{"id":1003,"date":"2018-03-04T19:24:32","date_gmt":"2018-03-04T17:24:32","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1003"},"modified":"2021-11-16T21:18:06","modified_gmt":"2021-11-16T18:18:06","slug":"blanchot-yazma-kitap-ve-okuma-uzerine-i","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2018\/03\/04\/blanchot-yazma-kitap-ve-okuma-uzerine-i\/","title":{"rendered":"Blanchot, Yazma, Kitap ve Okuma \u00dczerine (I)"},"content":{"rendered":"<p><em>Bir Blanchot kitab\u0131ndan &#8220;yaz\u0131&#8221; \u00fczerine k\u0131sa bir pasaj al\u0131nt\u0131lamak ahmakl\u0131k. K\u00fclliyat\u0131 zaten yazmay\u0131, okumay\u0131, al\u0131nt\u0131lamay\u0131, ba\u015fka metinleri, onlar\u0131n yazarlar\u0131yla muhabbeti ku\u015fatm\u0131\u015f okur-yazardan b\u00f6ylesi bir par\u00e7a s\u00f6k\u00fcp \u00e7\u0131karmak utan\u00e7 verici.<\/em><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1012\" data-permalink=\"https:\/\/yalpertem.com\/blog\/2018\/03\/04\/blanchot-yazma-kitap-ve-okuma-uzerine-i\/maurice-blanchot-felaket-yazisi\/\" data-orig-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi.jpg?fit=395%2C600&amp;ssl=1\" data-orig-size=\"395,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"maurice blanchot &amp;#8211; felaket yazisi\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi.jpg?fit=395%2C600&amp;ssl=1\" class=\"size-medium wp-image-1012 alignleft\" src=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi.jpg?resize=198%2C300\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi.jpg?resize=198%2C300&amp;ssl=1 198w, https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi.jpg?w=395&amp;ssl=1 395w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/p>\n<ul style=\"list-style-type: square;\">\n<li>Ne okumak, ne yazmak, ne konu\u015fmak, ne var ki sadece bunlarda yatar daha \u015fimdiden s\u00f6ylenmi\u015f olandan, Bilme&#8217;den, anla\u015fmadan kurtulu\u015fumuz, verilenin belki kimse taraf\u0131ndan al\u0131nmad\u0131\u011f\u0131 me\u00e7hul uzama, darl\u0131k \u00e2lemine giri\u015fimiz. Felaketin eli a\u00e7\u0131kl\u0131\u011f\u0131. Ki orada hayat, \u00f6l\u00fcm, daima a\u015f\u0131lm\u0131\u015ft\u0131r.<\/li>\n<li>Yazma yetene\u011fi tam da yaz\u0131n\u0131n reddetti\u011fi \u015feydir. Art\u0131k yazmay\u0131 bilmeyen, ald\u0131\u011f\u0131 arma\u011fandan vazge\u00e7en, dili tan\u0131nmaz h\u00e2ldeki kimse, s\u0131nanmam\u0131\u015f deneyimsizli\u011fe, var bile olmadan hasl\u0131\u011fa-geli\u015f&#8217;e <em>(av\u00e8nement)<\/em> meydan veren &#8220;has&#8221;\u0131n yoklu\u011funa daha yak\u0131nd\u0131r. \u00dcslubu, \u00fcslubun \u00f6zg\u00fcnl\u00fc\u011f\u00fcn\u00fc \u00f6ven, her \u015feyi b\u0131rakmay\u0131 ve her \u015fey taraf\u0131ndan b\u0131rak\u0131lmay\u0131 reddetmi\u015f olan yazar\u0131n benli\u011fini y\u00fcceltir yaln\u0131zca. Pek yak\u0131nda hat\u0131r\u0131 say\u0131l\u0131r olacakt\u0131r; dikkate \u015fayan olmak onu iktidara teslim eder; silinmenin, kaybolman\u0131n yoklu\u011funu \u00e7eker.