{"id":1488,"date":"2018-05-15T22:03:49","date_gmt":"2018-05-15T19:03:49","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1488"},"modified":"2018-05-15T22:09:56","modified_gmt":"2018-05-15T19:09:56","slug":"uyar-sinemalar-uzerine","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/05\/15\/uyar-sinemalar-uzerine\/","title":{"rendered":"Uyar, Sinemalar \u00dczerine"},"content":{"rendered":"

Tomris Uyar’\u0131n sinema salonlar\u0131 ve d\u00f6n\u00fc\u015f\u00fcm\u00fc \u00fczerine yazd\u0131\u011f\u0131 bu gayet \u015fahsi, kimi zaman elitist bir dile bile kayd\u0131\u011f\u0131 s\u00f6ylenebilecek, g\u00f6r\u00fc\u015fler g\u00fcn\u00fcm\u00fczdeki tart\u0131\u015fmalar\u0131 ne g\u00fczel \u00f6nceliyor. Birka\u00e7 sat\u0131rda sinema salonlar\u0131n\u0131n farkl\u0131 izleyici kitlelerine hitab\u0131, “modern” sinema salonlar\u0131 dedi\u011fi yeni salonlardan ho\u015fnutsuzluklar\u0131, sinemaya gelen seyirci kitlesinin d\u00f6n\u00fc\u015f\u00fcm\u00fcnden rahats\u0131zl\u0131\u011f\u0131 ve son olarak k\u00fc\u00e7\u00fck ekranda (Netflix, Youtube, cep telefonlar\u0131 vb.) yar\u0131m-yamalak sinema keyfine tamah etmenin ka\u00e7\u0131n\u0131lmazl\u0131\u011f\u0131… Bir \u00f6nceki al\u0131nt\u0131da Harold Bloom’un “yeni \u00f6\u011frencilerin Shakespeare okuyamamas\u0131<\/a>” dertlenmesini al\u0131nt\u0131lam\u0131\u015ft\u0131m, \u015fimdi de Uyar’\u0131n filme p\u00f6f’leyen gen\u00e7ler g\u00f6zlemi \u00e7\u0131k\u0131verdi kar\u015f\u0131ma. Ben de huysuzlanmalar\u0131 \u00e7ok severim, ama d\u00fcnyaya pek de huysuzca bakmad\u0131\u011f\u0131m\u0131 d\u00fc\u015f\u00fcn\u00fcr\u00fcm. Festivallerin zorlu filmlerinde -san\u0131r\u0131m, en son !f’de g\u00f6rd\u00fc\u011f\u00fcm 177 dakikal\u0131k A F\u00e1brica de Nada’da- insanlar\u0131n utanarak s\u0131k\u0131larak ya da utan\u0131p s\u0131k\u0131lmadan pattadanak, bin g\u00fcr\u00fclt\u00fc i\u00e7inde ve \u015fanslar\u0131na s\u00f6verek salondan \u00e7\u0131k\u0131\u015flar\u0131 g\u00fclmemi getirir. Sadece konu\u015fmalar\u0131ndan rahats\u0131z olursam huysuzlan\u0131r\u0131m herhalde, o durumda da d\u00f6n\u00fcp “yaa ama l\u00fctfen yaa” diyerek \u00f6zfark\u0131ndal\u0131klar\u0131n\u0131 kazanmalar\u0131nda kataliz\u00f6r olmaya \u00e7al\u0131\u015f\u0131r\u0131m, \u00e7\u00fcnk\u00fc bu bir kerede \u00f6\u011frenilen bir \u015feydir diye d\u00fc\u015f\u00fcn\u00fcr\u00fcm. E\u011fer g\u00fczel g\u00fczel konu\u015fuyorlarsa ses etmem bile, ses tasar\u0131m\u0131 olarak film deneyimine dahil ederim. Bal filmini, h\u00e2l\u00e2 arkamdaki teyzenin, \u00e7ocuk oyuncuya s\u00fcrekli “kuzuuum”, “g\u00f6zlerini severim senin, yavruuum” diye kol kanat geri\u015fiyle hat\u0131rlar\u0131m.<\/p>\n

