u0131yorum\u2019daki ilk mektup, Bar\u0131\u015f B\u0131\u00e7ak\u00e7\u0131\u2019n\u0131n \u201cAyhan\u2019\u0131n tavsiyesiyle J. M. Coetzee\u2019nin Romanc\u0131n\u0131n Roman\u0131\u2019n\u0131 okudum.\u201d<\/em> ile ba\u015fl\u0131yor. Ge\u00e7gin bir r\u00f6portaj\u0131nda yine ilgili romandan bahsediyor. Coetzee roman\u0131nda bir yazar\u0131 anlat\u0131yor, Costello\u2019yu. Costello anlat\u0131 i\u00e7inde Kafka\u2019n\u0131n Akademi i\u00e7in Bir Rapor \u00f6yk\u00fcs\u00fcndeki (maymun\/insan) K\u0131z\u0131l Peter\u2019i derinlemesine tart\u0131\u015ft\u0131\u011f\u0131 bir sunum yap\u0131yor. G\u00fcrbilek de Ayhan Ge\u00e7gin ele\u015ftirisine Kafka\u2019y\u0131, Coetzee\u2019yi ve K\u0131z\u0131l Peter\u2019i i\u015fe ko\u015farak ba\u015fl\u0131yor. Ayn\u0131 \u015fekilde Gen\u00e7lik D\u00fc\u015f\u00fc\u2019nde Deleuze\u2019den bahsedilmesini de \u00f6nemsiyor G\u00fcrbilek, okumas\u0131n\u0131n yap\u0131ta\u015f\u0131 olarak bu filozofu se\u00e7iyor. Buradaki kaynaklar bizzat Ge\u00e7gin\u2019in \u00e7a\u011f\u0131rd\u0131\u011f\u0131 kaynaklar. Bu kaynaklar Ge\u00e7gin\u2019in mektuplar\u0131nda bahsini etti\u011fi di\u011fer pek \u00e7ok yazar, felsefeci veya d\u00fc\u015f\u00fcnce hatt\u0131 \u00fczerinden geni\u015fletilebilir, ba\u015fka yaz\u0131larda b\u00fcy\u00fck ihtimalle yap\u0131l\u0131yordur.<\/span><\/p>\n

Bir di\u011fer referans-yo\u011fun ele\u015ftiride B\u00fclent Eken, yaz\u0131s\u0131na ge\u00e7mi\u015fte yaz\u0131lan de\u011ferlendirmelerden s\u00f6z\u00fc a\u00e7arak di\u011ferlerinin pek anlamad\u0131klar\u0131n\u0131 if\u015fa ettiklerini fark etmesiyle adeta Ayhan Ge\u00e7gin\u2019i do\u011fru okuma ve anlama yolunu g\u00f6steriyor. Burada da mevcut olan Deleuze ve Kafka\u2019n\u0131n bir ad\u0131m \u00f6n\u00fcne Ranciere ve Flaubert yerle\u015fiyor.<\/span><\/p>\n

T\u00fcrkiye\u2019deki edebiyattan Ayhan Ge\u00e7gin\u2019le kesi\u015fen yollarda y\u00fcr\u00fcyen yazarlardan ele\u015ftiriler i\u00e7erisinde tekrarlananlar Hasan Ali Topta\u015f, H\u00fcseyin K\u0131ran, Latife Tekin, Yusuf At\u0131lgan, Ahmet Hamdi Tanp\u0131nar, Bilge Karasu, O\u011fuz Atay.<\/span><\/p>\n

Hen\u00fcz ilk yaz\u0131dan ba\u015far\u0131s\u0131zl\u0131\u011fa mahkum gibi g\u00f6r\u00fcnen bu yolda bakal\u0131m y\u00fcr\u00fcyebilecek miyim.<\/span><\/p>\n

—<\/p>\n

Yaz\u0131y\u0131 bitirdikten birka\u00e7 saat sonra Ko\u00e7ak’\u0131n Tehlikeli D\u00f6n\u00fc\u015fler’deki \u015ferhine hen\u00fcz vard\u0131m. Sonradan bakmak i\u00e7in buraya eklemem gerekti. Ben cebelle\u015firken, o \u00e7ok daha sarih bir dille Ge\u00e7gin’in nerelerden okunabilece\u011fini ve bu okumalar\u0131n ka\u00e7\u0131n\u0131lmaz olup olmad\u0131klar\u0131n\u0131 s\u00f6ylemi\u015f giri\u015finin sonunda.<\/p>\n