<\/li>\n<\/ul>\n<p>Ne okumak, ne yazmak, ne konu\u015fmak, dilsizlik de\u011fildir bu, belki asla i\u015fitilmemi\u015f m\u0131r\u0131lt\u0131d\u0131r: homurtu ve sessizlik.<\/p>\n<ul style=\"list-style-type: square;\">\n<li><em>&#8220;Kendinin temeline varan ve ya\u015fam\u0131n b\u00fct\u00fcn derinli\u011fini tan\u0131yan odur ki, bir g\u00fcn her \u015feyi b\u0131rakm\u0131\u015ft\u0131r ve her \u015fey de onu b\u0131rakm\u0131\u015ft\u0131r, her \u015fey onun i\u00e7in batm\u0131\u015ft\u0131r ve kendini sonsuzla ba\u015f ba\u015fa g\u00f6rm\u00fc\u015ft\u00fcr: Platon&#8217;un \u00f6l\u00fcmle kar\u015f\u0131la\u015ft\u0131rd\u0131\u011f\u0131 b\u00fcy\u00fck bir ad\u0131md\u0131r bu.&#8221;\u00a0<\/em>(Schelling&#8217;den al\u0131nt\u0131layan Heidegger.)<\/li>\n<li>Ni\u00e7in bir kitap, kopman\u0131n sars\u0131nt\u0131s\u0131n\u0131n -felaketin bi\u00e7imlerinden biri- onu tarumar etti\u011fi yerde h\u00e2l\u00e2? \u015eundan dolay\u0131 ki, kitab\u0131n d\u00fczeni onda eksik olan i\u00e7in, ondan s\u0131yr\u0131lan yokluk i\u00e7in zorunludur: Ayn\u0131 \u015fekilde, &#8220;hasla\u015ft\u0131rma&#8221;daki &#8220;has&#8221;, insan ile varl\u0131\u011f\u0131n birbirlerine ait oldu\u011fu olay, yasadan, izden, keza g\u00fcvenceli bir anlam\u0131n sonucundan ka\u00e7an yaz\u0131n\u0131n has-olmayan\u0131nda u\u00e7uruma batar. Ama &#8220;has-olmayan&#8221; <em>(impropre)<\/em>\u00a0yaln\u0131zca &#8220;has&#8221; olan\u0131n olumsuzlanmas\u0131 de\u011fildir, ondan uzakla\u015f\u0131rken ona yak\u0131nla\u015f\u0131r: Onu u\u00e7urumun i\u00e7ine \u00e7eker, yanl\u0131\u015f yoldan \u00e7evirerek onu kendine ba\u011flar. Has-olmayanda h\u00e2l\u00e2 has olan t\u0131nlar: kitap yoklu\u011fu gibi kitap-d\u0131\u015f\u0131 da a\u015ft\u0131\u011f\u0131 \u015feyin i\u015fitilmesini sa\u011flar. Bundand\u0131r par\u00e7al\u0131l\u0131\u011fa \u00e7a\u011fr\u0131 ve felakete ba\u015fvuru, e\u011fer felaketin yaln\u0131zca feci olan olmad\u0131\u011f\u0131n\u0131 hat\u0131rlar isek.<\/li>\n<li>Ni\u00e7in h\u00e2l\u00e2 kitaplar? Kitab\u0131n sakin, \u00e7alkant\u0131l\u0131 sonunu, yaz\u0131n\u0131n eme\u011fiyle var\u0131lan sonunu deneyimlemek i\u00e7in de\u011filse e\u011fer; \u00f6znenin da\u011f\u0131l\u0131\u015f\u0131, \u00e7oklu\u011fun a\u00e7\u0131\u011fa \u00e7\u0131k\u0131\u015f\u0131, bizi M&#8217;Uzan&#8217;\u0131n s\u00f6z\u00fcn\u00fc etti\u011fi &#8220;vefat vazifesi&#8221;ne teslim ederken, ki onun \u00f6nerdi\u011finden farkl\u0131 olarak arzunun tazeleni\u015fiyle hayat\u0131 t\u00fckeni\u015fe kadar ya\u015fatmakla yetinemeyecek olan bir vazifedir bu. Ben bu vazifede daha \u00e7ok tutkuyu, sabr\u0131, ya\u015fam\u0131 \u00f6lmeye a\u00e7an ve olay\u0131 olmayan u\u00e7 noktadaki