Neyse, pasaj\u0131n en irkiltici yan\u0131, eskide kalan “Emek”ten, “…bir zamanki Melek (\u015eimdiki Emek) Sinemas\u0131’nda seyrederken…” diye bahsedilmesi oldu herhalde. O da parantezlere ilk girdi\u011finde yeni olmu\u015ftu, \u015fimdi de yeni ger\u00e7i, g\u0131c\u0131r g\u0131c\u0131rm\u0131\u015f.<\/p>\n

\"\"<\/p>\n

”<\/p>\n

Ana soruyu sormadan \u00f6nce, bu konudaki eski yaz\u0131lar\u0131m\u0131 okumam\u0131\u015f ya da unutmu\u015f olanlar i\u00e7in biraz bilgi tazeleyeyim:<\/p>\n

\u00c7ocuklu\u011fumda, ger\u00e7ek bir sinema tutkunu olan de\u00addemin pe\u015finden sinema sinema dola\u015f\u0131rd\u0131m. Kurdu\u011fu\u00admuz \u00f6zel dostlukta bu ortak tutkunun pay\u0131 b\u00fcy\u00fckt\u00fc. Bazen ardarda \u00fc\u00e7 film izledi\u011fimiz olurdu pazar g\u00fcnleri. Galiba ikimiz de evden ka\u00e7\u0131yorduk. Annem, kolayl\u0131kla s\u00f6z ge\u00e7iremedi\u011fi k\u0131z\u0131n\u0131 bir b\u00fcy\u00fc\u011fe emanet etmekten, anneannemse \u00e7apk\u0131n kocas\u0131n\u0131 k\u00fc\u00e7\u00fck bir k\u0131z arac\u0131l\u0131\u011f\u0131yla hizaya getirmekten ho\u015fnuttu. Oysa bizim d\u00fcnyam\u0131z or\u00adtakt\u0131; onu savunmak ad\u0131na evde ne t\u00fcr yalanlar uydura\u00adbilece\u011fimizi birlikte kararla\u015ft\u0131r\u0131rd\u0131k, \u00fcstelik aram\u0131zda konu\u015fmadan. Dedem, benim ya\u015f\u0131ma uygun olmayan filmlerden ho\u015fland\u0131\u011f\u0131m\u0131 a\u00e7\u0131\u011fa vurmazd\u0131 s\u00f6zgelimi, ben de aras\u0131ra bize e\u015flik eden g\u00fczel kad\u0131nlardan ‘dedemin hastas\u0131’ diye s\u00f6z ederdim. B\u00fct\u00fcn sinema sahipleriyle dost oldu\u011fundan bilet almayan, yer g\u00f6stericilerin di\u015fle\u00adrine bedava bakt\u0131\u011f\u0131ndan sinemalarda en iyi yerlere ku\u00adrulan bir doktordu ne de olsa.<\/p>\n

