{"id":1770,"date":"2018-06-23T00:09:49","date_gmt":"2018-06-22T21:09:49","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1770"},"modified":"2022-11-21T22:23:45","modified_gmt":"2022-11-21T21:23:45","slug":"iletisim-yayinlarinin-turkce-edebiyat-kitap-arkasi-yazilari-supercut-i","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/06\/23\/iletisim-yayinlarinin-turkce-edebiyat-kitap-arkasi-yazilari-supercut-i\/","title":{"rendered":"\u0130leti\u015fim Yay\u0131nlar\u0131: T\u00fcrk\u00e7e Edebiyat Kitap Arkas\u0131 (Supercut I)"},"content":{"rendered":"

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T\u00fcrk\u00e7e edebiyat okurlu\u011fumun b\u00fcy\u00fck k\u0131sm\u0131n\u0131 \u0130leti\u015fim Yay\u0131nlar\u0131 i\u015fgal eder. Y\u0131llar i\u00e7inde, yay\u0131nevinin kitap arkas\u0131 yaz\u0131lar\u0131nda “art arda s\u0131ralanan betimlemeler” olarak ifade edebilece\u011fim \u00fcslup ortakl\u0131\u011f\u0131 ilgimi \u00e7ekti -yer yer usand\u0131rd\u0131, yer yer merak uyand\u0131rd\u0131. Bu diziden ne zaman yeni bir kitap bas\u0131lsa arkas\u0131n\u0131 okumaya ba\u015flad\u0131m. Epeydir bu benzer imgeleri bir araya getirme plan\u0131m vard\u0131, bir yerden ba\u015flamak istedim. Bug\u00fcn (May\u0131s, 2018) internet sitelerine girerek T\u00fcrk\u00e7e Edebiyat k\u0131sm\u0131nda ilk be\u015f sayfay\u0131 h\u0131zl\u0131ca tarad\u0131m (Mart, 2017’ye kadar ilerledim), kendi kategorizasyonuma uygun k\u0131s\u0131mlar\u0131 se\u00e7erek u\u00e7 uca ekledim. Bir montaj eskizi \u00e7\u0131karmaya \u00e7al\u0131\u015ft\u0131m. Akl\u0131ma fikirler gelirse par\u00e7alar\u0131 farkl\u0131 \u015fekillerde kurgulamaya \u00e7al\u0131\u015faca\u011f\u0131m ileride. Okuyup sevdi\u011fim romanlar\u0131 ve \u00f6yk\u00fcleri tekrar anmak a\u00e7\u0131s\u0131ndan da g\u00fczel oldu. Baz\u0131 tamlamalarda harfleri kestim, uzun ifadeleri saf d\u0131\u015f\u0131 b\u0131rakt\u0131m, anlamad\u0131klar\u0131m\u0131 dahil etmedim, a\u015f\u0131r\u0131 diegetic \u00f6\u011feleri temizlemeye \u00e7al\u0131\u015ft\u0131m montajdan -\u00f6rne\u011fin, Neylan Han\u0131m\u2019\u0131n mavi koltu\u011fu (En \u00c7ok Onu Sevdim). B\u00f6ylesi bir derleme yak\u0131n tarih edebiyat\u0131nda bir gezinti ihtimali do\u011furabilir mi diye d\u00fc\u015f\u00fcn\u00fcrd\u00fcm, yap\u0131p bakay\u0131m istedim.<\/span><\/span><\/p>\n

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\u2026<\/span><\/p>\n

i\u00e7 \u00e7ekmeler, dillerde ergen yang\u0131nlar, unutulmu\u015f bir yaz ak\u015fam\u0131nda kalan yaz\u0131lmam\u0131\u015f \u00f6yk\u00fcler, babaya mektup, bir g\u00fcnd\u00fcz r\u00fcyas\u0131, evlerde, yollarda, yol kenarlar\u0131nda lafazanl\u0131klar, eprimi\u015f pab\u0131\u00e7lar, hardal sar\u0131s\u0131 pantollar, it aya\u011f\u0131 yemi\u015f gibi gezen gobeller, yalan d\u00fcnya, zal\u0131m d\u00fcnya, bir s\u00fcr\u00fc mucit, hiyelkar, aktar\u0131c\u0131, “rivayet edici”, ma\u011fdur, sarho\u015f, meyhaneci, kahveci, k\u0131r\u0131lgan bir g\u00fcne\u015f, gri ile lacivert aras\u0131nda karars\u0131z kalan y\u00fckl\u00fc bulutlar\u0131, \u00e7ayl\u0131klarda tek t\u00fck biten mandalina, karayemi\u015f a\u011fa\u00e7lar\u0131n\u0131n, \u00e7ayl\u0131klar\u0131n aras\u0131ndan kentin dar sokaklar\u0131na, ormanlar\u0131 ya\u011fmalay\u0131p yap\u0131lan geni\u015f