{"id":1187,"date":"2018-04-10T23:25:36","date_gmt":"2018-04-10T20:25:36","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1187"},"modified":"2023-04-18T16:28:27","modified_gmt":"2023-04-18T14:28:27","slug":"ozguven-son-hikaye","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/04\/10\/ozguven-son-hikaye\/","title":{"rendered":"\u00d6zg\u00fcven, Son Hik\u00e2ye"},"content":{"rendered":"

Fatih \u00d6zg\u00fcven’in \u00f6yk\u00fc kitab\u0131n\u0131n bu finalini, sonsuz ertelemenin bir hik\u00e2yesi olarak d\u00fc\u015f\u00fcn\u00fcyorum hep. Kitab\u0131n a\u00e7\u0131l\u0131\u015f\u0131ndaki Kafka al\u0131nt\u0131s\u0131 “Menziller ve yollar yoktur; yol dedi\u011fimiz \u015fey, teredd\u00fctlerdir.” sav\u0131n\u0131n hakk\u0131n\u0131 vererek kapat\u0131yor burada. Kitab\u0131n ba\u015fl\u0131\u011f\u0131 da ayn\u0131 tamamlanamam\u0131\u015fl\u0131k, varamam\u0131\u015fl\u0131k, varmak istemezlik hissini \u00e7a\u011f\u0131r\u0131yor. Sinema yaz\u0131lar\u0131nda da benzer tipolojiler kurard\u0131 \u00d6zg\u00fcven: yeti\u015fkin olamayan \u00e7ocuklar ve ya\u015fland\u0131\u011f\u0131n\u0131 fark etmeyen gen\u00e7ler, eyleme ge\u00e7emeyen politik d\u00fc\u015f\u00fcnceler (Entre les murs (2008) ele\u015ftirisi)… Yaz\u0131nsal \u00fcretimi sorun etti\u011fini hep hissederim, o y\u00fczden yazd\u0131\u011f\u0131 her metni bir heyecanla okurum. Film ele\u015ftirileri ba\u015fkalar\u0131nkilere benzemiyor, \u00f6yk\u00fcleri de. Bir de bir “hafiflik”. D\u00fc\u015f\u00fcnsel yo\u011funlu\u011funu \u00fcslubundaki hafiflikle dile getirebilmesi beni b\u00fcy\u00fcler. D\u00f6rt \u00f6yk\u00fc kitab\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fcm gibi okuyup, “T\u00fcrkiye \u00d6yk\u00fc D\u00fcnyas\u0131”nda yerinin olmamas\u0131n\u0131 hep yad\u0131rgard\u0131m, sonra Birikim’deki bir say\u0131ya<\/a> tepeden girdi\u011fini g\u00f6r\u00fcp sevinmi\u015ftim. Borges, Wilde, Kundera ve Nabokov okudum onun zihninden ama Auster ba\u015fkas\u0131na k\u0131smet oldu. Radikal yaz\u0131lar\u0131n\u0131n kayboldu\u011funa \u00fcz\u00fcld\u00fcm, onlar\u0131 neden derlemedi diye d\u00fc\u015f\u00fcnd\u00fcm. Sonra Ekranella’da tekrar beliriverdi, sinemay\u0131 de\u015fmeye devam ediyor.<\/p>\n

\"\"“\u00d6LD\u00dc\u011e\u00dcNDE, kendini duvarlar\u0131n \u00e7epe\u00e7evre kitapla dolu karanl\u0131k, kuytu, s\u0131cak ama \u00e7ok da s\u0131cak olmayan bir apartman dairesinde buldu. Arkas\u0131nda bir kap\u0131n\u0131n hafif bir \u00e7\u0131t<\/em> sesi \u00e7\u0131kararak kapand\u0131\u011f\u0131n\u0131 duydu. Korkmad\u0131. D\u00f6n\u00fcp bakt\u0131 hatta. \u00d6yle b\u00fcy\u00fck bir hafifleme olmu\u015ftu hayat\u0131n bitmesi.<\/p>\n