edilgenli\u011fi g\u00f6r\u00fcyorum -t\u0131pk\u0131 (kendi ba\u015f\u0131na ya\u015fayan ad\u0131n\u0131 Rober Laporte&#8217;un bize \u00f6nerdi\u011fi gibi) yaz\u0131dan ya\u015famak ve \u00f6lmek demek olan, daha \u015fimdiden \u00fcst\u00fc \u00e7izilmi\u015f &#8220;ya\u015fam \u00f6yk\u00fcs\u00fc&#8221;n\u00fcn hi\u00e7bir \u015feyin meydana gelmesine izin vermedi\u011fi, hi\u00e7bir \u015feyi, yazma olgusunu bile g\u00fcvence alt\u0131na almad\u0131\u011f\u0131 gibi-, ki bu edilginlik de sizin istikrarl\u0131 ve neredeyse mesleki bir tabir olarak yazarl\u0131\u011fa atfetti\u011finiz \u015fu hayatta-kalan-\u00f6l\u00fcy\u00fc n\u00f6trl\u00fc\u011f\u00fcn gizemine havale eder.<\/li>\n<li>Yazard\u0131 olanakl\u0131 olsa da olmasa da, ama konu\u015fmazd\u0131. \u0130\u015fte b\u00f6yledir yaz\u0131n\u0131n sessizli\u011fi.<\/li>\n<li>&#8220;Yazmak dur durak bilmez, ne var ki metin ancak ard\u0131nda bo\u015fluklar, gedikler, y\u0131rt\u0131klar ve ba\u015fka kopukluklar b\u0131rakarak ilerler, ama kopu\u015flar\u0131n kendisi de \u00e7abucak yeniden kayda ge\u00e7irilir, en az\u0131ndan &#8230; m\u00fcddet\u00e7e&#8221; (Roger Laporte) &#8211; &#8220;Yazmak &#8230; belki yeni bir t\u00fcrden \u00e7ok daha fazlas\u0131n\u0131 olu\u015fturabilir.&#8221; Ama &#8220;Yazmak her t\u00fcr yaz\u0131y\u0131, her t\u00fcr tipografiyi, her t\u00fcr kitab\u0131 reddediyorsa, o h\u00e2lde nas\u0131l yaz\u0131l\u0131r?&#8221; &#8230; &#8220;Nas\u0131l olup da onca uzun zaman boyunca yeni bir t\u00fcr yaratma bi\u00e7imindeki estetik tasar\u0131yla \u00f6zde\u015fle\u015fmi\u015f oldu\u011fumu anlayam\u0131yorum.&#8221; &#8220;Yazman\u0131n \u00fcst\u00fc yaln\u0131zca e\u011fri bir \u00e7izgiyle \u00e7izilmi\u015fti: Y\u0131k\u0131m i\u015fini sonuna kadar g\u00f6t\u00fcrmem gerekiyor.&#8221; (R. L.)<\/li>\n<li>&#8220;&#8230; bir metni kitap olma mutsuzlu\u011fundan kurtarmak.&#8221; (Levinas)<\/li>\n<li>Meydana gelmi\u015f olan meydana gelmi\u015f de\u011fildir -b\u00f6yle konu\u015furdu sab\u0131r, son aceleye gelmesin diye.<\/li>\n<li>&#8220;Ben&#8221; do\u011fmu\u015f olmadan \u00f6nce \u00f6l\u00fcr.<\/li>\n<li>Maddecilik: &#8220;benim olan&#8221; belki, sahiplenme [hasla\u015ft\u0131rma] ya da bencillik oldu\u011fundan, s\u0131radan olur; ama ba\u015fka insana ili\u015fkin maddecilik -ba\u015fkas\u0131n\u0131n a\u00e7l\u0131\u011f\u0131, susuzlu\u011fu, arzusu- maddecili\u011fin hakikatidir, \u00f6nemidir.<\/li>\n<li>Bir okuma vard\u0131r ki etkindir, \u00fcreticidir -metni ve okuru o \u00fcretir, bizi al\u0131r g\u00f6t\u00fcr\u00fcr. Sonra metne itaat eder g\u00f6r\u00fcnerekten metne ihanet eden edildin bir okuma vard\u0131r, metnin nesnel bi\u00e7imde, tam bi\u00e7imde, egemen bi\u00e7imde: b\u00fct\u00fcnl\u00fckl\u00fc bi\u00e7imde var oldu\u011fu yan\u0131lsamas\u0131n\u0131 verir. Son bir okuma daha vard\u0131r, o da art\u0131k