{"id":1076,"date":"2018-03-13T18:08:13","date_gmt":"2018-03-13T16:08:13","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1076"},"modified":"2018-05-29T23:45:58","modified_gmt":"2018-05-29T20:45:58","slug":"auster-kafkanin-oyuncak-bebek-hikayesi","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/03\/13\/auster-kafkanin-oyuncak-bebek-hikayesi\/","title":{"rendered":"Auster, Kafka’n\u0131n Oyuncak Bebek Hik\u00e2yesi"},"content":{"rendered":"

\"\"“Peki. Hik\u00e2ye. Oyuncak bebek hik\u00e2yesi… Kafka’n\u0131n \u00f6lmeden \u00f6nceki son y\u0131l\u0131; Polonya’daki Yahudi ailesinden ka\u00e7\u0131p Berlin’e yerle\u015fir, Dora Diamant ad\u0131nda on dokuz yirmi ya\u015flar\u0131nda bir k\u0131za \u00e2\u015f\u0131k olur. K\u0131z, Kafka’n\u0131n yar\u0131 ya\u015f\u0131ndad\u0131r; ama ona y\u0131llard\u0131r yapmak isteyip de yapamad\u0131\u011f\u0131 \u015feyi, Prag’dan ayr\u0131lma cesaretini bu k\u0131z verir ve Kafka’n\u0131n birlikte ya\u015fad\u0131\u011f\u0131 ilk ve tek kad\u0131n olur. Kafka 1923 sonbahar\u0131nda Berlin’e gelir ve ertesi ilkbaharda da \u00f6l\u00fcr; ama bu son aylar muhtemelen ya\u015fam\u0131ndaki en mutlu aylard\u0131r. Giderek bozulan sa\u011fl\u0131\u011f\u0131na ra\u011fmen. Yiyecek k\u0131tl\u0131\u011f\u0131, siyasal ayaklanmalar, Alman tarihinin g\u00f6rd\u00fc\u011f\u00fc en a\u011f\u0131r enflasyon gibi Berlin’deki sosyal durumlara ra\u011fmen. Bu d\u00fcnyada fazla zaman\u0131 kalmad\u0131\u011f\u0131n\u0131 kesinlikle bilmesine ra\u011fmen.<\/p>\n

Kafka her ikindi vakti parkta gezintiye \u00e7\u0131kar. Hemen her seferinde Dora da onunla birlikte gider. Bir g\u00fcn h\u0131\u00e7k\u0131ra h\u0131\u00e7k\u0131ra a\u011flayan k\u00fc\u00e7\u00fck bir k\u0131zla kar\u015f\u0131la\u015f\u0131rlar. Kafka k\u0131za ne oldu\u011funu sorar. \u00c7ocuk bebe\u011fini kaybetti\u011fini s\u00f6yler. Kafka, olup biteni a\u00e7\u0131klamak i\u00e7in hemen bir hik\u00e2ye uydurur. ‘Bebe\u011fin seyahate \u00e7\u0131kt\u0131,’ der. K\u0131z, ‘Nereden biliyorsun?’ diye sorar. Kafka, ‘\u00c7\u00fcnk\u00fc bana mektup yazd\u0131,’ diyince k\u0131z ku\u015fkulan\u0131r. ‘Mektup yan\u0131nda m\u0131?’ der. Kafka, ‘Ne yaz\u0131k ki hay\u0131r, yanl\u0131\u015fl\u0131kla evde b\u0131rakm\u0131\u015f\u0131m ama yar\u0131n getiririm,’ diye cevab\u0131 yap\u0131\u015ft\u0131r\u0131r. Konu\u015fmas\u0131 \u00f6ylesine inand\u0131r\u0131c\u0131d\u0131r ki, k\u0131z ne d\u00fc\u015f\u00fcnece\u011fini bilemez. Bu gizemli yabanc\u0131 do\u011fru s\u00f6yl\u00fcyor olabilir mi?<\/p>\n