Sinema seyretmenin ba\u015fl\u0131 ba\u015f\u0131na bir ser\u00fcven anla\u00adm\u0131na geldi\u011fi o g\u00fcnlerde salonlar aras\u0131nda se\u00e7melerimi yapm\u0131\u015ft\u0131m. Melek Sinemas\u0131’n\u0131 g\u00f6steri\u015fli filmleri, \u0130pek Sinemas\u0131’n\u0131 entellekt\u00fcel denebilecek filmleri, Ar Sine\u00admas\u0131’n\u0131 melodram a\u011f\u0131rl\u0131kl\u0131 filmleri y\u00fcz\u00fcnden seviyor\u00addum. Saray ve Elhamra, daha \u00e7ok mimari \u00f6zellikleri, koltuklar\u0131n\u0131n rahatl\u0131\u011f\u0131yla dikkatimi \u00e7ekiyordu. Atlas Sinemas\u0131 ‘K\u0131smet’ filmiyle a\u00e7\u0131ld\u0131\u011f\u0131nda ikimiz de biraz bo\u00adcalad\u0131k ama birbirimize belli etmedik, sonradan \u00f6zel g\u00f6zl\u00fcklerle izledi\u011fimiz \u00fc\u00e7boyutlu filmlerin sa\u00e7ma sa\u00adpanl\u0131\u011f\u0131nda sessizce birle\u015ftik. \u00c7\u00fcnk\u00fc aram\u0131zdaki ya\u015f u\u00e7u\u00adrumuna kar\u015f\u0131n teknik becerilere dayal\u0131 filmlerden \u00e7ok belleklerimizde iz b\u0131rakan, gecenin ge\u00e7 bir saatinde, her\u00adkes odas\u0131na \u00e7ekildikten sonra tart\u0131\u015fabilece\u011fimiz filmleri seviyorduk: Bir bak\u0131ma ayn\u0131 ku\u015faktand\u0131k. Dostum de\u00addem, y\u0131llar sonra, s\u0131rf ‘Aylaklar’\u0131 seyredebilmek i\u00e7in \u015eehzadeba\u015f\u0131 Sinemas\u0131’na gitmeyi g\u00f6ze ald\u0131\u011f\u0131m\u0131 duyabil\u00adseydi, hi\u00e7 \u015fa\u015f\u0131rmazd\u0131; Yeni Melek Sinemas\u0131’n\u0131n abone kartl\u0131 a\u00e7\u0131l\u0131\u015flar\u0131nda o s\u00fcsl\u00fc p\u00fcsl\u00fc m\u00fc\u015fterilerin be\u011fenileri\u00adne g\u00f6re se\u00e7ilmi\u015f filmleri neden onlarla birlikte izleye\u00admedi\u011fimi de tabii!<\/p>\n

Tek \u00fcz\u00fcnt\u00fcm, onun Konak Sinemas\u0131’nda bir film seyredememesi, o k\u0131sac\u0131k, daha do\u011frusu k\u0131sa-s\u00fcren Ko\u00adnak Sinemas\u0131 keyfinden yoksun kalmas\u0131. Ger\u00e7i oradaki sinema seyircileri, S\u00fcmer Sinemas\u0131 gelene\u011finden yeti\u015f\u00admi\u015f de\u011fildiler; Ni\u015fanta\u015f\u0131-\u015ei\u015fli y\u00f6resinin tektip sinema severleriydiler, ama en az\u0131ndan bir filmin nas\u0131l seyredilece\u011fini biliyorlard\u0131. Temiz, lo\u015f bir mekanda, \u0131\u015f\u0131klar s\u00f6n\u00add\u00fc\u011f\u00fcnde her seyirciye karanl\u0131kta kendi ki\u015fisel yorumu\u00adnu yapma hakk\u0131n\u0131 tan\u0131yan bir sessizlik, suskunluk i\u00e7in\u00adde. Oysa bizim S\u00fcmer Sinemas\u0131, uluslar\u0131, cinsiyetleri, dinleri, dilleri birbirini tutmayanlar\u0131 birle\u015ftiren g\u00fcr\u00fclt\u00fc\u00adl\u00fc bir ortamd\u0131. G\u00f6sterilen filmler de birbirini tutmu\u00adyordu zaten. Ortak nokta, Beyo\u011flulu olmakt\u0131. Konak, tam o Beyo\u011flulu kalabal\u0131\u011fa a\u00e7\u0131ld\u0131\u011f\u0131nda kapand\u0131.<\/p>\n

Art\u0131k ana soruya gelebiliriz:<\/p>\n

Bir sanat yap\u0131t\u0131n\u0131n \u00f6zel esteti\u011fi, sunulu\u015f bi\u00e7iminde\u00adki estetikle b\u00fct\u00fcnle\u015fmiyorsa yeterince iletilebilir mi?<\/p>\n