otoyollara, kavgalar, patlamalar, k\u00f6ye getirilen cenazeler, b\u00fcy\u00fck s\u00f6zler, insan\u0131n kalbini ve ruhunu cendereye sokan ebeveynler, anne kokusu, topra\u011f\u0131n nemi, karbonatl\u0131 \u00e7ay ve t\u00fct\u00fcn kokusu, a\u015fk kokusu; buhar, sabun ve ter kokusu, yan\u0131k et, kan ve la\u011f\u0131m, \u015febboylar, \u015fakay\u0131klar, leylaklar, en k\u00f6t\u00fc ihtimalle cam g\u00fczelleri, adan\u0131n eskileri, u\u00e7 uca, \u00fcst \u00fcste b\u00fcy\u00fck a\u011fa\u00e7lar\u0131, yar\u0131m yar\u0131m saadetleri,kaybolan cinleri, yollar\u0131n, dehlizlerin, masallar\u0131n, mavilerin garip ve divane hik\u00e2yeleri, a\u011fa\u00e7lar\u0131n dili, ka\u00e7ak a\u015fklar ve tatl\u0131 g\u00fcl\u00fc\u015fler, k\u0131p\u0131rt\u0131lar, yan\u0131lg\u0131lar, yalanlar, uzun ve eski ac\u0131larla sokaklar, siluetler, ars\u0131z g\u00f6zler, kimsesiz sesler, dolmu\u015fun kokusu, ba\u015fka t\u00fcrl\u00fc olsayd\u0131 ac\u0131s\u0131, kuytu pencereler, \u00f6lmeye yatan a\u015fk, radyoda \u015fark\u0131lar \u015fark\u0131lar, ta\u015fra otob\u00fcsleri, da\u011f\u0131n k\u0131\u015f\u0131, orman\u0131n g\u00fcr\u00fclt\u00fcs\u00fc, h\u0131s\u0131m, akraba, birbirini tan\u0131yan insanlar, sazevleri, kald\u0131r\u0131mlar, kahvehaneler, tek g\u00f6z evler, dudak duda\u011fa \u00f6p\u00fc\u015fen artizler, tren d\u00fcd\u00fc\u011f\u00fc, sessiz ve g\u00fczel \u015feyler, hat\u0131ralar, unutulanlar, arzu pazarl\u0131klar\u0131<\/span>, vehimler, zalimlikler, k\u0131rklara kar\u0131\u015fanlar, kupkuru ve yapayaln\u0131z sesler, iniltiler, hayat\u0131n en yal\u0131n ve en efsunlu meseleleri, \u00f6l\u00fcm ve ya\u015fam, annebaba-\u00e7ocuk aras\u0131ndaki zor muhabbet, b\u00fcy\u00fcmek ve ya\u015flanma, ge\u00e7mi\u015f \u00fczerine, d\u00fcnya hali \u00fczerine, d\u00fc\u015fler ve “puslu k\u0131talar” \u00fczerine, bo\u015f masalar\u0131 d\u00f6ven ya\u011fmurlar, kirlenmi\u015f k\u0131y\u0131lar, eprimi\u015f g\u00fcne\u015f \u015femsiyeleri, seksenli y\u0131llar\u0131n sakaleti, i\u011freti kayg\u0131lar\u0131, kat\u0131ks\u0131z korku olan \u00e7aresizli\u011fi, yoksulluk, hoyratl\u0131k, yaln\u0131zl\u0131k, gams\u0131zl\u0131k, isli sabah\u00e7\u0131 kahveleri, ekmekle so\u011fan, nam i\u00e7in ya\u015fayan hik\u00e2yelerin mahallesi, azap ceketi, hayal han\u00e7erleri, y\u0131k\u0131ld\u0131 y\u0131k\u0131lacak ah\u015fap evler, teneke \u00e7at\u0131lar, g\u00fcvercin taklalar\u0131, afyonun ve t\u00fct\u00fcn\u00fcn saati, \u015f\u0131ng\u0131r m\u0131ng\u0131r sofralar, Allah\u2019\u0131n inayetine \u015f\u00fckran, yerdeki kel hal\u0131lar, ahbaps\u0131z apartmanlar, siyah\u00ee g\u00fcnd\u00fczler, \u015fehirdeki tezek kokusu, eskiyip c\u0131z\u0131rdayan plaklar, yeralt\u0131n\u0131n duman\u0131, soka\u011f\u0131n kiri, perdesi k\u0131sa gelmi\u015f ev, kale arkas\u0131, \u00e7\u0131ld\u0131rmasa g\u00f6r\u00fclmeyecek yoksullar, para kokan \u00e2lemler, tuhaf havalar, bitmeyen cinayetler, bombalar, ge\u00e7ip gitmeyen bulutlar, y\u00fcz\u00fckl\u00fc parmaklar, kurt gibi ac\u0131km\u0131\u015f libidolar ve durup durup \u00e7o\u011falan arzular, affedersiniz ama, \u00e7eke s\u00fcnd\u00fcre a\u015fklar, yol \u00fcst\u00fcndeki erkek s\u00fcr\u00fcleri, ahl\u00e2k\u0131n h\u0131mh\u0131mlar\u0131<\/span>, ismi laz\u0131m de\u011fil bir di\u015finin seyr\u00fc sefer