{"id":1,"date":"2016-09-25T11:39:09","date_gmt":"2016-09-25T08:39:09","guid":{"rendered":"http:\/\/yalpertem.com\/blog\/?p=1"},"modified":"2020-06-05T17:05:20","modified_gmt":"2020-06-05T14:05:20","slug":"merhaba-dunya","status":"publish","type":"post","link":"https:\/\/yalpertem.com\/blog\/2016\/09\/25\/merhaba-dunya\/","title":{"rendered":"Merhaba (sanal) d\u00fcnya!"},"content":{"rendered":"","protected":true},"excerpt":{"rendered":"","protected":true},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1","post","type-post","status-publish","format-standard","post-password-required","hentry","category-genel"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9WYIs-1","jetpack-related-posts":[{"id":967,"url":"https:\/\/yalpertem.com\/blog\/2018\/02\/18\/colebrook-deleuze-post-yapisalcilik-ve-zor-yazi-uzerine\/","url_meta":{"origin":1,"position":0},"title":"Colebrook, Deleuze, Post-yap\u0131salc\u0131l\u0131k ve Zor Yaz\u0131 \u00dczerine","author":"yalpertem","date":"18 February 2018","format":false,"excerpt":"Kitab\u0131n a\u00e7\u0131l\u0131\u015f\u0131ndan, Deleuze'\u00fcn 20. yy Avrupa d\u00fc\u015f\u00fcncesi i\u00e7indeki konumu ve post-yap\u0131salc\u0131l\u0131k ile ili\u015fkisine dair giri\u015f seviyesi genel bir perspektif sunmas\u0131 a\u00e7\u0131s\u0131ndan faydal\u0131 bir pasaj. Post-yap\u0131salc\u0131 d\u00fc\u015f\u00fcnceyi fenomenoloji ve yap\u0131salc\u0131l\u0131ktan ayr\u0131lan, onlara kar\u015f\u0131tla\u015fan y\u00f6nlerini sunuyor Colebrook. Felsefede, \"varl\u0131k\" ve \"kimlik\" kavramlar\u0131n\u0131n ba\u015fatl\u0131\u011f\u0131ndan \"olu\u015f\" ve \"fark\"\u0131 \u00f6n plana \u00e7eken Deleuze'\u00fcn, hakikate ve\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/02\/claire-colebrook-gilles-deleuze-199x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":626,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/29\/gurbilek-1980lerde-baski-ozgurlesme-ve-tasra-uzerine\/","url_meta":{"origin":1,"position":1},"title":"G\u00fcrbilek, 1980’lerde Bask\u0131, \u00d6zg\u00fcrle\u015fme ve Ta\u015fra \u00dczerine","author":"yalpertem","date":"29 November 2017","format":false,"excerpt":"\"1980'leri \u00f6nceki bask\u0131 d\u00f6nemlerinden ay\u0131ran, bu bask\u0131n\u0131n kar\u015f\u0131t\u0131yla birlikte, k\u00fclt\u00fcrel alanda bir \u00f6zg\u00fcrl\u00fck vaadiyle birlikte varolmas\u0131yd\u0131.Bu d\u00f6nemi yaln\u0131zca bask\u0131 kavram\u0131yla anlamaya \u00e7al\u0131\u015fman\u0131n zorlu\u011fu da burada: 80'ler bir yandan bu toplumda ya\u015fanm\u0131\u015f en sert bask\u0131 d\u00f6nemiydi, devlet \u015fiddetinin kendisini en \u00e7\u0131plak bi\u00e7imde hissettirdi\u011fi d\u00f6nemdi, ama bir yandan da bir k\u00fclt\u00fcrel \u00e7o\u011fulla\u015fmay\u0131,\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/11\/vitrinde-yasamak-nurdan-gurbilek-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":602,"url":"https:\/\/yalpertem.com\/blog\/2017\/11\/26\/virilio-teknoloji-ve-etkileri-uzerine\/","url_meta":{"origin":1,"position":2},"title":"Virilio, Teknoloji ve Etkileri \u00dczerine","author":"yalpertem","date":"26 November 2017","format":false,"excerpt":"\"Her siyasal devrim bir dramd\u0131r, ama gelece\u011fi haber verilen bir teknik devrim bir dramdan daha fazla bir \u015feydir. Bilginin trajedisidir, bireysel ve kolektif bilgilerin Babil Kulesi'ndeki diller gibi birbirine kar\u0131\u015fmas\u0131d\u0131r. Esopos'un dili gibi Internet de, olabilece\u011fin hem en iyisi hem de en k\u00f6t\u00fcs\u00fcd\u00fcr. Bir yandan s\u0131n\u0131rs\u0131z bir ileti\u015fimin