Kafka mektubu yazmak i\u00e7in hemen eve gider. Masas\u0131n\u0131n ba\u015f\u0131na ge\u00e7er; Dora onu seyrederken, mektubu t\u0131pk\u0131 kendi yap\u0131tlar\u0131n\u0131 yazd\u0131\u011f\u0131 zamanki ciddiyet ve gerginlikle yazd\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr. Kafka, k\u00fc\u00e7\u00fck bir k\u0131z\u0131 kand\u0131rmak \u00fczere yazmamaktad\u0131r. Bu, ger\u00e7ekten yaz\u0131nsal bir \u00e7abad\u0131r ve Kafka da onu do\u011fru yapmaya kararl\u0131d\u0131r. G\u00fczel ve inand\u0131r\u0131c\u0131 bir yalan uydurabilirse, \u00e7ocu\u011fun kaybetti\u011fi bebe\u011fin yerini bir ba\u015fka ger\u00e7ekle doldurabilecektir; belki uydurma bir ger\u00e7ek ama edebiyat yasalar\u0131na g\u00f6re ge\u00e7erli ve inand\u0131r\u0131c\u0131 bir ger\u00e7ek.<\/p>\n

Kafka ertesi g\u00fcn mektubu al\u0131p parka ko\u015far. K\u00fc\u00e7\u00fck k\u0131z onu beklemektedir; \u00e7ocuk hen\u00fcz okumay\u0131 s\u00f6kemedi\u011finden Kafka mektubu y\u00fcksek sesle okur. Ta\u015f bebek gitti\u011fi i\u00e7in \u00fczg\u00fcnm\u00fc\u015f; ama hep ayn\u0131 insanlarla ya\u015famaktan b\u0131km\u0131\u015f. D\u00fcnyay\u0131 g\u00f6rmek, yeni arkada\u015flar edinmek istiyormu\u015f. K\u00fc\u00e7\u00fck k\u0131z\u0131 sevmedi\u011finden de\u011fil ama \u00e7evresini de\u011fi\u015ftirmek istedi\u011fi i\u00e7in gitmi\u015f, bu y\u00fczden bir s\u00fcre ayr\u0131 kalacaklarm\u0131\u015f. Ama k\u0131za her g\u00fcn mektup yaz\u0131p neler yapt\u0131\u011f\u0131n\u0131 anlataca\u011f\u0131na da s\u00f6z veriyormu\u015f.<\/p>\n

\u0130\u015fte bu noktada hik\u00e2ye y\u00fcre\u011fimi s\u0131zlatmaya ba\u015fl\u0131yor. Kafka’n\u0131n ilk mektubu yazmak zahmetine girmesi bile yeterince \u015fa\u015f\u0131rt\u0131c\u0131yken, bir de kalk\u0131yor, g\u00fcn\u00fcn birinde parkta kar\u015f\u0131la\u015ft\u0131\u011f\u0131, hi\u00e7 tan\u0131mad\u0131\u011f\u0131 bir k\u0131z \u00e7ocu\u011funu avutmak i\u00e7in her g\u00fcn mektup yazmaya giri\u015fiyor. B\u00f6yle bir \u015feyi kim yapar? Kafka, \u00fc\u00e7 hafta mektup yazmay\u0131 s\u00fcrd\u00fcrm\u00fc\u015f Nathan. Tam \u00fc\u00e7 hafta. Gelmi\u015f ge\u00e7mi\u015f en b\u00fcy\u00fck yazarlardan biri, kay\u0131p bir ya\u015f bebekten gelen uydurma mektuplar i\u00e7in zaman\u0131n\u0131, hem de \u00e7ok azald\u0131\u011f\u0131 i\u00e7in \u00e7ok daha de\u011ferli olan zaman\u0131n\u0131 feda ediyor. Dora, Kafka’n\u0131n her c\u00fcmleyi en ufak ayr\u0131nt\u0131s\u0131na kadar \u00f6zenle yazd\u0131\u011f\u0131n\u0131, yazd\u0131klar\u0131n\u0131n kusursuz, komik ve inand\u0131r\u0131c\u0131 oldu\u011funu s\u00f6yl\u00fcyor. Bir ba\u015fka deyi\u015fle, \u00f6zg\u00fcn Kafka edebiyat\u0131. Kafka \u00fc\u00e7 hafta boyunca her g\u00fcn parka gidip k\u0131za mektup okur. Ta\u015f bebek b\u00fcy\u00fcr, okula gider, yeni insanlarla tan\u0131\u015f\u0131r. K\u00fc\u00e7\u00fck k\u0131z\u0131 ne kadar \u00e7ok sevdi\u011fini her mektupta yineler; ama birtak\u0131m sorunlar\u0131n eve d\u00f6nmesini engelledi\u011fini yazar. Kafka, ta\u015f bebe\u011fin k\u00fc\u00e7\u00fck k\u0131z\u0131n hayat\u0131ndan tamamen \u00e7\u0131kaca\u011f\u0131 ana yava\u015f yava\u015f haz\u0131rlar \u00e7ocu\u011fu. \u0130nand\u0131r\u0131c\u0131 bir son bulmaya \u00e7al\u0131\u015f\u0131r, bunu ba\u015faramazsa b\u00fcy\u00fcn\u00fcn bozulaca\u011f\u0131ndan korkar. Birka\u00e7 olas\u0131l\u0131k \u00fczerinde kafa yorduktan sonra, sonunda bebe\u011fi evlendirmeye karar verir. Bebe\u011fin \u00e2\u015f\u0131k oldu\u011fu delikanl\u0131y\u0131 tarif eder, ni\u015fan\u0131, k\u00f6y d\u00fc\u011f\u00fcn\u00fcn\u00fc, hatta bebekle kocas\u0131n\u0131n oturduklar\u0131 evi bile uzun uzun anlat\u0131r. Ve mektubun son sat\u0131r\u0131nda, bebek eski ve sevgili arkada\u015f\u0131na veda eder.<\/p>\n

Tabii o noktaya gelindi\u011finde, k\u0131z art\u0131k bebe\u011fini \u00f6zlemekten, onu aramaktan vazge\u00e7mi\u015ftir. Kafka, bebe\u011fin yerine ba\u015fka bir \u015fey vermi\u015ftir \u00e7ocu\u011fa ve o \u00fc\u00e7 hafta i\u00e7inde mektuplar k\u0131z\u0131n \u00fcz\u00fcnt\u00fcs\u00fcn\u00fc gidermi\u015ftir. K\u0131z\u0131n bir hik\u00e2yesi vard\u0131r art\u0131k ve insan bir hik\u00e2yenin i\u00e7inde, bir hayal d\u00fcnyas\u0131nda ya\u015fayabilecek kadar \u015fansl\u0131ysa, ger\u00e7ek d\u00fcnyan\u0131n ac\u0131lar\u0131 sona erer. \u00c7\u00fcnk\u00fc hik\u00e2ye devam etti\u011fi s\u00fcrece ger\u00e7ek yoktur.”<\/p>\n

Paul Auster, Brooklyn \u00c7\u0131lg\u0131nl\u0131klar\u0131, \u00e7ev. Se\u00e7kin Selvi, 2017 [2005], 8. bas\u0131m, s. 164-6.<\/p>\n","protected":false},"excerpt":{"rendered":"

“Peki. Hik\u00e2ye. Oyuncak bebek hik\u00e2yesi… Kafka’n\u0131n \u00f6lmeden \u00f6nceki son y\u0131l\u0131; Polonya’daki Yahudi ailesinden ka\u00e7\u0131p Berlin’e yerle\u015fir, Dora Diamant ad\u0131nda on dokuz yirmi ya\u015flar\u0131nda bir k\u0131za \u00e2\u015f\u0131k olur. K\u0131z, Kafka’n\u0131n yar\u0131 ya\u015f\u0131ndad\u0131r; ama ona y\u0131llard\u0131r yapmak isteyip de yapamad\u0131\u011f\u0131 \u015feyi, Prag’dan ayr\u0131lma cesaretini bu k\u0131z verir ve Kafka’n\u0131n birlikte ya\u015fad\u0131\u011f\u0131 ilk ve tek kad\u0131n olur. Kafka … Continue reading Auster, Kafka’n\u0131n Oyuncak Bebek Hik\u00e2yesi<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,7,8],"tags":[284,285,273,439],"class_list":["post-1076","post","type-post","status-publish","format-standard","hentry","category-alinti","category-edebiyat","category-roman","tag-brooklyn-cilginliklari","tag-franz-kafka","tag-paul-auster","tag-yazar-incelemesi"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-hm","jetpack-related-posts":[{"id":1862,"url":"https:\/\/yalpertem.com\/blog\/2018\/07\/09\/agamben-utanc-fikri\/","url_meta":{"origin":1076,"position":0},"title":"Agamben, Utan\u00e7 Fikri","author":"yalpertem","date":"9 July 2018","format":false,"excerpt":"\" I. Antik d\u00fcnyan\u0131n insan\u0131, ne sefalet duygusunu bilir ne de son kertede insan\u0131n talihsizli\u011finden t\u00fcm azameti s\u00f6k\u00fcp alan \u015fans\u0131. Elbette ne\u015fe,\u00a0\u03cb\u03b2\u03c1\u03b9\u03b6\u00a0gibi, her an tersine d\u00f6n\u00fcp en ac\u0131 