{"id":1644,"date":"2018-06-03T00:22:23","date_gmt":"2018-06-02T21:22:23","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1644"},"modified":"2018-06-03T12:52:09","modified_gmt":"2018-06-03T09:52:09","slug":"yol-kenari-pirselimoglu-ve-diger-herkes","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/06\/03\/yol-kenari-pirselimoglu-ve-diger-herkes\/","title":{"rendered":"Yol Kenar\u0131 | Pirselimo\u011flu ve Di\u011fer Herkes"},"content":{"rendered":"

Bu bir film yorumu de\u011fil, film yaz\u0131lar\u0131n\u0131n yaz\u0131s\u0131 olmaya \u00e7al\u0131\u015f\u0131yor. Yol Kenar\u0131 \u00fczerine s\u00f6ylenenlerin bulanm\u0131\u015f zihnimdeki yank\u0131lar\u0131.<\/p>\n

Kafkaesk, kafkaesque, Kafka-vari, kesinlikle… \u0130lk an\u0131lan\u0131n o olmas\u0131, b\u00fcy\u00fck ihtimalle a\u00e7\u0131l\u0131\u015fta bo\u015f bir odaya ta\u015f\u0131nm\u0131\u015f dilenci b\u00fcrokrat\u0131n halet-i ruhiyesinden \u00e7a\u011fr\u0131\u015f\u0131yor. Odalar\u0131n duvarlar\u0131, g\u00f6ky\u00fcz\u00fcndeki bulutlar ki\u015finin \u00fcst\u00fcne \u00e7\u00f6kt\u00fc\u011f\u00fcnde de onun akla gelmesi do\u011fal. Labirente s\u0131k\u0131\u015fm\u0131\u015f bir fare, Kafkac\u0131 fare -kendisi de\u011fil, ortam\u0131 \u00f6yle. Benjamin, Bloch, Agamben Kafka’daki Yahudi mesiyanizmini tart\u0131\u015f\u0131rken, y\u00f6netmen de ba\u015fka bir y\u00fczy\u0131lda benzer bir sonuca var\u0131r. Bu daralt\u0131y\u0131 bir mesih geni\u015fletebilir, ama geldi\u011fi belli olmaz, geldi\u011fini s\u00f6ylemez, kendinin de haberi yoktur, biz sonradan bak\u0131nca biliriz ancak.<\/span><\/p>\n

Pasolini\u2019nin Teorema\u2019s\u0131nda yabanc\u0131n\u0131n gelip burjuva aileyi tepetaklak etmesi gibi bir m\u00fcdahale. Kosmos\u2019daki yabanc\u0131, neydi o, evet mesih. O\u011flumu iyile\u015ftir dediler. Ama o kadar da de\u011fil, o deliydi, buradaki mesih gayet akl\u0131 ba\u015f\u0131nda, kendine dan\u0131\u015fan \u00f6tekilere deli der: \u201cdelisin sen\u201d, “anlam\u0131yorum”. Kosmos’dakinin l\u00fbgat\u0131nda “anlamak” kelimesi yoktu, duyumsuyordu her \u015feyi. Yeni mesih gayet analitik, m\u00fchendis olacak. Mesihlerden de delileri vard\u0131r, baz\u0131 ahaliler delirir, baz\u0131lar\u0131 hen\u00fcz delirmemi\u015ftir. Kosmos\u2019un aksine bu ki\u015fi mek\u00e2n\u0131n en sarih kafal\u0131 \u00f6l\u00fcml\u00fcs\u00fc. Milano ya da Kars\u2019daki ahali hen\u00fcz delirmemi\u015fti -ya da bunu fark etmemi\u015fti-, kendi hallerinde ya\u015fay\u0131p gidiyorlard\u0131 yabanc\u0131 gelene kadar, \u015fimdiyse herkes zaten onu bekliyormu\u015f, kendini ispatlamas\u0131na gerek kalmam\u0131\u015fm\u0131\u015f. Yabanc\u0131 olmas\u0131 yetmi\u015f -ve de s\u0131rt\u0131nda ya da ci\u011ferindeki yara izi. \u0130\u00e7 hastal\u0131klar\u0131, ciltte veya herhangi bir dokuda nas\u0131l temsil edilir? \u0130nsan yaras\u0131n\u0131 g\u00f6stermeden peygamber olamaz m\u0131?<\/span><\/p>\n