“Buraya kadar s\u00f6z alan yorumcular\u0131n hepsi yol g\u00f6sterecek bize; Lukacs, Naci, Bloch, sonra Ekrem I\u015f\u0131n ve Orhan Kemal. En \u00e7ok da Benjamin. \u00d6te yandan hepsinin s\u00f6ylediklerini fazla itiraz etmeksizin b\u00fcken, burkan Lacan var. Burada hemen \u015funu s\u00f6ylemeliyiz: Ge\u00e7gin’in metinleri bir tart\u0131\u015fma forumudur, kahramanlar\u0131 da “\u015fah\u0131s” olman\u0131n \u00f6tesinde, farkl\u0131 d\u00fc\u015f\u00fcncelerin birbiriyle \u00e7eki\u015fme i\u00e7ine girdi\u011fi birer platform. Orada \u00e7eki\u015fen Emmanuel Levinas ile Maurice Blanchot veya Gille Deleuze’\u00fc hi\u00e7 dikkate almadan okumak da m\u00fcmk\u00fcnd\u00fcr elbet. Ama almak, alabildi\u011fimizce almak, daha yararl\u0131 olur. \u00d6te yandan, Aylak Adam da Ge\u00e7gin’in durdu\u011fu yerden bak\u0131ld\u0131\u011f\u0131nda biraz \u00f6yle g\u00f6r\u00fcn\u00fcyor: “Sartre” ile “Freud” aras\u0131nda (\u00f6zg\u00fcrl\u00fckle belirlenmi\u015flik aras\u0131nda) bir \u00e7eki\u015fme alan\u0131 a\u00e7\u0131lm\u0131\u015ft\u0131r At\u0131lgan’da. Galibin pe\u015finen belirlenmi\u015f olmas\u0131, tart\u0131\u015fman\u0131n ilgin\u00e7li\u011fini azaltmad\u0131\u011f\u0131 gibi roman\u0131n bize hala ni\u00e7in zevk vermeye devam etti\u011fi hakk\u0131nda da bir \u015feyler s\u00f6yler.” (sf. 46)<\/p>\n","protected":false},"excerpt":{"rendered":"