zamanlar\u0131, cinayetle a\u00e7\u0131lan perde, karanl\u0131k sokaklar, merhamet, nedamet, eski defterler, b\u00fcy\u00fck paralar, k\u00fc\u00e7\u00fck hesaplar, kahvalt\u0131da peynirin \u00fczerine re\u00e7el s\u00fcrebilme i\u015ftah\u0131, yar\u0131m yamalak bulutlar, sahanda yumurta g\u00fcne\u015fi, neremizi \u0131s\u0131tt\u0131\u011f\u0131 belli olmayan bir s\u0131cakl\u0131k, iki yak\u0131n arkada\u015f\u0131n ayn\u0131 kad\u0131na \u00e2\u015f\u0131k olmas\u0131, b\u00fclb\u00fcl\u00fcn \u00e7ilesi, yazar\u0131n zulas\u0131, \u0130nceden sarma bir sigara, inceden bir bardak, \u00e7ocuk\u00e7a hevesler, her ya\u015ftan yoksunluklar, naif bir kalenderli\u011fin bileyli bir m\u00fccadele azmi, h\u00fcz\u00fcn ve ac\u0131lar\u0131n inat\u00e7\u0131 bir ya\u015fam sevinci, al\u0131\u015f\u0131lm\u0131\u015f b\u0131kk\u0131nl\u0131klar, k\u00fc\u00e7\u00fck ve s\u0131radan k\u0131y\u0131c\u0131l\u0131klar, avuntular, f\u0131s\u0131lt\u0131lara kananlar, soluk ve p\u0131rp\u0131r eden bir \u0131\u015f\u0131k, ince bir yaz h\u0131rkas\u0131yla gidilen \u00e7ay bah\u00e7eleri<\/span>, bozk\u0131rda tek t\u00fck y\u00fckselen kavak a\u011fa\u00e7lar\u0131, \u00f6\u011fle ezan\u0131 okunurken durgunla\u015fan kasabalar, cinayet kariyerli bir \u00f6zel \u015fof\u00f6r, kaknem kay\u0131nvalide, sinek kadar mide buland\u0131r\u0131c\u0131 bir kay\u0131n\u00e7o, her i\u015fin ivilini civilini bilen esnaflar, \u00e7aml\u0131\u011fa \u00e7\u0131kan, Yozgat\u2019a yukar\u0131dan bakan \u00e2\u015f\u0131klar, \u00f6p\u00e7e bebeler, sesi k\u0131lavl\u0131, \u00f6yle ata\u015fl\u0131 \u00f6yle delikanl\u0131 kopiller, iyi pi\u015fmi\u015f g\u00f6zlemeler, sar\u0131kasnak, ay \u00e7\u0131k\u0131nca huyu de\u011fi\u015fen insanlar, pruva ile ufuk \u00e7izgisi aras\u0131nda a\u011f \u00f6ren denizciler, \u00e7ocukluk kahramanlar\u0131, C\u00fcneyt Ark\u0131n, Kara Pen\u00e7e, gergef i\u015fleyen g\u00fczel k\u0131z, uzak evler, saks\u0131lar, danteller, otob\u00fcs garajlar\u0131, solmu\u015f posterler, kar\u0131nca dualar\u0131, ku\u015f u\u00e7uran sinema bekleyen ergenler, \u0130spanyol pa\u00e7al\u0131 \u015fehirliler, davetsiz misafirler, soban\u0131n yan\u0131ndaki romanlar, yoksul a\u011fa\u00e7lar, dik yollar, \u00e7arp\u0131k \u00e7at\u0131lar, Congulus, Mamak S\u0131k\u0131y\u00f6netim Komutanl\u0131\u011f\u0131, tenhalar, geceler, muktedirler, usul usul koyula\u015fan bir yenilgi, her \u015feyin kullan\u0131l\u0131p at\u0131ld\u0131\u011f\u0131 bir d\u00fcnya, uzun bir mektup, merhamet istemeyen bir kad\u0131n, dalgal\u0131 deniz, i\u00e7li bir itiraf ve “cici k\u0131z\u0131n” isyan\u0131, derin ve tatl\u0131 hazlar, k\u0131r\u0131k ve tutkulu sevi\u015fmeler, \u00e7arp\u0131\u015fman\u0131n novellas\u0131, her \u015fey so\u011fuk ve solgunken, yaprak yaprak a\u00e7\u0131lan bir bahar a\u015fk\u0131, r\u00fcyan\u0131n musallat oldu\u011fu insanlar, veresiye espri satmayan komedyenler, bayramda el \u00f6pmeye kendi klonunu g\u00f6nderen yeniyetmeler, ikinci k\u00f6pr\u00fcde intihar etmek yasakland\u0131\u011f\u0131 i\u00e7in \u00fc\u00e7\u00fcnc\u00fc k\u00f6pr\u00fcye giden, oradaki kuyru\u011fu g\u00f6r\u00fcnce de intihar etmekten vazge\u00e7en memurlar, fotokopi makinesinin \u0131\u015f\u0131\u011f\u0131nda g\u00f6r\u00fclen ekspresyonist r\u00fcyalar, ayn\u0131 soyad\u0131n\u0131n \u00f6n\u00fcnde