Bulundu\u011fu antre gibi yerden iki basamakla oturma odas\u0131na indi.<\/p>\n

Yerden tavana kadar, g\u00f6lgelere kar\u0131\u015fm\u0131\u015f kitap s\u0131rtlar\u0131ndan meydana gelen bir fon \u00f6n\u00fcnde kar\u015f\u0131l\u0131kl\u0131 iki berjer duruyordu. Kendi kendine\u00a0berjer<\/em> diye f\u0131s\u0131ldad\u0131, canl\u0131 hayat\u0131 boyunca kula\u011f\u0131na tatl\u0131 ama utan\u00e7 verici bi\u00e7imde yabanc\u0131 gelen kelimenin nihayet tad\u0131n\u0131 \u00e7\u0131kararak.<\/p>\n

Koltuklar eski, g\u00fczel bir kadifeyle kapl\u0131yd\u0131, minderleri oturmaktan ezilmi\u015fti. Hatta, son oturan\u0131n izi mi vard\u0131 soldakinin, ona daha yak\u0131n olan\u0131n \u00fczerinde?<\/p>\n

Neyse i\u015fte, o koltuk daha profesyonel g\u00f6r\u00fcn\u00fc\u015fl\u00fcyd\u00fc. Yan\u0131 ba\u015f\u0131nda eski, ayakl\u0131 bir lamba duruyordu. Lamban\u0131n ipek kuma\u015fla kapl\u0131 eski tarz \u015fapkas\u0131 hafif\u00e7e sararm\u0131\u015ft\u0131 ama mindere d\u00fc\u015fen \u0131\u015f\u0131\u011fa bak\u0131l\u0131rsa gene de o koltukta oturup kitap okuyana kusursuz bir okuma \u0131\u015f\u0131\u011f\u0131 sa\u011fl\u0131yordu. Bu eski lambalar en iyi halojenlerden daha iyi, diye akl\u0131ndan ge\u00e7irdi, maddesel d\u00fcnyan\u0131n \u00e7ok \u00f6tesindeki bu noktada, alakas\u0131zca. Koltuk, oturan\u0131n ayaklar\u0131n\u0131 alt\u0131na almas\u0131na yetecek kadar geni\u015f, gerekti\u011finde elini yana indirip okudu\u011fu kitab\u0131 parke d\u00f6\u015femenin \u00fczerine koymaya izin verecek kadar al\u00e7akt\u0131.<\/p>\n

G\u00f6zleriyle masa arad\u0131. Bir masa olmal\u0131yd\u0131.<\/p>\n

Ba\u015fucunda \u0131\u015f\u0131k yanan koltu\u011funda kar\u015f\u0131s\u0131nda duran, yar\u0131 kanal\u0131\u011fa kar\u0131\u015fm\u0131\u015f e\u015finin tam arkas\u0131nda bir yaz\u0131 masas\u0131 g\u00f6rd\u00fc. \u00dczerinde k\u00e2\u011f\u0131t destesi mi, daktilo mu, diz\u00fcst\u00fc bilgisayar\u0131 m\u0131 oldu\u011funu hemen \u00e7\u0131karamad\u0131\u011f\u0131 dikd\u00f6rtgen karalt\u0131lar vard\u0131. Sonra bakacakt\u0131.<\/p>\n

D\u0131\u015far\u0131dan, yere kadar inen koyu renk perdelerin ard\u0131ndan, odadaki, hi\u00e7kimseyi hi\u00e7bir zaman \u0131slatmayaca\u011f\u0131 belli olan, hafif, kesintisiz ya\u011fmurun h\u0131\u015f\u0131rt\u0131s\u0131 geliyordu.<\/p>\n

Art\u0131k yazacakt\u0131. Oturacak yazacakt\u0131. \u0130\u00e7i bu d\u00fc\u015f\u00fcnceden duydu\u011fu sevin\u00e7le doldu. \u00d6lm\u00fc\u015f olmas\u0131 fark etmiyordu. Hatta belki -\u00f6b\u00fcr d\u00fcnya hakk\u0131nda ne biliyoruz?- \u00f6lm\u00fc\u015f olmas\u0131 bir \u015feydi.<\/p>\n