Ko\u00e7ak’\u0131n Tehlikeli D\u00f6n\u00fc\u015fler kitab\u0131nda bahsetti\u011fi Aylak Adam ve Ayhan Ge\u00e7gin aras\u0131nda in\u015fa edilebilecek yol fikri beni Ge\u00e7gin\u2019in romanlar\u0131ndan do\u011fru uzun bir y\u00fcr\u00fcy\u00fc\u015fe \u00e7\u0131kma konusunda ayartm\u0131\u015ft\u0131. Daha \u00f6nce yakalamam imkans\u0131z gibi g\u00f6r\u00fcnen u\u00e7ucu d\u00fc\u015f\u00fcncelere bir nebze daha yakla\u015fabilmeyi ummu\u015ftum. Di\u011fer okurlar\u0131n bu romanlar\u0131 nerelerden okuduklar\u0131na dair ilgimin bir sonucu olarak Ge\u00e7gin \u00fczerine yaz\u0131lanlar\u0131 kat etmeyi deneyece\u011fim. … Continue reading Ayhan Ge\u00e7gin I – Romanc\u0131y\u0131 Tart\u0131\u015fmak<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[29,1,8],"tags":[32],"class_list":["post-194","post","type-post","status-publish","format-standard","hentry","category-elestiri","category-genel","category-roman","tag-ayhan-gecgin"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-38","jetpack-related-posts":[{"id":1182,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/15\/bulent-eken-ayhan-gecgin-ve-kayip-poetikasi\/","url_meta":{"origin":194,"position":0},"title":"B\u00fclent Eken – Ayhan Ge\u00e7gin ve Kay\u0131p Poetikas\u0131","author":"yalpertem","date":"15 May 2018","format":false,"excerpt":"\"Okurlar\u0131n \u015f\u00fcphesiz katlan\u0131lmaz buldu\u011fu sayfalar, paragraflar, s\u00f6zc\u00fckler boyunca y\u00fczeye \u00e7\u0131kan ayn\u0131 meselenin tekrar\u0131 asl\u0131nda bu ruhun alametifarikas\u0131d\u0131r. Baz\u0131 okurlar\u0131n\u0131n sand\u0131\u011f\u0131n\u0131n aksine Ge\u00e7gin\u2019de ince eleyip s\u0131k dokuyan bir \u201cdil i\u015f\u00e7ili\u011fi\u201d yoktur. B\u0131\u00e7ak\u00e7\u0131 gibi her bir s\u00f6zc\u00fc\u011f\u00fc k\u00fc\u00e7\u00fck \u00e7ekiciyle dinleyen bir yazar de\u011fildir o. Tersine, ne yazaca\u011f\u0131n\u0131 bilmedi\u011fi i\u00e7in \u2014yaz\u0131n\u0131n nesnesi, amac\u0131,\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/monograf-say%C4%B1-9-g%C3%B6%C3%A7-dipnot-ayhan-ge%C3%A7gin-206x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":894,"url":"https:\/\/yalpertem.com\/blog\/2018\/01\/23\/gurbilek-ayhan-gecgin-ve-olumsuz-yasam-uzerine\/","url_meta":{"origin":194,"position":1},"title":"Nurdan G\u00fcrbilek: Ayhan Ge\u00e7gin ve Olumsuz Ya\u015fam \u00dczerine","author":"yalpertem","date":"23 January 2018","format":false,"excerpt":"Not: San\u0131r\u0131m bu post internette payla\u015f\u0131lm\u0131\u015f, ziyaret edenler olmu\u015f. Eski ba\u015fl\u0131ktaki virg\u00fcllerden dolay\u0131, ba\u015fkas\u0131n\u0131n yazd\u0131\u011f\u0131 bir metin oldu\u011fu d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f olabilir. Tepeye de not d\u00fc\u015feyim dedim, a\u015fa\u011f\u0131daki b\u00f6l\u00fcm Nurdan G\u00fcrbilek'in Express'te (Yaz 2016, say\u0131 144) yay\u0131mlanan \"Uzun Y\u00fcr\u00fcy\u00fc\u015f, Eksik Halk\" adl\u0131 uzun ve derin denemesinden \"ka\u00e7\u0131\u015f \u00e7izgisi\" kavram\u0131n\u0131 oda\u011f\u0131na alan bir\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=525%2C300 1.5x"},"classes":[]},{"id":279,"url":"https:\/\/yalpertem.com\/blog\/2017\/09\/04\/gecgin-sokak-insani-uzerine\/","url_meta":{"origin":194,"position":2},"title":"Ge\u00e7gin, Sokak \u0130nsan\u0131 ve S\u0131n\u0131r \u00dczerine","author":"yalpertem","date":"4 September 2017","format":false,"excerpt":"\"O s\u0131ra az \u00f6temde \u015eair denen herifi g\u00f6rd\u00fcm. Duvar\u0131n \u00fcst\u00fcne t\u00fcnemi\u015f, iki b\u00fckl\u00fcm oturuyordu. Berbat g\u00f6r\u00fcn\u00fcyordu. Y\u00fcz\u00fc dayak yemi\u015f gibiydi -ama elbette yedi\u011fi darbeler, yumruklar, tekmeler g\u00f6r\u00fcnmez t\u00fcrdendi- \u00e7evresi kararm\u0131\u015f, altlar\u0131 