Diyelim ne kadar \u00f6zenle yaz\u0131lm\u0131\u015f olursa olsun diz\u00adgi yanl\u0131\u015flar\u0131yla dolu, kapa\u011f\u0131 ve ka\u011f\u0131d\u0131 k\u00f6t\u00fc bir kitap,\u00a0\u00e7aps\u0131z sesler ya da sazlarla yorumlanm\u0131\u015f \u00f6l\u00fcms\u00fcz bir beste, bir galeride \u00e7i\u011f \u0131\u015f\u0131k alt\u0131nda sergilenen pastel renk\u00adte ve dokuda bir tablo, \u00e7evresindeki derme \u00e7atma yap\u0131\u00adlarla bo\u011fulmu\u015f bir mimari yap\u0131t kime seslenebilir ki? Belki uzmanlara. Ama hi\u00e7bir yap\u0131t\u0131n yaln\u0131zca uzmanla\u00adra seslenmek \u00fczere tasarland\u0131\u011f\u0131na inanm\u0131yorum.<\/p>\n

Sinema salonlar\u0131na d\u00f6nersek… Be\u015fikta\u015f’taki ya da kar\u015f\u0131 k\u0131y\u0131daki bah\u00e7e sinemalar\u0131na da giderdik dedemle. Denizin tuzunu, g\u00fcn\u00fcn s\u0131ca\u011f\u0131n\u0131 \u00fcst\u00fcm\u00fczden atm\u0131\u015f olur\u00adduk. Eski kopyalar s\u0131k s\u0131k kopard\u0131; semtin k\u00fclhanbeyle\u00adri, s\u00f6zgelimi ‘Viva Zapata’n\u0131n her biri on-on be\u015f dakika s\u00fcren kopu\u015flar\u0131na dayanamay\u0131p “Hadi be makinist abi! \u00d6ld\u00fcr \u015fu adam\u0131 art\u0131k!” diye ba\u011f\u0131r\u0131rlard\u0131. Emekli \u00f6\u011fret\u00admenler, \u00e7ocuklar\u0131yla gelmi\u015f ev kad\u0131nlar\u0131 kahkahay\u0131 ba\u00adsarlard\u0131. Bah\u00e7e sinemas\u0131n\u0131n suskunlu\u011fa dayal\u0131 olmayan, tam tersine yaz gecesinin ay \u0131\u015f\u0131\u011f\u0131na a\u00e7\u0131k \u015famatal\u0131, ken\u00addince bir albenisi vard\u0131. \u0130skemleler k\u0131r\u0131k d\u00f6k\u00fck de ol\u00adsa…<\/p>\n

Sinema sevgimi bilen tan\u0131d\u0131klar\u0131mla bu konudaki yaz\u0131lar\u0131m\u0131 okumu\u015f olanlar, sinemaya neden gitmedi\u011fi\u00admi soruyorlar son y\u0131llarda. Kimi, bu ka\u00e7\u0131\u015f\u0131m\u0131 kalabal\u0131k\u00adlardan \u00fcrkmeme yoruyor. Oras\u0131 do\u011fru, ama y\u00fcz\u00fcn\u00fc g\u00f6rebildi\u011fim, e\u011filimlerini se\u00e7ebildi\u011fim bir kalabal\u0131k be\u00adni \u00fcrk\u00fctseydi, bah\u00e7e sinemalar\u0131na gider miydim bir za\u00adman? Demek beni \u00fcrk\u00fcten, a\u00e7\u0131k ya da kapal\u0131 bir me\u00adkanda, o mekan\u0131n kendine \u00f6zg\u00fc havas\u0131n\u0131 umursama\u00adyanlarla birlikte olmak. A\u00e7\u0131khava Tiyatrosu’ndaki bir caz konserine lame giysiler ya da papyon kravatlarla git\u00admek, bir konser salonuna y\u0131rt\u0131k blucinle gitmekten farks\u0131z bence. G\u00f6z\u00fcn\u00fcz \u00e7evrenizdekilerin giysilerine, tav\u0131rlar\u0131na; kula\u011f\u0131n\u0131z seslerine, konu\u015fmalar\u0131na, \u00e7\u0131kart\u00adt\u0131klar\u0131 g\u00fcr\u00fclt\u00fclere tak\u0131l\u0131nca de\u011fil bilmedi\u011finiz, \u00e7ok iyi tan\u0131d\u0131\u011f\u0131n\u0131z bir yap\u0131tla bile ba\u011flant\u0131 kurmakta zorlan\u0131\u00adyorsunuz. \u00d6zellikle sinema salonlar\u0131, her k\u00fc\u00e7\u00fcmen d\u00e2hinin sinema sanat\u0131 ve oynat\u0131lan film hakk\u0131nda avaz\u00a0avaz yorum yapt\u0131\u011f\u0131 birer a\u00e7\u0131k k\u00fcrs\u00fc niteli\u011finde art\u0131k. “L\u00fctfen sesinizi biraz k\u0131sar m\u0131s\u0131n\u0131z?” derseniz ki\u015fisel \u00f6z\u00adg\u00fcrl\u00fcklerine sald\u0131rm\u0131\u015f oluyorsunuz.<\/p>\n