yan\u0131lsama haline gelebilir; i\u015fte tam o anda trajik araya girer ve sefalet ihtimalini bertaraf etmek i\u00e7in kahramanca m\u00fcdahale eder. Antik insan\u0131n kader\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/07\/giorgio-agamben-nesir-fikri-196x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3502,"url":"https:\/\/yalpertem.com\/blog\/2020\/05\/19\/sebald-bilinmeyen-ulke-kafkanin-satosunda-olum-motifi-ceviri\/","url_meta":{"origin":1076,"position":1},"title":"Sebald, Bilinmeyen \u00dclke: Kafka\u2019n\u0131n \u015eato\u2019sunda \u00d6l\u00fcm Motifi (\u00c7eviri)","author":"yalpertem","date":"19 May 2020","format":false,"excerpt":"W. G. Sebald'\u0131n 1972'de Kafka'n\u0131n \u015eato roman\u0131 \u00fczerine yazd\u0131\u011f\u0131 bir makaleyi \u00e7evirdim. Journal of European Studies'de yay\u0131mlanm\u0131\u015f. Vertigo'dan 18 y\u0131l \u00f6nce. Kafka'n\u0131n edebiyat\u0131na genel bir bak\u0131\u015f\u0131n ard\u0131ndan temelde romandaki \u00f6l\u00fcm imgeleri ve Yahudi mesiyanizmi \u00fczerinden ilerliyor. Verdi\u011fi referanslar\u0131n eri\u015febildi\u011fim T\u00fcrk\u00e7e \u00e7evirilerini bulup onlar\u0131 kulland\u0131m. Birka\u00e7\u0131n\u0131 \u00fcst \u00fcste dizerek hat\u0131ra foto\u011fraf\u0131\u2026","rel":"","context":"In "\u00e7eviri"","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2020\/05\/sebald-kafka-sato-bilinmeyen-ulke.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1568,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/22\/canetti-vaaz-etmeyen-kafka\/","url_meta":{"origin":1076,"position":2},"title":"Canetti, Vaaz Etmeyen Kafka","author":"yalpertem","date":"22 May 2018","format":false,"excerpt":"\" Kafka'da edebiyat\u00e7\u0131l\u0131\u011f\u0131n her t\u00fcr kibri eksiktir; o asla \u00f6v\u00fcnmez, \u00f6v\u00fcnmeyi bilmez. Kendini k\u00fc\u00e7\u00fck g\u00f6r\u00fcr ve k\u00fc\u00e7\u00fck ad\u0131mlarla y\u00fcr\u00fcr. Ad\u0131m\u0131n\u0131 att\u0131\u011f\u0131 yerde, zeminin sa\u011flam olmad\u0131\u011f\u0131n\u0131 hisseder. O, insan\u0131 ta\u015f\u0131maz; onun yan\u0131nda olundu\u011funda insan\u0131 hi\u00e7bir \u015fey ta\u015f\u0131maz. B\u00f6ylece, edebiyat\u00e7\u0131lar\u0131n kand\u0131rmacas\u0131na ve b\u00f6b\u00fcrlenmesine d\u00fc\u015fmez. \u00c7ok iyi hissetti\u011fi edebiyat\u00e7\u0131 ihti\u015fam\u0131 onun kendi s\u00f6zlerinde\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/elias-canetti-edebiyat%C3%A7%C4%B1lar-%C3%BCzerine-206x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2949,"url":"https:\/\/yalpertem.com\/blog\/2019\/12\/12\/canetti-robert-walser-i\/","url_meta":{"origin":1076,"position":3},"title":"Canetti, Robert Walser (I)","author":"yalpertem","date":"12 December 2019","format":false,"excerpt":"D\u00fcnyaya beliren k\u00f6kensiz bir hayranl\u0131k, yazar\u0131n ve karakterlerinin kendilerini s\u00fcrekli d\u0131\u015far\u0131da