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Mesih yaln\u0131z de\u011fil, deccal de var. Antichrist\u2019da da vard\u0131 fakat o ba\u015fka bir hik\u00e2ye, buradaki referans k\u00fcmesinde pek an\u0131lm\u0131yor, oysa ki orman ve yery\u00fcz\u00fcne ayaklar\u0131n\u0131 basm\u0131\u015f o a\u011fa\u00e7lar\u0131n aras\u0131nda anne karn\u0131 hissi tekrar ediyor -a\u011fa\u00e7 kovu\u011funda derin bir uyku. Belki Yedinci M\u00fch\u00fcr\u2019\u00fcn satran\u00e7 sahnesindeki kar\u015f\u0131la\u015fma yerelle\u015ftirilebilir: \u00e7ay oca\u011f\u0131n\u0131 sabah hen\u00fcz a\u00e7madan, yerleri silmeden gelen y\u00fczle\u015fme, ilk m\u00fc\u015fteri, tamam\u0131 dem olmak zorundaki ilk \u00e7ay. Sudan \u00e7\u0131kan, suya d\u00f6nen, \u00f6l\u00fc ve diri adam mehdi ve deccalin kar\u015f\u0131la\u015fmas\u0131na \u00e7apak atarak, m\u00fclteci fikrini \u00e7a\u011fr\u0131\u015ft\u0131r\u0131p buharla\u015ft\u0131r\u0131yor, h\u00e2l\u00e2 \u0131slak. Fazla estetik, Pina Bausch\u2019un \u00e7a\u011fda\u015f dans \u00f6\u011frencisini \u00e7a\u011fr\u0131\u015ft\u0131ran bir fig\u00fcr ve uzun kazakl\u0131. Kafka dediler, y\u00fcz\u00fc ve post\u00fcr\u00fc Josef K. akt\u00f6r\u00fc Anthony Perkins\u2019e benzer mi? \u00d6l\u00fcp dirili\u015findeki tekinsizlik, Norman Bates rol\u00fcnde o\u011fuldan anne olu\u015fundaki g\u00fcl\u00fc\u015f\u00fc \u00e7a\u011fr\u0131\u015ft\u0131rabilir, fakat o g\u00fclm\u00fcyor, yatakta do\u011fruluyor, ka\u00e7\u0131p gidecek. Bu adam\u0131 hi\u00e7 anlayamad\u0131m, “e\u011flencelik de\u011fil felsefi sinemay\u0131 seven” birka\u00e7 ki\u015fi anlam\u0131\u015flar.<\/span><\/p>\n

\u00c7a\u011fr\u0131\u015f\u0131mlardan uzakla\u015fmamak gerek, \u00e7a\u011fr\u0131\u015f\u0131mlar h\u00e2li haz\u0131rda filmden yeterince uzakla\u015ft\u0131r\u0131yorken. Angelopoulos, pus ve Andreas Sinanos. \u00dc\u00e7 \u201cs\u201d, son k\u0131vr\u0131m\u2026 Evlerden, \u00e7ay ocaklar\u0131ndan, i\u00e7 mekanlardan d\u0131\u015far\u0131s\u0131 g\u00f6r\u00fcnmez. \u0130\u00e7eriye s\u0131k\u0131\u015ft\u0131k: pencere varsa puslu, koridor varsa dar, oda varsa k\u00fc\u00e7\u00fck \u00e7er\u00e7evenin tepesine kadar nesnelerle dolu bir k\u0131st\u0131r\u0131c\u0131l\u0131kta. \u0130nsan bu, h\u00e2l\u00e2 nefes al\u0131yor, di\u011fer duyular\u0131n\u0131 kapat\u0131n: tizle\u015fmi\u015f sesler, kablosuz Metropolis s\u00fcp\u00fcrgesi ve bitmek bilmeyen u\u011fultu. T\u00fcrkiye distopyas\u0131nda bir ara mek\u00e2n olarak hamam. Yine de d\u00fc\u011f\u00fcnler bitmiyor, devam ediyor. G\u00f6rmesek de duyuyoruz