\"\"<\/p>\n

Peter Greenaway’in beni \u00e7ok etkileyen ‘Mimar\u0131n G\u00f6be\u011fi’ adl\u0131 filmini bir zamanki Melek (\u015eimdiki Emek) Sinemas\u0131’nda seyrederken arka s\u0131rada oturan iki gen\u00e7 k\u0131z\u0131n ‘taciz’lerine nas\u0131l katland\u0131m, akl\u0131m alm\u0131yor. Hi\u00e7 ara vermeksizin y\u00fcksek sesle \u00e7izme fiyatlar\u0131ndan konu\u00ad\u015fuyorlard\u0131, patlam\u0131\u015f m\u0131s\u0131r paketlerini habire h\u0131\u015f\u0131rdat\u0131\u00adyorlard\u0131, y\u00f6netmenin \u00fcnl\u00fc biri oldu\u011funu kulaktan dolma \u00f6\u011frendikleri; ama filmde umduklar\u0131n\u0131 bulamad\u0131klar\u0131 ortadayd\u0131 . ‘\u00d6ff!’ler ‘P\u00f6f’ler g\u0131rla gidiyordu. \u00c7ektikleri i\u015fkenceyi \u00f6b\u00fcr seyircilere de ya\u015fatmak yar\u0131\u015f\u0131ndayd\u0131lar sanki. Oraya zorla getirilmediklerine g\u00f6re \u00e7\u0131ksalard\u0131 ya! Ama hay\u0131r, o zaman filmin nas\u0131l bitti\u011fini yine kulaktan dolma bilgilere d\u00fc\u015fk\u00fcn \u00f6b\u00fcr arkada\u015flar\u0131na nas\u0131l anlata\u00adcaklard\u0131 ki? Tam, “Can\u0131m bo\u015fver, gen\u00e7 insanlar bun\u00adlar…” avuntusuyla oyalanmay\u0131 kararla\u015ft\u0131rd\u0131\u011f\u0131mda, “Bu filmden bir \u015fey anlayan varsa, ortaya \u00e7\u0131ks\u0131n valla!” gibi bir soru y\u00fckseldi k\u0131zlar\u0131n birinden. Sa\u011f avucumun bir \u015famar patlatmak i\u00e7in nas\u0131l ka\u015f\u0131nd\u0131\u011f\u0131n\u0131 hala unutmuyo\u00adrum. Sinemaya, \u00f6zellikle ‘\u015fenlik’ kapsam\u0131nda g\u00f6sterilen filmlere gitmemeye ili\u015fkin karar\u0131m o g\u00fcn per\u00e7inlendi galiba.<\/p>\n