edilgin okuma de\u011fil, edilginli\u011fin oku(n)mas\u0131d\u0131r, hazs\u0131z, ne\u015fesiz, hem kavray\u0131\u015ftan hem de arzudan ka\u00e7an bir okuma; &#8216;her \u015fey s\u00f6ylendi&#8217;nin \u00f6tesindeki, S\u00f6yleme&#8217;nin i\u015fitilece\u011fi ve son tan\u0131\u011f\u0131n tan\u0131kl\u0131\u011f\u0131n\u0131n dile getirilece\u011fi &#8220;esin veren&#8221; uykusuzluktaki gibi, gece uyan\u0131kl\u0131\u011f\u0131ndaki gibi.<\/li>\n<li>Son tan\u0131k, tarihin sonu, \u00e7a\u011f\u0131n kapan\u0131\u015f\u0131, d\u00f6neme\u00e7, bunal\u0131m -ya da (metafizik) felsefenin sonu.<\/li>\n<\/ul>\n<p>Maurice Blanchot, Felaket Yaz\u0131s\u0131, \u00e7ev. Aziz Ufuk K\u0131l\u0131\u00e7, Monokl, 2014 [1980], s. 140-3.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bir Blanchot kitab\u0131ndan &#8220;yaz\u0131&#8221; \u00fczerine k\u0131sa bir pasaj al\u0131nt\u0131lamak ahmakl\u0131k. K\u00fclliyat\u0131 zaten yazmay\u0131, okumay\u0131, al\u0131nt\u0131lamay\u0131, ba\u015fka metinleri, onlar\u0131n yazarlar\u0131yla muhabbeti ku\u015fatm\u0131\u015f okur-yazardan b\u00f6ylesi bir par\u00e7a s\u00f6k\u00fcp \u00e7\u0131karmak utan\u00e7 verici. Ne okumak, ne yazmak, ne konu\u015fmak, ne var ki sadece bunlarda yatar daha \u015fimdiden s\u00f6ylenmi\u015f olandan, Bilme&#8217;den, anla\u015fmadan kurtulu\u015fumuz, verilenin belki kimse taraf\u0131ndan al\u0131nmad\u0131\u011f\u0131 me\u00e7hul uzama, &hellip; <a href=\"https:\/\/yalpertem.com\/blog\/2018\/03\/04\/blanchot-yazma-kitap-ve-okuma-uzerine-i\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Blanchot, Yazma, Kitap ve Okuma \u00dczerine (I)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33,31,7,101],"tags":[270,269],"class_list":["post-1003","post","type-post","status-publish","format-standard","hentry","category-alinti","category-deneme","category-edebiyat","category-felsefe","tag-felaket-yazisi","tag-maurice-blanchot"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-gb","jetpack-related-posts":[{"id":2914,"url":"https:\/\/yalpertem.com\/blog\/2019\/12\/07\/maurice-blanchotya-kisa-giris-c-fynsk-notlar\/","url_meta":{"origin":1003,"position":0},"title":"Maurice Blanchot&#8217;ya K\u0131sa Giri\u015f | C. Fynsk (Notlar)","author":"yalpertem","date":"7 December 2019","format":false,"excerpt":"Genel olarak, Blanchot'nun 1930'lardan bug\u00fcne ba\u015fkalar\u0131 taraf\u0131ndan nas\u0131l temkinle kar\u015f\u0131land\u0131\u011f\u0131ndan, gen\u00e7li\u011findeki sa\u011fc\u0131l\u0131\u011f\u0131ndan, etraf\u0131ndaki haleden, \u015fimdiye kadar tan\u0131\u015ft\u0131\u011f\u0131m Blanchot'ya bir yerden dokunmu\u015f herkesten duydu\u011fum \"okudum ama ben tam bilmiyorum, g\u00fczel, nas\u0131l desem, pek bir \u015fey diyemem,\" diye ba\u015flayan ifadelerin olas\u0131 sebeplerinden bahsediyor. Giri\u015f dersi oldu\u011fu i\u00e7in pek bir \u00f6zet ya da\u2026","rel":"","context":"In &quot;\u00e7eviri&quot;","block_context":{"text":"\u00e7eviri","link":"https:\/\/yalpertem.com\/blog\/category\/ceviri\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2019\/12\/fynsk-300x169.