bir yerlerde akrabalar\u0131n takt\u0131klar\u0131 tak\u0131lar\u0131n yank\u0131s\u0131n\u0131. \u00c7ekip \u00e7\u0131kar\u0131n babay\u0131 d\u00fc\u011f\u00fcnden, iz s\u00fcr\u00fcc\u00fc geri d\u00f6nd\u00fc. Beraberinde hi\u00e7bir \u015fey getirmi\u015f. Soral\u0131m da g\u00f6rd\u00fcklerini anlatamay\u0131\u015f\u0131n\u0131 dinleyelim. Bir \u015fey duyamad\u0131k, \u00e7\u0131plak ayaklarla uzakla\u015fmas\u0131n\u0131 d\u00fc\u015f\u00fcnebiliriz. B\u00fcy\u00fck olaylar olan ve olmayan filmler: b\u00fcy\u00fck olay nedir? Do\u011fum, \u00f6l\u00fcm, d\u00fc\u011f\u00fcn, a\u015fk, ikinci \u00f6l\u00fcm.<\/span><\/p>\n

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G\u00fcne\u015f yok, do\u011fmuyor. Kuzey\u2019e gidelim. O s\u0131k\u0131\u015f\u0131k odalarda, stilize ak\u015fam yemeklerine -sadece bir tabak, b\u00f6l\u00fcnm\u00fc\u015f ekmekler, ka\u015f\u0131kla ekmek ekmek \u00e7orba i\u00e7mek- bakal\u0131m. Ak\u015fam yeme\u011finde kad\u0131n kocas\u0131n\u0131 zehirler, lik\u00f6r i\u00e7erken adam kar\u0131s\u0131n\u0131 bo\u011far. Domestik femme-fatale\u2019ler ve b\u00fcrokratla\u015fm\u0131\u015f Amerikan Sap\u0131klar\u0131 \u00f6l\u00fcm\u00fc erkenden getirdi. Adam kar\u0131s\u0131n\u0131 g\u00f6mer, kad\u0131n adam\u0131 ne yapar bilmeyiz, \u00f6nemsemeyiz, o hik\u00e2ye adam\u0131n \u00f6l\u00fcm\u00fcyle bitmi\u015ftir. Bu \u00f6l\u00fcmlerin basitli\u011fi, \u015fiddetsiz-mi\u015f gibi \u00e7ekimleri Kuzey\u2019in sinemac\u0131s\u0131ndan miras: Roy Andersson. E\u011fer her \u015feyin sonu buysa, yani insan birka\u00e7 t\u0131ks\u0131r\u0131\u015fta \u00f6l\u00fcyorsa, neden bu m\u00fccadele? Bunu sorarlar, sorarlar, cevap alamazlar. \u00dczerine hep beraber d\u00fc\u015f\u00fcnelim. Di\u011fer Andersson imgesi: ayakta duran ahaliden toplu bak\u0131\u015f ve tefekk\u00fcr. Hep beraber yapt\u0131klar\u0131yla y\u00fczle\u015fme imgesi, t\u00fcm mahallenin yan yana gelip, ayakta bir t\u00f6ren topla\u015fmas\u0131yla uzaklara bak\u0131\u015f\u0131. Bak\u0131\u015f\u0131n nesnesi Andersson\u2019da Avrupa\u2019daki tarih\u00ee k\u0131y\u0131mlara y\u00f6nelirken, burada g\u00f6sterdi\u011fi soyut bir kavram olan gemiye y\u00f6neliyor.<\/span><\/p>\n

Eve geri d\u00f6n. \u201cD\u00f6nemin politik atmosferi\u201d, \u201c\u00fclkenin karanl\u0131k bir alegorisi\u201d, \u201ctaciz, kad\u0131n cinayetleri, derin devlet, umutsuzluk\u201d hepsi iki renk, belli bir desibel, 120 dakika i\u00e7inde. Ve de ses: sosyal, siyasal ve k\u00fclt\u00fcrel ili\u015fkilerin, i\u00e7inde boy vermekte olan film \u00fcretiminde ses esteti\u011fine etkileri: T\u00fcrkiye, Macaristan, Bulgaristan ve Yunanistan \u00f6rnekleri. 