\u0130sterseniz, bu sak\u0131nganl\u0131\u011f\u0131m\u0131 klostrofobik olmama ba\u011flayabilirsiniz; ama ben darac\u0131k bir merdivenle tepe\u00adlere t\u0131rman\u0131lan ya da geni\u015f bir merdivenle yeralt\u0131na ini\u00adlen ‘salonlar’a \u00e7ok gerekmedik\u00e7e ad\u0131m atmamaktan ya\u00adnay\u0131m. Deprem, yang\u0131n gibi ciddi olaylar bir yana, seyircilerden biri \u015fakadan (!) elindeki naylon torbay\u0131 \u00fcfle\u00adyip patlatsa o panikte ezilmeniz i\u015ften de\u011fil.<\/p>\n

Son y\u0131llarda a\u00e7\u0131lan ‘modern’ sinema salonlar\u0131 ne t\u00fcr bir \u00e7a\u011fda\u015fl\u0131k aray\u0131\u015f\u0131 i\u00e7inde oldu\u011fumuzun en b\u00fcy\u00fck g\u00f6s\u00adtergeleri. Filmlerin g\u00f6sterim g\u00fcnleri ve saatleri pat diye\u00a0de\u011fi\u015febiliyor, seyirciye s\u00fcr\u00fcn\u00fcn bir par\u00e7as\u0131 diye bakan, sorular\u0131n\u0131 yan\u0131tlamayan kabasaba, as\u0131k suratl\u0131 bir perso\u00adnel kadrosu da cabas\u0131. Havaland\u0131rma do\u011fru d\u00fcr\u00fcst \u00e7al\u0131\u015f\u00admazsa s\u0131caktan bunal\u0131yorsunuz, \u00e7al\u0131\u015f\u0131rsa so\u011fuktan do\u00adnuyorsunuz. Gizliden gizliye bir n\u00fcfus planlamas\u0131 m\u0131 y\u00fcr\u00fct\u00fcl\u00fcyor, diye soruyorsunuz kendinize. \u00d6yle ya, bu kalabal\u0131ktan geriye, en \u00e7abuk \u00e7elme atma, en h\u0131zl\u0131 tek\u00adme savurma, \u00f6n\u00fcndekini en ac\u0131mas\u0131zca \u00e7i\u011fneyip ge\u00e7me becerisini g\u00f6sterenler kalacak. Darwin’in kulaklar\u0131 \u00e7\u0131n\u00adlas\u0131n!<\/p>\n

K\u00fc\u00e7\u00fck ekrana s\u0131\u011fmayan, daha do\u011fru bir deyi\u015fle bol gelen filmler vard\u0131r, biliyorum. Ama bu t\u00fcr bir ke\u015fme\u00adke\u015fe dalmaktansa, \u00e7ok katl\u0131 sinemalarda alttan ya da \u00fcstten gelen \u00f6b\u00fcr seslerle (filmlerin seslerini de katar\u00adsak) bo\u011fu\u015fmaktansa evinizde, kendi \u00f6zel d\u00fcnyan\u0131zdaki ekran\u0131 geni\u015fletmek \u00e7abas\u0131 size daha hafif geliyorsa ‘\u015f\u00f6\u00adlen’e yar\u0131m yamalak da olsa kat\u0131lm\u0131\u015fs\u0131n\u0131z demektir.<\/p>\n