toplanm\u0131\u015f be\u015f ki\u015fi, k\u0131rm\u0131z\u0131 bir \u015fal, siyah bir h\u0131rka, Berber Kamo\u2019nun d\u00fckk\u00e2n\u0131, \u015eerafet Bey\u2019in saati, K\u00fcheylan Day\u0131\u2019n\u0131n tabancas\u0131, yerin \u00fc\u00e7 kat alt\u0131nda, k\u00fc\u00e7\u00fcc\u00fck bir h\u00fccrede d\u00f6rt adam, ac\u0131n\u0131n ve her \u015feye ra\u011fmen umudun y\u00f6r\u00fcngesinde d\u00f6nen bir kent, i\u015fe giden insanlar, d\u00fckk\u00e2nc\u0131lar, i\u015fportac\u0131lar, i\u015fsiz g\u00fc\u00e7s\u00fczler, “bek\u00e2ret esaret”, yar\u0131m yar\u0131m hat\u0131ralar, \u00f6\u011frenciler, gazeteciler, ne\u015feli, meydan okuyan, direnen bir kad\u0131n, bir intihar\u0131n \u00e7evresinde, insanlar, a\u015fk sakarl\u0131klar\u0131, sevgi ihmalleri, hem filozof, hem f\u0131rlama bir o\u011flan, hikayeyi ve “karakteri” \u00e7evreleyen semt hayat\u0131 ve mahalle atmosferi, cenaze evleri, egzoz kokusu, ucuz filmler, ba\u011f\u0131ran televizyonlar, kanepeler, u\u011fultulu foto\u011fraflar, \u015fehrin a\u011fr\u0131yan mafsallar\u0131<\/span>, radyonun dalga boyunda s\u0131k\u0131nt\u0131, ya\u011fmurluklu adamlar, y\u0131l\u0131n en k\u00f6t\u00fc g\u00fcn\u00fcn\u00fcn en berbat saatinde ya\u015fanan hortlak beyazl\u0131\u011f\u0131nda tesad\u00fcfler, gazete ilanlar\u0131, h\u0131rlayan k\u00f6pekler, trib\u00fcn \u00e7ocuklar\u0131, paranormal domatesler, fla\u015flar, \u00fcrkek ve kasvetli zaman prel\u00fcd\u00fc, bozguncular, gen\u00e7le\u015fen \u00f6l\u00fcler, renkler, melodiler, edebiyat \u00f6\u011fretmenleri, Yozgat\u2019tan Ankara\u2019ya gidenler, Ankara\u2019dan Yozgat\u2019a d\u00f6nenler, b\u00f6c\u00fckl\u00fc saks\u0131lar, hay\u0131rl\u0131 k\u0131smetler, pabrikalar, yevmiya hesab\u0131 yapan \u0131rgatlar, usul aksak evlerine varanlar<\/span>, perzulaya yumulanlar, kalbi ta\u015f olanlar, okuyanlar, essahl\u0131 konu\u015fanlar, erkek \u00e7ocuklar\u0131n enerjik, h\u00fcz\u00fcnl\u00fc, alengirli d\u00fcnyas\u0131, i\u015f\u00e7iler, yoksullar, teyzeler, abiler, kolay a\u011flayan sert adamlar, ta\u015fra seyrekli\u011fi, mahallenin kalabal\u0131\u011f\u0131, k\u0131skan\u00e7, gururlu, saf ergenler, zerre zerre b\u00fcy\u00fcyen bunalt\u0131lar ve s\u0131rl\u0131 hayatlar, balkonsuz evin d\u00fc\u011f\u00fcn gecesi ve g\u00f6zlerini g\u00f6zlerimize diken kargalar\u0131, g\u00fczel olmak isteyen alkolikler, berdu\u015flar, karde\u015fler, zembere\u011fi bo\u015falm\u0131\u015f hayat memat ezberleri, tek g\u00f6zl\u00fc geceler, yeralt\u0131n\u0131n kar\u0131n gurultusuna, belal\u0131 bir g\u00fcnd\u00fcze sar\u0131lan cuaralar, kenarlar\u0131n solu\u011fu, d\u00fcnyaya katlanamayan, kendine g\u00f6m\u00fclen \u00e7ocuklar, uzun merdivenler, flula\u015fan seyirler, y\u00fczle\u015fmeler, \u00e7ok tan\u0131d\u0131k gelen tuhaf \u015feyler, mant\u0131\u011fa s\u0131\u011f\u0131nan tekd\u00fczelikler, b\u0131kk\u0131nl\u0131klar, birbirine benzeyen sokaklar, i\u00e7 i\u00e7e ge\u00e7en r\u00fcyalar, “yazarsan kurtulursun”<\/span>, \u00e7aresizler, gevezeler ve uzun suskunluklar, K\u0131z\u0131lay, Sakarya Caddesi, SSK \u0130\u015fhan\u0131, Dil-Tarih, Atakule, \u00f6\u011frenci evleri, be\u015f lira i\u00e7in kalbinden adam b\u0131\u00e7aklayanlar, on \u00fc\u00e7 ya\u015f\u0131nda k\u0131zlara tecav\u00fcz eden, namus i\u00e7in en yak\u0131n akrabalar\u0131n\u0131 