80\u2019lerde \u201cSes\u201d filmi vard\u0131 i\u015fkenceleri \u201chat\u0131rlayan\u201d, yak\u0131nlarda Abluka\u2019n\u0131n ses tasar\u0131m\u0131 bu kadar m\u00fctecavizdi. Yine karanl\u0131kt\u0131 sokaklar, her yanda ate\u015fler yan\u0131yordu, arada t\u00fcfekler g\u00f6r\u00fcn\u00fcyor, faili me\u00e7huller oluyordu. Pardes\u00fcl\u00fc b\u00fcrokratlar, katiller, mafyalar g\u00fcncel medyan\u0131n radar\u0131ndan uzakla\u015ft\u0131k\u00e7a sinemasal imgelemde ya\u015f\u0131yor, s\u00f6z al\u0131yorlard\u0131.<\/span><\/p>\n

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Biz alt\u0131 ki\u015fiydik salonda. H\u00e2l\u00e2 soka\u011fa a\u00e7\u0131lan bir nargile sinemas\u0131n\u0131n teras kat\u0131nda, bilet fiyat\u0131na \u00e7o\u011funlu\u011fun almad\u0131\u011f\u0131 bir patlam\u0131\u015f m\u0131s\u0131r\u0131n d\u00e2hil oldu\u011fu bir sinemada. Filmin ad\u0131, ilk jenerik okunmuyordu ama anlam\u0131yorum \u00f6zellikle mi b\u00f6yle bir yaz\u0131 tipi kullan\u0131lm\u0131\u015f yoksa netlik sorunu mu var. Film devam ederken ara ara sol alt k\u00f6\u015fede sar\u0131 arkaplan \u00fczerine beyaz renkli k\u0131yamet alametleri: “projeksiyon a\u015f\u0131r\u0131 \u0131s\u0131nd\u0131, dinlendirin, aksi takdirde yanabilir”. Sinematograf, sahil kenar\u0131nda sonunu bekleyen ahaliye d\u00e2hil oluyor. O s\u0131rada ekranda s\u0131ra s\u0131ra amp\u00fcller yan\u0131p s\u00f6n\u00fcyor, g\u00f6k g\u00fcr\u00fclt\u00fcs\u00fcn\u00fcn sesiyle raks ederek. Hepsi bir arada, k\u0131rm\u0131z\u0131 \u00e7\u0131k\u0131\u015f lambas\u0131, ekranda pat\u0131rdayan lambalar, ihtiyar projeksiyon. Sarmal (immersive) sinema. Alarm \u00fcrk\u00fct\u00fcc\u00fc h\u00e2le gelmeden antrakt imdada yeti\u015fiyor. “Sigara i\u00e7en, tuvaleti gelen yoksa devam edelim, erkenden bitirelim”. “De haydi ba\u015flad\u0131n bitir art\u0131k, az kald\u0131 herhalde”. “Bir bu kadar daha var”. \u0130ki ki\u015fi eksildik, herhalde sahilde y\u00fcr\u00fcyen o adam gelip mesihe Sartre’c\u0131 sorular sordu\u011fu s\u0131rada oldu bu. Teslise uygun olarak \u00fc\u00e7 ki\u015fi kald\u0131k. Filmin sahte sonu, ba\u015f kahraman\u0131n g\u00f6r\u00fcnd\u00fc\u011f\u00fc jenerik beliriyor, \u0131\u015f\u0131klar a\u00e7\u0131l\u0131yor, di\u011fer iki ki\u015fi \u00e7\u0131k\u0131yor, g\u00f6lge oyununu oynatan salona giriyor: koltuklar aras\u0131nda dola\u015f\u0131rken “Madem yemeyeceksin, niye al\u0131yorsun?” diye dert yan\u0131yor, bedava m\u0131s\u0131r vermenin diyeti diye d\u00fc\u015f\u00fcn\u00fcyorum. Jenerik s\u00f6n\u00fcyor. Film devam ediyor. \u015eeytan\u0131n ayr\u0131nt\u0131da gizli oldu\u011funu, tam da onu fark etmedi\u011finizde ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 m\u00fcthi\u015f bir sinema izleyicisi deneyimine kat\u0131k ederek g\u00f6steriyor, \u00f6yle X-Men