”<\/p>\n

Tomris Uyar, Y\u00fczle\u015fmeler: Bir Uyumsuzun Notlar\u0131 (1995-1999), 2000, Can Yay\u0131nlar\u0131, s. 23-7.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tomris Uyar’\u0131n sinema salonlar\u0131 ve d\u00f6n\u00fc\u015f\u00fcm\u00fc \u00fczerine yazd\u0131\u011f\u0131 bu gayet \u015fahsi, kimi zaman elitist bir dile bile kayd\u0131\u011f\u0131 s\u00f6ylenebilecek, g\u00f6r\u00fc\u015fler g\u00fcn\u00fcm\u00fczdeki tart\u0131\u015fmalar\u0131 ne g\u00fczel \u00f6nceliyor. Birka\u00e7 sat\u0131rda sinema salonlar\u0131n\u0131n farkl\u0131 izleyici kitlelerine hitab\u0131, “modern” sinema salonlar\u0131 dedi\u011fi yeni salonlardan ho\u015fnutsuzluklar\u0131, sinemaya gelen seyirci kitlesinin d\u00f6n\u00fc\u015f\u00fcm\u00fcnden rahats\u0131zl\u0131\u011f\u0131 ve son olarak k\u00fc\u00e7\u00fck ekranda (Netflix, Youtube, cep telefonlar\u0131 … Continue reading Uyar, Sinemalar \u00dczerine<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,31,222],"tags":[404,403,282,405],"class_list":["post-1488","post","type-post","status-publish","format-standard","hentry","category-alinti","category-deneme","category-kent","tag-beyoglu","tag-sinema","tag-tomris-uyar","tag-yuzlesmeler-bir-uyumsuzun-notlari-1995-1999"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-o0","jetpack-related-posts":[{"id":2773,"url":"https:\/\/yalpertem.com\/blog\/2019\/10\/05\/luis-bunuel-son-nefesim-okuma-notlari-i\/","url_meta":{"origin":1488,"position":0},"title":"Luis Bu\u00f1uel | Son Nefesim (Okuma Notlar\u0131 I)","author":"yalpertem","date":"5 October 2019","format":false,"excerpt":"Kayboldu\u011fu d\u00fc\u015f\u00fcn\u00fclen bir k\u0131z \u00e7ocu\u011funun arand\u0131\u011f\u0131, fakat \u00e7ocu\u011fun ebeveynlerinin yan\u0131nda dola\u015f\u0131p kaybolmad\u0131\u011f\u0131n\u0131 onlara bir t\u00fcrl\u00fc anlatamad\u0131\u011f\u0131 bir fikirden yola \u00e7\u0131karak; ya da bir davet sonras\u0131 konuklar\u0131n hi\u00e7bir engel olmamas\u0131na ra\u011fmen evden gidememesinin nas\u0131l bir hik\u00e2yeye d\u00f6n\u00fc\u015febilece\u011fini d\u00fc\u015fleyerek sinema yapan birisi otobiyografisine nas\u0131l ba\u015flar?","rel":"","context":"In "biyografi"","block_context":{"text":"biyografi","link":"https:\/\/yalpertem.com\/blog\/category\/edebiyat\/biyografi\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/10\/luis-bunuel-son-nefesim-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2489,"url":"https:\/\/yalpertem.com\/blog\/2019\/02\/09\/tekerleme-bogazda-sandal-siiri\/","url_meta":{"origin":1488,"position":1},"title":"TEKerLEME (1985) | Bo\u011faz’da Sandal \u015eiiri","author":"yalpertem","date":"9 February 2019","format":false,"excerpt":"Burak \u00c7evik'in Tuzdan Kaide'sinin kay\u0131k sahnesi ve \u00c7evik'in i\u015faret edi\u015fi bu filmle kar\u015f\u0131la\u015ft\u0131rd\u0131. 80'lerde sinemada az \u00e7ok neler yap\u0131ld\u0131\u011f\u0131n\u0131 bildi\u011fimi san\u0131yordum, haberim yokmu\u015f. Mine'yi bile yeni izledim. Tekerleme, Merlyn Ecer'in 1985'te \u00e7ekti\u011fi bitirme teziymi\u015f. T\u00fcrkiye'de \u00e7ekilmi\u015f kent filmi, deneysel film, \u015fiir filmi aray\u0131\u015f\u0131nda olanlar bir bakabilir. Darbe sonras\u0131 ad\u0131 de\u011fi\u015ftirilmi\u015f\u2026","rel":"","context":"In "sinema"","block_context":{"text":"sinema","link":"https:\/\/yalpertem.com\/blog\/category\/sinema\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=700%2C400 2x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=1050%2C600 3x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=1400%2C800 