hissetmeleri, imkans\u0131z fakat k\u0131s\u0131r d\u00f6ng\u00fcde bir inkarc\u0131l\u0131k, her t\u00fcr b\u00fcy\u00fckl\u00fckten ka\u00e7\u0131\u015f \u00e7izgileri, bir ak\u0131l hastanesi benzetmesi olarak 'modern manast\u0131r', kahramanlar\u0131n\u0131n s\u0131k an\u0131lan e\u015fsizli\u011fi ve yenili\u011fi (g\u00fczel bir tart\u0131\u015fma, daha \u00f6nceden olmayan neyi bulmu\u015f bu yazar?), Canetti'nin i\u00e7ten \u00f6yk\u00fcnmeleri ve\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/12\/elias-canetti-edebiyat%C3%A7%C4%B1lar-%C3%BCzerine-206x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2839,"url":"https:\/\/yalpertem.com\/blog\/2019\/11\/13\/ozlu-walserle-tanisma\/","url_meta":{"origin":1076,"position":4},"title":"\u00d6zl\u00fc, Walser’le Tan\u0131\u015fma","author":"yalpertem","date":"13 November 2019","format":false,"excerpt":"Bu mektuplarda yeni bir yazarla tan\u0131\u015fma, ondan etkilenme, onu T\u00fcrk\u00e7eye \u00e7evirip yay\u0131mlamaya dair samimi (\"i\u00e7ten duydu\u011fum bir yazar\"), entelekt\u00fcel (\"okur i\u00e7in daha iyi olur\") ve profesyonel (\"ka\u00e7a m\u00e2l olur\") ifadeler var. \"Bilmem Robert Walser'i tan\u0131r m\u0131s\u0131n? \u0130svi\u00e7re edebiyat\u0131n\u0131n bence en \u00f6nemli yazar\u0131. Tam bir Kafkaesk korku ve Dostoyevski y\u00fcre\u011fi ve\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/11\/tezer-ozlu-ferit-edgu-her-seyin-sonundayim-min-194x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1187,"url":"https:\/\/yalpertem.com\/blog\/2018\/04\/10\/ozguven-son-hikaye\/","url_meta":{"origin":1076,"position":5},"title":"\u00d6zg\u00fcven, Son Hik\u00e2ye","author":"yalpertem","date":"10 April 2018","format":false,"excerpt":"Fatih \u00d6zg\u00fcven'in \u00f6yk\u00fc kitab\u0131n\u0131n bu finalini, sonsuz ertelemenin bir hik\u00e2yesi olarak d\u00fc\u015f\u00fcn\u00fcyorum hep. Kitab\u0131n a\u00e7\u0131l\u0131\u015f\u0131ndaki Kafka al\u0131nt\u0131s\u0131 \"Menziller ve yollar yoktur; yol dedi\u011fimiz \u015fey, teredd\u00fctlerdir.\" sav\u0131n\u0131n hakk\u0131n\u0131 vererek kapat\u0131yor burada. Kitab\u0131n ba\u015fl\u0131\u011f\u0131 da ayn\u0131 tamamlanamam\u0131\u015fl\u0131k, varamam\u0131\u015fl\u0131k, varmak istemezlik hissini \u00e7a\u011f\u0131r\u0131yor. Sinema yaz\u0131lar\u0131nda da benzer tipolojiler kurard\u0131 \u00d6zg\u00fcven: yeti\u015fkin olamayan \u00e7ocuklar\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/04\/fatih-ozguven-hep-yazmak-isteyenlerin-hikayeleri-201x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=1076"}],"version-history":[{"count":0,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1076\/revisions"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=1076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=1076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=1076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}