post-credit’leri gibi sinsice de\u011fil, alelade bir bi\u00e7imde. Sinemada \u0131\u015f\u0131klar a\u00e7\u0131lm\u0131\u015fken ve m\u0131s\u0131rlar s\u00fcp\u00fcr\u00fcl\u00fcrken, sonsuz uykusundan uyanan Deccal de o mitik korkun\u00e7lu\u011funu yitiriyor. Sahne 23 Nisan g\u00f6sterisinde okunan \u015feytan ayetleri gibi bir hal al\u0131yor. Jenerik ba\u015flad\u0131\u011f\u0131nda g\u00f6revliye soruyorum, “Bu yaz\u0131lar\u0131 sen okuyabiliyor musun?”, “Film pek net de\u011fildi, ayarlar do\u011fru mudur?” diye. Usta projekt\u00f6r\u00fc ayarlay\u0131p \u00e7\u0131km\u0131\u015f, tu\u015flar nas\u0131l kullan\u0131l\u0131r bilmiyorum, bilmiyoruz, o kendi kendine oynuyor, m\u00fcdahale edemiyoruz, hem zaten sinema dedi\u011finin yaz\u0131 okumakla ne alakas\u0131 var, olup biteni se\u00e7mek yeterli olabilir. Her yorum, miyoptur neticede.<\/p>\n

Geceye a\u015final\u0131k radar\u0131n\u0131n uza\u011f\u0131nda olduklar\u0131 i\u00e7in, zaman k\u0131s\u0131tl\u0131l\u0131\u011f\u0131ndan, davet edilmeyen ya da davete icabet etmeyerek kat\u0131lamayanlar oldu, onlar\u0131 anmak boynumun borcudur: Tsai Ming-liang, Bela Tarr, Andrei Tarkovsky, Robert Bresson, baz\u0131 avangart Yunan sinemac\u0131lar, Ray Bradbury, George Orwell selamlar\u0131n\u0131 iletiyor.<\/p>\n

Meskenim yitti\u011finden hep uzaklara gidiyorum referanslar\u0131 aramaya. Son olarak, en bariz m\u00fczikal ve filmik referans\u0131 kendi me\u015frebimde uzak \u00f6znel okumamda anmak isterim. 80’lerde k\u00f6ylerde Selams\u0131z Bandosu devlet erkan\u0131n\u0131 beklermi\u015f. Bu da yine safi bir yerel tema de\u011fil elbet, D\u00fcrrenmatt’\u0131n “Ya\u015fl\u0131 Kad\u0131n’\u0131n Ziyareti”nde Claire Zachanassian da ahali taraf\u0131ndan b\u00f6yle beklenir -ve fakat gelir- idi. Avrupa’da gelen, T\u00fcrkiye’de gecikmi\u015ftir, me\u015fguld\u00fcr, umursamaz. Beckett’in karakterleri de bekliyordu ama bekleyen bekler, beklenen gelmezdi. Bekleyi\u015f ve unutu\u015fun hik\u00e2yeleri 20. y\u00fczy\u0131lda anlat\u0131l\u0131rm\u0131\u015f. Bekleyenlerin kayboldu\u011fu baki de\u011filmi\u015f. Sinizmin geldi\u011fi noktada art\u0131k bekleyenler de buharla\u015ft\u0131. Kar\u015f\u0131layan bando da yok ortada. Kar\u015f\u0131layan bizler ne zaman yok olaca\u011f\u0131z? Zaten \u00e7o\u011fumuz kayboldu ortadan, olur da bir \u015feyler oluverirse, o olacak olan\u0131 kar\u015f\u0131layacak kimse kald\u0131 m\u0131? Kalmasa da, her son bir umuttur, her ba\u015flang\u0131\u00e7 bir ku\u015fku diyorlar.<\/p>\n