Bir g\u00fcn oturup yazmaya ba\u015flayaca\u011f\u0131m deyince akl\u0131na gelen, beynine damgalanm\u0131\u015f duran anlar birer birer yeniden akl\u0131ndan ge\u00e7tiler. \u00c7ok gen\u00e7li\u011finde, \u00e7amurlu bir da\u011f yolundan yukar\u0131ya t\u0131rman\u0131rken kar\u015f\u0131daki sisler i\u00e7inde tepeye bakt\u0131\u011f\u0131 an, bir keresinde aynan\u0131n \u00f6n\u00fcnde g\u00f6mle\u011finin en \u00fcst d\u00fc\u011fmesini iliklerken parmaklar\u0131n\u0131n beceriksizce birbirine doland\u0131\u011f\u0131 ve kendi kendiyle g\u00f6z g\u00f6ze geldi\u011fi an, \u015farap a\u00e7aca\u011f\u0131 aramak i\u00e7in kar\u0131\u015ft\u0131r\u0131rken mutfak \u00e7ekmecesinde olu\u015fan desene dal\u0131p gitti\u011fi an.<\/p>\n

Oturup yazacakt\u0131.<\/p>\n

\u00d6ne do\u011fru bir-iki ad\u0131m att\u0131. Koltu\u011funun yan\u0131na vard\u0131.<\/p>\n

Elleriyle kol dayayacak yerlerine tutunarak kendini yava\u015f\u00e7a koltu\u011fa b\u0131rakt\u0131. V\u00fccudu, canl\u0131l\u0131\u011f\u0131nda her zaman kavgas\u0131z g\u00fcr\u00fclt\u00fcs\u00fcz birlikte ya\u015fad\u0131\u011f\u0131 bu makine, ona zorluk \u00e7\u0131karmad\u0131. Belki biraz ya\u011flanmaya ihtiyac\u0131 vard\u0131.<\/p>\n

G\u00f6m\u00fcld\u00fc koltu\u011fa. Bacaklar\u0131 tam durmalar\u0131 gereken y\u00fckseklikte durdular. Bacak bacak \u00fczerine att\u0131. Elini yumruk yap\u0131p \u00e7enesine dayad\u0131. Evet, \u0131\u015f\u0131k kusursuzdu.<\/p>\n

\u015eurada oturay\u0131m biraz.<\/p>\n

Kar\u015f\u0131s\u0131nda, karanl\u0131\u011f\u0131n i\u00e7indeki \u00f6b\u00fcr koltu\u011fa bakt\u0131. Orada kimin oturmu\u015f olabilece\u011fini d\u00fc\u015f\u00fcnmeye \u00e7al\u0131\u015ft\u0131. Merak etmedi\u011fini fark etti. Kendi kendisiyle, \u00f6lm\u00fc\u015f olmas\u0131na ra\u011fmen \u015fakaklar\u0131nda u\u011fuldayan nabz\u0131yla, havadaki baca\u011f\u0131n\u0131n belli belirsiz titreyi\u015fiyle dopdoluydu. \u00c7ok tatl\u0131 bir histi bu.<\/p>\n