ilerle\u00admesidir. Di\u011fer\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2017\/11\/paul-virilio-enformasyon-bombas%C4%B1-201x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1362,"url":"https:\/\/yalpertem.com\/blog\/2018\/05\/07\/harvey-zaman-mekan-sikismasina-tepkiler\/","url_meta":{"origin":1,"position":3},"title":"Harvey, Zaman-Mek\u00e2n S\u0131k\u0131\u015fmas\u0131na Tepkiler","author":"yalpertem","date":"7 May 2018","format":false,"excerpt":"Harvey, bu kitapta postmodernite ba\u011flam\u0131nda zaman-mek\u00e2n s\u0131k\u0131\u015fmas\u0131n\u0131 te\u015fhis ediyor ve etkilerine epey vakit ay\u0131r\u0131yordu. A\u015fa\u011f\u0131da al\u0131nt\u0131lad\u0131\u011f\u0131m k\u0131s\u0131m, bug\u00fcne dek Harvey'den daha \u00e7ok ilgi g\u00f6sterdi\u011fim (her daim hakl\u0131 buldu\u011fum de\u011fil illa ki) Wim Wenders, Jean Baudrillard, Fredric Jameson, Nietzsche (?), F\u00e9lix Guattari ve Gilles Deleuze'\u00fcn \u015fahs\u0131nda, Harvey'nin postmodern d\u00fc\u015f\u00fcnce ve imge\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/05\/david-harvey-postmodernli%C4%9Fin-durumu-200x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1800,"url":"https:\/\/yalpertem.com\/blog\/2018\/06\/29\/vattimo-postmodern-seffaf-bir-toplum\/","url_meta":{"origin":1,"position":4},"title":"Vattimo, Postmodern: \u015eeffaf Bir Toplum?","author":"yalpertem","date":"29 June 2018","format":false,"excerpt":"\" \u0130lk \u00f6nce postmodern \u00fczerine konu\u015faca\u011f\u0131z, \u00e7\u00fcnk\u00fc kimi temel y\u00f6nlerden modernli\u011fin sona erdi\u011fini hissediyoruz. Modernlik sona erdi denilerek ne ifade edildi\u011fini anlamak i\u00e7in ilk \u00f6nce modernli\u011fin ne demeye geldi\u011fini anlamam\u0131z gerekiyor. Bir\u00e7ok modernlik tan\u0131m\u0131 aras\u0131nda \u00fczerinde genel bir anla\u015fmaya var\u0131labilecek bir tan\u0131m s\u00f6z konusu: Modernlik, salt modern (1) olman\u0131n kendi\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/06\/gianni-vattimo-%C5%9Feffaf-toplum-173x300.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2174,"url":"https:\/\/yalpertem.com\/blog\/2018\/10\/07\/barthes-kapaktaki-meshur-asker-uzerine\/","url_meta":{"origin":1,"position":5},"title":"Barthes, Kapaktaki (Me\u015fhur) Asker \u00dczerine","author":"yalpertem","date":"7 October 2018","format":false,"excerpt":"Hayata 21 g\u00fcnl\u00fck bedelli askerlik molas\u0131n\u0131, d\u00fcn gitti\u011fim -hakl\u0131l\u0131kla alayc\u0131- berberden sonra hangi al\u0131nt\u0131yla ifade edebilirim? Aslan Asker \u015evayk (Ha\u0161ek) ya da Adam Adamd\u0131r (Brecht) belki. En yak\u0131nlara bakarsam, Barthes'\u0131n berberde bir dergi kapa\u011f\u0131ndaki siyah asker foto\u011fraf\u0131yla kar\u015f\u0131la\u015fmas\u0131 ve bununla ilgili yazd\u0131\u011f\u0131, sonradan i\u00e7inden \u00e7ok sular akacak geni\u015f dere yata\u011f\u0131na\u2026","rel":"","context":"In "al\u0131nt\u0131"","block_context":{"text":"al\u0131nt\u0131","link":"https:\/\/yalpertem.com\/blog\/category\/alinti\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/yalpertem.com\/blog\/wp-content\/uploads\/2018\/01\/roland-barthes-cagdas-soylenler-199x300.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/comments?post=1"}],"version-history":[{"count":8,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1\/revisions"}],"predecessor-version":[{"id":3588,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/posts\/1\/revisions\/3588"}],"wp:attachment":[{"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/media?parent=1"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/categories?post=1"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalpertem.com\/blog\/wp-json\/wp\/v2\/tags?post=1"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}