Sinema “k\u00f6\u015fe” yazarlar\u0131n\u0131n bu filmle ilgili yaz\u0131lar\u0131n\u0131 tararken, ayn\u0131 hafta vizyona girmeleri sebebiyle vizyon de\u011ferlendirmelerinde Yol Kenar\u0131 ve Han Solo’yu Chewbacca foto\u011fraflar\u0131n\u0131n alt\u0131nda yorumlamalar\u0131 zihnime iki filmi beraber kaz\u0131d\u0131. Asl\u0131nda yaz\u0131y\u0131 tamamen silip, “Yol Kenar\u0131’n\u0131, \u0131\u015f\u0131n k\u0131l\u0131\u00e7lar\u0131n\u0131n yerini kafaya sakince dokunman\u0131n, uzay ara\u00e7lar\u0131n\u0131n yerini dev bir geminin ald\u0131\u011f\u0131 bir \u00f6te evrendeki t\u00fckenmi\u015flik g\u00fcnlerinin ald\u0131\u011f\u0131; Tansu Bi\u00e7er’in Anakin, Haydar \u015ei\u015fman’\u0131n Darth Vader’\u0131 canland\u0131rd\u0131\u011f\u0131 yeni bir fantastik estetikle hat\u0131rlamak istiyorum.<\/p>\n

Taner Birsel y\u00fcz\u00fcndeki yara izlerini Ahlat A\u011fac\u0131’nda Do\u011fu Demirkol’a devretmi\u015f fakat devlet g\u00f6revini teslim edecek birini bulamam\u0131\u015f, memlekette onun karakter y\u00fck\u00fcn\u00fc ta\u015f\u0131yacak pek fazla oyuncu yok. \u00d6nceden intihar eden kar\u0131s\u0131n\u0131n “ben \u015fu g\u00fcn \u00f6lece\u011fim” demesini anlayam\u0131yor ya da kabullenemiyordu, aradan ge\u00e7en y\u0131llar onu art\u0131k kar\u0131s\u0131n\u0131 \u00f6ld\u00fcr\u00fcp g\u00f6m\u00fcl\u00fc\u015f\u00fcn\u00fc izleyebilecek so\u011fukkanl\u0131l\u0131\u011fa ta\u015f\u0131m\u0131\u015f. De\u011fi\u015fen, d\u00f6n\u00fc\u015fen, geli\u015fen T\u00fcrkiye.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bu bir film yorumu de\u011fil, film yaz\u0131lar\u0131n\u0131n yaz\u0131s\u0131 olmaya \u00e7al\u0131\u015f\u0131yor. Yol Kenar\u0131 \u00fczerine s\u00f6ylenenlerin bulanm\u0131\u015f zihnimdeki yank\u0131lar\u0131. Kafkaesk, kafkaesque, Kafka-vari, kesinlikle… \u0130lk an\u0131lan\u0131n o olmas\u0131, b\u00fcy\u00fck ihtimalle a\u00e7\u0131l\u0131\u015fta bo\u015f bir odaya ta\u015f\u0131nm\u0131\u015f dilenci b\u00fcrokrat\u0131n halet-i ruhiyesinden \u00e7a\u011fr\u0131\u015f\u0131yor. Odalar\u0131n duvarlar\u0131, g\u00f6ky\u00fcz\u00fcndeki bulutlar ki\u015finin \u00fcst\u00fcne \u00e7\u00f6kt\u00fc\u011f\u00fcnde de onun akla gelmesi do\u011fal. Labirente s\u0131k\u0131\u015fm\u0131\u015f bir fare, Kafkac\u0131 fare … Continue reading Yol Kenar\u0131 | Pirselimo\u011flu ve Di\u011fer Herkes<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1644","post","type-post","status-publish","format-standard","hentry","category-denemetin"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-qw","jetpack-related-posts":[{"id":440,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/07\/aruoba-yol-olarak-yasam-olarak-yol-uzerine\/","url_meta":{"origin":1644,"position":0},"title":"Aruoba, Yol Olarak Ya\u015fam Olarak Yol \u00dczerine","author":"yalpertem","date":"7 November 2017","format":false,"excerpt":"\"Belirli bir yolu yer edinen ki\u015fi, bu yolun \u2013bir zaman, kendisi ula\u015famasa bile\u2013 kal\u0131c\u0131 