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":986,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/08\/blanchot-alintilamanin-elestirisi\/","url_meta":{"origin":1003,"position":1},"title":"Blanchot, Al\u0131nt\u0131laman\u0131n Ele\u015ftirisi ve Yazar\u0131n H\u00e2li","author":"yalpertem","date":"8 March 2018","format":false,"excerpt":"Benim bu blog'a al\u0131nt\u0131lar ta\u015f\u0131rken i\u00e7ine girdi\u011fim ve \u00e7\u0131kmaya \u00e7abalad\u0131\u011f\u0131m baz\u0131 \u00e7\u0131kmazlar var. B\u00f6ylesi bir alan a\u00e7madaki ilk niyetim \u015f\u00f6yleydi: g\u00fcn\u00fcm\u00fczde \u00fcretilen ve payla\u015f\u0131lan g\u00f6rsel, i\u015fitsel ve yaz\u0131nsal i\u00e7erikler kimi zaman ge\u00e7mi\u015fte hali haz\u0131rda \u00fcretilmi\u015flerin k\u00f6t\u00fc kopyalar\u0131, az biraz de\u011fi\u015ftirilmi\u015f yutturmacalar\u0131, ilk metinlerin \u00fczerine d\u00fc\u015f\u00fcnce veya estetik bir art\u0131 de\u011fer\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-felaket-yazisi-198x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1150,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/26\/blanchot-yabanci-surgun-kamp\/","url_meta":{"origin":1003,"position":2},"title":"Blanchot, Yabanc\u0131-S\u00fcrg\u00fcn-Kamp","author":"yalpertem","date":"26 March 2018","format":false,"excerpt":"\"Camus onu \"bildik\" k\u0131laca\u011f\u0131 i\u00e7in hemen tan\u0131d\u0131\u011f\u0131m izlektir bu; yani onun imledi\u011fi \u015feyin kar\u015f\u0131t\u0131, birka\u00e7 y\u0131l sonra, ilk s\u00f6zc\u00fcklerden itibaren g\u00f6sterilir: \"Yabanc\u0131.\" Yabanc\u0131 kimdir? Burada yeterli bir tan\u0131m yoktur. D\u0131\u015far\u0131dan gelir. \u0130yi kar\u015f\u0131lan\u0131r, ama tabi olamayaca\u011f\u0131 ve onu her \u015fekilde -\u00f6l\u00fcm\u00fcn e\u015fi\u011finde- s\u0131nava \u00e7eken kurallara g\u00f6re. Kendisi, bundan \"ahlak\"\u0131 \u00e7\u0131karacak\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-sonradan-sonsuz-yineleme-184x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1632,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/29\/levinas-siirden-duz-yaziya-blanchot-bahsi\/","url_meta":{"origin":1003,"position":3},"title":"Levinas, \u015eiirden D\u00fcz Yaz\u0131ya (Blanchot Bahsi)","author":"yalpertem","date":"29 May 2018","format":false,"excerpt":"\" \u0130fadenin gelip d\u00fc\u015f\u00fcnceye eklenmemesi, onun -metaforun- bu d\u00fc\u015f\u00fcnceyi d\u00fc\u015f\u00fcn\u00fclen teman\u0131n \u00f6tesine ta\u015f\u0131mas\u0131; -hala bir \u00e7eki\u00e7 ya da bir belge gibi aktar\u0131labilir olan- bu teman\u0131n \u00f6tesinde, harflerin -a\u00e7\u0131l\u0131p serpilmeleri i\u00e7inde, edebiyatlar\u0131 i\u00e7inde- S\u00f6ylenenin spermsi nedenlerini korumas\u0131 ve yorumcuya, yani okuyucuya daha uzak ve daha eski ya da daha derin bir\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/emmanuel-levinas-maurice-blanchot-%C3%BCst%C3%BCne-214x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1084,"url":"https:\/\/yalpertem.com\/blog\/2018\/03\/15\/blanchot-temel-yalnizlik-ve-dunyadaki-yalnizlik\/","url_meta":{"origin":1003,"position":4},"title":"Blanchot, Temel Yaln\u0131zl\u0131k ve D\u00fcnyadaki Yaln\u0131zl\u0131k","author":"yalpertem","date":"15 March 2018","format":false,"excerpt":"\"Yaln\u0131z oldu\u011fumda orada olan ben de\u011filim ve ne senden uzakta kal\u0131yorum, ne ba\u015fkalar\u0131ndan, ne d\u00fcnyadan. Ba\u015f\u0131na bu yaln\u0131zl\u0131k izleniminin, s\u0131n\u0131rlar\u0131ma ili\u015fkin bu duygunun, kendim olmaktan do\u011fan bu s\u0131k\u0131nt\u0131n\u0131n gelebilece\u011fi bir ki\u015fi de\u011filim. Yaln\u0131z oldu\u011fumda, orada de\u011filim. Bu, ruhsal bir durum anlam\u0131na gelmez, yitip gitmeli, bir merkezden oldu\u011fu gibi kendimden kalkarak\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/03\/maurice-blanchot-yaz%C4%B1nsal-uzam-188x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1273,"url":"https:\/\/yalpertem.com\/blog\/2018\/04\/26\/blanchot-edebi-cemaat-dost-ve-oteki-icin-varolma\/","url_meta":{"origin":1003,"position":5},"title":"Blanchot, Edebi Cemaat (dost ve \u00f6teki i\u00e7in varolma)","author":"yalpertem","date":"26 April 2018","format":false,"excerpt":"\" Edebi ileti\u015fimin ideal cemaati. Bu cemaate ko\u015fullar yard\u0131m etmi\u015ftir (tesad\u00fcf\u00fcn, \u015fans\u0131n, gelip ge\u00e7ici tarihsel hevesin veya rastlant\u0131n\u0131n \u00f6nemi; ger\u00e7ek\u00fcst\u00fcc\u00fcler -hepsinden \u00f6nce de\u00a0Andr\u00e9 Breton- bunu \u00f6nceden hissetmi\u015f ve hatta erkenden kuramla\u015ft\u0131rm\u0131\u015flard\u0131r.) Birka\u00e7 \u015fahit-okuru bir masan\u0131n etraf\u0131nda gerekti\u011finde bir araya getirebilmek m\u00fcmk\u00fcnd\u00fc (bu, Yahudi paskalyas\u0131na erken gelenleri hat\u0131rlat\u0131r), bu insanlar\u0131n, hemen\u2026","rel":"","context":"In &quot;al\u0131nt\u0131&quot;","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/04\/maurice-blanchot-itiraf-edilemeyen-cemaat-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=1003"}],"version-history":[{"count":1,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1003\/revisions"}],"predecessor-version":[{"id":4648,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1003\/revisions\/4648"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=1003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=1003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=1003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}