morarm\u0131\u015f \u00e7apakl\u0131 g\u00f6zleri neredeyse kapanm\u0131\u015ft\u0131, g\u00fcl\u00fcyormu\u015f\u00e7as\u0131na yanlara do\u011fru gerilmi\u015f, kas\u0131lm\u0131\u015f a\u011fz\u0131nda di\u015f yoktu, sa\u00e7\u0131 sakal\u0131 kaskat\u0131, \u00fcst\u00fc ba\u015f\u0131 berbat\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/genclik-dusu-ayhan-gecgin-199x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":553,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/20\/gecgin-gece-uzerine\/","url_meta":{"origin":194,"position":3},"title":"Ge\u00e7gin, Gece \u00dczerine","author":"yalpertem","date":"20 November 2017","format":false,"excerpt":"\"Aylard\u0131r gecelerimi bu radyosuz, televizyonsuz, telefonsuz evde kanepeye uzanarak ge\u00e7iriyordum. E\u011fer d\u0131\u015fardaysam korkum daha trene biner binmez ba\u015fl\u0131yordu. Neredeyse bo\u015f gece treninde -elleri ap\u0131\u015faralar\u0131nda yorgun birka\u00e7 i\u015f\u00e7i, ba\u015f\u0131 \u00f6n\u00fcne d\u00fc\u015fen bir sarho\u015f, ileri geri gidip gelen, bir koltuktan kalk\u0131p di\u011ferine oturan evsiz bir ergen- deniz boyunca sahil yoluna yak\u0131nla\u015f\u0131p uzakla\u015farak\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/09\/genclik-dusu-ayhan-gecgin-199x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":616,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/27\/gecgin-bir-yer-aramak-uzerine\/","url_meta":{"origin":194,"position":4},"title":"Ge\u00e7gin, Bir Yer Aramak \u00dczerine","author":"yalpertem","date":"27 November 2017","format":false,"excerpt":"\"Ba\u015f\u0131 hafiften d\u00f6n\u00fcyor, kulaklar\u0131 tutu\u015fmu\u015f gibi yan\u0131yordu. Ayr\u0131ca kula\u011f\u0131nda herhalde \u00e7evreden gelen seslerden kaynaklanmayan bir u\u011fultu s\u00fcr\u00fcp gidiyordu. Galiba h\u00e2l\u00e2 hastay\u0131m, diye d\u00fc\u015f\u00fcnd\u00fc. Ama belki daha \u00f6nce hastayd\u0131, \u015fimdi iyile\u015fiyordu. Her ko\u015fulda uzun s\u00fcredir hangisinin hastal\u0131k hangisinin iyile\u015fme oldu\u011fundan, hangisinden \u00e7\u0131k\u0131p hangisine girdi\u011finden pek emin de\u011fildi. Yola ni\u00e7in \u00e7\u0131kt\u0131\u011f\u0131n\u0131 an\u0131msamaya\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2016\/12\/ayhan-gecgin-uzun-yuruyus-202x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":353,"url":"https:\/\/yalpertem.com\/blog\/2017\/10\/07\/gecgin-yuruyus-kendinden-onceki\/","url_meta":{"origin":194,"position":5},"title":"Ge\u00e7gin, Y\u00fcr\u00fcy\u00fc\u015f ve Kendinden \u00d6nceki \u00dczerine","author":"yalpertem","date":"7 October 2017","format":false,"excerpt":"\"Odada oturmak, beklemek, oday\u0131 ar\u015f\u0131nlamak, kar\u015f\u0131 pencerede oturan ki\u015finin g\u00f6r\u00fcnt\u00fcs\u00fcne katlanmak olanaks\u0131zla\u015ft\u0131\u011f\u0131nda d\u0131\u015far\u0131 \u00e7\u0131k\u0131yordu. G\u00fcn \u0131\u015f\u0131\u011f\u0131 d\u00fcnyan\u0131n kesinli\u011fini geri verene kadar geceyi ge\u00e7irebilmek i\u00e7in y\u00fcr\u00fcyordu. Bu, \u0131\u015f\u0131\u011f\u0131n her zaman g\u00fcn\u00fc verece\u011fi anlam\u0131na gelmiyordu. Y\u00fcr\u00fcyen i\u00e7in g\u00fcn her zaman tehdit alt\u0131ndayd\u0131, \u0131\u015f\u0131k ertesi sabah g\u00fcn\u00fc geri vermeyebilirdi. F\u0131r\u0131nc\u0131n\u0131n, g\u00f6be\u011fi dizleri \u00fcst\u00fcnde\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/10\/kenarda-ayhan-gecgin-201x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=194"}],"version-history":[{"count":11,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/194\/revisions"}],"predecessor-version":[{"id":7010,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/194\/revisions\/7010"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}