bir yer olabilece\u011fi olana\u011f\u0131na dayand\u0131r\u0131r umudunu\u00a0\u2013 bu umut da, yine, bir yoldur yaln\u0131zca: Yani, asl\u0131nda, bir yolu y\u00fcr\u00fcyen ki\u015finin istedi\u011fi, o yolun yer olup \u00e7\u0131kmas\u0131 de\u011fil, hep yeni yolcular\u0131n yola \u00e7\u0131k\u0131\u015f yeri olmas\u0131d\u0131r. Bir belirli yolu\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/11\/oruc-aruoba-yurume-199x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1282,"url":"https:\/\/yalpertem.com\/blog\/2018\/04\/26\/barthes-bicem-isciligi\/","url_meta":{"origin":1644,"position":1},"title":"Barthes, Bi\u00e7em \u0130\u015f\u00e7ili\u011fi","author":"yalpertem","date":"26 April 2018","format":false,"excerpt":"\" \"Bi\u00e7im pahal\u0131ya mal olur.\"\u00a0Coll\u00e8ge de France'daki derslerini neden yay\u0131mlamad\u0131\u011f\u0131n\u0131 sorduklar\u0131 zaman,\u00a0Val\u00e9ry b\u00f6yle demi\u015f. Oysa, koca bir d\u00f6nem, burjuva s\u0131n\u0131f\u0131n\u0131n utkunluk d\u00f6nemi boyunca, bi\u00e7im a\u015fa\u011f\u0131 a\u015fa\u011f\u0131 yukar\u0131 d\u00fc\u015f\u00fcnce pahas\u0131nayd\u0131; hi\u00e7 ku\u015fkusuz, d\u00fczenine, \u00f6rtmecesine \u00f6zen g\u00f6steriliyordu, ama yazar d\u00fczenekleri hi\u00e7bir yenilik saplant\u0131s\u0131na kap\u0131lmadan, el s\u00fcr\u00fclmeden aktar\u0131lan, \u00f6nceden olu\u015fmu\u015f bir ara\u00e7 kulland\u0131\u011f\u0131\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/04\/roland-barthes-yaz%C4%B1n%C4%B1n-s%C4%B1f%C4%B1r-derecesi-300x194.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":894,"url":"https:\/\/yalpertem.com\/blog\/2018\/01\/23\/gurbilek-ayhan-gecgin-ve-olumsuz-yasam-uzerine\/","url_meta":{"origin":1644,"position":2},"title":"Nurdan G\u00fcrbilek: Ayhan Ge\u00e7gin ve Olumsuz Ya\u015fam \u00dczerine","author":"yalpertem","date":"23 January 2018","format":false,"excerpt":"Not: San\u0131r\u0131m bu post internette payla\u015f\u0131lm\u0131\u015f, ziyaret edenler olmu\u015f. Eski ba\u015fl\u0131ktaki virg\u00fcllerden dolay\u0131, ba\u015fkas\u0131n\u0131n yazd\u0131\u011f\u0131 bir metin oldu\u011fu d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f olabilir. Tepeye de not d\u00fc\u015feyim dedim, a\u015fa\u011f\u0131daki b\u00f6l\u00fcm Nurdan G\u00fcrbilek'in Express'te (Yaz 2016, say\u0131 144) yay\u0131mlanan \"Uzun Y\u00fcr\u00fcy\u00fc\u015f, Eksik Halk\" adl\u0131 uzun ve derin denemesinden \"ka\u00e7\u0131\u015f \u00e7izgisi\" kavram\u0131n\u0131 oda\u011f\u0131na alan bir\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/nurdan-gurbilek-uzun-yuruyus-eksik-halk-ayhan-gecgin-1-1024x465.png?resize=525%2C300 