\u00c7ok, \u00e7ook zaman\u0131 vard\u0131.”<\/p>\n

Fatih \u00d6zg\u00fcven, Hep Yazmak \u0130steyenlerin Hik\u00e2yeleri, Metis Yay\u0131nlar\u0131, 2010, s. 91-3.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fatih \u00d6zg\u00fcven’in \u00f6yk\u00fc kitab\u0131n\u0131n bu finalini, sonsuz ertelemenin bir hik\u00e2yesi olarak d\u00fc\u015f\u00fcn\u00fcyorum hep. Kitab\u0131n a\u00e7\u0131l\u0131\u015f\u0131ndaki Kafka al\u0131nt\u0131s\u0131 “Menziller ve yollar yoktur; yol dedi\u011fimiz \u015fey, teredd\u00fctlerdir.” sav\u0131n\u0131n hakk\u0131n\u0131 vererek kapat\u0131yor burada. Kitab\u0131n ba\u015fl\u0131\u011f\u0131 da ayn\u0131 tamamlanamam\u0131\u015fl\u0131k, varamam\u0131\u015fl\u0131k, varmak istemezlik hissini \u00e7a\u011f\u0131r\u0131yor. Sinema yaz\u0131lar\u0131nda da benzer tipolojiler kurard\u0131 \u00d6zg\u00fcven: yeti\u015fkin olamayan \u00e7ocuklar ve ya\u015fland\u0131\u011f\u0131n\u0131 fark etmeyen gen\u00e7ler, … Continue reading \u00d6zg\u00fcven, Son Hik\u00e2ye<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,314,252],"tags":[315,316],"class_list":["post-1187","post","type-post","status-publish","format-standard","hentry","category-alinti","category-oyku","category-yazin","tag-fatih-ozguven","tag-hep-yazmak-isteyenlerin-hikayeleri"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-j9","jetpack-related-posts":[{"id":2489,"url":"https:\/\/yalpertem.com\/blog\/2019\/02\/09\/tekerleme-bogazda-sandal-siiri\/","url_meta":{"origin":1187,"position":0},"title":"TEKerLEME (1985) | Bo\u011faz’da Sandal \u015eiiri","author":"yalpertem","date":"9 February 2019","format":false,"excerpt":"Burak \u00c7evik'in Tuzdan Kaide'sinin kay\u0131k sahnesi ve \u00c7evik'in i\u015faret edi\u015fi bu filmle kar\u015f\u0131la\u015ft\u0131rd\u0131. 80'lerde sinemada az \u00e7ok neler yap\u0131ld\u0131\u011f\u0131n\u0131 bildi\u011fimi san\u0131yordum, haberim yokmu\u015f. Mine'yi bile yeni izledim. Tekerleme, Merlyn Ecer'in 1985'te \u00e7ekti\u011fi bitirme teziymi\u015f. T\u00fcrkiye'de \u00e7ekilmi\u015f kent filmi, deneysel film, \u015fiir filmi aray\u0131\u015f\u0131nda olanlar bir bakabilir. Darbe sonras\u0131 ad\u0131 de\u011fi\u015ftirilmi\u015f\u2026","rel":"","context":"In "sinema"","block_context":{"text":"sinema","link":"https:\/\/yalpertem.com\/blog\/category\/sinema\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=700%2C400 2x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=1050%2C600 3x, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/02\/tekerleme-sandal-siiri.png?resize=1400%2C800 4x"},"classes":[]},{"id":1424,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/10\/sik-rastladigim-cevirmenler\/","url_meta":{"origin":1187,"position":1},"title":"S\u0131k Rastlad\u0131\u011f\u0131m \u00c7evirmenler","author":"yalpertem","date":"10 May 2018","format":false,"excerpt":"Yazarlar\u0131 art arda anarken, asl\u0131nda onlar\u0131n yazd\u0131klar\u0131n\u0131 okuyup kendi zihinlerinde tekrardan yazanlar\u0131 da hep haf\u0131zama at\u0131yorum. Bir yazar\u0131n ba\u015fka metinlerini okumak gibi bir \u00e7evirmenin ba\u015fka \u00e7evirisini g\u00f6r\u00fcnce de heyecanlan\u0131yorum. \u00c7evirmenlerin ilgi alanlar\u0131 da -tabi d\u00fc\u015f\u00fcnsel oldu\u011fu kadar maddi parametrelerde de belirlenebilir- okuma prati\u011fine kurucu bir i\u015flev \u00fcstlenebiliyor. Bir \u00f6rnek olarak,\u2026","rel":"","context":"In "genel"","block_context":{"text":"genel","link":"https:\/\/yalpertem.com\/blog\/category\/genel\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/lost-in-translation-300x100.