vuranlar, kederli s\u00f6zlerin, kurumu\u015f g\u00f6zlerin, tozlu yollar\u0131n, saklanan mendillerin, i\u00e7li k\u0131p\u0131rdanmalar\u0131n misafiri, cenazelerin duac\u0131s\u0131, hik\u00e2yelerin s\u0131rda\u015f\u0131, kentin k\u0131y\u0131s\u0131nda<\/span>, geni\u015f \u00e7\u00f6p sahalar\u0131 ile sanayi b\u00f6lgesi aras\u0131nda kurulan bir gecekondu semti, bir gecede t\u00fcreyen ve “aln\u0131nda kara derin harflerle, fabrikalar, \u00e7\u00f6p ve r\u00fczg\u00e2r yaz\u0131l\u0131” kondularda ya\u015fananlar, yaln\u0131z yenilen yemekler, kuytular, bulan\u0131k camlar, par\u00e7al\u0131 bulutlu havalar, kalabal\u0131klardan geriye kalan sessizlikler, beton tepelerin iniltisi, g\u00fcn\u00fcn yorgunlu\u011fu, tutsakl\u0131k par\u00e7alar\u0131, daha d\u00fcn “burada” olan ve hepsi birer hat\u0131raya d\u00f6n\u00fc\u015fen evler, sokaklar, kitap\u00e7\u0131lar, kaybolan mazi, vin\u00e7ler, kamyonlar, sahte ay \u0131\u015f\u0131\u011f\u0131, uykusuzluk, k\u00f6t\u00fc r\u00fcyalar, mek\u00e2nlar, sesler, al\u0131\u015fkanl\u0131klar, kay\u0131plar, dertler, \u00f6v\u00fcnmeler, sa\u00e7mal\u0131klar, h\u0131rslar, hevesler, bo\u015fvermi\u015flikler, \u00f6fkeler, sarho\u015fluklar, meraklar, h\u0131rpalanmalar, g\u00fclme n\u00f6betleri, hayal k\u0131r\u0131kl\u0131klar\u0131, hal\u00fcsinasyonlar, terk etmeler, tehditler, davetler, vaatler, sorular ve hep sorularla birle\u015fen halkalar, haneler, aileler, dualar ve beddualar, rekabetin, te\u015fhirin, g\u00fczel ve mutlu g\u00f6r\u00fcnmenin dayan\u0131lmaz bask\u0131s\u0131, plaza-site-al\u0131\u015fveri\u015f merkezi \u00fc\u00e7geninde s\u0131k\u0131\u015fm\u0131\u015f hayatlar, aksayan, sakatlayan, e\u011fri b\u00fc\u011fr\u00fc bir hal, azar azar azalan zaman, usul usul \u00e7o\u011falan h\u00fcz\u00fcn, siyahi bo\u015fluklar, k\u0131sac\u0131k mutluluklar, uzun ve saklanan hat\u0131ralar, korkutan ve utand\u0131ran s\u0131rlar, birbirine dolanan arzular, hi\u00e7 durmadan ya\u011fan ya\u011fmur gibi bizi k\u0131st\u0131ran yorgunluklar, zaman\u0131n insafs\u0131zl\u0131\u011f\u0131, eksikli\u011fin s\u0131k\u0131nt\u0131s\u0131, hayat\u0131n yeknesakl\u0131\u011f\u0131 ve benzersiz co\u015fkusu, u\u011fultular, hepsi g\u00f6r\u00fcnen ve hi\u00e7biri anlat\u0131lmayan k\u00fc\u00e7\u00fck ve b\u00fcy\u00fck s\u0131rlar, bir yan\u0131yla ac\u0131l\u0131 bir yurt, bir yan\u0131yla da sanki s\u00fcrekli bir “yurtsuzluk” hali, M\u00fcthi\u015f yoksulluk, kahredici imk\u00e2ns\u0131zl\u0131k, derininden zonklayan yara, umursamayan “merkez”in da\u011flayan zulm\u00fc, \u00e7aresiz kalan dil, b\u00fct\u00fcn bunlar\u0131 anlamaya \u00e7al\u0131\u015fan ya\u015fl\u0131lar, yeti\u015fkinler, \u00e7ocuklar, ve onlar\u0131n “\u00e7ocuk \u00f6l\u00fcmleri”, kar\u0131s\u0131n\u0131 bir ba\u015fkas\u0131ndan ka\u00e7\u0131rarak evlenen adam, kar\u0131s\u0131n\u0131n \u015fimdi de bir ba\u015fkas\u0131na ka\u00e7abilece\u011fi ku\u015fkusu, bir t\u00fcrl\u00fc ya\u015fad\u0131klar\u0131 yerden kopamayan, kendilerini oray\u0131 bekleyen deniz fenerleri olarak g\u00f6ren kasabal\u0131lar veya hi\u00e7 kimsenin tan\u0131mad\u0131\u011f\u0131 k\u0131y\u0131da k\u00f6\u015fede kalm\u0131\u015f yazarlar, usul usul \u00e7\u00f6reklenen yava\u015fl\u0131k<\/span>, yar\u0131m kalm\u0131\u015fl\u0131k, m\u0131r\u0131lt\u0131lar, kokular, nar