1.5x"},"classes":[]},{"id":2728,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/20\/sollers-merkezdeki-houellebecq\/","url_meta":{"origin":1644,"position":3},"title":"Sollers, Merkez’deki Houellebecq","author":"yalpertem","date":"20 November 2019","format":false,"excerpt":"\" TA\u015eRALILAR Psikanalize kar\u015f\u0131 d\u00fc\u015fmanl\u0131k\u00a0normal, ama bazen tuhaf boyutlara ula\u015f\u0131yor. Aralar\u0131ndaki ba\u011flar art\u0131k kopmu\u015f bile olsa entelekt\u00fceller s\u0131n\u0131f\u0131, \u00f6zellikle de filozoflar, bu konuda h\u00e2l\u00e2 sinir krizleri ge\u00e7iriyor. \u00d6rne\u011fin Peruk'u ele alal\u0131m. Babas\u0131n\u0131n tar\u0131m i\u015f\u00e7isini oldu\u011funu anlatmak i\u00e7in hi\u00e7bir f\u0131rsat\u0131 ka\u00e7\u0131rmayan iyi bir \u00e7ocuk. Katolik rahip \u00f6\u011fretmenlere kar\u015f\u0131 kesin bir tiksinti\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/philippe-sollers-merkez-180x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3152,"url":"https:\/\/yalpertem.com\/blog\/2020\/03\/01\/beckett-hep-daha-asagisi\/","url_meta":{"origin":1644,"position":4},"title":"Beckett, Hep Daha A\u015fa\u011f\u0131s\u0131","author":"yalpertem","date":"1 March 2020","format":false,"excerpt":"'Koma ya\u015fayanlara \u00f6zg\u00fc bir \u015fey' Yok etme (\u00f6ld\u00fcr\u00fcyordum onlar\u0131), kurmacaya yerle\u015fme ve empati (kendimi onlar\u0131n yerine koyuyordum) ya da bakarak uzakla\u015fma (g\u00f6zlerimle izliyordum) ile ge\u00e7en g\u00fcnler. Benlik hen\u00fcz olu\u015fmam\u0131\u015f, serpilememi\u015f bir t\u00fcrl\u00fc. \u00d6tekilerle birlikte kendi varl\u0131\u011f\u0131n\u0131 deneyimleyerek, benim diyerek ya\u015fayam\u0131yor anlat\u0131c\u0131. Yine de par\u0131ldayan bir ate\u015f var, tamamen \u00f6l\u00fc de\u011fil\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2020\/02\/samuel-beckett-malone-%C3%B6l%C3%BCyor-213x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1153,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/27\/zeldin-yalnizlik-ve-sacmalik\/","url_meta":{"origin":1644,"position":5},"title":"Zeldin, Yaln\u0131zl\u0131k ve Sa\u00e7mal\u0131k","author":"yalpertem","date":"27 March 2018","format":false,"excerpt":"\"Yaln\u0131zl\u0131\u011fa tahamm\u00fcl etmenin \u00fc\u00e7\u00fcnc\u00fc yolu, hayat\u0131n\u0131za bir doz sa\u00e7mal\u0131k \u015f\u0131r\u0131nga etmektir. \u0130ngiliz eksantrikler, yaln\u0131zl\u0131\u011f\u0131 mizahla birle\u015ftirip bu kar\u0131\u015f\u0131mdan cesaret tedarik etmi\u015flerdir. Ciddiyetin ne oldu\u011fu konusunda yan\u0131lg\u0131l\u0131 bir fikre sahip olan tarih kitaplar\u0131 ne yaz\u0131k ki eksantrikleri yok sayma e\u011filimindedir, oysa bu ki\u015fisel, yaln\u0131zl\u0131k korkusunu tan\u0131mayan birer an\u0131tt\u0131r. 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