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1827,"url":"https:\/\/yalpertem.com\/blog\/2018\/07\/01\/bernhard-gezinti-dostluk-ve-aptallik\/","url_meta":{"origin":1187,"position":2},"title":"Bernhard, Gezinti, Dostluk ve Aptall\u0131k","author":"yalpertem","date":"1 July 2018","format":false,"excerpt":"\" Soka\u011fa gezintiye \u00e7\u0131kanlar,\" dedi Moro, \"anakronizmin en makul uygulay\u0131c\u0131lar\u0131, onlar gezintilerini yaparken, en akl\u0131 ba\u015f\u0131nda olmayanlar aras\u0131nda en akl\u0131 ba\u015f\u0131nda olanlar, ayn\u0131 zamanda en bedbahtlar aras\u0131nda en mutlu olanlard\u0131r, muhtemelen, sevgili Bay Robert, ama onlara en akl\u0131 ba\u015f\u0131nda olmayanlar aras\u0131nda en akl\u0131 ba\u015f\u0131nda olanlar, en bedbahtlar aras\u0131nda en mutlular\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/07\/thomas-bernhard-ungenach-194x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2749,"url":"https:\/\/yalpertem.com\/blog\/2019\/09\/15\/sigizmund-krjijanovski-bir-cesedin-otobiyografisi-okuma-notlari\/","url_meta":{"origin":1187,"position":3},"title":"Sigizmund Krjijanovski | Bir Cesedin Otobiyografisi (Okuma Notlar\u0131)","author":"yalpertem","date":"15 September 2019","format":false,"excerpt":"Ya\u015fam\u0131 boyunca hi\u00e7 kitab\u0131 bas\u0131lmayan, nerede g\u00f6m\u00fcl\u00fc oldu\u011fu bilinmeyen bir yazar oldu\u011funu \u00f6\u011frendikten sonra ba\u015flad\u0131m Krjijanovski'yi okumaya. H\u00fcz\u00fcnl\u00fc bir ba\u015flang\u0131\u00e7.","rel":"","context":"In "okuma notlar\u0131"","block_context":{"text":"okuma notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/ders-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/09\/bir-cesedin-otobiyografisi-sigizmund-krjijanovski-183x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2813,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/10\/elif-batuman-budala-okuma-notlari\/","url_meta":{"origin":1187,"position":4},"title":"Elif Batuman | Budala (Okuma Notlar\u0131)","author":"yalpertem","date":"10 November 2019","format":false,"excerpt":"Budala, T\u00fcrkiye\u2019den ABD\u2019ye g\u00f6\u00e7m\u00fc\u015f bir ailenin k\u0131z\u0131 Selin\u2019in \u00fcniversitedeki ilk y\u0131l\u0131ndaki kar\u015f\u0131la\u015fmalar\u0131n\u0131 konu ediyor. 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Bir yazar\u0131n b\u00fcy\u00fcme roman\u0131 olarak g\u00f6r\u00fclebilecek kitap, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde Elif Batuman\u2019\u0131n kendi ba\u015f\u0131ndan ge\u00e7en olaylardan yola \u00e7\u0131k\u0131yor.","rel":"","context":"In "okuma notlar\u0131"","block_context":{"text":"okuma notlar\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/ders-notlari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/elif-batuman-budala-198x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6161,"url":"https:\/\/yalpertem.com\/blog\/2023\/05\/08\/hisar-ayakkabilar-anlatici-ali-nizami-beyin-alafrangaligi-ve-seyhligi\/","url_meta":{"origin":1187,"position":5},"title":"Hisar, ayakkab\u0131lar, anlat\u0131c\u0131 | Ali Nizam\u00ee Bey’in Alafrangal\u0131\u011f\u0131 ve \u015eeyhli\u011fi","author":"yalpertem","date":"8 May 2023","format":false,"excerpt":"Romanda anlat\u0131c\u0131n\u0131n ilk sars\u0131l\u0131\u015f\u0131, ge\u00e7mi\u015fteki fark\u0131na var\u0131\u015f\u0131 hat\u0131rlay\u0131\u015f\u0131. Zabel Yesayan'\u0131n Son Kadeh'inden bir pasaj\u0131 hat\u0131rlatt\u0131 bana, benzer duygular hissettim bu b\u00f6l\u00fcm\u00fc okurken. Belki roman\u0131n i\u00e7inde denemenin kendine yer a\u00e7t\u0131\u011f\u0131n\u0131 fark etti\u011fim ilk an oldu\u011fu i\u00e7indir. Sonunda y\u00fcr\u00fcy\u00fc\u015fe ba\u011flamas\u0131 da m\u00fcthi\u015f. \" Fakat hat\u0131rl\u0131yorum ki bu manzaraya en \u00e7ok g\u00fclen ben\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2023\/05\/ali-nizami-bey-220x300.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=1187"}],"version-history":[{"count":6,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1187\/revisions"}],"predecessor-version":[{"id":6048,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1187\/revisions\/6048"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=1187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=1187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=1187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}