taneleri, kar\u0131ncalar, pencereler, bo\u015f arsalar, zeytin taneleri ve y\u0131lanlar<\/span>, hep hat\u0131rlanan, her cumartesi hat\u0131rlat\u0131lan gen\u00e7 \u00f6l\u00fcmler, gecenin ortas\u0131nda kelebek yumu\u015fakl\u0131\u011f\u0131, d\u00fcmd\u00fcz akamam\u0131\u015f, bir yerlere tak\u0131lm\u0131\u015f hayatlar, tutkulu a\u015fk hik\u00e2yeleri, tuhaf bir ne\u015fe, trajedi ile fars\u0131n dans etti\u011fi bir mizah, bir ka\u00e7\u0131\u015f\u0131n hik\u00e2yesi ve 12 Eyl\u00fcl\u2019\u00fcn ard\u0131ndan gelen \u015fark\u0131lar, \u015fehir i\u00e7inde d\u00fcnya turu, kalbin i\u00e7inde kap\u0131 zili, akl\u0131n i\u00e7inde serg\u00fcze\u015ftler, kutu gibi evler, ebesinin \u00f6rekesine \u00e7\u0131kan sokaklar, yeteri kadar \u00f6lm\u00fc\u015f insanlar, binalar y\u0131k\u0131l\u0131rken, her \u015fey h\u0131zla un ufak olurken, i\u011fde a\u011fa\u00e7lar\u0131, atkestaneleri, eski resimler, ila\u00e7lanmas\u0131 gereken b\u00f6cekler, zaman\u0131n ruhu, Gezi\u2019nin isyanc\u0131lar\u0131, h\u00fcrriyetleri i\u00e7in \u00f6ks\u00fcrenler, yerinde duramayanlar, k\u00fcfredenler, a\u011flamay\u0131 unutmak i\u00e7in yumru\u011funu s\u0131kanlar, \u0130stanbul\u2019dan bir yozla\u015fma manzaras\u0131, zenginlerden nefret edenlerin kurdu\u011fu tuhaf bir kul\u00fcp, ac\u0131 \u00e7eken ve ac\u0131y\u0131 g\u00f6rmeyen kad\u0131nlar, erkekler ve di\u011fer mahluklar, ge\u00e7mi\u015f denen b\u00fcy\u00fck yenilgiler, gelecek denen belirsizlikler ve dik bir mezarl\u0131kta yatan karn\u0131 a\u00e7 \u00f6l\u00fcler, tiksinme, bulant\u0131, \u00f6\u011f\u00fcrme, terleme, t\u00fck\u00fcr\u00fck, istifra, a\u00e7\u0131k kap\u0131lar, k\u00fc\u00e7\u00fck tufanlar, uzayan yollar, bir dua gibi ya\u011fan ya\u011fmurlar, hat\u0131ralar, ayartan, kan\u0131rtan, k\u00fc\u00e7\u00fclen, b\u00fcy\u00fcyen kar\u015f\u0131la\u015fmalar, ba\u015ftan aya\u011fa saplant\u0131lar, bir \u00e7aydanl\u0131k gibi fokurdayan, d\u00fcnyay\u0131 \u00f6pen, kahreden, sus pus oturan hik\u00e2yeler, ge\u00e7mi\u015fin bulan\u0131kl\u0131\u011f\u0131, k\u0131r\u0131kl\u0131klar, kabulleni\u015fler, g\u0131c\u0131rdayan kap\u0131lar, bo\u015f fincanlar, galaksideki b\u00fct\u00fcn gezegenler, k\u00fc\u00e7\u00fck saadetler, bir t\u00fcrl\u00fc doymayan arzular, \u015fehrin evleri, pencereleri, masalar\u0131, yan\u0131p s\u00f6nen cigaralar, dindar mahalleler, yoku\u015flu sokaklar; Halk Partisi, Demokrat Parti; akrabalar, kom\u015fular, Tom Miks ve di\u011fer erkekler, zaman\u0131n ruhu, \u00e7\u0131k\u0131\u015fs\u0131zl\u0131\u011f\u0131, \u00fcmidi, \u00fcrkek dokunu\u015flar\u0131, Haymana Ovas\u0131\u2019nda, Tahran\u2019da ve Cambridge\u2019te ge\u00e7en hayatlar, d\u00fczl\u00fck, tuhafl\u0131k, manzara, garip ve u\u011fultulu, karl\u0131, ya\u011fmurlu, f\u0131rt\u0131nal\u0131 bir \u0130stanbul, hele gece olunca o karanl\u0131k sokaklardan gelip ge\u00e7enler, yolcular, \u00e2\u015f\u0131klar, yar\u0131m kalan arzular, gidenler, kalanlar, usulca s\u00f6ylenen itiraflar, hi\u00e7bir mevsimin \u0131s\u0131tmad\u0131\u011f\u0131 yaln\u0131zl\u0131klar, durup dururken suskunla\u015fan kad\u0131nlar<\/span>, \u00e7ocuklar, dedeler ve di\u011ferleri<\/span>…<\/span><\/p>\n