4x"},"classes":[]},{"id":3330,"url":"https:\/\/yalpertem.com\/blog\/2020\/04\/07\/les-garcons-sauvages-2017-referanslar\/","url_meta":{"origin":1488,"position":2},"title":"Les gar\u00e7ons sauvages (2017) | Referanslar","author":"yalpertem","date":"7 April 2020","format":false,"excerpt":"bir al\u0131nt\u0131-montaj Les gar\u00e7ons sauvages (The Wild Boys, 2017) filmini bir arkada\u015f\u0131m David Cronenberg\u2019i anmam\u0131z \u00fczerine \u00f6nermi\u015fti. Bu queer, ok\u00fcltist, ger\u00e7ek\u00fcst\u00fcc\u00fc ve deneyci filmi izlerken akl\u0131ma hem ge\u00e7mi\u015fte izledi\u011fim benzer filmler geldi hem de izledi\u011fim film a\u015fina oldu\u011fum \u015feylere pek benzemiyor diye d\u00fc\u015f\u00fcnd\u00fcm. Al\u0131\u015f\u0131lmad\u0131k bir \u015feyle kar\u015f\u0131la\u015f\u0131nca uzand\u0131\u011f\u0131m\u0131z o benzetme\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2020\/04\/the-wild-boys-les-gar%C3%A7ons-sauvages-203x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4152,"url":"https:\/\/yalpertem.com\/blog\/2021\/03\/14\/ulrich-kohler-neden-politik-filmler-yapmiyorum-ceviri\/","url_meta":{"origin":1488,"position":3},"title":"Ulrich K\u00f6hler, Neden Politik Filmler Yapm\u0131yorum (\u00c7eviri)","author":"yalpertem","date":"14 March 2021","format":false,"excerpt":"ifs internationale filmschule k\u00f6ln gmbh Ulrich K\u00f6hler'in 2007'de yazd\u0131\u011f\u0131 Neden Politik Filmler Yapm\u0131yorum yaz\u0131s\u0131n\u0131 \u00e7evirdim. \u0130ngilizce \u00e7evirisinden \u00e7evirdi\u011fim i\u00e7in iki kat anlam kaymas\u0131 olabilir. Yaz\u0131yla Marco Abel'in The Counter-Cinema of the Berlin School kitab\u0131nda kar\u015f\u0131la\u015fm\u0131\u015ft\u0131m. K\u00f6hler, metni bu s\u0131n\u0131fland\u0131rman\u0131n pejoratif kullan\u0131m\u0131na dair de bir serzeni\u015fle kapat\u0131yor. *** Ken Loach -\u2026","rel":"","context":"In "\u00e7eviri"","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2021\/03\/ulrich-kohler-min.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1644,"url":"https:\/\/yalpertem.com\/blog\/2018\/06\/03\/yol-kenari-pirselimoglu-ve-diger-herkes\/","url_meta":{"origin":1488,"position":4},"title":"Yol Kenar\u0131 | Pirselimo\u011flu ve Di\u011fer Herkes","author":"yalpertem","date":"3 June 2018","format":false,"excerpt":"Bu bir film yorumu de\u011fil, film yaz\u0131lar\u0131n\u0131n yaz\u0131s\u0131 olmaya \u00e7al\u0131\u015f\u0131yor. Yol Kenar\u0131 \u00fczerine s\u00f6ylenenlerin bulanm\u0131\u015f zihnimdeki yank\u0131lar\u0131. Kafkaesk, kafkaesque, Kafka-vari, kesinlikle... \u0130lk an\u0131lan\u0131n o olmas\u0131, b\u00fcy\u00fck ihtimalle a\u00e7\u0131l\u0131\u015fta bo\u015f bir odaya ta\u015f\u0131nm\u0131\u015f dilenci b\u00fcrokrat\u0131n halet-i ruhiyesinden \u00e7a\u011fr\u0131\u015f\u0131yor. Odalar\u0131n duvarlar\u0131, g\u00f6ky\u00fcz\u00fcndeki bulutlar ki\u015finin \u00fcst\u00fcne \u00e7\u00f6kt\u00fc\u011f\u00fcnde de onun akla gelmesi do\u011fal. 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Duygu\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/04\/ulus-baker-kanaatlerden-imajlara-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=1488"}],"version-history":[{"count":0,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1488\/revisions"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=1488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=1488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=1488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}