….<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk\u00e7e edebiyat okurlu\u011fumun b\u00fcy\u00fck k\u0131sm\u0131n\u0131 \u0130leti\u015fim Yay\u0131nlar\u0131 i\u015fgal eder. Y\u0131llar i\u00e7inde, yay\u0131nevinin kitap arkas\u0131 yaz\u0131lar\u0131nda “art arda s\u0131ralanan betimlemeler” olarak ifade edebilece\u011fim \u00fcslup ortakl\u0131\u011f\u0131 ilgimi \u00e7ekti -yer yer usand\u0131rd\u0131, yer yer merak uyand\u0131rd\u0131. Bu diziden ne zaman yeni bir kitap bas\u0131lsa arkas\u0131n\u0131 okumaya ba\u015flad\u0131m. Epeydir bu benzer imgeleri bir araya getirme plan\u0131m vard\u0131, bir yerden … Continue reading \u0130leti\u015fim Yay\u0131nlar\u0131: T\u00fcrk\u00e7e Edebiyat Kitap Arkas\u0131 (Supercut I)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[462,463],"class_list":["post-1770","post","type-post","status-publish","format-standard","hentry","category-denemetin","tag-iletisim-yayinlari","tag-kitap-arkasi-yazilari"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-sy","jetpack-related-posts":[{"id":2839,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/13\/ozlu-walserle-tanisma\/","url_meta":{"origin":1770,"position":0},"title":"\u00d6zl\u00fc, Walser’le Tan\u0131\u015fma","author":"yalpertem","date":"13 November 2019","format":false,"excerpt":"Bu mektuplarda yeni bir yazarla tan\u0131\u015fma, ondan etkilenme, onu T\u00fcrk\u00e7eye \u00e7evirip yay\u0131mlamaya dair samimi (\"i\u00e7ten duydu\u011fum bir yazar\"), entelekt\u00fcel (\"okur i\u00e7in daha iyi olur\") ve profesyonel (\"ka\u00e7a m\u00e2l olur\") ifadeler var. \"Bilmem Robert Walser'i tan\u0131r m\u0131s\u0131n? \u0130svi\u00e7re edebiyat\u0131n\u0131n bence en \u00f6nemli yazar\u0131. Tam bir Kafkaesk korku ve Dostoyevski y\u00fcre\u011fi ve\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/tezer-ozlu-ferit-edgu-her-seyin-sonundayim-min-194x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1876,"url":"https:\/\/yalpertem.com\/blog\/2018\/07\/09\/coetzee-karakteri-tanitmak-iii-bikkin-akademisyen\/","url_meta":{"origin":1770,"position":1},"title":"Coetzee, Karakteri Tan\u0131tmak (III) [B\u0131kk\u0131n Akademisyen]","author":"yalpertem","date":"9 July 2018","format":false,"excerpt":"Art arda okurken, Auster'in roman a\u00e7\u0131l\u0131\u015flar\u0131nda kar\u015f\u0131la\u015ft\u0131\u011f\u0131m m\u00fcthi\u015f karakter tan\u0131tma pasajlar\u0131 b\u00f6ylesi bir depolama yapma fikri uyand\u0131rm\u0131\u015ft\u0131. Sunset Park'dan Miles Heller ve Bing Nathan'\u0131n tan\u0131t\u0131ld\u0131\u011f\u0131 pasaj ile Cam Kent'de Quinn'e giri\u015f yap\u0131lan y\u00fcr\u00fcme ve bo\u015fluk hissine vurgu yap\u0131lan\u00a0pasaj\u0131\u00a0blog'a ta\u015f\u0131m\u0131\u015ft\u0131m. Bunu bir seri h\u00e2line getirme fikri Utan\u00e7'daki hoca David Lurie giri\u015fiyle\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/07\/j.-m.-coetzee-utan%C3%A7-183x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2823,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/10\/sembolist-edebiyat-ceviri\/","url_meta":{"origin":1770,"position":2},"title":"Sembolist Edebiyat (\u00c7eviri)","author":"yalpertem","date":"10 November 2019","format":false,"excerpt":"(Brittanica'n\u0131n Sembolist Edebiyat makalesinin \u00e7evirisi. Rodenbach okuyunca merak ettim sembolistleri. Tersine'yi okumal\u0131y\u0131m.) 19. y\u00fczy\u0131l sonlar\u0131nda Frans\u0131z \u015fairleri aras\u0131nda k\u0131smen organize bir \u015fekilde do\u011fan edebi ve sanatsal bir hareket olarak Sembolizm, resim ve tiyatroya geni\u015fledi, 20. y\u00fczy\u0131l Avrupal\u0131 ve Amerikal\u0131 edebiyat\u00e7\u0131lar\u0131n\u0131 \u00e7e\u015fitli derecelerde etkiledi. Sembolist sanat\u00e7\u0131lar bireyin duygusal deneyimini incelikli ve\u2026","rel":"","context":"In "\u00e7eviri"","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":141,"url":"https:\/\/yalpertem.com\/blog\/2017\/03\/04\/ben-buradan-okuyorum-tim-parks\/","url_meta":{"origin":1770,"position":3},"title":"Ben Buradan Okuyorum | Tim Parks","author":"yalpertem","date":"4 March 2017","format":false,"excerpt":"Huysuz Tim Parks\u2019\u0131, Metis soluk sar\u0131 kapa\u011f\u0131yla basmasa tan\u0131yamayacakt\u0131m. Halbuki romanlar\u0131 daha \u00f6nceden Kanat ve Alef\u2019den \u00e7evrilmi\u015f, yay\u0131mlanm\u0131\u015f. \"Ben Buradan Okuyorum\", birka\u00e7 kitap\u00e7\u0131da da ilk haftas\u0131nda t\u00fckenmi\u015fti, \u00e7al\u0131\u015fanlarla beraberce \u015fa\u015f\u0131rm\u0131\u015ft\u0131k, nas\u0131l pop\u00fclerle\u015fti bir \u201cmetis ele\u015ftiri\u201d kitab\u0131 acaba diye. Ben kapa\u011f\u0131n ve ba\u015fl\u0131\u011f\u0131n\u0131n albenisinden diye d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcm. Kitab\u0131 okuduktan sonra ele\u015ftirilerine bakarken,\u2026","rel":"","context":"In "deneme"","block_context":{"text":"deneme","link":"https:\/\/yalpertem.com\/blog\/category\/deneme\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/03\/ben_buradan_okuyorum-tim_parks-min-201x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2914,"url":"https:\/\/yalpertem.com\/blog\/2019\/12\/07\/maurice-blanchotya-kisa-giris-c-fynsk-notlar\/","url_meta":{"origin":1770,"position":4},"title":"Maurice Blanchot’ya K\u0131sa Giri\u015f | C. Fynsk (Notlar)","author":"yalpertem","date":"7 December 2019","format":false,"excerpt":"Genel olarak, Blanchot'nun 1930'lardan bug\u00fcne ba\u015fkalar\u0131 taraf\u0131ndan nas\u0131l temkinle kar\u015f\u0131land\u0131\u011f\u0131ndan, gen\u00e7li\u011findeki sa\u011fc\u0131l\u0131\u011f\u0131ndan, etraf\u0131ndaki haleden, \u015fimdiye kadar tan\u0131\u015ft\u0131\u011f\u0131m Blanchot'ya bir yerden dokunmu\u015f herkesten duydu\u011fum \"okudum ama ben tam bilmiyorum, g\u00fczel, nas\u0131l desem, pek bir \u015fey diyemem,\" diye ba\u015flayan ifadelerin olas\u0131 sebeplerinden bahsediyor. 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Bir kar\u015f\u0131 g\u00f6r\u00fc\u015f \u00e7etelesi olarak hat\u0131rda tutmak i\u00e7in buraya ge\u00e7irdim. Neil\u2026","rel":"","context":"In "genel"","block_context":{"text":"genel","link":"https:\/\/yalpertem.com\/blog\/category\/genel\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/harold-bloom-bat%C4%B1-kanonu-%C3%A7a%C4%9Flar%C4%B1n-ekolleri-ve-kitaplar%C4%B1-200x300.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=1770"}],"version-history":[{"count":1,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1770\/revisions"}],"predecessor-version":[{"id":5617,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1770\/revisions\/5617"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=1770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=1770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=1770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}